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2010 Athens, Greece Athens Institute for Education and Research ARTS ABSTRACT BOOK 1st Annual International Conference on Fine and Performing Arts 7 – 8 June 2010 Athens, Greece Edited by: Gregory T. Papanikos First Published in Athens, Greece by the Athens Institute for Education and Research ISBN: 978-960-6672-75-0 All rights reserved. No part of this publication may be reproduced, stored, retrieved system, or transmitted, in any form or by any means, without the written permission of the publisher, nor be otherwise circulated in any form of binding or cover. 8 Valaoritou Street Kolonaki, 10671 Athens, Greece www.atiner.gr ©Copyright 2010 by the Athens Institute for Education and Research. The individual essays remain the intellectual properties of the contributors. 2 Τable of Contents Preface Gregory T. Papanikos 1. Space, Frame and Design Thinking Fatos Adiloglu 2. Three Turkish Composers and Paris Education Years Sirin Akbulut 3. Interpicturality Kubilay Aktulum 4. A Suggested Programme for Preparing Teachers of Art at Sultan Qaboos University, Oman M. Al-Amri 5. Practice-Based Research: As an Approach for Seeing and Creating Art: Artist Self-Expression Fakhriya Al-Yahyai 6. Between the Linear and the Lateral: Dance for Animators Margo K. Apostolos 7. The Analysis of the Notion “Freedom” in Fine Arts Academies. Are Fine Arts Academies against the New Enterprises? Firat Arapoglu and Insel Inal 8. SonicFields: An Immersed Sonic Experience Selcuk Artut 9. Art Beyond Vision Isiltan Ataman 10. A Short History of Turkish Sculpture Olcay Ataseven 11. The Screenplay as Research Palimpsest Jools Ayodeji 12. Service-Learning as Strategy in the Study of Aging and Environment: Developing Generations of Evidence-Based Interior Designers Lisa M. Bates and Cigdem Akkurt 13. Creating Connections: Popular Music and the Private Voice Studio Melody Baggech 14. A Choral Conductor’s Guide to Selected Choral Works of Raymond Kurt Liebau Sue Ellen Ballard 15. Methods for Collaboration in Virtual Realms Jan Baum, Courtney Starrett and Kimberly Voigt 16. Contemporary Art and Design with Wood: American Studio Furniture Tolga Benli 17. The Impact of a 3D Digital and Technological Environment on Sculpture/Installation Art Practices Claire Brunet 18. Painting Culture: Laws, Ethics and the Trade in Ancient and Contemporary Indigenous Art Susan Bruning 19. Myths and Modalities: The Filmic Universal in Alice’s Adventures Greg Bowers 20. Reading the Surface: Creativity in the Art Criticism of Stuart Morgan James A. Brown 21. The Pantheon, an Artistic Resurrection Philippe Campays and Liddicoat Stephanie 3 22. A Class Video-Happening: Breaking the Boundaries between Art Making and Art History Leda Cempellin 23. Zoopolis: City, Animal, Animation Una Chaudhuri and Marina Zurkow 24. Reading in Multiple Modes: A Study of Multimodal Practices and Pedagogies in Language Arts Classrooms Suzanne Choo 25. Creative Academy: Reflective Stories Jo Clements and Sam Ingleson 26. The Canditates of Music Teachers Motıvatıon Levels in the Instrument Education in Turkey Sibel Coban and Tugba Caliskan 27. Paradigm Shifts in U.S. Music Education: World Music Pedagogy, Alternative Ensembles, and Partnership Models Bernadette D. Colley 28. Historical Invisibility: The Struggles for Class Identity in the Early Dramas of A.P. Wilson Steven Dedalus Burch 29. Films from the World of Ancient Greece: Sources of Inspiration Across the Arts Margaret M. Byrne 30. Treating University Students like Four Year Olds: Combining the Reggio Emilia Approach with Theater Technology Michael Cottom and Peggy Martalock 31. Dreamwork for Playwriting David Crespy 32. From the Classifieds to the Coffee Table: The Dissemination of Tattoo Art through Photography Jeff Crisman 33. Adolescents’ Investigation of Popular Culture Imagery in the Art Classrooms Karen Cummings 34. Ottoman Identity on the scene of the World: The Industry and Desing Expositions in the Ninenteenth Century Gulden Canol 35. Student Approach to Book Arts Martha Carothers 36. The Expression of Indigenous African Iconography in Afro‐Cuban Visual Art Haig David-West 37. Social Trends and the Demographics of Subscription Concertos in 18th Century Britain Joseph Darby 38. Geometry, Proportion and Interval - the Art of Giorgio Morandi Richard Dargavel 39. Behind the War Paint: Indian Imagery as Projected Colonialism on the Eighteenth-Century American Stage Peter A. Davis 40. "But we will speak!" Eight Men Speak and the Silencing of the Radical Leftist Theatre in Canada: 1929-1936 Moira J. Day 4 41. Mapping the Text: The Visual Book as a Tool for Rhetorical Interpretation Cristina de Almeida 42. Texture in Ceramics Lale Demir and Zehra Cobanli 43. Abstracting the Veil in Visual-art Kelly Devrome 44. Peter and the Wolf: A Study of Educational Process and Product Annette DiMedio 45. Sustainable Construction from a Design Perspective: Evaluating Silicate based Architectural Materials Eirini Dimitrokali 46. A Case Study of the Interdisciplinary Doctoral Program at Texas Tech University: Best Practices for an Integrated Arts Curriculum Janice N. Killian, Linda Donahue and Carol Edwards 47. Kabuki Salome: An Alternative Costume Design Concept for Oscar Wilde’s Infamous Script Richard E. Donnelly 48. Bona Fide Appearances: Symbolizing Authenticity through Style or Lack Thereof Nicholas Dowgwillo 49. Clueless. Contradictions, Malapropisms and Tensions within a Contemporary Art Practice Steve Dutton 50. Contemporary Art and the Past: Repetition or Rhyme? Andrea Eis 51. Art and Diplomacy: A Cold War Practice in a New Hot War Rebecca Elliott 52. Intertextualization: A Historical and Contextual Study of the Battle Villancico El más Augusto Campeón Daniel Farris 53. From Curiosity to Caricature: The Early Portraits of Australian Aborigines Elisabeth Findlay 54. Stroke and Voice Therapy: One Singer-Conductor’s Own Journey and Recovery Donald Callen Freed 55. Erotic Art? Sexuality and the Talisman in Greek Vase Painting Braden K. Frieder 56. Performing Nature’s Footprint Rachel Jacobs and Gabriella Giannachi 57. Merging Diversities: Multiculturalism in Flamenco Jose Garcia-Leon 58. Link as a Plan Strategy from Architecture to Landscape Christian Gasparini 59. Creativity Perceptions Kathryn D. Gilbert 60. Music’s Vital Signs: Rhythm, Harmony, and Melody Sophia Gilmson 61. 9/11 Impressions by NYC Metropolitan - Area Latino Artists Sara Estrella Gil-Ramos 5 62. ‘Katharsis’ in Aristotle’s Poetics Chrysoula Gitsoulis 63. New Technologies of Ceramic Product Design - 3D Softwares (Computer Aided Programs) Integrated into Design Practices in the Field of Ceramic Art Education Ezgi Hakan 64. The Cultural Trojan Horse: Art in Greece since 2000 C.E. Karlie Harstad 65. Transmitting Meaning via Illustration Anja Hatva 66. The Visual, the Corporeal, the Temporal, and the Tectonic: When Architecture Meets Fashion in Space Weiling He 67. Collage as Strategy in Contemporary American Video Art: The Aesthetics of Layered and Constructed Realities as a Means of Generating Political Discourse Micol Hebron 68. Inclusive Mural Painting in Contemporary Art Education Kong Ho 69. No Photos: Why Painting from Direct Observation still Matters Brent A. Holland 70. Technology in the Applied Voice Studio: What to Use and When to Use It Victoria Holland 71. Bona Fide: The Notion of Authenticity in Digital Culture Mary Hood, Nicholas Dowgwillo, Patrick Vincent and Kathleen Moore 72. Good Manners: Object and User Performance in Rituals Adriana Ionascu 73. An Evaluation on Video Mapping as an Architectural Performance Devrim Isikkaya and Guven Catak 74. Micro|Macro: Image Sequence and Multiple Image Compositing Todd Jokl 75. The Artist as Conduit for Cultural Exchange: Fabric Prints Inspired by Studies of World Arts Traditions Catherine Ruth Joslyn 76. Ngiw Koo Chat (Chinese Opera Saving the Nation): A Radical Performance in Thailand Kittisak Kerdarunsuksri 77. A Journey of Transformation: Creating Accumulation Art through Upcycle Approach Hanif Khairi 78. Is Art Dead? A comparative Analysis of Contemporary French Postmodern Theorists Marie-Therese Killiam 79. The Importance of Theatre in the Interrogation of the Other Anastasia Kiourtzoglou 80. Digital Music and the Music Business: The Impact of the Internet on Compositional Creativity and New Business Models Mark Konewko 81. Active Listening to Music -Methodology and School Practice in Poland Gabriela Karin Konkol 6 82. Architecture of Performance Buildings: Dealing with Demands of Contemporary Play Dragana Konstantinovic and Miljana Zekovic 83. Evaluating a Painting in the Perspective of Interpicturality Over Claude Levi Strauss’s Muth Analysis Oktay Kose and Tugba Yener 84. Evil-Eye Beads Production in Turkey Today Esin Kucukbicmen, Ekrem Kula and Yasemin Aslan Bakiri 85. Inspirations of the Catholic Church in Polish Contemporary Camp Art Anna Kwiatkowska-England 86. Research, Scholarly Art Practice Paul Lambeth 87. New Perspectives on Cultural Performance Kevin Landis and Suzanne MacAulay 88. Stravinsky and Vonnegut John M. Laverty and David A. Waybright 89. Iannis Xenakis and the Presocratic Foundations of a New Music Jonathan Scott Lee 90. Postcolonial Theory and the History of World Art Steven Leuthold 91. Cloth as Metaphor in the Guatemalan Maquila Christine LoFaso 92. Understanding of Foreigners on the Thai Graphic Design Supatra Lookraks 93. Minimal Image and Architecture of Appearances - Ideogramming as Architectural Grammatology. Kamiak Motel Design Project Skender Luarasi 94. Avalokiteshvara, the All–Sided One: Buddhist Art and Cultural
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