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The Very Long Mystery of Epsilon Aurigae
A Unique Eclipsing Variable TheThe VeryVery LongLong MMysteryystery ofof EpsilonEpsilon AAurigaeurigae robertrobert e. sstenceltencel one of the great scientifi c advances of the 20th A remarkable naked-eye star century was the theory of stellar evolution, as physicists worked out not just how stars shine, but how they origi- will soon start dimming for nate, live, change, and die. To test theory against reality, however, astronomers had to determine accurate masses the eighth time since 1821. for many diff erent kinds of stars — and this meant analyz- What’s going on is still ing the motions of binary pairs. Theorists also needed the stars’ exact diameters, and this meant analyzing the light not exactly clear. curves of eclipsing binaries in particular. A century ago, S&T ILLUSTRATION BY CASEY REED giants of early astrophysics worked intensely on the prob- lem of eclipsing-binary analysis. Henry Norris Russell’s paper “On the Determination of the Orbital Elements of Eclipsing Variable Stars,” published in 1912, set the stage for what followed. BIG WHITE STAR, BIGGER BLACK PARTNER Epsilon Aurigae, hotter than the Sun and larger than Earth’s entire orbit, pours forth some 130,000 times the Sun’s light — which is why it shines as brightly as 3rd magnitude even from 2,000 light-years away. According to the currently favored model, a long, dark object will start sliding across its middle this summer. The object seems to be an opaque warped disk 10 a.u. wide and appearing roughly 1 a.u. tall. Whatever lies at its center seems to be hidden — though there’s also evidence that we see right through the center. -
Naming the Extrasolar Planets
Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named. -
Iphigenia in Aulis by Euripides Translated by Nicholas Rudall Directed by Charles Newell
STUDY GUIDE Photo of Mark L. Montgomery, Stephanie Andrea Barron, and Sandra Marquez by joe mazza/brave lux, inc Sponsored by Iphigenia in Aulis by Euripides Translated by Nicholas Rudall Directed by Charles Newell SETTING The action takes place in east-central Greece at the port of Aulis, on the Euripus Strait. The time is approximately 1200 BCE. CHARACTERS Agamemnon father of Iphigenia, husband of Clytemnestra and King of Mycenae Menelaus brother of Agamemnon Clytemnestra mother of Iphigenia, wife of Agamemnon Iphigenia daughter of Agamemnon and Clytemnestra Achilles son of Peleus Chorus women of Chalcis who came to Aulis to see the Greek army Old Man servant of Agamemnon, was given as part of Clytemnestra’s dowry Messenger ABOUT THE PLAY Iphigenia in Aulis is the last existing work of the playwright Euripides. Written between 408 and 406 BCE, the year of Euripides’ death, the play was first produced the following year in a trilogy with The Bacchaeand Alcmaeon in Corinth by his son, Euripides the Younger, and won the first place at the Athenian City Dionysia festival. Agamemnon Costume rendering by Jacqueline Firkins. 2 SYNOPSIS At the start of the play, Agamemnon reveals to the Old Man that his army and warships are stranded in Aulis due to a lack of sailing winds. The winds have died because Agamemnon is being punished by the goddess Artemis, whom he offended. The only way to remedy this situation is for Agamemnon to sacrifice his daughter, Iphigenia, to the goddess Artemis. Agamemnon then admits that he has sent for Iphigenia to be brought to Aulis but he has changed his mind. -
Asset Detail Acct Base Currency Code : USD ALL KR2 and KR3 - KR2GALLKRS00 As of Date : 12/31/2013 Accounting Status : REVISED
Asset Detail Acct Base Currency Code : USD ALL KR2 AND KR3 - KR2GALLKRS00 As Of Date : 12/31/2013 Accounting Status : REVISED . Mellon Security ID Security Description Shares/Par Base Market Value Grand Total 36,179,254,463.894 15,610,214,163.19 ALTERNATIVE INVESTMENTS 15,450,499.520 15,450,499.52 MKP OPPORTUNITY OFFSHORE LTD 15,450,499.520 15,450,499.52 CASH & CASH EQUIVALENTS 877,174,023.720 877,959,915.42 BANC OF AM CORP REPO 0.010% 01/02/2014 DD 12/31/13 20,000,000.000 20,000,000.00 BANK OF AMERICA (BOA) 01/01/2049 DD 07/01/08 52,000.000 52,000.00 BARC CCP COLLATERAL VAR RT 01/01/2049 DD 07/01/08 28,000.000 28,000.00 BARCLAYS CASH COLLATERAL VAR RT 01/01/2049 DD 07/01/08 543,000.000 543,000.00 BARCLAYS CP REPO REPO 0.010% 01/02/2014 DD 12/31/13 12,000,000.000 12,000,000.00 BARCLAYS CP REPO REPO 0.040% 01/17/2014 DD 12/18/13 9,200,000.000 9,200,000.00 BNY MELLON CASH RESERVE 0.010% 12/31/2049 DD 06/26/97 1,184,749.080 1,184,749.08 CANTOR REPO A REPO 0.170% 01/02/2014 DD 12/19/13 67,000,000.000 67,000,000.00 CASH COLLATERAL HELD AT CITIGROUP 387,000.000 387,000.00 CASH HELD AS COLLATERAL AT DEUTSCHE 169,000.000 169,000.00 CITIGROUP CAT 2MM REPO 0.010% 01/02/2014 DD 12/31/13 8,300,000.000 8,300,000.00 CME CCP COLL HELD AT GSC 100,000.000 100,000.00 CREDIT SUISSE REPO 0.010% 01/02/2014 DD 12/31/13 16,300,000.000 16,300,000.00 CSFB CCP COLLATERAL 0.010% 01/01/2049 DD 07/01/08 1,553,000.000 1,553,000.00 DEUTSCHE BANK VAR RT 01/01/2049 DD 07/01/08 668,000.000 668,000.00 DEUTSCHE BK TD 0.180% 01/02/2014 DD 12/18/13 270,000,000.000 270,000,000.00 -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE the ANCIENT OLYMPIC GAMES AS POPULAR ENTERTAINMENT a Thesis Submitted in Partial Satisfa
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE ANCIENT OLYMPIC GAMES \\ AS POPULAR ENTERTAINMENT A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Theatre by Jay Ross Waddill _-· June, 1980 The Thesis of Jay Ross Waddill is approved: Albert R. Baca Heinrich R. Falk, Chairman California State University, California ii I would like to thank Dr. Heinrich R. Falk for his invaluable advice and assistance throughout the preparation of the thesis and also his supportive enthusiasm and pa tience. iii ,.. TABLE OF CONTENTS PAGE ABSTRACT vi CHAPTER I INTRODUCTION 1 CHAPTER II ATHLETICS AND GREEK SOCIETY 6 Greek Ideal 6 The Polis and Panhellenism 8 Athletics and Everyday Life 13 CHAPTER III ATHLETICS AND RELIGION 22 Athletics and Funeral Ritual 24 Festivals 26 The Rustic Dionysia 30 The Greater Dionysia 31 The Greater Panathenaia 32 CHAPTER IV THE OLYMPIC GAMES 38 Origin of the Olympic Festival 39 History ~nd Description of the Olympic Festival 46 CHAPTER V POPULAR ENTERTAINMENT AND THE OLYMPIC GAM.ES 58 Popular Entertainment 58 iv PAGE 'l'he Athlete/Performer 61 ·~pectators/Audience_ 70 · Events/Perfo:rmance 77 CHAPTER VI CONCLUSION 88 NOTES 96 BIBLIOGRAPHY 108 v ABSTRACT 'I'HE ANCIENT OLYMPIC GAl-lES AS POPULAR EN'rERTAINMENT by Jay Ross Waddill Master of Arts in Theatre Many aspects of ancient Greek culture have influenced the development of Western civilization. None of these was more important to the ancient Greeks than t.he Olympic Games. Historians have suggested that the Olympic festi val may possibly have had its origins in a religious ritual, the funerary commemoration of a local hero, a new year's celebration, or an expression of military prowess and readiness. -
El Remate Enero 2018:Maquetaciûn 1
Cubiertas Enero 2018 (178):Maquetación 1 18/12/17 9:45 Página www.elremate.es • email: [email protected] www.elremate.es (34) 91 447 14 04 • Fax: 59 41 Tel.: Exposición y Subasta: Modesto Lafuente, 12 • Madrid Subasta Jueves 18 de Enero 2018 Subastas El Remate • Libros y Manuscritos • Enero 2018 • Subasta 178 Subasta Jueves 18 Enero 2018 Cubiertas Enero 2018 (178):Maquetación 1 18/12/17 9:46 Página 2 194 126 222 156 268 96 361 458 El Remate Enero 2018:Maquetación 1 18/12/17 13:02 Página 1 LIBROS Y MANUSCRITOS SUBASTA JUEVES, 18 de Enero a las 18,00 horas en Modesto Lafuente, 12 EXPOSICIÓN Desde el 8 de Enero en Modesto Lafuente, 12 De 9,00 a 18,00 horas ininterrumpidamente Los días 13 y 18 de Enero sólo de 10 a 14 horas. (Día 13 de Enero sólo exposición) Admisión de ofertas por escrito, teléfono y correo electrónico hasta las 17,00 horas del día de la subasta PORTADA: LOTE 166 CONTRAPORTADA: LOTE 309 SUBASTAS EL REMATE MADRID, S.L. Modesto Lafuente, 12 • 28010 MADRID Tel.: (34) 91 447 14 04 • Fax: (34) 91 447 59 41 www.elremate.es • e-mail: [email protected] Transferencias a Banco Santander: IBAN-BIC: ES47 0049 4664 17 2316714774 El comprador deberá pagar y retirar los lotes en un plazo máximo de 15 días hábiles, pasados los cuales se devengarán gastos de almacenamiento de 6 € diarios EL PRECIO DEL REMATE SE INCREMENTARÁ EN UN 17,24% (MÁS I.V.A. VIGENTE) El Remate Enero 2018:Maquetación 1 18/12/17 13:02 Página 2 El Remate Enero 2018:Maquetación 1 18/12/17 13:02 Página 3 El Remate · Enero 2018 · Subasta 178 LIBROS Y MANUSCRITOS. -
Introduction the Constellations of the Winter
Introduction The winter sky is an excellent place to begin exploring the constellations that make up the night sky. Orion is the key, or signpost, for locating many of the other constellations in the winter sky. There are two convenient ways to locate all of the main constellations around Orion once Orion is located. Fortunately, Orion is easy to locate and well known to most people. The first way is to follow lines made by pairs of stars in Orion. The second way is to locate the great winter Orion is the key for hexagon of bright star around Orion. cracking the winter sky. The Constellations of the Winter Sky If you live in the northern latitudes and you scan the sky from the southern horizon to the region overhead, you should be able to see the following constellations on a clear winter night: Orion the Hunter, Canis Major the Great Dog, Canis Minor the Little Dog, Taurus the Bull, Auriga the Charioteer, Gemini the Twins and the Pleiades star cluster. (See the map on the next page). In Greek mythology, Orion was a great hunter who eventually offended the gods, especially Apollo. Apollo tricked Artemis, the Goddess of the hunt, into shooting Orion on a bet. When she discovered that she had shot Orion, she quickly lifted him to the heavens and made him immortal, where he now hunts eternally with his two dogs, Canis Major and Canis Minor. In front of him is his prey Taurus the Bull. The myths surrounding Auriga the Charioteer vary, but it is an ancient constellation dating back to at least to the Ancient Greeks. -
M31 Andromeda Galaxy Aq
Constellation, Star, and Deep Sky Object Names Andromeda : M31 Andromeda Galaxy Lyra : Vega & M57 Ring Nebula Aquila : Altair Ophiuchus : Bernard’s Star Auriga : Capella Orion : Betelgeuse , Rigel & M42 Orion Nebula Bootes : Arcturus Perseus : Algol Cancer : M44 Beehive Cluster Sagittarius: Sagittarius A* Canes Venatici: M51 Whirlpool Galaxy Taurus : Aldebaran , Hyades Star Cluster , M1 Crab Nebula & Canis Major : Sirius M45 Pleiades Canis Minor : Procyon Tucana : Small Magellanic Cloud (SMC) Cassiopeia : Cassiopeia A & Tycho’s “Star” Ursa Minor : Polaris Centaurus : Proxima Centauri Virgo : Spica Dorado/Mensa : Large Magellanic Cloud (LMC) Milky Way Galaxy Gemini : Castor & Pollux Hercules : M13 Globular Cluster Characteristics of Stars (Compared with Sun) Class Color Temp. ( 1000 K) Absolute Magnitude Solar Luminosity Solar Mass Solar Diameter O Blue 60 -30 -7 1,000,000 50 100 to 1000 B Blue -White 30 -10 -3 10,000 10 10 to 100 A White 10 -7.5 +2 100 2 2 to 10 F White -Yellow 7.5 -6.5 +4 10 1.5 1 to 2 G Yellow 6.5 -4.5 +4.6 1 1 1 K Orange 4.5 -3.5 +11 1/100 0.5 0.5 M Red 3.5 -2.8 +15 1/100,000 0.08 0.1 Magnitude Magnitude scales: The smaller the magnitude number, the brighter the star Every 5 magnitudes = 100 times the brightness of object Every magnitude = 2.512 times the brightness of object Apparent magnitude = the brightness of object as seen from the viewer’s viewpoint (Earth) Absolute magnitude = “true brightness” – brightness as seen from 10 parsecs (32.6 light years) away Distance Measurement 1 astronomical unit = distance between Earth and Sun = 150 million kilometres or 93 million miles 1 light year ≈ 6 trillion miles / 9.5 trillion km Parsec = parallax second of arc – distance that a star “jumps” one second of a degree of arc in the sky as a result of the earth’s revolution around the sun. -
Binocular Universe: Aurigan Treasures
Binocular Universe: Aurigan Treasures February 2012 Phil Harrington ead outside this evening and take a look high overhead. If you live in midnorthern latitudes, you will find a lone beacon cresting near the zenith as Hthe sky darkens. That's Capella, the Alpha (α) star of the constellation Auriga the Charioteer. Tracing back to ancient Rome, the name Capella translates as "She-Goat," a reference to the position it holds in the picture of the Charioteer. He is often portrayed as holding a goat and two kids in his arms. Above: Winter star map from Star Watch by Phil Harrington. Finder chart for this month's Binocular Universe, adapted from TUBA, www.philharrington.net/tuba.htm Today, we know that Capella is actually a binary star system lying some 42 light years away. Each of Capella's suns is classified as a type-G yellow star, like our Sun. That means that all three have roughly the same surface temperature, although our yellow dwarf Sun is only about one-tenth as large as either of the Capella giants. There is little hope of spotting the two Capella component stars through even the largest telescopes, since they are only separated by about 60 million miles, less than the distance from the Sun to Venus. The Charioteer’s pentagonal body highlights a wonderful area of the winter sky to scan with binoculars. There, you will find three of the season’s brightest open star clusters as well as an array of lesser known targets. M38, one of Auriga's three Messier open clusters, is centrally positioned within Auriga’s pentagonal body. -
Aeschylusaeschylus
AeschylusAeschylus •The Life and Times of Aeschylus •Aeschylus’ Contributions to Greek Tragedy • Overview of Myth: The House of Atreus •Aeschylus’ Agamemnon AeschylusAeschylus LifeLife andand TimesTimes •after winning both the Persian Wars, the Athenians’ spirits soared •they threw themselves into the arts with unprecedented energy and confidence • tragedy was among those arts, one which received much public attention AeschylusAeschylus LifeLife andand TimesTimes •the first tragedian whose work survives is AeschylusAeschylus (ca. 525 BCE ‐ 456 BCE) • according to his tombstone, Aeschylus fought in the Persian Wars •but it does not mention his drama • according to him, then, his most important achievement in life was fighting for freedom, not writing plays AeschylusAeschylus LifeLife andand TimesTimes •Aeschylus won the Dionysia for the first time in 484 BCE •he produced his last known trilogy in 458 BCE: Oresteia (including Agamemnon) •he wrote and produced over eighty plays during his life •thus, he entered the Dionysia at least twenty times AeschylusAeschylus ContributionsContributions toto DramaDrama •but only seven of his plays have survived •most in school texts, cf. Epic of Gilgamesh • nevertheless, we can see that he was the most important playwright of his day: –he won five or more victories at the Dionysia –later playwrights often referenced and imitated—and satirized!—his work –the audiences of the next generation enjoyed revivals of his drama AeschylusAeschylus ContributionsContributions toto DramaDrama •Aeschylus introduced -
The “Aurigae” Field
Comm. in Asteroseismology Vol. 152, 2008 Stellar Activity with BRITE: the “Aurigae” field K. G. Strassmeier Astrophysical Institute Potsdam (AIP) An der Sternwarte 16, D-14482 Potsdam, Germany Abstract Photometric time series of active stars can pin down some of the ingredients that govern the stellar magnetic field, itself being the driver of all non-thermal stellar emissions. Among the most important – and least understood – as- trophysical ingredients is stellar rotation and its subtle latitudinal dependence called differential rotation. Rotation switches on and maintains the internal dynamo, itself a phenomenon from the interaction of turbulent plasma mo- tions and large-scale shearing forces in the deep stellar interior. I propose to observe the active binary Capella, made up of two giants in exposed locations in the HR-diagram. Along with Capella (α Aur), another eight stars brighter than 4th magnitude would be in the field-of-view of BRITE, among them such benchmark variables as ζ Aur or θ Aur. Motivation The interaction of a stellar magnetic field with its surrounding plasma appears to be the source of a large variety of atmospheric phenomena that can be used to better understand a star and its evolution itself as well as study its environ- ment. Such magnetic-field related phenomena were collectively coined “stellar activity”. Our magnetic Sun and the many non-thermal energetic phenomena from its interaction with the outer heliosphere, also known as “space weather”, play even a central role for our own planet. Therefore, stellar-activity stud- ies continuously moved central stage after the discovery of extra-solar planets back in the mid nineties. -
Glaucoma : Science and Practice
www.dbeBooks.com - An Ebook Library MRSNFM-i-xiv 8/30/02 9:40 AM Page i Glaucoma Science and Practice MRSNFM-i-xiv 8/30/02 9:40 AM Page ii This page intentionally left blank MRSNFM-i-xiv 8/30/02 9:40 AM Page iii Glaucoma Science and Practice Edited by John C. Morrison, M.D. Irvin P. Pollack, M.D. Professor of Ophthalmology Professor of Ophthalmology Oregon Health and Science University The Johns Hopkins University And And Director of the Glaucoma Service Emeritus The Fred P. Thompson Glaucoma Clinic Ophthalmologist-In-Chief and and Casey Eye Institute Director Krieger Eye Institute Portland, Oregon Sinai Hospital of Baltimore Baltimore Maryland Thieme New York • Stuttgart MRSNFM-i-xiv 8/30/02 9:40 AM Page iv Consulting Editor: Esther Gumpert Editorial Assistant: Owen Zurhellen Director, Production and Manufacturing: Anne Vinnicombe Production Editor: Becky Dille Marketing Director: Phyllis Gold Sales Manager: Ross Lumpkin Chief Financial Officer: Peter van Woerden President: Brian D. Scanlan Compositor: Emilcomp\Prepare Ltd. Printer: Four Colour Imports, Ltd. Library of Congress Cataloging-in-Publication Data Glaucoma : a clinical guide / [edited by] John C. Morrison, Irvin P. Pollack p. ; cm. Includes bibliograpical references. ISBN 0-86577-915-5 (TMP : alk. paper) -- ISBN 3131246715 (GTV : alk. paper) 1. Glaucoma. I. Morrison, John C., 1951 - II. Pollack, Irvin P. [DNLM: 1. Glaucoma. WW 290 G54935 2003] RE871 .G5437 2003 617.7'41--dc21 2002075001 Copyright © 2003 by Thieme Medical Publishers, Inc. This book, including all parts thereof, is legally protected by copyright. Any use, exploitation or commercialization outside the narrow limits set by copyright legislation, without the publisher’s consent, is illegal and liable to prosecution.