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Mundial.Com Navegantecultural This is your outside front cover (OFC). The red line is the bleed area. www.navegante-omundial.com NaveganteCultural MundialThe Portuguese Newspaper Vol 2 Issue 7 2020 This is your inside front cover (IFC). This can be your Masthead page, with a Letter from the editor and table of contents, or, whatever you This is where you would normally place a full page ad etc. need or want it to contain. You can make the letter or table of contents any size/depth you need it to be. The red line is the bleed area. You can also have Letter and/or Contents on a different page from the Masthead. This is your inside front cover (IFC). This can be your Masthead page, with a Letter from the editor and table of contents, or, whatever you This is where you would normally place a full page ad etc. need or want it to contain. You can make the letter or table of contents any size/depth you need it to be. The red line is the bleed area. You can also have Letter and/or Contents on a different page from the Masthead. Letter from the Editor MundialThe Portuguese Newspaper Telling stories what form, what words and under which is an ancient conditions. We carefully consider (these PUBLISHER / EDITORA human pass- things)... to arrive at the medicine needed.” Navegante Cultural Navigator time; a universal 204.981.3019 preoccupation In using story as medicine, in either a to recount what psychoanalytic experience such as I had, or was; a tantalizing as a spiritual ritual within a religious practice EDITOR-IN-CHIEF copulsion to (Jesus spoke in parables as do many priests), Mia Sally Correia document what is; story tellers using the story as medicine are eMail: [email protected] and an obsessive rumination to consider what careful to separate their offerings for healing www.navegante-omundial.com will be. A story requires lived experience. from the forms of story used as entertainment in places like Hollywood, by populist film- Are you experienced? makers who are oblivious to the deeper CONSULTANTS opportunities of the story as a soothing balm Pedro Aires Correia for the burned-out soul. & PORTUGUESE EDITOR It is a hallmark of the human expression Maria José R. Marques Correia to sit and share experiences over bread and A short hand of human meaning wine; around a campfire or on a beach; in a classroom or in more formal settings such as PHOTOGRAPHY a doctor’s office or a courtroom -- we have all In sharing our stories, we must keep in mind Michel da Silva for Navegante-O Mundial been called at one time or another, to testify that we are handling archteypal energy. to what we know about ourselves, or what we INTERCULTURAL GUEST EDITORS think we know about others. What is archetypal energy? Tony Guerreiro, Multi-Media Archetypal energy is the dynamic created We get our best material from childhood; by the interaction among people, places and Liz Oliveira, Poetry & Stuff our early caregivers shaped our plot from the things in a story. Nahurira Rwamatooro, Via Africa start; outlined our future story arc; carved out Mike St. Lawrence, History the twists and ironies from their own early What are archetypes? childhoods, in ongoing cycles that repeat Archetypes are standard “types” of INTERN across successive generations. Not many break human beings such as child, mother, father, the cycles. Most of us never stop looking for grandmother, grandfather, teacher, priest, Selena Loureiro those whom we first met as children. warrior, king or queen, and prostitute. A kind of short-hand roster of humanity. ADVISORS 2020 Our life’s story Lucy Andrade A kind of short-hand? Paulo Bergantim, Luso-Can TV When I say “mother,” even those of us not Paulo Jorge Cabral, Consul Buddhist (raised Catholic) psychotherapist blessed with known biological or adopted David Richo tells us plainly -- “anyone who mothers know what I mean by “mother” in the João Pedro Correia becomes deeply important for us is, by the English language or in their own languages. Debbie Dunmall & Maria Parker very fact, replaying a crucial role from our Manny Martins-Karman past. They come from central casting and they A serious responsibility Mala Sachdeva; Mario J. Santos pass the audition for us, their casting directors. We might make them stars of our dramas We might call them ‘soul mates,’ or we might call We have these archetypes stored in our EDITORIAL COLLABORATORS them ‘arch-enemies.’” collective memories since childhood. The Joe Benjamin; Euclides Cavaco, Poet(a) people in our stories are based on these types Lauren Capri; Tessa Cordeiro We then reintegrate them into our life’s story or combinations of these types, which exist João Pedro Ernesto, Poet(a) as we go along, hoping that this time, we can across all cultures and throughout history. Eduarda Gil; Dr. Carlos A. O. Pavão fix the story where it took a strange turn in the Paulo Salgueiro Jr; Patrick Sousa past, and perhaps write a better outcome, or at When we are sharing a story, we are the very least, a more favourable plot twist. expressing the essence of what it means for us Victor Lopes & Dr. Nadine Shelton to be human, by arranging these archetypes Do you fit my puzzle? into certain scenes on our own storyline. Archetypes are the building blocks of our PHOTOGRAPHIC COLLABORATORS human experiences. We all start off as “child.” Claudia Angela Moniz, C.A.M. More personally, five years of psychoanalysis and years of cultural studies taught me that Gaining permission to tell a story is an Nuno Pereira e Nelia Soares stories are for healing; that I could, by sharing important first step to sharing the essence of Tony Soares & Fatima Sousa, CSP Video my stories with a trained (and paid) analyst, what it means to be human, particularly when integrate certain parts of myself that were not it is not ours to share without permission COVER & INSIDE FRONT PHOTOS: fitting so well with the rest of my puzzle, or Telling the wrong story to the wrong person at Stephanie Gil & Marco Pontecorvo; that I was keeping hidden from even myself, in the wrong time is bad medicine and will either the deepest, darkest parts of my unconscious have a disastrous, harmful effect, at worst, or Sonia Braga - Stills from Fatima The Movie mind. Parts of myself that I project, and parts no effect at all, for both the teller of the story of my parents that I transfer, onto others. and the receiver of it. PRINTED BY: Winnipeg Sun Commercial Print Division Stories are medicine... How will we know the right story? So says Clarissa Pinkola Estes, PhD, in her Look to your own lived experiences. There fascinating book, Women who Run with the must always be a little, and in many cases a Wolves, “the old and integral healing rites (of) lot, of spilled blood on every story; on every curanderisma, whereby every detail (of a story) aspect of your life, if you are to become an is weighed very carefully: when to tell a story, experienced storyteller. So go out and get ‘em, NaveganteCultural which story, and to whom, how long and in by getting your feet wet and your fingers dirty. Mundial 3 These are your story pages. You can have one page stories, two-page stories, whatever you need. You can place storys, pics, ads... whatever you need or want it to contain. You can change the fonts, sizes, colours etc. You could also make these just photo pages with captions etc. Table of Contents Highlights The Passenger ..................................... 07 Health and Beauty – Saúde e Beleza ................... 08 Selena Loureiro - Intern .............................. 10 Jasmine Tavares ................................... 11 Food and Drink – Comida e Bebida .................... 13 Back-to-School .................................... 14 PV Inter-Cultura POV ................................ 16 Combatentes Page – Página dos Combatentes ........... 18 History - História - Mike St Lawrence ................... 20 Michelle Madeira ................................... 21 Dr. Carlos A.O. Pavão ............................... 22 Lauren Capri ...................................... 23 Jess Salgueiro ..................................... 24 Horoscope ........................................ 27 Nuno Pereira .......................................... 28 Obituaries – Obituários .............................. 33 Manuel Antonio Cordeiro - In Memoriam ................ 34 4 Navegante Cultural These are your story pages. You can have one page stories, two-page stories, whatever you need. You can place storys, pics, ads... whatever you need or want it to contain. You can change the fonts, sizes, colours etc. You could also make these just photo pages with captions etc. curativas; que eu poderia, compartilhando TOP PRODUCER! Carta da Editora minhas histórias Contar histórias é um passatempo com um analista Consistently Number 1 REALTOR antigo; uma preocupação universal treinado (e de contar o que foi; uma compulsão pago), integrar @ tentadora para documentar o que é; e certas partes de uma ruminação obsessiva sobre o que mim que não RE/MAX Office será. Requer experiência. se encaixavam tão bem com 520 Academy Road in Winnipeg Tem experiência? o resto do meu Cell: 33-MARIO (336-2746) quebra-cabeça, Mario Lopes Your Investment Realtor The only name and number you need ou que eu estava when buying or selling real es tate! É marca humana sentar e escondendo até compartilhar experiências com pão de mim mesmo, RE/MAX TEXT: 204.336.2746 eMAIL: [email protected] e vinho; a volta duma fogueira ou na no mais profundo EXECUTIVES REALTY FAX: 204.480.2816 WEB: www.mariolopes.ca Office Phone: 204.947.9800 praia; numa sala de aula ou ambientes e escuro partes 520 Academy Road mais formais, como um consultório da minha mente O vosso agente imobilario para investimentos Winnipeg, Manitoba, R3N 2A8 e o Unico nome e numero médico ou um tribunal - todos nós inconsciente.
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