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Lesson 12: Handout 4, Document 1 German Youth in the 1930S: Selected Excerpted Documents
Lesson 12: Handout 4, Document 1 German Youth in the 1930s: Selected excerpted documents Changes at School (Excerpted from “Changes at School,” pp. 175–76 in Facing History and Ourselves: Holocaust and Human Behavior ) Ellen Switzer, a student in Nazi Germany, recalls how her friend Ruth responded to Nazi antisemitic propaganda: Ruth was a totally dedicated Nazi. Some of us . often asked her how she could possibly have friends who were Jews or who had a Jewish background, when everything she read and distributed seemed to breathe hate against us and our ancestors. “Of course, they don’t mean you,” she would explain earnestly. “You are a good German. It’s those other Jews . who betrayed Germany that Hitler wants to remove from influence.” When Hitler actually came to power and the word went out that students of Jewish background were to be isolated, that “Aryan” Germans were no longer to associate with “non-Aryans” . Ruth actually came around and apologized to those of us to whom she was no longer able to talk. Not only did she no longer speak to the suddenly ostracized group of class - mates, she carefully noted down anybody who did, and reported them. 12 Purpose: To deepen understanding of how propaganda and conformity influence decision-making. • 186 Lesson 12: Handout 4, Document 2 German Youth in the 1930s: Selected excerpted documents Propaganda and Education (Excerpted from “Propaganda and Education,” pp. 242 –43 in Facing History and Ourselves: Holocaust and Human Behavior ) In Education for Death , American educator Gregor Ziemer described school - ing in Nazi Germany: A teacher is not spoken of as a teacher ( Lehrer ) but an Erzieher . -
Helmut Schelsky
16 | 17 Universitätsarchiv Helmut Schelsky 03 Helmut Schelsky Denker der „skeptischen Generation“, „Stichwortgeber des Zeitgeistes“ Helmut Schelsky, 1912 in Chemnitz geboren, gilt als der 14. Okt. 1912 Helmut Wilhelm Friedrich Schelsky wurde in Chemnitz geboren. erfolg- und einflussreichste Soziologe der frühen Bun- ab 1931 Studium der Philosophie, Germanistik desrepublik. Sozialisiert in der Weimarer Republik setzte und Geschichte in Leipzig, zuvor an der er jugendbewegt und idealistisch 1933 auf die „Revo- Universität Königsberg. lution von rechts“. Dem anfänglich starken Engagement ab 1932 Mitglied der SA. für den Nationalsozialismus und dem Erklimmen der ab 1933 Arbeit für den Nationalsozialistischen ersten Stufen der akademischen Karriereleiter folgten Studentenbund. Desillusionierung und die Teilnahme an den Kämpfen 1935 Promotion mit Dissertation über „Die an der Ostfront. Nach 1945 verabschiedete sich Schels- Theorie der Gemeinschaft nach Fichtes „Naturrecht“ von 1796“. ky von jedwedem Idealismus und entwickelte sich als Eintritt in die NSDAP. geläuterter Demokrat zum nüchternen, sachlichen Be- 1938 gleiter der jungen Bundesrepublik. Helmut Schelsky 1938-1940 Assistent Gehlens in Königsberg. – mal als neokonservativ, mal als progressiv bezeich- 1939 Habilitation über „Die politische Lehre net – wurde mit seinen Veröffentlichungen zu aktuellen von Thomas Hobbes“. Problemen der Bundesrepublik zum „Stichwortgeber 1939 Kurzfristig Dozent in Königsberg. des Zeitgeistes“ (Ludolf Hermann). Zu nennen sind ins- 1940/1941 Assistent Freyers in Budapest. besondere „Wandlungen der deutschen Familie in der 1941-1945 Als Soldat der Wehrmacht eingezogen. Gegenwart“ (1953), „Soziologie der Sexualität“ (1955) Mehrmals zum Teil schwer verwundet. und „Die skeptische Generation. Eine Soziologie der 1942 Lehrstuhlvertretung in Leipzig. deutschen Jugend“ (1957). 1943 Außerordentlicher Professor an der Mit der Berufung auf eine Soziologieprofessur an der Uni- Reichsuniversität Straßburg. -
Creativity in Nietzsche and Heidegger: the Relation of Art and Artist
Creativity in Nietzsche and Heidegger: The Relation of Art and Artist Justin Hauver Philosophy and German Mentor: Hans Sluga, Philosophy August 22, 2011 I began my research this summer with a simple goal in mind: I wanted to out- line the ways in which the thoughts of Friedrich Nietzsche and Martin Heidegger complement one another with respect to art. I had taken a few courses on each philosopher beforehand, so I had some inclination as to how their works might be brought into agreement. However, I almost immediately ran into difficulty. It turns out that Heidegger, who lived and thought two or three generations after Nietzsche, had actually lectured on the topic of Nietzsche's philosophy of art and had placed Nietzsche firmly in a long tradition characterized by its mis- understanding of art and of the work of art. This means that Heidegger himself did not agree with me|he did not see his thoughts on art as complementary with Nietzsche's. Rather, Heidegger saw his work as an improvement over the misguided aesthetic tradition. Fortunately for me, Heidegger was simply mistaken. At least, that's my thesis. Heidegger did not see his affinity with Nietzsche because he was misled by his own misinterpretation. Nevertheless, his thoughts on art balance nicely with those of Nietzsche. To support this claim, I will make three moves today. First, I will set up Heidegger's critique, which is really a challenge to the entire tradition that begins with Plato and runs its course up to Nietzsche. Next, I will turn to Heidegger's views on art to see how he overcomes the tradition and answers his own criticism of aesthetics. -
52 Philosophy in a Dark Time: Martin Heidegger and the Third Reich
52 Philosophy in a Dark Time: Martin Heidegger and the Third Reich TIMOTHY O’HAGAN Like Oscar Wilde I can resist everything except temptation. So when I re- ceived Anne Meylan’s tempting invitation to contribute to this Festschrift for Pascal Engel I accepted without hesitation, before I had time to think whether I had anything for the occasion. Finally I suggested to Anne the text of a pub- lic lecture which I delivered in 2008 and which I had shown to Pascal, who responded to it with his customary enthusiasm and barrage of papers of his own on similar topics. But when I re-read it, I realized that it had been written for the general public rather than the professional philosophers who would be likely to read this collection of essays. So what was I to do with it? I’ve decided to present it in two parts. In Part One I reproduce the original lecture, unchanged except for a few minor corrections. In Part Two I engage with a tiny fraction of the vast secondary literature which has built up over the years and which shows no sign of abating. 1. Part One: The 2008 Lecture Curtain-Raiser Let us start with two dates, 1927 and 1933. In 1927 Adolf Hitler’s Mein Kampf (volume II) was published. So too was Martin Heidegger’s magnum opus Being and Time. In 1933 two appointments were made: Hitler as Chancellor of the German Reich and Heidegger as Rector of Freiburg University. In 1927 it was a case of sheer coincidence; in 1933 the two events were closely linked. -
The Significance of Dehumanization: Nazi Ideology and Its Psychological Consequences
Politics, Religion & Ideology ISSN: 2156-7689 (Print) 2156-7697 (Online) Journal homepage: http://www.tandfonline.com/loi/ftmp21 The Significance of Dehumanization: Nazi Ideology and Its Psychological Consequences Johannes Steizinger To cite this article: Johannes Steizinger (2018): The Significance of Dehumanization: Nazi Ideology and Its Psychological Consequences, Politics, Religion & Ideology To link to this article: https://doi.org/10.1080/21567689.2018.1425144 © 2018 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 24 Jan 2018. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=ftmp21 POLITICS, RELIGION & IDEOLOGY, 2018 https://doi.org/10.1080/21567689.2018.1425144 The Significance of Dehumanization: Nazi Ideology and Its Psychological Consequences Johannes Steizinger Department of Philosophy, University of Vienna, Vienna, Austria ABSTRACT Several authors have recently questioned whether dehumanization is a psychological prerequisite of mass violence. This paper argues that the significance of dehumanization in the context of National Socialism can be understood only if its ideological dimension is taken into account. The author concentrates on Alfred Rosenberg’s racist doctrine and shows that Nazi ideology can be read as a political anthropology that grounds both the belief in the German privilege and the dehumanization of the Jews. This anthropological framework combines biological, cultural and metaphysical aspects. Therefore, it cannot be reduced to biologism. This new reading of Nazi ideology supports three general conclusions: First, the author reveals a complex strategy of dehumanization which is not considered in the current psychological debate. -
Humboldt and the Modern German University
5 Tradition under debate During the final years of the 1950s, the period of actual reconstruction came to an end. Material standards had risen considerably, and the sombre, anxious atmosphere that was typical of the first half of the decade had given way to confidence in a brighter future. An artistic avant-garde broke with prevalent aesthetic principles; a public reckoning with Nazism gradually got under way; and a younger generation began to make itself heard in social debate. Many said farewell to the Adenauer era even before the ageing Federal Chancellor left his post in 1963. These years, c. 1957–1965, stand out as a comparatively distinct phase in West German post-war history, a phase that can be separated from the preceding and ensuing ones. ‘Dynamic times’ is a label given by historians to this period of just under ten years.1 In spite of the growth and spread of prosperity, there was a simmering discontent in many circles. One underlying cause was the incomplete democratisation. True, the parliamentary system had taken hold and been consolidated; but West German society was not seen as entirely democratic. More and more people made more and more insistent demands for reform – a keyword for the 1960s. Especially the younger generation did not feel at home in an order where older men held all the important positions of power. As an 1 Dynamische Zeiten: Die 60er Jahre in den beiden deutschen Gesellschaften, ed. by Axel Schildt, Detlef Siegfried & Karl Christian Lammers (Hamburg, 2000); Schildt & Siegfried, Deutsche Kulturgeschichte, pp. 179–244. Other important interpreters of the history of the Federal Republic use a similar vocabulary: In Die geglückte Demokratie: Geschichte der Bundesrepublik Deutschland von ihren Anfängen bis zur Gegenwart (Stuttgart, 2006), Edgar Wolfrum speaks of the 1960s in terms of ‘dynamism and liberalisation’ while ‘transformation’ and ‘the euphoria of modernity’ are keywords in Ulrich Herbert, Geschichte Deutschlands im 20. -
Hannah Arendt Controversy
Eichmann in New York: The New York Intellectuals and the Hannah Arendt Controversy ANSON RABINBACH The Eichmann controversy, occasioned by Hannah Arendt’s five-part series that appeared in The New Yorker from February 16 to March 16, 1963, was certainly the most bitter public dispute among intellectuals and scholars concerning the Holocaust that has ever taken place. It was also the first time that both Jews and non-Jews were witness to a controversy over Jewish memory, an affair that took place largely, but not exclusively, among Jews. The controversy elicited over a thousand published responses. It lasted almost three years from the initial burst of reactions to Arendt’s articles and book in 1963, gradually subsiding only after her response to Jacob Robinson’s book-length disputation, And the Crooked Shall Be Made Straight, more than two years later.1 The animosity and rancor of the dispute was so extreme that more than two decades later Irving Howe could write that “within the New York intellectual world Arendt’s book provoked divisions that would never be entirely healed.”2 To varying degrees almost all her critics took up Arendt’s most controversial points: her characterization of Eichmann as a thoughtless and “banal” cipher of totalitarian rule, her judgments of the behavior of the Jewish leaders and Zionist officials in Eastern Europe, her analysis of the legal charges against Eichmann, and her accusation that the court proceedings were, in effect, a “show trial.” But as Richard I. Cohen has shown in his comprehensive rezeptionsgeschichte (reception history) of the controversy, despite a good deal of overlap concerning the main themes of Arendt’s work, substantial distinctions among different audiences and responses can be discerned. -
Instrumentalising the Past: the Germanic Myth in National Socialist Context
RJHI 1 (1) 2014 Instrumentalising the Past: The Germanic Myth in National Socialist Context Irina-Maria Manea * Abstract : In the search for an explanatory model for the present or even more, for a fundament for national identity, many old traditions were rediscovered and reutilized according to contemporary desires. In the case of Germany, a forever politically fragmented space, justifying unity was all the more important, especially beginning with the 19 th century when it had a real chance to establish itself as a state. Then, beyond nationalism and romanticism, at the dawn of the Third Reich, the myth of a unified, powerful, pure people with a tradition dating since time immemorial became almost a rule in an ideology that attempted to go back to the past and select those elements which could have ensured a historical basis for the regime. In this study, we will attempt to focus on two important aspects of this type of instrumentalisation. The focus of the discussion is mainly Tacitus’ Germania, a work which has been forever invoked in all sorts of contexts as a means to discover the ancient Germans and create a link to the modern ones, but in the same time the main beliefs in the realm of history and archaeology are underlined, so as to catch a better glimpse of how the regime has been instrumentalising and overinterpreting highly controversial facts. Keywords : Tacitus, Germania, myth, National Socialism, Germany, Kossinna, cultural-historical archaeology, ideology, totalitarianism, falsifying history During the twentieth century, Tacitus’ famous work Germania was massively instrumentalised by the Nazi regime, in order to strengthen nationalism and help Germany gain an aura of eternal glory. -
6. De Arañas Y Visigodos. La Década Alemana De Juan José Carreras
LibHomJJCarreras[01] 11/5/09 20:53 Página 73 De arañas y visigodos. La década alemana de Juan José Carreras* IGNACIO PEIRÓ MARTÍN Universidad de Zaragoza MIQUEL À. MARÍN GELABERT Universitat de les Illes Balears El progreso de la historia de la historiografía supone un avance en la comprensión de las condiciones de conoci- miento en el pasado. De ahí que, parafraseando a Pierre Bourdieu, ello exija obstinados retornos sobre los mismos temas. El homenaje al profesor Juan José Carreras propicia uno de estos retornos con el objetivo de comprender una coyuntura biográfica de la que finalmente resultó un punto de inflexión en su trayectoria personal e intelectual1. Las décadas intermedias del siglo XX representan una coyuntura de grandes transformaciones en el ámbito historiográfico. Las tres principales son, grosso modo, la formación de una comunidad internacional de historia- dores profesionales2, la estructuración de las comunida- * El presente texto responde en lo esencial a la asociación de las intervenciones de Ignacio Peiró y Miquel Marín en el homena- je al profesor Juan José Carreras celebrado en Zaragoza en diciembre de 2007. En consecuencia, no responde fielmente a ninguna de las dos intervenciones. De hecho, es la primera entrega —sucinta y cercenada en su cronología— de lo que en el futuro será un estudio de la transformación alemana de Juan José Carreras, en el que se desarrollarán con más ampli- tud, por ejemplo, los rasgos de la obra de Werner Conze (y de su grupo de influencia) que marcarán las prinicpales pautas de evolución de quien estaba destinado a ser catedrático de la Universidad de Zaragoza. -
On the Origins of Carnap's Aufbau from Reductive Empiricism to The
The publication of this book was supported by the Student Union of ELTE University and the Student Union of the Faculty of Humanities at ELTE University. Published by the Philosophy Workshop of Eötvös József Collegium Budapest, 2016 Director of publication: Dr. László Horváth Edited by Megyer Gyöngyösi, Zsolt Kapelner, Zsófia Ádám, István Faragó-Szabó Cover design by Hunor Gyöngyösi Designed by Zsófia Machó isbn © 2016 Philosophy Workshop of Eötvös József Collegium © The authors On the Origins of Carnap’s Aufbau From reductive empiricism 13 to the Geisteswissenschaften Ádám Tamás Tuboly Rudolf Carnap’s Der logische Aufbau der Welt is considered to be the magnum opus of (early) analytic philosophy. Contrary to this analytic tradition stands, as the saying goes, everything else – the so called continental philosophies. It has been highlighted recently, however, that the contexts of the Aufbaudiffer radically from the usual received view. In order to obtain a better picture of (the influences of) the Aufbau, I will present in Sect. 1 the received view which characterizes the book as a reductive empiricist, foundationalist and phenomenalist work. In Sect. 2 I will show step-by-step that this view is mistaken and the influences on the Aufbau could be located around Neo-Kantianism, the philosophy of Husserl and the human sciences [Geisteswissenschaften]. The contribution of this paper is connected to these approaches and argues for a different and currently unanalyzed and mainly ignored aspect of Carnap’s work, namely his theory of geistige Gegenstände. After all, I will claim that the motivations and continental roots of the Aufbau are just much deeper than it is usually thought. -
Foundations of Nazi Cultural Policy and Institutions Responsible for Its
Kultura i Edukacja 2014 No 6 (106), s. 173–192 DOI: 10.15804/kie.2014.06.10 www.kultura-i-edukacja.pl Sylwia Grochowina, Katarzyna Kącka1 Foundations of Nazi Cultural Policy and Institutions Responsible for its Implementation in the Period 1933 – 1939 Abstract The purpose of this article is to present and analyze the foundations and premises of Nazi cultural policy, and the bodies responsible for its imple- mentation, the two most important ones being: National Socialist Society for German Culture and the Ministry of National Enlightenment and Propa- ganda of the Reich. Policy in this case is interpreted as intentional activity of the authorities in the field of culture, aimed at influencing the attitudes and identity of the population of the Third Reich. The analysis covers the most important documents, statements and declarations of politicians and their actual activity in this domain. Adopting such a broad perspective al- lowed to comprehensively show both the language and the specific features of the messages communicated by the Nazi authorities, and its impact on cultural practices. Key words Third Reich, Nazi, cultural policy, National Socialist Society for German Culture, Ministry of National Enlightenment and Propaganda of the Reich 1 Nicolaus Copernicus University in Toruń, Polnad 174 Sylwia Grochowina, Katarzyna Kącka 1. INTRODUCTION The phenomenon of culture is one of the most important distinctive features of individual societies and nations. In a democratic social order, creators of culture can take full advantage of creative freedom, while the public can choose what suits them best from a wide range of possibilities. Culture is also a highly variable phenomenon, subject to various influences. -
Rabinbach, Anson. Staging the Third Reich
Copyright © 2020. Taylor & Francis Group. All rights reserved. Group. All rights © 2020. Taylor & Francis Copyright Rabinbach, Anson. Staging the Third Reich : Essays in Cultural and Intellectual History, edited by Stefanos Geroulanos, and Dagmar Herzog, Taylor & Francis Group, 2020. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/nyulibrary-ebooks/detail.action?docID=6235713. Created from nyulibrary-ebooks on 2020-07-01 17:45:52. Contents “The attraction of fascism itself”: Anson Rabinbach’s writings on Nazism and its opponents 1 STEFANOS GEROULANOS AND DAGMAR HERZOG PART I Nazism 19 1 The Beauty of Labor: The aesthetics of production in the Third Reich (1976) 21 Appendix: No angel from hell: The collapse of the Speer myth (2006) 42 2 Organized mass culture in the Third Reich: The women of Kraft durch Freude (1986) 58 3 The emotional core of fascism in its most virulent psychic manifestations (1989) 66 CO-AUTHORED WITH JESSICA BENJAMIN 4 The reader, the popular novel, and the imperative to participate: Reflections on public and private experience in the Third Reich (1991) 83 5 Nazi culture: The sacred, the aesthetic, and the popular (2005) 108 6 The humanities in Nazi Germany (2006) 138 CO-AUTHORED WITH WOLFGANG BIALAS Copyright © 2020. Taylor & Francis Group. All rights reserved. Group. All rights © 2020. Taylor & Francis Copyright Rabinbach, Anson. Staging the Third Reich : Essays in Cultural and Intellectual History, edited by Stefanos Geroulanos, and Dagmar Herzog, Taylor & Francis Group, 2020. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/nyulibrary-ebooks/detail.action?docID=6235713. Created from nyulibrary-ebooks on 2020-07-01 17:45:24.