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Index

Abbot Rikunyo (1734–1801), 465 Ukiyo monogatari (Tales of the Floating Abe Akira (1934–89), 736 World, 1661), 392 Abe Kazushige (b. 1968), 765, 767 Atsumori, 8, 336, 343 Abe Ko¯bo¯(1924–93), 701, 708, 709, 760 aware (pathos), 80, 138, 239, 299, 474, 486 Adachigahara, 339 Ayukawa Nobuo (1920–86), 717 akahon (red books), 510–22 Azuma nikki (Eastern Diary, 1681), 409 Akazome Emon, 135, 161, 170, 193–7 Azumakagami, 201 Akimoto Matsuyo (1911–2001), 708 azuma-uta (eastland songs), 77, 79, 82, 111 Akizato Rito¯(?–1830), 524 To¯kaido¯ meisho zue (Illustrated Sights of Backpack Notes. See Matsuo Basho¯ the To¯kaido¯, 1797), 524–5 Bai Juyi (or Bo Juyi, J. Haku Kyoi or Haku Akutagawa Ryu¯nosuke (1892–1927), 286, 630, Rakuten, 772–846), 124 639, 669, 684, 694–5, 700 Baishi wenji (Collected Works of Bai Juyi, ancient songs, 25, 26, 28–9, 37, 40–4, 52, 57–8, J. Hakushi monju¯ or Hakushi bunshu¯, 60; see also kiki kayo¯ 839), 184–6, 283 Ando¯ Tameakira (1659–1716), 138, 480 Changhen-ge (Song of Never-Ending Shika shichiron (Seven Essays of Sorrow, J. Cho¯gonka, 806), 152 Murasaki, 1703), 138 Baitei Kinga (1821–93), 530 anime, 729, 764 bakufu (military government), 95, 201, 211–12, Anzai Fuyue (1898–1965), 684, 714–15 215, 216, 295, 297, 309, 312, 314, 348–9, aohon (green books), 510–22 374–6, 377–8, 388, 389, 393–5, 419, 432–3, Aono Suekichi (1890–1961), 658–9 505–7, 520–2, 532–3 Arai Hakuseki (1657–1725), 4, 461, 546 banka (elegy), 54, 63–4, 76, 77, 83 Arakida Moritake (1473–1549), 326 banzuke (theater programs), 391, 425, 452 Arakida Reijo (1732–1806), 377 Battles of Coxinga. See Chikamatsu Arechi (Waste Land, 1947–58), 717 Monzaemon Ariake no wakare (Partings at Dawn), 153–5 Ben no Naishi (c. 1228–c. 1270), 278 Arishima Takeo (1878–1923), 632, 653 Ben no Naishi nikki (The Diary of Ben aristocrat, 4–6, 7, 8, 40–1, 71, 89–90, 102, 281–3, no Naishi, date unknown), 268–9, 289, 325, 334, 335–6, 343, 348, 373, 403, 272–3, 275 448, 471–2, 475–6, 653; see also chapters Benkei monogatari (The Tale of 7–19, 21–25 Benkei), 359 Ariwara no Narihira (825–80), 98, 99, 100, 115, benreibun (Chinese-style parallel prose, 123–5, 235, 277, 335, 337, 379 Ch. pianwen), 179 Ariyoshi Sawako (1931–84), 743 benshi (oral lecturer for silent ﬁlm), 697 Asai Ryo¯i (c. 1612–91), 375, 398 Betsuyaku Minoru (b. 1937), 708 To¯kaido¯ meishoki (Famous Places of bibungaku (elegant writing or belles-lettres), the To¯kaido¯, c. 1661), 399, 447 565–6, 570

821

© in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02903-3 - The Cambridge History of Japanese Literature Edited by Haruo Shirane and Tomi Suzuki Index More information

Index

biwa ho¯shi (lute-playing minstrels), 9, 216, zange-mono, 419 290–3, 297, 302, 303–4, 308, 355, 363, in the ancient period, 15, 16–17, 20, 31, 373, 437 37–9, 58 Bo¯ken Dankichi (The Adventures of Dankichi, in the Heian period, 214 1933–9), 677 in the medieval period, 214–15 Buddhism, 3–4, 7–9, 33, 158, 235 bugaku (court dance), 347 and bukan (samurai directories), 387, 627 dengaku, 331 buke-mono (books on warrior life), 418 Fujiwara no Kinto¯, 120 bundan (literary establishment), 729–30, furyu¯, 448 760, 765 ganmon, 179–80 Bungakukai (Literary World, est. 1893), Genji monogatari, 20, 136–7 603, 729 Gozan bungaku. chapter 32 Bungei jidai (The Literary Age, 1924–7), 630, Gukansho¯, 201–5, 298 695, 697 gunki, 213, 290 Bungei sensen (The Literary Front, 1924–32), haikai, 403 630, 658–9, 664 Heike monogatari, 295, 299, 302, 303, 309 Bungo no kuni fudoki (Bungo Province Ise monogatari, 160 Gazetteer), 47 kana ho¯go, 399 bunjinga (literati painting), 410, 492 kanshi, 457 Bunka shu¯reishu¯ (Collection of Exquisite karon, 218, 253 Literary Flourish, 818), 88–9, 91 Konjaku monogatari shu¯, 100–1, 281 bunmei kaika (Westernization movement, Korai fu¯teisho¯, 226–7 “civilization and enlightenment”), 583 ko¯wakamai, 362 bunraku, 391, chapter 43 kyo¯gen, 347, 349, 350–1, 352 Bunsho¯ sekai (World of Writing, est. 1906), 570 Kyo¯goku Tamekane, 244 Bunsho¯so¯shi (Bunsho¯ the Saltmaker), 358 kyo¯sha, 503 burakumin, 602, 650–1, 689, 760, 765 Man’yo¯shu¯, 66, 68, 69, 71–4 Busu (Delicious Poison), 349 Motoori Norinaga, 486 buto¯, 709 Nanso¯ Satomi hakkenden, 549 byo¯bu-uta (screen poems), 99, 112–14, 119–20 Nihon ryo¯iki, 97, 281 no¯gakuron, 341, 345, 346 Cao Zhi (192–232), 58, 70 noh, 331–3, 336, 350–1 censorship otogizo¯shi, 358–61 and setsuwa, 284 printed texts, 382–3, 384–5, 386, 387, 389, in the Edo period, 348–9, 352–3, 374, 376, 380, 396, 398 388, 393–5, 440, 441, 444–5, 520–2, 523, recluse literature, 259–67 532–3, 535 renga, 319 in the modern period, 573, 581, 625, 647, 656, Ryo¯jin hisho¯, 207–8 661, 668, 706, 722, 723, 724, 748–9 Sakurahime zenden akebono so¯shi, 544 under US occupation, 700, 720–1, 724–7 Sarashina Nikki, 173–4 chaban (impromptu comedic “sketch” sekkyo¯, 365, 367 performances), 525, 530 setsuwa, 281, 282, 283–5 Changhen-ge. See Bai Juyi Shinkei, 322 Characters of Daughters in the World. See Ejima Shinkokinshu¯, 230, 237 Kiseki Shu¯ishu¯, 119 Characters of Sons in the World. See Ejima Shukke to sono deshi, 653 Kiseki Shuten Do¯ji, 359–60, 368–9 Chikamatsu Hanji (1725–83), 445 Soga monogatari, 307 Chikamatsu Kasaku, 445 So¯gi, 323 Chikamatsu Monzaemon (1653–1725), 4, 9, 10, Towazugatari, 277 369, 375, 381, 429–33, 439–44, 513, 704 Uji dainagon monogatari, 282 Goban Taiheiki (Chronicle of Great Peace, Wakan ro¯eishu¯, 186 Played on a Go Board, 1710), 440

822

Index

Kokusen’ya kassen (Battles of Coxinga, 1715), cho¯nin (townsman), 9, 138, 373, 377–81, 402, 405, 432–3, 442, 453 415–16, 462 Meido no hikyaku (Courier for Hell, cho¯nin-mono (books on merchant life), 418 1711), 442 Cho¯ya gunsai (Collected Documents of the Shinju¯ Ten-no-Amijima (Love Suicides at Court and Country), 180, 181, 192 Amijima, 1720), 432, 442 Christianity, 384, 393, 562, 564, 594, 599, 600, Shusse Kagekiyo (Kagekiyo Victorious, 620–1, 654, 726 1685), 365, 438, 439 Chronicle of the Eight Dogs of the Nanso¯ Satomi Sonezaki shinju¯ (Love Suicides at Sonezaki, Clan. See Kyokutei (Takizawa) Bakin 1703), 440 Chronicles of Japan. See Nihon shoki Yotsugi Soga (The Soga Heir, 1683), 439 Chu¯o¯ko¯ron (Central Review, est. 1887), 630, chikushi (“bamboo branch” verse), 462 643, 647, 666, 668, 679, 729 China. See also Tang, Song, Ming, Qing chu¯sei Nihongi (medieval Chronicles of dynasties, Manchuria, Sino-Japanese Japan), 33 War, Second Sino-Japanese War class. See also aristocrat, burakumin, cho¯nin, ancient texts imported from, 19–20 daimyo¯, farmer, jige, merchant, and samurai, provincial governor bunjin, 379–80, 503, chapter 50 and genre, 567 Daigakuryo¯, chapter 16 and language, 557, 593–4 haishi-mono, 539, 541 and writing style, 561, 569 Kogaku, 379 four-class system, 373–4, 415, 419–20, 435, literary genre hierarchy, 3–4 553–4, 603 print culture in Japan, 389–90 in modern society, 582, 599, 603, 604, 643, Sugawara no Michizane. chapter 8 646, 655–68, 683, 707, 723, 732–3, 735–6, in 741, 745, 748 Hamamatsu Chu¯nagon monogatari, Collection of Myriad Leaves. See Man’yo¯shu¯ 145–6 colonialism, 553, 582, 653, 666, 714–15, chapters Matsura no miya monogatari, 151–3 69, and 71; see also Manchuria setsuwa-shu¯, 9, 281, 283–4 and influence on Japanese texts, 17–18, 26–30, Korea, 626, 638, 684 34, 39, 42, 45, 48, 51, 52, 54, 55, 57–9, 61, Okinawa, 753–4 64, 67–74, 80–1, 85, 97–9, 121–2, 127, 157, Taiwan and the South Sea, chapter 70 179–81, 215, 218, 219–20, 281, 290, 411, zainichi literature, chapter 79 473, 479–84, 522; see also hentai kanbun, commoner, 5, 9, 97, 100–1, 129, 133, 164, 214, kanbun, kanji, Kangaku, kango, kanshi, 215, 216–17, 282, 284–5, 286, 317, 318, kundoku, kyo¯bun, kyo¯shi, wakan-kon- 319, 323, 350–1, 357–8, 404, 406, 408, 432, ko¯bun, chapters 6, 17, 18, 32, 46, 47, 50, 433, 440, 449, 450, 469–70, 471–2, 475, and 57 486, 507, 523, 528, 533, 563, 704; see also influence on primary education, 389, 557–8 cho¯nin, jige influence on state system in Japan, 17, 18, Confucianism, 3–4, 7–9, 158; see also Gion 36, 52, 59–60 Nankai, Hattori Nankaku, Ogyu¯ printing technology of, 382–3 Sorai, chapter 49 Chinese, literary. See kanbun and chinkon (pacification of spirits), 293 Daigakuryo¯, 103, 178 chishi (geographical guidebooks to famous Edo kanshi, 457–8, 465, 466 sights), 524–5 Edo social hierarchy, 415 Chiun (d. 1448), 321 education in the Edo period, 384 Cho¯jakyo¯ (1627), 400 education in the Meiji period, 558, 562–3 cho¯ka (long poem), 6, 53, 54, 82, 112, 222, 231, fudoki, 48 275; see also references to individual Genji monogatari, 136–7, 138 poems in chapter 5 Gozan bungaku, 312 chokuto¯ (imperial responses), 189 gunki, 290 Chong Ch’u-wo˘l(1944–2011), 759 Ho¯jo¯ki, 191

823

Index

Confucianism (cont.) premodern aristocratic women, 151, Honcho¯ niju¯ fuko¯, 420 163, 172 Ito¯ Jinsai, 416 women in the early modern period, 376, Kaifu¯so¯, 86, 87 390, 398 Kangaku, 379 women in the modern period, 588, 738, Kasho¯ki, 398 739, 748, chapters 61, 66 Kogaku, 379, 472 in Kojiki, 26 the early modern period, 257, 373, 384, Kokugaku, 472 389–90, 397–8, 416, 426, 457–8, 460, kyo¯sha, 503 469–70, 483, 488, 572; see also terakoya Man’yo¯shu¯, 68, 71–4 the modern period, 572, 576–7, 578, 590–1, Meiji family ideology, 641 607, chapter 56 Mori O¯ gai, 628 the premodern period, 7, 97, 184, 188, Nanso¯ Satomi hakkenden, 548–9 284, 373; see also Daigakuryo¯ Nihon shoki, 29–30 ehon (picture book), 390–1, 425 no¯gakuron, 345, 346 kyo¯ka-, 507 Onna daigaku, 376 -mono, 539–41, 543 printed texts, 384, 396, 398 nara-, 359, 362, 365 Saga anthologies, 90 Eifukumon’in (1271–1342), 246 samurai, 377–8 Eiga jidai (The Age of Film, 1926), 697 Sugawara no Michizane, 108–9 Eiga monogatari (Tales of Flowering Fortunes, Taiheiki, 309–10 c. early 12th c.), 6, 84, 100, 135, 179, 298, the notion of bungaku, 564, 565 chapter 19 Edo academy, 467, 469 Eiri Genji monogatari (Illustrated Tale of Genji, in the ancient period, 15, 58 1640), 137 Eisai (or Yo¯sai, 1141–1215), 284, 311 Daido¯ji Yu¯zan (1639–1730), 496 Ejima Kiseki (1666–1735), 388, 415–16, 421–3, daiei (ﬁxed poetic topic), 232, 476 512, 513 Daigakuryo¯ (Heian State Academy), 88, 90, 91, Keisei iro samisen (The Courtesan’s 96, 103, chapter 16 Shamisen of Love, 1701), 422 daimyo¯, 91, 217, 250, 374–6, 380, 394, 395, 450 Seken musuko katagi (Characters of Sons Daiten (1719–1801), 492 in the World, 1715), 422 dance. See buto¯, bugaku, gigaku, ko¯wakamai, Seken musume katagi (Characters of kusemai, shirabyo¯shi, noh Daughters in the World, 1717), 422 dangibon (satiric teachings), 380, 498, 503 Yakusha kuchi samisen (The Actor’s Danrin haikai, 405–6, 413, 416–17 Hummed Shamisen, 1699), 421–2 Daruma-uta, 233, 251 Ekuni Kaori (b. 1964), 764 Dazai Osamu (1909–48), 670, 723, 724 Ema Saiko¯, 390 Dazai Shundai (1680–1747), 363, 483–4 emaki (picture scroll), 136, 214, 215, 292, 358–62, dengaku (ﬁeld entertainment), 216, 330–1, 334 365, 409 denju (secret transmission), 213, 252, emperor. See sovereign 373, 471–2 Emura Hokkai (1713–88), 91, 458 do¯chu¯ki (travel guides), 399 Enchi Fumiko (1905–86), 139, 646, 705, 740, Do¯gen (1200–53), 215, 284 743–4 Do¯jo¯ji engi (A History of Do¯jo¯ji Temple, Endo¯ Shu¯saku (1923–96), 760 14th or 15th c.), 360–1, 362 engi (record of temple origins), 38–9 dokugin (solo poetry composition), 407, 416 Engi shiki (927), 20, 33, 34 drama. See theater engi-mono (stories of divine origins), 215 Du Fu, 466 engo (word association), 405, 507 Engyo¯-bon Heike monogatari, 298, 301–3 Edogawa Rampo (1894–1965), 684, 733 Enokoshu¯ (Puppy Collection, 1633), 391, 405 education enpon bu¯mu (the one-yen book boom), 660–1, for 666, 669

824

Index

Essays in Idleness. See Yoshida Kenko¯ Fujiwara no Koretada (or Koremasa, 924–72), Eto¯ Jun (1932–99), 640, 720, 744, 761 119, 125 etoki Fujiwara no Masatsune (1170–1221), 235–6 as a function (the explanation of the Fujiwara no Michinaga (966–1027), 6, 96, 100, picture), 518–19 119–20, 134–5, 161, 170, 171, 172, as a person (picture-storyteller), 216, 355 193–201, 283 e-zo¯shi (picture books), 510 Fujiwara no Michitoshi (1047–99), 180–1, 223 Fujiwara no Mototsune (836–91), 104–5 farmer (peasant), 109, 349, 375, 396, 456, 555, Fujiwara no Nagako (1079?–?) 644, 659, 667–8, 754; see also four-class Sanuki no suke nikki (Sanuki no Suke Diary, system under class c. 1109, also known as Horikawa-in fiction / prose fiction. See dangibon, gesaku, nikki, Emperor Horikawa Diary), go¯kan, hon’an sho¯setsu, kokkeibon, 175, 268 monogatari, ninjo¯bon, novel, otogizo¯shi, Fujiwara no Sanekane (1085–1112), 182 setsuwa, sharebon, sho¯setsu, yomihon Fujiwara no Shigenori (1135–88), 283 and genre hierarchy, 3–4 Fujiwara no Shunzei (1114–1204), 101, 136, 225, and Japanese storytelling tradition, 9–10 228, 231–6, 239–40, 244, 256, 270, 301 film, 606, 684, 720, 730, 733–4, 759, 764–5, Korai fu¯teisho¯ (Collection of Poetic Styles chapter 72 from the Past, c. 1197–1201), 214, 225–7 fudoki, 15–16, 19, 20–1, 34–5, 36, chapter 4 Fujiwara no Taishi (or Kaya no in, and setsuwa, 280 1095–1155), 223 and Taketori monogatari, 121 Fujiwara no Takanobu (1142–1205), 151 Fu¯gashu¯ (Fu¯ga wakashu¯, Collection of Fujiwara no Tameie (1198–1275), 155, 242–4, Elegance, 1344–8), 246–7, 250; see also 248–9, 274 Hanazono, Emperor Eiga no ittei (The Foremost Style of Poetic Fujin gaho¯ (Ladies’ Pictorial, est. 1905), 642 Composition, c. 1264), 242 Fujin ko¯ron (Ladies’ Review, est. 1916), 645, 663 Fujiwara no Tamenari, 197 fujin zasshi (women’s magazine), 645–7, 663–4; Fujiwara no Tameuji (or Nijo¯ Tameuji, see also girls’ magazine and manga 1222–86), 243–4, 319 Fujiwara no (Rokujo¯) Akisue (1055–1123), Fujiwara no Teika (1162–1241), 101, 124, 136, 224–5 142, 149–53, 157, 159, 174, 225–6, 227–9, Fujiwara no (Rokujo¯) Kiyosuke (1104–77), 225 240–2, 244, 250, 251, 253, 271, 300–1, 320, Fukurozo¯shi (Book of Folded Pages, 344, chapters 23, 25 c. 1157), 225 Eiga taigai (Essentials of Poetic Fujiwara no Akihira (c. 989–1066), 97, 179–80, Composition, c. 1222), 214, 227–9 181, chapter 18 Maigetsusho¯ (Monthly Notes, c. 1219), Meigo¯o¯rai (Akihira’s Letters), 188 227–8, 241 Shinsarugakuki (Account of New Monkey Okuiri (Endnotes, c. 1233), 136, 157 Music), 188–9 Fujiwara no Yoshifusa (804–72), 103–4, Fujiwara no Ariie (1155–1216), 235–6 112–13, 114 Fujiwara no Chikatsune (1151–1210), 230 Fujiwara no Yoshinobu, 197 Fujiwara no Fuhito (659–720), 87, 122 Fujiwara no Yoshitsune (1169–1206), 230, Fujiwara no Hamanari (724–90), 219–20, 221 231–2, 234, 236 Fujiwara no Ietaka (1158–1237), 232, 235–6 Fujiwara Seika (1561–1619), 458 Fujiwara no Keishi (fl. c. 1252–c. 1292) Fujiwara Shunzei no musume (c. 1171–after Nakatsukasa Naishi nikki (The Diary of 1252), 270–1 Nakatsukasa Naishi, c. 1292), 275–6 Mumyo¯zo¯shi (Nameless Book, c. 1200–1), Fujiwara no Kinto¯(966–1041), 119–20, 135, 185, 137, 149–51, 153, 155–6 221–3 Fukazawa Shichiro¯(1914–87), 728–9 Shinsen zuino¯ (Newly Selected Essentials, Fukuda (née Kageyama) Hideko (1865–1927), c. 1001–2), 120, 221–2 601, 643 Waka kuhon (Nine Grades of Japanese Fukuda Tsuneari (1912–94), 708 Poetry, c. 1009), 120, 222–3 Fukunaga Takehiko (1918–79), 728

825

Index

Fukurozo¯shi. See Fujiwara no (Rokujo¯) translation of A Doll’s House, 597 Kiyosuke works by Yosano Akiko, 645 Fukutomi so¯shi (The King of Farts), 358 representation in kabuki, 434–5 Fukuzawa Yukichi (1834–1901), 554, 556, 557, Genji gaiden. See Kumazawa Banzan 562, 580 Genji kokagami (A Small Mirror of Genji, 14th Funabenkei (Benkei at the Bridge), 338 c.), 137, 390 furigana (gloss), 385, 401 Genji kuyo¯ (Genji Oﬀerings), 137 furugoto (ancient words), 111 Genji monogatari. See Murasaki Shikibu Furui Yoshikichi (b. 1937), 736 Genji shaku (Genji Explicated, 1160), 136, 157 furyu¯ performance, 337, 338, 352 Genpei jo¯suiki (The Record of the Rise and Fall and kabuki, 448 of the Genji and Heike), 297, 298 Fushiminomiya Sadafusa, Prince (1372–1456), Genpei to¯jo¯roku (The Record of the Genpei 250, 348 Battles, 1337), 297, 298, 303 Futabatei Shimei (1864–1909), 568, 623–5, Genpei War (1180–5), 201, 202, 211, 216, 230, chapter 60 288–9, 290–1, 336, 343, 358, 363, 439, 444, Aibiki (1888 translation of Turgenev’s “The 540, chapters 30, 31 Rendezvous” from A Sportsman’s Genroku Taiheiki. See Miyako no Nishiki Notebook), 589–92, 596 Gento¯, 283 Ukigumo (Drifting Clouds, 1887–9), 562, 589, gesaku (playful writing), 380, 503, 560, 578–9, 592–6, 623, 688, 703 581, 582; see also dangibon, go¯kan, kusa- Futari daimyo¯ (Two Feudal Lords), 351 zo¯shi, kokkeibon, kyo¯ka, kyo¯shi, nin- Fu¯yo¯shu¯ (Fu¯yo¯ wakashu¯, Collection of Wind- jo¯bon, senryu¯, sharebon, yomihon Tossed Leaves, 1271), 155–6 Gido¯ Shu¯shin (1325–88), 313, 315, 316 fuzoku (folk song), 111, 207 gigaku (court dance), 347 Gikeiki (Chronicle of Yoshitsune), 211, 306, gabun-tai (elegant classical style), 561, 571, 307–9, 439 589–90, 624 giko monogatari (neo-classical tale), 152, 155 gagaku (court music), 208, 342 Gion Nankai (1677–1751), 375, 462, 463, gakumon (learning), 4, 565–6 490–1, 503 gazoku-setchu¯-tai (an amalgamation of elegant girls’ magazine and manga, chapter 77 and colloquial styles), 561, 569 Go¯dansho¯. See O¯ e no Masafusa Gekkai Gensho¯(1675–1763), 491 go¯kan (bound illustrated books), 139, 377, 379, Gekko¯tei Sho¯ju, 517 530, chapter 52 genbun-itchi (uniﬁcation of spoken and written goryo¯ shinko¯ (belief in vengeful spirits), 448 languages), 558, 561, 570–1, 580, 588, Gosenshu¯ (Gosen wakashu¯, Collection of Later 591, 602, 637, 706 Gleanings, 951), 110–11, 117–19, 124–5, Gendai Nihon bungaku zenshu¯ (Complete 126, 161, 229, 235 Works of Contemporary Japanese Goshu¯ishu¯ (Goshu¯i wakashu¯, Later Collection Literature, 1926), 660, chapter 68 of Gleanings, 1086), 223, 225, 233; see Gendai taishu¯ bungaku zenshu¯ (Modern also Fujiwara no Michitoshi Popular Literature Collection, Goto¯ Meisei (1932–99), 736 1926), 660 Goto¯ Shinpei (1857–1929), 653, 684 gender. See also women, sexuality Gozan bungaku (Literature of the Five and genre, 97–100, 118, 149, 155–6, 165–6, Mountains), 183, 215, 457, 459, 504, 193–4, 377, 381, 528, 585, chapters 27, 54 chapter 32 and writing systems and styles, 97–100, goze (itinerant female narrator), 290, 306 196–7, 567 Great Mirror. See O¯kagami in Great Mirror of Beauties. See Ihara Saikaku Ariake no wakare, 153–5 Great Mirror of Male Love. See Ihara Saikaku Futon, 596 Gukansho¯. See Jien Himitsu, 693–4 gunki (military chronicle), 297 postwar Japan, chapter 76 gunki-mono (warrior tale), 7, 101, 212–13, 286, Torikaebaya monogatari, 147–9 chapter 29, 30, 31

826

Index

Gusai (or Kyu¯sei, d. 1378), 318–20 Hasegawa Shin (1884–1963), 649, 704 Gyo¯jo (1405–69), 321 Hashida Sugako (b. 1925), 710 Gyo¯ko¯(1391–1455), 323 Hattori Busho¯(1842–1908) Gyokuyo¯shu¯ (Gyokuyo¯wakashu¯, Collection of To¯kyo¯shinhanjo¯ki (A New Record Jeweled Leaves, 1313), 244–5, 250, 254; of Flourishing Tokyo, see also Kyo¯goku Tamekane 1874–6), 574 Hattori Nankaku (1683–1759), 375, 380, 460, Hachimonji Jisho¯(or Hachimonjiya Jisho¯, 461, 483, 490, 503 d. 1745), 388, 421–2, 512, 513 Hayama Yoshiki (1894–1945), 656–7, 659 Haga Issho¯(1643–1707), 416 Hayano Hajin (1676–1742), 410, 492 Hagio Moto (b. 1949), 749–50 Hayashi Fumiko (1903–51), 646, 684, 686, 689, Hagiwara Kyo¯jiro¯, 713 690–1, 722, 740, 741, 744 Hagiwara Sakutaro¯(1886–1942), 622, 712–13 Ho¯ro¯ki (Diary of a Vagabond, 1928–30), haibun (haikai prose), 409–10, 418 646–7 haiga (haikai painting), 409, 496 Ukigumo (Floating Clouds, 1949–51), 687–8 haigon (haikai words), 403, 493 Hayashi Fusao (1903–75), 658, 659, 665, 666, haii (haikai spirit), 379 668, 674 haikai (comic or popular linked verse), 11, 79, Hayashi Gaho¯(1618–80), 459 117, 164, 217, 237, 244, 255, 326–7, 377, Hayashi Kyo¯ko (b. 1930), 728 379, 386, 387, 391, 396, 505, 508, 613, Hayashi Razan (1583–1657), 392, 458–9, 480 chapter 41; see also individual haikai Heichu¯monogatari (Tale of Heichu¯), 125 poets Heiji monogatari (Tales of Heiji), 290, 291–3, and 301, 306 Ihara Saikaku, 416–21 Heike monogatari (The Tales of the Heike) 6, Kagawa Kageki, 476 9–10, 62, 101, 211, 212–13, 283, 286, 333, Kobayashi Issa, 412–14 335, 343, 373, 384, 438, 444, 462, 616, O¯ kuma Kotomichi, 477 chapters 29, 30, and 31; see also biwa Ueda Akinari, 474, 499, 500 ho¯shi haiku, 11, 435, 436, 564, 573, 613, 614, 617, 692; hentai kanbun, 283, 291, 306; see also kanbun see also hokku and individual poets Hi no Meishi (1310–58) and senryu¯, 508–9 Takemukigaki (Record of Takemuki, 1349), haishi, haishi-mono (unoﬃcial histories), 510, 268, 277–8 518, chapter 55 Hibino Shiro¯(1903–75), 667 Hamamatsu Chu¯nagon monogatari. See Higashi Mineo (b. 1938), 754 Sugawara no Takasue no musume Higuchi Ichiyo¯(1872–96), 423, 599, 603 Hana Sanjin (or To¯ri Sanjin, 1791–1858), 530 Hijikata Hisakatsu, 679, 680–1 Hanabusa so¯shi. See Tsuga Teisho¯ Hijikata Tatsumi (1928–86), 709 hanashibon (collections of short comic Hino Ashihei (1907–60), 667, 686, 700 stories), 399, 524 Hirabayashi Taiko (1905–72), 663–4, 683–4, Hanazono, Emperor (1297–1348), 245–7, 722, 740, 741–2, 744 249, 278 Hiraga Gennai (1728–80), 375, 381, 410, 434, 492, hanka (envoy or response poem), 53; 497–9, 506 see also references to individual poems in Fu¯ryu¯Shido¯ken den (The Modern Life of chapter 5 Shido¯ken, 1763), 498 hanpon (woodblock printing), 52 Nenashigusa (Rootless Grass, 1763, sequel Hanshu (History of the Former Han, J. 1769), 498 Hansho, 111), 19, 29, 151, 194, 283 Hirata Oriza (b. 1962), 707, 710 Hara Tamiki (1905–51), 726–7 Hirato Renkichi (1893–1922), 713 Harima no kuni fudoki (Harima Province Hiratsuka Raicho¯(1886–1971), 643 Gazetteer), 46, 47 Hirose Tanso¯(1782–1856), 466 Hasegawa Nyozekan (1875–1969), 576 Hirotsu Kazuo (1891–1968), 646, 720 Hasegawa Ryu¯sei (b. 1928), 717 Hiruma Hisao (b. 1960), 766 Hasegawa Shigure (1879–1941), 646, 705 Hisago (Gourd, 1690), 407

827

Index

Hitachi no kuni fudoki (Hitachi Province Ichikawa Kansai (1749–1820), 467–8 Gazetteer), 20–1, 45–9, 74 Ichikawa Sadanji II (1880–1940), 705 hiyuka (metaphorical poems), 77, 83 Ichinotani futaba gunki. See Namiki Senryu¯ Ho¯gen monogatari (Tales of Ho¯gen), 301, 306, Ihara Saikaku (1642–93), 4, 138, 369, 375, 379, 544, chapter 29 381, 388, 396, 398, 399–401, 405–6, 532, ho¯go (vernacular Buddhist writing), 214, 603, 700–1, 704, chapter 42 285, 399 Budo¯ denrai ki (Record of the Transmission Ho¯hi-ron (A Theory of Farting, 1774, sequel of the Way of the Warrior, 1687), 419 1777), 498–9 Buke giri monogatari (Tales of Samurai Ho¯jo¯ Dansui (1663–1711), 419, 420 Honor, 1688), 415, 419 Ho¯jo¯ki. See Kamo no Cho¯mei Dokugin ichinichi senku (A Thousand Verses hokku (opening verse of a linked-verse Composed Alone in a Single Day, sequence), 6, 11, 319, 403, 405–10, 1675), 416 411–13, 494 Honcho¯ niju¯ fuko¯ (Twenty Cases of Unfilial and haiku, 508, 617 Piety in Our Land, 1685), 420 and senryu¯, 507, 508 Ko¯shoku gonin onna (Five Women Who ho¯mon uta (Buddhist song), 207–8 Loved Love, 1686), 419 hon’an (adaptation and naturalization), 494–5, Ko¯shoku ichidai onna (The Woman Who 500, 579–80, 582 Loved Love, 1686), 419, 700 hon’an sho¯setsu (adapted fiction), 579 Ko¯shoku ichidai otoko (The Man Who Loved hon’i (poetic essence), 232, 239 Love, 1682), 138, 400, 417–18 hon’ya (bookseller). See publisher Nanshoku o¯kagami (The Great Mirror of hon’ya nakama (booksellers’ guilds), 388, 394–5 Male Love, 1687), 419 Honcho¯ monzui (Literary Essence of Our Nippon eitaigura (Japan’s Eternal Court, c. 989–1066), 90, 97, 178, 181, Storehouse, 1688), 400, 419–20 chapter 18; see also Fujiwara no Saikaku nagori no tomo (Saikaku’s Farewell Akihira to Friends, 1699), 420 Honcho¯ niju¯ fuko¯. See Ihara Saikaku Saikaku okimiyage (Saikaku’s Parting Gift, Honcho¯ shojaku mokuroku, 16 1693), 419 Honcho¯ zoku monzui, 180, 181, 192 Saikaku oridome (Saikaku’s Final Weaving, hon-kyo¯gen (independent kyo¯gen plays), 348 1694), 420 Horiguchi Daigaku (1892–1981), 714 Saikaku o¯yakazu (1681), 417 Ho¯seido¯ Kisanji, 514, 520–2 Saikaku shokoku banashi (Saikaku’s Stories Hoshino Tenchi (1862–1950), 602 from the Provinces, 1685), 420 Hosokawa Yu¯sai (1534–1610), 160, 212, 253–5 Saikaku yorozu no fumi ho¯gu (Saikaku’s Hototogisu (Cuckoo, est. 1897), 642, 753 Myriad Scraps of Letters, 1696), 420 Hotta Yoshie (1918–98), 689–90 Seken munezan’yo¯ (Mental Calculations for Hou Hanshu (History of the Later Han, c. 5th Surviving in the World, 1692), 420 c.), 29, 194 Shoen o¯kagami (The Great Mirror of hyaku monogatari (hundred tales), 283 Beauties, subtitled Ko¯shoku nidai hyakuin (one hundred linked verse sequence), otoko, Another Man Who Loved 317, 319, 322, 325 Love, 1684), 418 Hyakunin isshu (One Hundred Poets, One Ikezawa Natsuki (b. 1945), 755 Hundred Poems), 376, 392, chapter 25 Ikkyu¯So¯jun (1394–1481), 215, 314–16, 504 hyakushu (one hundred poems on fixed Kyo¯unshu¯, 315 topics), 119, 232, 317 ikusagatari (battle tale), 297 hyo¯ (memorials to the throne), 35, 179, 189, 190 Imagawa Ryo¯shun (1326–1420?), 212, 250, 309 Hyo¯hanki (diary of Taira Nobunori, mid-12th Imakagami (The New Mirror, c. 1174–5), 201 c.), 301 imayo¯ (modern style songs), 299, 330, chapter 20 Ibuse Masuji (1898–1993), 686, 727–8 imperial poetry anthology (chokusenshu¯), 5, 50, Ichijo¯ Kanera (or Kaneyoshi, 1402–81), 136, 53, 67, 80–1, 84, 85, 95, 97–8, 101, 124, 160, 252, 345–6 134, 155–6, 161, 213–14, 218, 256–7, 325,

828

Index

chapters 6, 9, 13, 23, and 24; see also Izumi shikibu nikki (Izumi Shikibu Diary, Fu¯gashu¯, Gosenshu¯, Goshu¯ishu¯, c. 1008), 98, 165, 170–2, 273 Gyokuyo¯shu¯, Kin’yo¯shu¯, Kokinshu¯, Izumo no kuni fudoki (Izumo Province Senzaishu¯, Shinchokusenshu¯, Gazetteer), 15, 21, 47–8 Shingoshu¯ishu¯, Shinkokinshu¯, Izutsu, 335–6 Shinshokukokinshu¯, Shinyo¯shu¯, Shokugosenshu¯, Shu¯ishu¯ Jakuren (c. 1139–1202), 232, 235–6 Inaka shibai. See Manzo¯tei jidai-mono (historical or “period” book), 422 Inbe no Hironari (fl. early 9th c.), 35 jidai-mono, jidai kyo¯gen (historical play), 378, Indo¯shu¯. See Nakamura Saikoku 429, 432, 433, 439, 441, 703–4 Inoue Hisashi (1934–2010), 708, 709, 710 Jien (1155–1225), 232, 298, 300 Inoue Mitsuharu (1926–92), 728 Gukansho¯ (1221), 201–5, 298 Inoue Tetsujiro¯(1855–1944), 613–15 jige (commoner), 247–8, 250, 317, 321 Inu tsukubashu¯ (Mongrel Tsukuba Collection, jige denju (commoner transmissions), 471 1532), 326, 403–4 Jinen Koji (The Lay-Priest Jinen), 332 Iratsume (The Maiden, est. 1887), 599 Jingu¯, Empress, 25–6 Ise monogatari (The Tales of Ise), 5, 70, 79, 98, Jinmu, Emperor, 23, 25, 31, 32, 36, 41, 202 99, 100, 123–5, 126, 164, 214, 216, 235, Jippensha Ikku (1765–1831), 375, 381, 513, 517, 237, 321, 335, 337, 376, 385, 388, 389, 390, 522, 524–31 402, 480, 500, chapter 13 To¯kaido¯chu¯ hizakurige (Shank’s Mare, 1802), Ishida Ira (b. 1960), 764–5 381, 507, 525–7, 531, 578–9 Ishihara Shintaro¯ (b. 1932), 670, 732–3 Jito¯, Empress (r. 686–97), 18–20, 29, 31, 59–62, Ishii Shinji (b. 1966), 764 65–6, 83, 256 Ishikawa Jo¯zan (1583–1672), 406, 457, 458, 462 jitsuroku (true accounts), 445–6, 539–40, Ishikawa Jun (1899–1987), 722 542, 543 Ishikawa Takuboku (1886–1912), 619, 624, jitsurokutai sho¯setsu (fictionalized accounts of 625, 626 recent sensational events), 394–5, 585 Ishikawa Tatsuzo¯(1905–85), 668, 685–6 Jiyu¯ minken undo¯ (Freedom and People’s Ishimure Michiko (b. 1927), 735–6 Rights movement), 554–63, 584, 585, Issun bo¯shi (Little One-Inch), 358 586, 600, 643 Itagaki Taisuke (1837–1919), 584 Jogaku zasshi (Women’s Education Journal, Itchu¯(1639–1711), 406 est. 1885), 562, 599, 641 Ito¯ Baiu (1683–1745), 416 Jo¯gu¯ Sho¯toku ho¯-o¯ teisetsu (Imperial Ito¯ Hiromi (b. 1955), 718 Explanation of the Dharma Prince Ito¯ Jinsai (1627–1705), 379, 416, 458, 460, 479, Sagely Virtue [Sho¯toku] of the Upper 480–1 Palace), 38 Ito¯ Noe (1895–1923), 643–4 Jo¯kyu¯ki (Record of the Jo¯kyu¯ Rebellion), 291, Ito¯ Sachio (1864–1913), 618 293–4, 301 Ito¯ Sei (1905–69), 657–8, 696, 722 Jomei, Emperor (d. 641), 56–9, 83 Ito¯ Shizuo (1906–53), 716 jo¯ruri, 9–11, 215, 356, 365–9, 377–9, 380, 421, 424, Ito¯ Tan’an (1623–1708), 462–3 426–8, 430, 431, 434, 513, 520, 524, 541, Ito¯ Tanboku (1680–1758), 528 542, 544, 547, 631, 706, chapter 44; Ito¯To¯gai (1670–1736), 481 see also ko-jo¯ruri Iwade no Ben, 194 Jo¯ruri ju¯nidan so¯shi (The Tale of Lady Jo¯ruri in Iwakura Tomomi (1825–83), 555, 702 Twelve Parts), 365, 368 Iwamoto Yoshiharu (1863–1942), 562, 599, 600, Ju¯jo¯ Genji (Genji in Ten Chapters), 390 602–3 junbungaku (pure literature), 421–2, 566–7, 648, Iwata Toyo’o (aka Shishi Bunroku, 654–5, 667, 699, 761–2 1893–1969), 668, 707 Izayoi nikki. See Nun Abutsu kabuki, 10, 11, 307, 329, 376, 377–9, 380, 391–2, Izumi Kyo¯ka (1873–1939), 606, 609–12, 707 399, 405, 498, 512, 520, 522, 524, 529, 531, Izumi Shikibu (fl. c. 1000), 98, 134–5, 144, 161, 535, 544, 547, 596, 604, 606, 692, 693, 172, 233, 331 702–6, 708, 720, chapters 43, 44, 45

829

Index

kabuki-mono (eccentric outlaws), 448 diary, chapters 15, 27 Kada no Arimaro (1706–51), 484 Kana-no-kai (Kana Society), 558 Kada no Azumamaro (1669–1736), 472, 484 -majiribun (a style of writing reliant kagai. See utagaki primarily on kana), 202 kagami-mono (mirror histories), 100, 201; Kanagaki Robun (1829–94), 519, 527, 531, see also Azumakagami, Imakagami, 578–9, 585 Masukagami, Mizukagami, O¯kagami Kanai Mieko (b. 1947), 746 Kagawa Kageki (1768–1843), 476 kanajo (Preface in kana), 115, 157, 158–9, 220–2, Kagawa Toyohiko (1888–1960), 654 224, 226, 230, 341, 342, 346 Kagekiyo, 368 kana-zo¯shi (kana booklets), 376, 379, 418, 520 Kagero¯ nikki (Kagero¯ Diary, c. 974), 98–100, Kanbara Ariake (1876–1952), 620 161, 165, 168–70, 171, 174, 273, 278 kanbun (Sinitic prose), 1–2, 4, 19–21, 26, 27–9, kagura (song/dance for the gods), 207 48, 69–70, 72, 77, 97, 102, 115, 157, 181, kagura uta (shrine songs), 111, 117 190, 218, 219, 220, 221, 228, 230, 269, 311, Kaibara Ekiken, 387 378, 379, 396, 501, 556, 557–8, 559–60, Kaifu¯so¯ (Florilegium of Cherished Airs, 751), 561, 571, 574–6, 579–80, 582, 583, 616, 15, 16, 17, 19–20, 51, 68, 188, chapter 6 chapter 47; see also kanshi, kundoku Kaiko¯ Takeshi (or Kaiko¯ Ken, 1930–89), and kokubungaku, 566–9 733, 760 and medieval warrior tale, 291, 292 Kaji Wataru (1903–82), 658 and setsuwa, 280–1, 283–4 Kakaisho¯. See Yotsutsuji Yoshinari diary, 165, 167, 273 kakekotoba (homophonic wordplay), 110, Kanehara Hitomi (b. 1983), 764–5 405, 507 Kaneko Mitsuharu (1895–1975), 716 Kaki Yamabushi (Persimmons), 353 Kaneko Yo¯bun (1894–1985), 658 Kakinomoto no Hitomaro, 18, 51, 56, 59, 60–8, Kaneshiro Kazuki (b. 1968), 759 71, 72–3, 74, 76, 80, 83, 112, 494 Kangaku (Chinese studies), 4, 379–80, 457, Kakuichi-bon Heike monogatari, 296–300, 302–3 557–8, 616, 665 Kakyo¯ hyo¯shiki (A Formulary for Verse kangebon (long preaching books), 544 Based on the Canons of Poetry, kango (Chinese words), 404, 567 772), 219–20 kanji (Chinese script), 187, 196, 385, 397, 517, Kamichika Ichiko (1881–1981), 644 541, 557, 560, 569, 570, 625; see also Kaminari, 347, 351 gender and writing systems and Kamo no Cho¯mei (1155?–1216), 236, 248, styles, and writing system, chapter 26 kanshi (Sinitic poetry), 6, 7, 10–11, 97, 112, 113, Ho¯jo¯ki (The Ten-Foot Square Hut), 8, 162, 120, 189, 215, 218, 220, 252, 316, 406, 411, 191, 202, 261–6 504, 635, chapters 6, 17, 46, 47, and 57; Hosshinshu¯ (Collection of Awakenings, see also kanbun, kanshibun, kyo¯shi 1216), 265 and aristocratic men, 5 Kamo no Mabuchi (1697–1769), 3, 380, 472–3, and Edo literature, 378–80, 381, 390 475, 479, 484–5, 496, 499 contest, 118 Niimanabi (New Learning, 1765), 473 in the Meiji period, 564, 565, 613, 616 Kan Chazan (or Sazan, 1748–1827), 458, 465–6 kanshibun (Sinitic poetry/prose), 91, chapters Kan’ami Kiyotsugu (1333–84), 216, 329, 331–4, 18, 47, and 57; see also kanbun, kanshi 335, 339, 340, 343 Kanwatei Onitake (1760–1818), 527 Sotoba Komachi (Stupa Komachi), 331–2 Kanze Nagatoshi (1488–1541), 338 kana (vernacular Japanese syllabary), 51, Kanze Nobumitsu (1435–1516), 338–9 97–101, 113, 187, 192, 193, 196–7, 204–5, kanzen cho¯aku (praising virtue, chastising 214, 306, 376, 384, 385, 391, 396–7, 504, vice), 480, 541, 543, 584 556, 557, 559–60, 711; see also gender and and Kyokutei Bakin, 546 writing systems and styles, Japanese Kara Ju¯ro¯ (b. 1940), 708–9 literature, kanajo, kana-zo¯shi, Kara monogatari (Tales of China, and writing system, 1 c. 1165), 283 and kokubungaku, kokugo, 3–4, 566–7, 570 Karatani Ko¯jin (b. 1941), 628, 640, 705–6

830

Index

karon (waka poetics and treatises), 101, 120, Tsurayuki-shu¯ (Tsurayuki Collection), 207, 214, 340–1, 344, 346, 476–7, 118–19 chapter 22 Ki no Yoshimochi (d. 919), 115 Karukaya (c. 1631), 366–7 kibyo¯shi (yellow cover illustrated books), 379, Kasa no Kanamura (ﬂ. 715–33), 65–6, 67, 380, 387, 454, 503, 504, 506, 513, 515, 75–6, 83 Kido Takayoshi (1833–77), 555 kashihon’ya (commercial lending libraries), kigo (seasonal word), 409, 412, 414, 508, 509 393, 513, 543 kiki kayo¯, 40, chapter 3 Kashiwagi Jotei (1763–1819), 468–9 kikigaki (lecture notes), 163, 281, 282 kasutori (pulp magazines), 721–2 kiko¯ (travel writing), 266, 270, 410, 567; see also katagi-mono (character books), 422, 529 travel katari-mono (sung narrative), 356, 438; see also and Jippensha Ikku, 524–7 biwa ho¯shi, goze, jo¯ruri, ko¯wakamai, kyo¯ka kiko¯shu¯, 524–6 noh, sekkyo¯, sekkyo¯-bushi, sekkyo¯-jo¯ruri Kikuchi Gozan (1769–1849), 468, 469 katei sho¯setsu (family novel), 587 Kikuchi Kan (1888–1948), 669, 692, 700, 706, Kato¯ Chikage (1735–1808), 473 707–8, 721 Kato¯ Hiroyuki (1836–1916), 554, 556, 564 Kikuchi Yu¯ho¯(1870–1947), 587, 692 Kato¯ Umaki (1721–77), 499 Kim Saryang (1914–50), 672, 685 Kawabata Yasunari (1899–1972), 630, 669–70, Kim So˘k-po˘m (b. 1925), 757, 759 695–6, 697–9 Kim Tal-su (1919–97), 689, 757, 758 Asakusa kurenaidan (Scarlet Gang of Kimura Akebono (1872–90), 600–1 Asakusa, 1929–30), 696, 698 Kimura Mokuro¯, 518 Kurutta ippe¯ji (A Page of Madness, Kin Kakuei (1938–85), 758 1926), 695 Kin’yo¯shu¯ (Kin’yo¯ wakashu¯, Collection of Yukiguni (Snow Country, 1935), 698–9 Golden Leaves, 1127), 224; see also Kawaguchi Hiroshi (1905–?), 658 Minamoto no Toshiyori Kawamura Minato (b. 1951), 687, 697–9, Kindai shiso¯ (Modern Thought, est. 1912), 656 757, 759 Kindai shu¯ka (Superior Poems of Recent Kawamura Takeshi (b. 1959), 709 Times, c. 1209), 227–8 Kawatake Mokuami (1816–93), 378, 434, kindaishi (modern poetry), 753, chapters 63, 74 455–6, 531 Kingu (King, est. 1925), 649–50, 651–2, 663, 668 kayo¯ (song), 40–1, 101, 206 Kinkafu, 111 kazura-mono (woman’s plays), 216 Kinoshita Cho¯sho¯shi (1569–1649), 472 keikobon (practice books), 391, 428 Kinoshita Junji (1914–2006), 707–8 Keikokushu¯ (Collection for Ordering the State, Kinoshita Mokutaro¯(1885–1945), 624, 707 827), 88–9 kinpira jo¯ruri (Edo-born subgenre of ko-jo¯ruri), keishu¯ bungaku, keishu¯ sakka (ladies’ literature, 356, 438–9, 440 lady writers), 599–604 Kinrai fu¯teisho¯. See Nijo¯ Yoshimoto keitai sho¯setsu (cellphone novel), 766–7 kireji (cutting word), 409, 500, 508 Kensai (1452–1510), 325 Kirino Natsuo (b. 1951), 764–5 Kenshi, 134, 135 Kishida Kunio (1890–1954), 695, 697–8, 707 Kensho¯(c. 1130–c. 1209), 225 kishu ryu¯ri tan (story of the young noble in Roppyakuban chinjo¯ (Complaint about the exile), 123, 132, 450 Poetry Contest in Six Hundred Kitada Usurai (1876–1900), 600, 601 Rounds, c. 1193), 225 Kitagawa Fuyuhiko (1900–90), 684, 697, 715 Ki no Kaion (1663–1742), 441 Kitahara Hakushu¯(1885–1942), 237, 620–1, 711 Ki no Ohito (682–738), 68 Kitamura Kigin (1624–1705), 136, 391 Ki no Tadana, 189 Kogetsusho¯ (The Moon on the Lake Ki no Tsurayuki (d. c. 945), 66, 111, 115, 159, 165, Commentary, 1673), 138, 390 220, 232, 341 Kitamura To¯koku (1868–94), 602, 703 Tosa nikki (Tosa Diary, c. 935), 98, 100, 165, Kiyomizu monogatari, 398 166–8, 186, 268 Kiyotsune, 336

831

Index

Kiyowara no Motosuke (or Kiyohara kokubungaku (Japanese national literature), 4, Motosuke, 908–90), 124, 161 91, 565–70, 572, chapter 68 Ko no moto ni, 407 Kokugaku (nativist studies), 3–4, 33, 85, 101, 138, Kobayashi Hideo (1902–83), 661–2 252, 379–80, 381, 387, 472–7, 556, 665, Kobayashi Issa (1763–1827), 375, 381, 412–14 chapter 49; see also Kamo no Mabuchi, Kobayashi Takiji (1903–33), 710 Motoori Norinaga kobunji (Ancient Phraseology, Ch. Guwenci), kokugo (national language), 3–4, 566–7, 569–70, 459, 465–8, 482, 483–4 572, 683 Ko¯da Aya (1904–90), 743 Kokumin no tomo (The Nation’s Friend, Ko¯da Rohan (1867–1947), 423, 570, 585, 743 1887–98), 563, 564, 568, 580 ko¯dan (storytelling), 445, 455, 649, 651–2, Kokusen’ya kassen. See Chikamatsu 668, 706 Monzaemon Ko¯dan kurabu (Ko¯dan Club, est. 1911), 649 Komaki O¯ mi (1894–1978), 658–9 ko¯dan-mono (rumor works), 547 Kometani Fumiko (b. 1930), 747 Kogaku (Confucian ancient learning), 379, 472, Komparu Zenchiku (or Ujinobu, 1405–70?), chapter 49 336–7, 339, 340, 343–6 Koganei Kimiko (1871–1956), 600, 602 Basho¯ (Plantain), 337 Kogetsusho¯. See Kitamura Kigin Rokurin ichiro no ki (Record of Six Circles Kogo shu¯i (Gleanings from Ancient Stories, and One Dewdrop, 1455), 344–6 807), 35, 36 Komparu Zenpo¯(1454–1532?), 339 Ko¯gon, Emperor (1313–64), 246, 278 Komuro Angaido¯(1852–85), 581 Koikawa Harumachi, 375, 520 Konjaku monogatari shu¯ (Tales of Times Now Kinkin sensei eiga no yume (Master Past, c. 1120), 9, 39, 100–1, 197, 215, Flashgold’s Splendiferous Dream, chapter 28 1775), 515, 520 Ko¯no Taeko (1926–2015), 740, 744–5, 746, 760 Kojiki (Record of Ancient Matters, 712), 15–16, Korai fu¯teisho¯. See Fujiwara no Shunzei 18–21, 45, 47, 50–2, 55, 56, 101, 111, 379, Korean War (1950–3), 731, 742 473, 486, 487, 501, 665, chapters 2, 3 ko¯sho¯ zuihitsu (antiquarian miscellanies), 545 Kojikiden (Transmission of the Records of Ko¯shoku ichidai onna. See Ihara Saikaku Ancient Matters, 1798), 486 Ko¯shoku ichidai otoko. See Ihara Saikaku Kojima Nobuo (1915–2006), 731–3, 740 ko¯shokubon (books on love), 399–400, 401 ko-jo¯ruri (seventeenth-century jo¯ruri puppet and Ejima Kiseki, 422 theater), 308, 356, 365–9, 438, 439, 440 and Ihara Saikaku, 418–20 Ko¯kami Sho¯ji (b. 1958), 709 ko¯shoku-mono. See ko¯shokubon Kokan Shiren (1278–1346), 383 kotobagaki (or kotogaki, headnote), 124, 138, Kokin waka rokujo¯ (Old and New Waka in Six 158, 166, 250, 254, 272, 320, 409, 410, 477 Quires), 78, 111–12 Ko¯toku Shu¯sui (1871–1911), 626 Kokinshu¯ (Kokin wakashu¯, Collection of kouta (popular songs), 377 Ancient and Modern Poems, ko¯wakamai (ballad drama), 208, 213, 286, 307, c. 905–14), 5, 6, 58, 66, 79, 81, 84, 86, 95, 308, 355–6, 359, 362–5, 366–7, 368, 369, 97–8, 99, 101, 124, 125, 164, 166, 214, 438, 444 219–22, 226, 228–9, 230, 237, 244, 250, Koyama Itoko (1901–89), 740 252, 323, 335, 341, 373, 376, 471, 473, Kubo Sakae (1900–58), 707 474–8, 493, 598, 617, chapters 9, 13 Kubota Mantaro¯(1889–1973), 707 Kokka hachiron (Eight Essays on Japanese kudaishi (poetry on ﬁxed topic based Poetry, 1742), 484 on line from earlier verse), 179, kokkeibon (books of humor), 379, 381, 387, 503, 186, 190 507, 560, chapter 53 kuden (secret transmission), 281 Kokon chomonju¯ (A Collection of Things Kuga Katsunan (1857–1907), 563 Written and Heard in the Past Kujo¯ Michie, 300 and Present, 1254), 282 Kumazawa Banzan (1619–91) Kokubu Seigai (1857–1944), 576 Genji gaiden (c. 1673), 138

832

Index

kundoku (a Japanese method of reading kyo¯shi (comic Chinese poetry), 379, 380, 470, Chinese-character texts), 17–18, 26, 27, 503–6, 509, 613 33, 34, 100–1, 180, 557, 559–60, 561, 580, kyo¯yo¯ sho¯setsu (educational novel, 589–90 Bildungsroman), 654 Kunikida Doppo (1871–1908), 624, 652 Kurahara Korehito (1902–91), 659, 665–7 Lady Ise (c. 877–c. 940) Kurahashi Yumiko (1935–2005), 744, 745, 746 Ise-shu¯ (Lady Ise Collection), 119, 166 Kurata Hyakuzo¯(1891–1943) Lady Kasa, 80, 98 Shukke to sono deshi (A Monk and His Lady Koshikibu Disciples), 653–4 O¯saka koenu Gon Chu¯nagon (The kurohon (black books), chapter 52 Provisional Middle Counselor Who Kuroi Senji (b. 1932), 736 Did Not Cross over the Hill of Kuroiwa Ruiko¯(1862–1920), 586–7 Meeting), 140 Kurotobi Shikibu, 517 Lady Nijo¯(1258–?), 270, 278–9 Kuroyanagi Sho¯ha (1727–71), 493 Towazugatari (The Unrequested Tale, Kurumamochi no Chitose (or Chine, fl. c. 1306), 268–9, 276–7 720s–730s), 65 Lady O¯ tomo no Sakanoue (c. 695–fl. until kusa-zo¯shi (woodblock illustrated books), 401, 750), 65, 77, 84, 98 539, 542–3, chapter 52; see also akahon, leishu (Chinese encyclopedias), 20, 281, 282 aohon, e-zo¯shi, go¯kan, haishi, kibyo¯shi, Levy Hideo (b. 1950), 766 kurohon Li Bo, 466 kusemai (a type of syncopated song and Li Panlong (1514–70), 482 dance), 332, 334, 362 logography/logographs (logographic Kyo¯ suzume, 399 writing), 17–18, 26, 28–9, 33, 37, 40, 51; Kyo¯ warabe. See Nakagawa Kiun see also kundoku kyo¯bun (comic Chinese prose), 503, 506 love, See also ko¯shokubon, marriage, sexuality kyo¯gen (comic theater), 11, 213, 216–17, 286, and 328–9, 335, 424, 426, 525, chapter 36 Buddhism, 7–8 kyo¯gen kigo (fictitious speech and ornate jo¯ruri, 378 language), 137, 215 kabuki, 378, 449, 454 Kyo¯goku house, 243, 246–7, 249–50, 275; see Meiji melodramatic fiction, chapter 62 also Kyo¯goku Tamekane, Kyo¯goku in Tamenori Edo literature, 9, 532, chapter 54 Kyo¯goku Tamekane (1254–1332), 243–5, 249, Funabenkei, 338 251, 254, 276 Genji monogatari, 129–32 Tamekane-kyo¯ wakasho¯ (Lord Tamekane’s girls’ manga, 749–52 Notes on Poetry, 1287?), 244 Hamamatsu Chu¯nagon monogatari, 146–7 Kyo¯goku Tamenori (1227–79), 243 Heichu¯ monogatari, 125 kyo¯ka (comic waka), 191, 379, 380, 436, 509, 613, Imin gakuen, 602 chapter 51 Izumi shikibu nikki, 170–2 and Jippensha Ikku, 522, 524–6 Izutsu, 335–6 Kyokutei (Takizawa) Bakin (1767–1848), Kagero¯ nikki, 170 559–62, chapter 55 Katakoi, 694–5 Chinsetsu yumiharizuki (The Marvelous Kojiki, 23, 26, 42–4 Story of the Drawn-Bow Moon, Matsura no miya monogatari, 151–2 1807–11), 544–5, 546 Ningen shikkaku, 723 Keisei suikoden (A Courtesan’s Water O¯tsu Junkichi, 655 Margin, 1825–35), 522 political novels, 582 Nanso¯ Satomi hakkenden (The Chronicle Ryo¯jin hisho¯, 208 of the Eight Dogs of the Nanso¯ Sagoromo monogatari, 140–2 Satomi Clan, 1814–42), 381, 393, Sotoba Komachi, 331–2 548–50, 561 Sumiyoshi monogatari, 150 kyo¯sha (mad person), 503 Takekurabe, 603

833

Index

love (cont.) and 5; see also Kakinomoto no Taketori monogatari, 123 Hitomaro, O¯ tomo no Yakamochi Torikaebaya monogatari, 147–9 Man’yo¯shu¯ chu¯shaku (1269), 46, 84 Ukigumo, 592 Manchuria, 2, 638, 664, 666, 683–4, 688, Utatane, 273–4 708, 715 Yoru no Nezame, 143–4 manga, 139, 677, 729–30, 764, 765, 767; see also You xianku, 121–2 girls’ magazine and manga zainichi literature, 757, 759 Manzei (ﬂ. 704–31), 68 in works by Manzo¯tei (1756–1810) Izumi Kyo¯ka, 606–11 Inaka shibai (Provincial Theater, 1787, Natsume So¯seki, 637–9 republished in 1802), 523 Tsubouchi Sho¯yo¯, 560 marriage Yosano Akiko, 618–19 in poems by Heian literature, 127–8, 131, 145–8, 150, Ikkyu¯, 315–16 154, 168–70 Shimazaki To¯son, 616–17 Kojiki and Nihon shoki, 41–2 poems in modern period, 562, 592, 598, 601–2, early Sino-Japanese anthologies, 90–1 607–11, 639, 655, 678, 727, 732, 738, Gosenshu¯, 117, 118 745–6, chapter 66 Gyokuyo¯shu¯, 245 noh play, 335 Hyakunin isshu, 257–8 otogizo¯shi, 358 Japanese and Chinese, 108 the Edo period, 532, 548 Kokinshu¯, 116–17 politics in the Heian period, 5, 122, 124, 195 Man’yo¯shu¯, 51–2, 54, 55–6, 59, 62–4, 72–5, premodern practice, 269–70, 278 77, 78, 79; see also so¯mon Masamune Hakucho¯(1879–1962), 624, 722 Myo¯jo¯, 618 Masaoka Shiki (1867–1902), 478, 573, 617–18, Shinkokinshu¯, 231, 232, 233–4, 241 635, 692 Shu¯ishu¯, 117 Masukagami (The Clear Mirror, c. 1333–76), 6, suicide (shinju¯), 378, 451, 547, 647, 698 201, 212, 285, 304 and Chikamatsu Monzaemon, 10, 432, Matayoshi Eiki (b. 1947), 754 440, 442 Matsuda Masataka (b. 1962), 707 Love Suicides at Amijima. See Chikamatsu Matsunaga Teitoku (1571–1653), 326–7, 391, Monzaemon 404–5, 417 Love Suicides at Sonezaki. See Chikamatsu Matsuo Basho¯(1644–94), 4, 64, 244, 266–7, 327, Monzaemon 375, 379, 381, 406–13, 492 Lu Ji (261–303), 58 Nozarashi kiko¯ (Skeleton in the Fields), 410 Lu You, 466 Oi no kobumi (Backpack Notes, 1688), 407 Oku no hosomichi (Narrow Road to the Machida Ko¯ (b. 1962), 765 Deep North, 1694), 266, 410, 411 Maeda Ai (b. 1968), 561–2, 646, 682, 685, 706 Matsura no miya monogatari, 151–3 Maejima Hisoka (1835–1919), 557 Matsuura Rieko (b. 1958), 765 Mai no hon (Books of Dances, 1632), 364 Medoruma Shun (b. 1960), 754–5 Makura no so¯shi. See Sei Sho¯nagon Mei Yaochen, 462 makurakotoba (poetic epithet, lit. “pillow Meigo¯o¯rai. See Fujiwara no Akihira word”), 56, 61, 81 meishoki (records of famous places), 398–9 Man Who Loved Love. See Ihara Saikaku meisho-zue (illustrated guidebooks), 399 Man’yo¯ daisho¯ki (An Apprentice’s Records on Meng Haoran, 459 the Man’yo¯shu¯, 1690), 84–5, 472 Meng qiu (J. Mo¯gyu¯), 283 Man’yo¯shu¯ (Collection of Myriad Leaves, merchant, 355, 356, 373, 375–6, 377–8, 392, 396, c. 759), 5, 6, 9, 40, 88, 91, 98–9, 101, 415–16, 417, 418–20, 435, 442, 471, 482–3, 110–12, 114, 116, 118, 122, 124, 149, 151, 486, 489, 491, 499, 584, 632, 665; see also 212, 226, 231, 236, 379, 403, 471–3, 477, cho¯nin, four-class system under class 484–5, 487, 500, 617–18, 668, chapters 1, michiyuki (travel scene), 10, 299, 350, 428

834

Index

Mikami Sanji (1865–1939), 565–7, 654 and Mikohidari house, 149, 151, 225–6, 236, 240–7, genre hierarchy, 3–4, 378–9 346; see also Fujiwara no Ietaka, national literature, 567–9 Fujiwara no Shunzei, Fujiwara no nikki, 166, 170–1, 268–9 Tameie, Fujiwara no Teika, Jakuren, otogizo¯shi, 214, 357 Kyo¯goku house, Nijo¯ house, Reizei setsuwa, 39, 285, 286 house storytelling, 282–3 Mimasuya Niso¯ji (1785–1856), 455 vernacular histories, chapter 19 Minamoto no Michitomo (1171–1227), 236 warrior tale, 287, 289, 297 Minamoto no Sanetomo (1192–1219), 211, 212, monogatari so¯ (Buddhist priest- 228, 242, 289 storytellers), 215 Minamoto no Shitago¯(911–83), 124, 126–7, Monokusa Taro¯ (Lazy Taro¯), 358, 400 178–9, 180–1, 191 Montoku jitsuroku, 194, 197–8 Minamoto no Tamenori (d. 1011), 181 Mori Arinori (1847–89), 564 Minamoto no Toshiyori (c. 1055–c. 1129), Mori Kainan (1863–1911), 573, 576 225, 226 Mori Mari (1903–87), 744, 745 Toshiyori zuino¯ (Toshiyori’s Poetics, c. 1115), Mori O¯ gai (1862–1922), 567–8, 570, 600, 615–16, 207, 221, 223–4 619, 621–2, 682, 700, 701, 703, 706–7, Minamoto no Tsunenobu (1016–97), 223, 225 chapter 64 Minase sangin hyakuin (Three Poets at Minase, Abe ichizoku (The Abe Clan, 1913), 1488), 325 627, 700 Ming dynasty, 312, 313, 381, 385, 390, 422, 467, Maihime (The Dancing Girl, 1890), 568, 482, 483, 488, 494, 495, 497, 541, 559, 624, 682 561, 582 Omokage (Vestiges, 1889), 568, 615–16 Mishima Yukio (1925–70), 701, 704–5, 708, 733–4 Mori Shunto¯(1819–89), 573, 574, 576 mitate (visual transposition), 110, 114, 405, 527 Morimoto Kaoru (1912–46), 707–8 Miyachi Karoku (1884–1958), 658–9 Morita Shiken (1861–97), 580 Miyajima Sukeo (1886–1951), 655–9 Motomasa (1400?–32), 339, 343 Miyake (née Tanabe) Kaho (1868–1943), Sumidagawa (River Sumida), 336–7 598–601 Motoori Norinaga (1730–1801), 3, 138, 380, 387, Miyake Kanran (1674–1718), 461–2 472, 473–4, 479, 485–7, 500–1 Miyake Setsurei (1860–1945), 563 Ashiwake obune (Small Boat Parting the Miyako no Nishiki Reeds, c. 1759), 474 Genroku Taiheiki (1702), 401–2 Isonokami sasamegoto (Whisperings from Miyamasu, 337–8, 339 Isonokami, 1816), 474 Miyamoto Kenji (1908–2007), 665–6 Shibun yo¯ryo¯ (Essentials of Murasaki’s Miyamoto (née Chu¯jo¯) Yuriko (1899–1951), Writings, 1763), 474 644, 720 Mozume Takami (1847–1928), 558 Miyazaki Muryu¯(1853–89), 581 Mugonsho¯ (Silent Notes, 1603), 326 Miyoshi Ju¯ro¯(1902–58), 707 Mumyo¯zo¯shi. See Fujiwara Shunzei no musume Miyoshi no Tameyasu (1049–1139), 181 Murakami Haruki (b. 1949), 670, 761–4, Miyoshi Sho¯raku (1696–1772), 433, 443 766, 767 Miyoshi Tatsuji (1900–64), 716 Murakami Ryu¯ (b. 1952), 761–2, 764–5 Mizukagami (The Water Mirror, Murasaki Shikibu (d. c. 1014), 98, 100, 134–5, c. 1185–90), 201 137, 170, 184, 185, 331 Mizumura Minae (b. 1951), 766 Genji monogatari (The Tale of Genji), 5–6, mokkan, 18 8–10, 70, 96, 98, 99, 100, 101, 112, 120, Momonoi Naoaki (aka Ko¯wakamaru, 121, 123, 126–8, 164, 169, 172, 173–4, 176, 1393–1470), 213, 362 178–9, 193, 195–7, 214, 216, 236, 237, Monmu, Emperor (r. 697–707), 59–60, 87 240–1, 268–9, 270, 273–4, 276–7, 285, monogatari (vernacular tale), 5–6, 100, 101, 377, 321, 326, 343, 376, 390, 392, 418, 438, 450, 396, 486, 632, chapters 10, 11, and 12; see 474, 480, 486, 493, 500, 522, 567–8, 632, also speciﬁc monogatari titles 700, chapters 11, 12, and 13

835

Index

Murasaki Shikibu (d. c. 1014) (cont.) Nakamura Saikoku (1647–95) Murasaki Shikibu nikki (Murasaki Shikibu Indo¯shu¯ (Teachings Collection, 1684), 405–6 Diary, c. 1010), 99, 165, 172–3, 174, 195 Nakanishi Inosuke (1887–1958), 672 Murase Ko¯tei (1746–1818), 463 Nakano Shigeharu (1902–79), 658, 659, 660–1, Murata Harumi (1746–1811), 473–4 663, 720, 728 Murataya Jirobe¯, 524–5 Nakatsukasa Naishi nikki. See Fujiwara no Murayama Tomoyoshi (1901–77), 707 Keishi Muro Kyu¯so¯(1658–1734), 460 Nakayama Kaho (b. 1960), 766 Mushanoko¯ji Saneatsu (1885–1976), 626, Nakazato Kaizan (1885–1944), 699 653–5, 721 Nakazato Tsuneko (1909–87), 740 music. See gagaku, kagura Namiki Gohei (1747–1808), 434, 453–5 Mutsuwaki (Record of the Battles Namiki Senryu¯ (or So¯suke, 1695–1751), 433, in the North, 1051–62), 443–4, 445, 453–4 290–1, 297–8 Ichinotani futaba gunki (Chronicles of the Myo¯jo¯ (Venus, est. 1899), 618, 624 Battle of Ichinotani, 1751), 433, 444–5 myth, 16–17, 22, 34, 35, 36–7, 40, 42–4, Namiki Sho¯za (or Sho¯zo¯, 1730–73), 431, 445 121, 486, 560, 736 Nanakusa so¯shi (The Seven Herbs), 358 and noh, 329, 338, 346 Nansensho¯ Somahito, 522 in Nanshoku o¯kagami. See Ihara Saikaku chu¯sei Nihongi, 33 Nanso¯ Satomi hakkenden. See Kyokutei fudoki, 46, 49 (Takizawa) Bakin Kogo shu¯i, 35 NAPF (Nippona Artista Proleta Federacio/All Kojiki, 23–6 Japan Proletarian Artists’ Man’yo¯shu¯, 60 Association), 659, 660–1, 664, 666, 715 Nihon shoki, 30–1 Naruse Jinzo¯(1858–1919), 643 otogizo¯shi, 358 Narushima Ryu¯hoku (1837–84), 574–5 setsuwa, 284 nation, 175, 387, 393, 426, 435, 456, 457, 463–4, 477, 578, 582, 588, 607, 623, 625, 661, Naba Kassho (1595–1648), 460 669, 670–1, 719, 726–7, 742, 744, 757, Nagai Ai (b. 1951), 710 758, 761, chapters 56, and 69; see also Nagai Kafu¯(1879–1959), 575, 621, 711–12, 722–3, colonialism, kokubungaku, kokugo chapter 64 nationalism, 3–4, 106–7, 258, 472, 487, 648 Nagai Takashi (1908–51), 726 nation-state, 3, 598, 605, 627, 652, 699–700, Nagata Hideo (1885–1949), 706 702, 735, 737–8, 753 Nagatsuka Takashi (1879–1915), 618 Natsume So¯seki (1867–1916), 316, 576, 586, 612, Nagawa Kamesuke (active 1772–89), 453 623, 632, 642, 692, 765, 766 Nagayo Yoshiro¯(1888–1961), 653–4 nature, 8, 10, 80, 378, 484, 502, 592, 656; see also Nakagami Kenji (1946–92), 760–1, 765 season, kigo Nakagawa Kiun and recluse literature, 262–6 Kyo¯ warabe (1658), 398–9 in poetry, 63, 66–7, 81, 232, 269, 413, 461, 491, Nakahara Chu¯ya (1907–37), 716 508, 617, 716 Nakajima Atsushi (1909–42), 672, 678, New Flower Gathering. See Yosa (Yoza) Buson 680–1, 684 newspaper, 515, 554, 555–6, 557, 558–9, 563, Nakajima (née Kishida) Toshiko (aka 574–7, 582, 599, 606, 612, 617, 637, 638, Sho¯en, 1864–1901), 562, 600–1, 602 639–40, 642, 645–6, 647, 651, 659, 668, Nakajima Utako (1841–1903), 599 672, 686, 697, 698, 719, 741, 754, Nakamura Ju¯suke II (1749–1803), 452 chapter 59 Nakamura Kichizo¯(1877–1941), 706 Nihon (Japan, newspaper, est. 1889), 563 Nakamura Masanao (aka Keiu, 1832–91), 554, Nihon bungakushi (History of Japanese 556, 580 Literature, 1890), 565–7, 654 Saigoku risshi-hen (1871 translation of Nihon Puroretaria Bungei Renmei (League Samuel Smiles’s Self-Help), 554, for Proletarian Literature of 578, 652 Japan), 658

836

Index

Nihon ryo¯iki (Record of Miraculous Events in Shinku¯ chitai (Zone of Emptiness, 1952), 724 Japan, c. 787–824), 39, 97, 100–1, 214, Nonoguchi Ryu¯ho, 376 chapter 28 norito (prayers, liturgies), 33–4, 36, 60 Nihon shoki (or Nihongi, Chronicles of Japan, Nosaka Akiyuki (b. 1930), 722 720), 5, 15–17, 18–21, 45, 47, 50–2, 55, 98, novel, European, 4, 423, 430, 580; see also 101, 111, 121, 135, 194, 204, 285, 384, 473, sho¯setsu chapters 2, 3 Nukata, Princess (or Nukada, c. 627–after Nihonjin (The Japanese, est. 1888), 563 690), 58–9, 64, 81, 98 Nijo¯ house, 243–51, 253, 318, 324; see also Nun Abutsu (d. c. 1283), 243 Fujiwara no Tameuji (or Nijo¯ Izayoi nikki (Diary of the Sixteenth Night Tameuji), Hanazono (Emperor), Moon, c. 1283), 268, 269, 274–5 Hosokawa Yu¯sai, Nijo¯ Yoshimoto, Utatane (Fitful Slumbers, c. 1265), 268, Tonna (or Ton’a) 273–4, 278 Nijo¯ Yoshimoto (1320–88), 249–50, 318–21, 326, Nyonin geijutsu (Women’s Arts, est. 1928), 340, 343 646, 663 Kinrai fu¯teisho¯ (Notes on Poetic Styles of Nyoraishi (or Joraishi, 1603?–74), 397–8 the Recent Past, 1387), 249 nyosho (books for women), 392, 398 Renri hisho¯ (Treasured Notes on the Principles of Linking, 1349), 320 O¯ no Yasumaro (d. 723), 26–8, 32 Tsukuba mondo¯ (Tsukuba Dialogues, O¯ ba Minako (1930–2007), 740, 744, 745–6, 1372), 318 747, 760 Tsukubashu¯ (Tsukuba Collection, 1356–57), Ochiai Naobumi (1861–1903), 478, 567–8, 319–20 615, 616 niku no kamiuta (deity song couplets), 207 Ochikubo monogatari, 127–8, 150 ningyo¯jo¯ruri, chapter 44; see also jo¯ruri Oda Jun’ichiro¯ (or Niwa Jun’ichiro¯, 1851–1919) Ninigi, 23, 25, 30, 60 Karyu¯ shun’wa (A Romance of Cherries and ninjo¯bon (books of sentiment and romance), Willows, 1878), 580–1, 582, 591 377, 381, 387, 513, 530, 560, chapter 54 Oda Makoto (1932–2007), 728 Nintoku, Emperor, 23, 26, 41, 42–4, 55 Oda Sakunosuke (1913–47), 721–2, 724 Nise monogatari, 402 O¯ e Kenzaburo¯ (b. 1935), 670, 733, 734–5, 757–8, Nise Murasaki. See Ryu¯tei Tanehiko 760, 761–2, 766 Nishi Amane (1829–97), 554, 564, 702 O¯ e no Masafusa (1041–1111), 181–2 Nishimura Shigeki (1828–1902), 554 Go¯dansho¯ (O¯ e Conversations, c. 1108), Nishiwaki Junzaburo¯(1894–1982), 714 178–9, 182, 281–2 Nishiyama So¯in (1605–82), 405, 406, 417 Go¯ke shidai (Proceedings of the O¯ e Nitobe Inazo¯(1862–1933), 564, 678 House), 182 Niwa Fumio (1904–2005), 668 O¯ e no Masahira (952–1012), 191, 194 Noda Hideki (b. 1955), 709–10 Ogawa Yo¯ko (b. 1962), 763–4 no¯gakuron (noh drama treatises). chapter 35 O¯gisho¯ (Poetic Profundities, c. 1144), 224–5 Nogami Yaeko (1885–1985), 639, 642, 705, 720 Oguma Hideo (1901–40), 716–17 Noguchi Neisai (1867–1905), 576 Ogyu¯ Sorai (1666–1728), 4, 379–80, 381, 459–60, Noguchi Takehiko (b. 1937), 629 465–7, 479, 481–5, 487, 489–90, 495, 503 noh, 6–7, 8–9, 10, 75, 198, 208, 213, 215–17, 237, O¯ jin, Emperor, 23, 26, 41 255, 286, 308–9, 314, 348–9, 355, 366, 379, O¯jo¯yo¯shu¯ (Essentials of Salvation, 385, 429, 545, 702, chapters 34, and 35 c. 984–85), 214 and Oka Seibei Kiyotoshi, 438 Genji monogatari, 137–8 Okada Toshiki (b. 1973), 710 kabuki, 428 Okada Yachiyo (1883–1962), 705 ko-jo¯ruri, 366 O¯kagami (The Great Mirror, c. 12th c.), 6, 100, ko¯wakamai, 362 193, 197–201, 202, 282, 285, 298 kyo¯gen, 347–8, 349–51, 352, 354 Okakura Kakuzo¯ (aka Tenshin, 1862–1913), 564 otogizo¯shi, 355 Oku no hosomichi. See Matsuo Basho¯ Noma Hiroshi (1915–91), 722, 724, 730–1 O¯ kubo Shibutsu (1767–1837), 468–9

837

Index

O¯ kubo Toshimichi (1830–78), 555 Paekche, 17, 31, 68–9, 81 O¯ kuma Kotomichi (1798–1868), 476–7 painting, 6, 110, 111, 215, 313, 314, 316, 355, 473, O¯ kuma Nobuyuki (1893–1977), 662 489, 493–4, 496–7; see also bunjinga, O¯ kuma Shigenobu (1838–1922), 653 byo¯bu-e, emaki, haiga, shasei, ukiyo-e O¯ nin War (1467–77), 212, 217, 249, 252, 314, 323, Parhae, 91, 105 336, 338, 345 phonography/phonographs (phonographic Onna cho¯ho¯ki (Record of Treasures for writing), 17–18, 26–7, 29, 33, 37, 40, 42, Women), 376 44, 48, 51; see also kana Onna daigaku (Women’s Great Learning), 376 Pillow Book. See Sei Sho¯nagon O¯ no Kazuo (1906–2010), 709 pleasure quarters, 399, 405, 415, 418–19, 422, Ono no Komachi, 99, 115, 144, 332 448–9, 450, 453, 454, 506, 523, 532–3, 534, O¯ numa Chinzan (1818–91), 573–4 538, 584, 628 O¯ oka Sho¯hei (1909–88), 687, 725–6 poetry. See ancient songs, haikai, haiku, kan- o¯rai-mono (textbook containing model letters shi, kindaishi, kyo¯ka, kyo¯shi, renga, for various occasions), 181, 396, 526 sedo¯ka, waka oral performance, 9–10, 11, 42, 59, 194, 284, 355, and genre hierarchy, 3–4 430, 431, 434, 437, 523–4. See also benshi, Priest Bunshi Gensho¯(1555–1620), 459 katari-mono, ko¯dan, norito, otoshi-bana- Priest Gensei (1623–68), 458, 462 shi, rakugo, sekkyo¯, sekkyo¯-bushi, Priest Keichu¯(1640–1701), 84–5, 138, 472 sekkyo¯-jo¯ruri, song, storytelling, Priest Keikai (or Kyo¯kai), 39, 97 theater Priest Muju¯ Orikuchi Shinobu (1887–1953), 20–1, 132 Shasekishu¯ (Tales of Sand and Pebbles, O¯saka koenu Gon Chu¯nagon. See Lady 1279–83), 281, 349 Koshikibu provincial governor, 5, 35, 46, 47, 72, 96, 99, Osaki Midori (1896–1971), 705 109, 130, 134, 166, 189 Osana Genji (Child Genji, 1665), 376 publisher, 356–7, 375, 376, 380, 417–18, 428, Osanai Kaoru (1881–1928), 705–7 434–5, 439, 447–8, 469, 494, 524–5, O¯ shiro Tatsuhiro (b. 1925), 753–4, 755 527–8, 529–30, 535–6, 543, 547, 555–6, O¯ sugi Sakae (1885–1923), 644 570, 582, 606, 611, 631, 639–40, 696, 721, O¯ ta Nanpo (1749–1823), 411, 436, 470, 495, 722, 724–7, 729–30, 767, chapters 39 504–5, 506, 523 and 40; see also Hachimonji Jisho¯, O¯ ta Sho¯go (1939–2007), 709 Murataya Jirobe¯ O¯ ta Yo¯ko (1906–63), 726 puppet theater. See bunraku, jo¯ruri, ningyo¯ Otogi bunko (The Companion Library), 356–7 jo¯ruri otogizo¯shi (Muromachi tale), 213, 215, 400, 723, chapter 37 Qing dynasty, 466, 494, 497, 545, 559, 561, 572, and 574, 575–6 ko¯wakamai, 363 monogatari, 214 Rai San’yo¯(1780–1832), 463, 469–70 noh, 355, 360–1 Nihon gaishi (An Unoﬃcial History of setsuwa, 286, 355, 360–1 Japan, 1827), 470 O¯ tomo no Yakamochi (718?–85), 50, 52, 64, 65, rakugo, 455, 523, 530, 706 75–84 rakuji, 399 otoshi-banashi (comic oral storytelling), Rangaku (Dutch Studies), 579 523–5, 527 Record of Ancient Matters. See Kojiki O¯ ya So¯ichi (1900–70), 646 Record of Miraculous Events in Japan. See Nihon O¯ yodo Michikaze (1639–1707), 417 ryo¯iki Ozaki Ko¯yo¯(1868–1903), 570, 585, 587, Reizei house, 225, 243, 247, 250, 251–2, 318; 600, 623 see Reizei Tamesuke, Reizei Konjiki yasha (The Golden Demon, Tamehide, Reizei Tamekazu 1897–1902), 606–9, 612 Reizei Tamehide (d. 1372), 247 Ozaki Shiro¯(1898–1964), 697 Reizei Tamekazu (1486–1549), 253 Ozawa Roan (1723–1801), 474–5 Reizei Tamesuke (1263–1328), 243, 244, 319

838

Index

rekishi monogatari (historical tale), 193, 298 Saito¯ Ren (b. 1940), 709 religion. See Buddhism, Christianity, Sakaguchi Ango (1906–55), 688–9, 722, Confucianism, myth, Taoism, Shinto 723–4, 725 renga (linked verse), 119, 212, 213, 214, 215–17, Sakaki Hyakusen (1697–1752), 496 224, 235, 237, 249, 252–3, 255, 266, 269, Sakate Yo¯ji (b. 1962), 710 272, 314, 335, 340, 346, 355, 396, 613, 617, Sakazaki Shiran (1853–1913), 581 chapter 33 Sakiyama Tami (b. 1954), 755 and Genji monogatari, 137–8 Sakurada Jisuke (1734–1806), 454 and haikai, 403–5 Sakurahime zenden akebono so¯shi. See Santo¯ Renri hisho¯. See Nijo¯ Yoshimoto Kyo¯den Ri Kaisei (b. 1935), 670, 757–9, 765 samurai/warrior, 7, 8, 11, 97, 137, 211–13, 250, Rikkokushi (Six National Histories), 32, 193 256, 285, 289, 323, 349, 352–3, 362, 363, risshi (eight-line “regulated poems,” Ch. 373–5, 377–9, 380, 381, 389, 392, 393–4, lüshi), 186, 189, 460 397, 406, 426, 450, 471, 472, 482–3, 491, ro¯ei (chanting of poetry in Chinese), 186–7, 503, 505–6, 532, 553–4, 555, 603, 641, 665; 299; see also Wakan ro¯eishu¯ see also chapters 30 and 31 Rokujo¯ house, 149, 151, 224–6, 236, 346; see also San’yu¯tei Encho¯(1839–1900), 531 Fujiwara no (Rokujo¯) Akisue, Kaidan botan do¯ro¯ (A Ghost Story: Peony Fujiwara no Ariie, Fujiwara no Lantern, 1886), 589–90 (Rokujo¯) Kiyosuke, Kensho¯ sandaishu¯ (ﬁrst three imperial poetry Roppyakuban chinjo¯. See Kensho¯ anthologies, c. 905–1007), 111; see also Roppyakuban uta-awase (The Six-Hundred Gosenshu¯, Kokinshu¯, Shu¯ishu¯ Round Poetry Contest, c. 1193–4), 136, Sando¯. See Zeami Motokiyo 225, 232 Sanemori, 336 Ruiju¯ fusensho¯ (late 11th/early 12th c.), 20, Sanetaka ko¯ki. See Sanjo¯nishi Sanetaka 46, 176 Sangoku denki (Transmissions from Three Russo-Japanese War (1904–5), 553, 564, 569, Countries, early 15th c.), 283–4, 355 570, 623, 625, 649, 693, 714 Sanjo¯nishi Sanetaka (1455–1537), 252–3 Ryo¯ no gige (833), 20 Sanetaka ko¯ki (1470s–1509), 304 Ryo¯ no shu¯ge (late 9th/early 10th c.), 20 sanju¯rokkasen (thirty-six poet-sages), 120 Ryo¯jin hisho¯ (Secret Selections of [Songs to Sankashu¯. See Saigyo¯ make] the Dust on the Rafters Sansho¯ Dayu¯ (c. 1639), 366 [Dance], 1179), 101, chapter 20 Santi shi (Song Dynasty Anthology of Tang Ryo¯kan (1758–1831), 381, 476 Poetry “in Three Forms,” J. Ryo¯unshu¯ (Cloud-Topping Collection, 814), Santaishi), 316 88–9, 90 Santo¯ Kyo¯den (1761–1816), 375, 388, 517, 520–2, Ryu¯tei Rijo¯ (d. 1841), 527, 529, 530 527, 528, chapter 55 Ryu¯tei Tanehiko (1783–1842), 139, 520, 522, 547 Chu¯shin suikoden (The Loyal Retainer’s Nise Murasaki Inaka Genji (Fake Murasaki’s Water Margin, 1799–1801), 541, 542–3 Bumpkin Genji, 1829–42), 139, 522 Mukashigatari inazuma byo¯shi (The Straw Sandal, 1806), 544 sabi (withered, melancholy beauty), 216, Nishiki no ura (Behind the Brocade, 265, 461 1791), 528 Saemon Goro¯, 331, 332, 339 Sakurahime zenden akebono so¯shi (Book of Sagoromo monogatari. See Senji the Dawn: The Unexpurgated Story saibara, 112, 116, 207–8, 330 of Sakurahime, 1805), 543–4, 549 Saigo¯ Takamori (1828–77), 584 Santo¯ Kyo¯zan, 357, 510–15, 517 Saigyo¯(1118–90), 232, 248, 277, 331, 406, 411, Sanuki no Suke nikki. See Fujiwara Nagako chapter 26 Sarashina nikki. See Sugawara no Takasue no Sankashu¯ (Collection of a Mountain musume Home), 259, 260 Saru Genji zo¯shi, 400 saimon (prayers), 189 sarugaku, 216, 330–1, 333, 340–1, 343, 345, 346, 363; Saito¯ Mokichi (1882–1953), 618 see also noh, kyo¯gen

839

Index

Sasamegoto. See Shinkei Senzaishu¯ (Senzai wakashu¯, Collection of Sata Ineko (1904–98), 647, 663–4, 740 a Thousand Years, 1188), 101, 226, 232, Sato¯ Haruo (1892–1964), 678, 679–80, 684, 694 301; see also Fujiwara no Shunzei Sato¯ Makoto (b. 1943), 708 Sesonji Koreyuki (d. 1175), 136, 157, 271 Satomura Jo¯ha (1524–1602), 326 Sesson Yu¯bai (1290–1346), 312–13 season, 10, 112, 162–3, 262–3, 264, 343, 378, 496; setsuwa (anecdotes), 5, 9, 10, 38, 39, 100–1, 182, see also kigo 197, 213, 214, 215, 224, 259, 349, 355, 399, in poetry, 54, 67, 78, 81, 86, 99, 108, 112, 114, chapter 28 116–17, 119, 186, 231, 237, 239, 269, 319, and otogizo¯shi, 286, 355, 360–1 413, 461, 506, 617 and warrior tale, 286, 289, 291, 292, 298–9 Second Sino-Japanese War (1937–45), 667, Seventh Diary. See Kobayashi Issa 686, 699 sewa-mono (contemporary-life play), 378, sedo¯ka (repeating-head poem), 53–4, 78, 433, 451 222, 231 and Chikamatsu Monzaemon, 432, 439, Segawa Joko¯ III (1806–81), 455–6 441–2, 704 Sei Sho¯nagon (d. early 11th c.), 96, 98, 172 sexuality. See also gender Makura no so¯shi (The Pillow Book, c. 1005), and 96, 98, 99, 120, 150, 174, 184, 207, 254, kabuki, 428 391, chapter 14 kasutori magazines, 721–2 Seiami (or Iami, Jo¯ami), 333, 336 postwar translations, 722 seiji sho¯setsu (political novel), 558–9, 560, 561–2, homosexuality in 576, 585, 586, 600–1, chapter 58 Torikaebaya monogatari, 149 seirei (spiritualist or native sensibility), works by Mishima Yukio, 734 462–3, 467 works by O¯ e Kenzaburo¯, 734 Seito¯ (Bluestockings, est. 1911), 642–3 in Sekai ko¯moku (A Guide to Historical Akirame, 642–3 Settings), 431 Ariake no wakare, 153–5 Seken munezan’yo¯. See Ihara Saikaku girls’ manga, 750–2 Seken musuko katagi. See Ejima Kiseki Hamamatsu Chu¯nagon monogatari, 146–7 Seken musume katagi. See Ejima Kiseki Honcho¯ monzui, 192 Sekine Hiroshi (1924–94), 717 Ikkyu¯’s poems, 315–16 sekkyo¯, sekkyo¯-bushi (sermon ballad), 10, senryu¯, 508 213, 215, 286, 355, 356, setsuwa, 285 365–9, 438 Shunshoku umegoyomi, 534–5 sekkyo¯-jo¯ruri (ballad sung to shamisen works by Ihara Saikaku, 417–19 accompaniment), 215 works by O¯ e Kenzaburo¯, 734 Semimaru (early Heian?), 277 works by postwar women writers, Senda Koreya (1904–94), 708 744–5, 765 Sendai kuji hongi (Ancient Matters and works by Tanizaki Jun’ichiro¯, 629–30, Fundamental Records of Early 632–3 Ages), 36 Shaku Nihongi (13th c.), 33, 46 Sengaku (b. 1203), 84–5 sharebon (books of wit and fashion), 375–6, 379, Sengohyakuban uta-awase (The Poetry 380, 381, 387, 503, 506, 520, 522, 523, 525, Match in Fifteen Hundred 528, 532–3, 540–1 Rounds, 1201–3), 232 shasei (sketching), 617–18, 692 Senji (d. 1092) Shasekishu¯. See Priest Muju¯ Sagoromo monogatari (The Tale of Shiba Shiro¯ (aka To¯kai Sanshi, 1852–1922) Sagoromo, late 11th c.), 101, 140–2, Kajin no kigu¯ (Chance Meetings with 143, 144, 149–50, 158, 276 Beautiful Women, 1885–8, 1891, senmyo¯ (vernacular proclamations), 33–4 1897), 561, 576, 582 senryu¯ (satiric haiku), 379, 380, 413, 503, 504, Shiba Zenko¯, 520 505–6, 507–9, 613 Shibaki Yoshiko (1914–91), 740

840

Index

Shibu kassenjo¯-bon (The Four Part Battle Shinchokusenshu¯ (Shinchokusen wakashu¯, New Account), 303 Imperially Commissioned Collection, Shibun yo¯ryo¯. See Motoori Norinaga 1235), 227, 232, 240–2, 256, 300; see also Shibusawa Tatsuhiko (1928–87), 722 Fujiwara no Teika Shichidaiki (Record of Seven Lifetimes, shingeki (modern theater), 11, 642, chapter 73 771), 38 Shingoshu¯ishu¯ (Shingoshu¯i wakashu¯, New Later Shichinin no samurai (Seven Samurai, Collection of Gleanings, 1384), 318; 1954), 700 see also Nijo¯ Yoshimoto shiden-mono (historical work) Shinju¯ Ten-no-Amijima. See Chikamatsu and Kyokutei Bakin, 544–6, 547–8 Monzaemon and Santo¯ Kyo¯den, 544 Shinkei (1406–75), 321–5 Shiga Naoya (1883–1971), 626, 653, 655, 659, 720, Sasamegoto (Murmured Conversations, 723, 757 1463), 322 Shiga Shigetaka (1863–1927), 564, 677 Shinkokinshu¯ (Shinkokin wakashu¯, New Shigeshige yawa. See Tsuga Teisho¯ Collection of Ancient and Modern Shigyoku (1383–1463), 345–6 Poems, c. 1205–21), 101, 134, 214, 226, Shiina Rinzo¯(1911–73), 688 227, 229, 238, 240–1, 248, 250, 256, 317, Shiji (Historical Records, J. Shiki), 3, 19, 29, 319, 411, 474, 484, 487, 620, chapter 23; 180–1, 283 see also Fujiwara no Teika Shijing (Classic of Poetry, 600 BCE), 58, 86, shinpa theater, 606, 692, 704–5 115, 157, 219, 220–1, 318, 481, 482, Shinran (1173–1262), 214, 653–4 484, 489 Shinsarugakuki. See Fujiwara no Akihira Shika shichiron. See Ando¯ Tameakira Shinsen jikyo¯ (Newly Selected Mirror of shikashu¯ (personal waka poetry collection), Characters, 893), 113 165, 239 Shinsen kiso¯ki (Newly Selected Record of Shikisanban (the three noh ritual pieces), Scapulamancy), 35 329–31 Shinsen man’yo¯shu¯ (New Selections of Myriad Shikitei Sanba (1776–1822), 375, 381, 527–31, 547, Leaves, c. 893–913), 113 560, 589–90 Shinsen ro¯eishu¯ (New Selection of Poems to Ukiyo-buro (Bathhouse of the Floating Sing, c. 1116–22, alt. 1122–33), 185 World, 1813), 527–9 Shinsen Tsukubashu¯ (The New Tsukuba Ukiyo-doko (Barber of the Floating World, Collection, 1495), 325 1813), 529–30 Shinsen zuino¯. See Fujiwara no Kinto¯ shiku no kamiuta (deity song quatrains), 207 Shinshokukokinshu¯ (Shinshokukokin wakashu¯, Shimada Masahiko (b. 1961), 762, 765 New Later Collection of Ancient and Shimaki Akahiko (1876–1926), 618 Modern Times, 1439), 250 Shimamura Ho¯getsu (1871–1918), 571, Shintaishisho¯ (Selection of New-Style Poems, 596–7, 705 1882), 613–15 Shimao Toshio (1917–86), 731–2 Shinto, 160, 208, 282, 396, 477, 484 Shimazaki To¯son (1872–1943), 602, 616–17, 624 Shinzo¯ Inu tsukubashu¯ (New Mongrel Tsukuba Hakai (Broken Commandment, 1906), 602, Collection, 1643), 404–5 650–2, 653 shirabyo¯shi (“white beat” singers), 206, Wakanashu¯ (Young Herbs, 1897), 616–17 208, 295 Yoake-mae (Before the Dawn, 1929–35), Shiraishi Kazuko (b. 1931), 717 665–6 Shirakaba (White Birch, est. 1910), 626, Shimizu Shikin (1868–1933), 562, 601, 602 653–4, 655 Shimoda Utako (1854–1936), 643 Shirakawa kiko¯. See So¯gi Shin Rotei (or Kanto¯be¯, Akasukabe¯, shisho¯setsu (watakushi sho¯setsu, I-novel), 175, d. 1816), 527 655, 682–3 Shin’yo¯shu¯ (Shin’yo¯ wakashu¯, Collection of and zainichi literature, 756–8 New Leaves, 1381), 246 shiwa (“talks on poetry”), 469 shinbun sho¯setsu (newspaper novel), 612, 637; sho¯do¯ (preaching), 180, 292, 303, 306 see also chapter 59 on newspaper serials Shoen o¯kagami. See Ihara Saikaku

841

Index

Sho¯ji ni-nen shodo hyakushu (First Set of Sino-Japanese War (1894–5), 3, 4, 553, 564, 569, Hundred-Poem Sequences in the 573, 576, 648, 683, 748, 753 Second Year of the Sho¯ji Era, So¯anshu¯. See Tonna 1200), 232 So¯boku (d. 1545), 326 sho¯jo sho¯setsu (girls’ novel), 748 Soga monogatari (Tale of the Revenge Shoku Nihongi (Chronicles of Japan of the Soga Brothers), 290, 306–7, Continued, 797), 26–7, 29, 32, 33–5, 438, 439 37, 46 Soga no Umako (d. 626), 36 Shokugosenshu¯ (Shokugosen wakashu¯, 1251), So¯gi(1421–1502), 160, 214, 252, 266–7, 322–6, 406 242–3; see also Fujiwara no Tameie Chikurinsho¯ (The Bamboo Grove Shokukokinshu¯ (Later Collection of Ancient Collection, 1476), 323–4 and Modern Times, 1265), 250 Oi no susami (An Old Man’s Diversions, Sho¯monki (The Record of Masakado, 935–40), 1479), 324 290–1, 297–8 Shirakawa kiko¯ (Record of a Journey to Sho¯mu, Emperor (701–56), 65–6, 69, 76–7, 83 Shirakawa, 1468), 266 Sho¯no Junzo¯(1921–2009), 731 Tsukushi no michi no ki (Record of the Road Sho¯no Yoriko (b. 1956), 765 to Tsukushi, 1480), 266 sho¯setsu. See ﬁction, hon’an sho¯setsu, jitsuroku- So¯konshu¯. See Sho¯tetsu tai sho¯setsu, katei sho¯setsu, keitai so¯mon (exchange poem), 54, 63, 77, 78, 83 sho¯setsu, kyo¯yo¯ sho¯setsu, novel, seiji Sonezaki shinju¯. See Chikamatsu Monzaemon sho¯setsu, shisho¯setsu, sho¯jo sho¯setsu, song. See ancient songs, imayo¯, kagura, ro¯ei, taishu¯ sho¯setsu, Tsubouchi Sho¯yo¯: saibara, utagaki, wasan Sho¯setsu shinzui Song dynasty, 192, 215, 311, 314, 316, 379, 465–7, Junsui sho¯setsu-ron, 667 479, 484, 489 kusa-zo¯shi and the notion of, 518–19 Sono Ayako (b. 1931), 743 otogizo¯shi and the notion of, 357 So¯seki (1474–1533), 325, 326 Sho¯tetsu (1381–1459), 214, 244, 250–2, 321, Sotoba Komachi. See Kan’ami Kiyotsugu 323, 344 sovereign, 5, 95–7, 161, 211–12, 287–9, chapter 3; Sho¯tetsu monogatari (Conversations with see also individual emperors Sho¯tetsu, c. 1448–50), 227 and So¯konshu¯ (Grass Roots Anthology), 250–1 fudoki, 45, 46–7 Sho¯toku, Prince (Sho¯toku Taishi, trad. Kaifu¯so¯, 86–90 574–622), 31, 36, 37–8, 56, 87, 346 Kojiki, 23–6 Sho¯toku taishi denryaku (Chronicle Biography Man’yo¯shu¯, 50–1, 54–7, 58–62, 64–6, 76–7, of Prince Sho¯toku, 10th c.), 38 80, 82–5 Shufu no tomo (The Housewives’ Friend, Nihon shoki, 28–33 1917–2008), 645, 663 Sendai kuji hongi, 36 Shu¯ishu¯ (Shu¯i wakashu¯, Collection of Shoku Nihongi, 34 Gleanings of Poems, 1005–7), 106, 111, waka, 101, 111–13; see also imperial poetry 117, 119, 223, 229 anthology Shukke to sono deshi. See Kurata Hyakuzo¯ women’s writing in the Heian period, Shun’e(1113–91), 261 99, 100 Shunshoku tatsumi no sono. See Tamenaga modern emperor system, 556–7, 562–3, 607, Shunsui 626, 661, 665 Shunshoku umegoyomi. See Tamenaga Shunsui So¯yo¯ (d. 1563), 326 Shu¯ron (A Religious Dispute), 352 storytelling, 7, 9–10, 291, 308, 309–10, 356, 427, Shusse Kagekiyo. See Chikamatsu Monzaemon 523–4, 579; see also etoki, goze, katari- Shuten Do¯ji (The Demon Shuten Do¯ji), mono, ko¯dan, otoshi-banashi, rakugo, 359–60, 368–9, 400 sekkyo¯, sekkyo¯-bushi, sekkyo¯-jo¯ruri, Silla, 31, 68, 69, 78, 81, 86, 91 setsuwa Sinitic, Literary. See kanbun Su Dongpo, 466 Sino-Japanese. See kanbun Suehiro Tetcho¯(1849–96), 582

842

Index

Sugawara denju tenarai kagami (Sugawara and Takayama So¯zei (d. 1455), 321 the Secrets of Calligraphy, 1746), 433, Takebe Ayatari (1719–74), 410, 492, 496–8, 443–4, 453 499, 500 Sugawara no Fumitoki (899–981), 178, 180, Honcho¯ Suikoden (A Water Margin in this 190–1 Realm, part 1, 1773; part 2, incomplete, Sugawara no Michizane (845–903), 5, 6, 95, 97, 1774), 496–7 125, 173, 177, 190, 203, 444, chapter 8 Nishiyama monogatari (Tale of the Western Sugawara no Takasue no musume (b. 1008) Hills, 1768), 496–7 Hamamatsu Chu¯nagon monogatari (after Oriorigusa (Tales from Now and Again, 1058), 142, 145–7, 150 1771), 496 Sarashina nikki (Sarashina Diary, c. 1059), 8, Takeda Izumo (d. 1747), 441, 453, 512, 513 98, 99, 135–6, 142, 165, 173–4 Takeda Izumo II (or Koizumo I, 1691–1756), Yoru no Nezame (Wakefulness/Nezame at 433, 443 Night), 142–4, 150 Takeda Seiji (b. 1947), 758 Suiko, Empress (trad. r. 592–628), 23, 31–2, 36, 56 Takeda Taijun (1912–76), 686–7, 688–9, 722 Sukeroku, 430, 452 Takemiya Keiko (b. 1950), 750 Sumiyoshi monogatari, 150 Takemoto Gidayu¯(1651–1714), 431, 439, Sumiyoshi taisha jindaiki (Record of the Age 440–1, 442 of the Gods of the Great Sumiyoshi Takemukigaki. See Hi no Meishi Shrine), 35–6 Taketori monogatari (The Tale of the Bamboo Cutter, c. 909), 79, 98, 121, 122–3, 124, Tachibana Akemi (1812–68), 476–7 126, 127, 137 Tachibana Narisue, 282 Takeuchi Kakusai (1770–1826), 540 Tachibana no Moroe (684–757), 75–6, 84 Takeuchi Naoko (b. 1967), 752 Tachihara Michizo¯(1914–39), 237, 716 Takeyama Michio (1903–84), 687–8 Tada Nanrei (1698–1750), 447 Takiguchi Shu¯zo¯(1903–79), 714 Tadanori. See Zeami Motokiyo Tale of Genji. See Murasaki Shikibu Taiheiki (Chronicle of Great Peace, c. 1370), 7, Tales of Heike. See Heike monogatari 212, 213, 215, 278, 303, 306, 309–10, 331, Tales of Ise. See Ise monogatari 390, 439–40, 444, 450, 495 Tales of Times Now Past. See Konjaku monogatari Taira no Kiyomori (1118–81), 271, 288–9, 291, Tamekane-kyo¯ wakasho¯. See Kyo¯goku 292, 295–7, 304, 307 Tamekane taishu¯ bungaku (mass literature), 761–7 Tamenaga Itcho¯, 447 taishu¯ sho¯setsu (popular fiction), 612 Tamenaga Shunsui (1790–1844), 377, 529, 530 Tajihi no Agatamori (?–737), 68 Shunshoku tatsumi no sono (Spring-Color Takabatake Ransen (1838–85), 579 Southeast Garden, 1833–5), 533 Takahama Kyoshi (1874–1959), 617 Shunshoku umegoyomi (Spring-Color Cho¯sen (Korea, 1912), chapter 69 Plum Calendar, 1832–3), 533–5, 581 Takahashi Gen’ichiro¯ (b. 1951), 765 Tamura Ryu¯ichi (1923–98), 717 Takahashi Mutsuo (b. 1937), 766 Tamura Taijiro¯(1911–83), 688–9 Takahashi no Mushimaro (fl. 720s–c. 737), 65, Tamura Toshiko (1884–1945), 642–3 74–6, 81 Tanabe no Sakimaro (fl. 740s), 76 Takahashi Takako (1932–2013), 744, 745–6 Tanaka Chikao (1905–95), 707 Takahashi ujibumi (Account of the Tane maku hito (The Sower, est. 1921), 658–9 Takahashi Lineage Group, 789), 35 Tang dynasty, 17, 19, 20, 39, 45, 58, 69, 82, 88, Takami Jun (1907–65), 667 102, 103, 105, 121, 123–4, 184, 186, 190, Takamitsu nikki (Takamitsu Diary, aka 192, 314, 316, 389, 459–60, 462, 465–7, To¯nomine Sho¯sho¯ monogatari, c. 962), 482, 497 125, 166 Tanizaki Jun’ichiro¯(1886–1965), 139, 626, Takamura Ko¯taro¯(1883–1956), 719–20 629–33, 669, 693–5, 697, 705, 733 Do¯tei (Journey, 1913), 621, 712 tanka (short poem), 219, 222, 645, 662; see also Takasago. See Zeami Motokiyo waka, and references to individual poems Takatsu Kuwasaburo¯(1864–1921), 565–7, 654 in chapters 5 and 23

843

Index

tanka (short poem) (cont.) Tonna (or Ton’a, 1289–1372), 247–9, 252, 253, and 265, 317, 318, 323 azuma-uta, 77 So¯anshu¯ (The Grass Hut Collection, fudoki, 48 1359), 248 Man’yo¯shu¯, 50, 53–4 To¯nomine Sho¯sho¯ monogatari. See Takamitsu Shinkokinshu¯, 230 nikki Tao Qian (365–427), 58, 72, 490, 494 To¯rai Sanna, 520 Tao Yuanming (365–427), 461 Torikaebaya monogatari, 147–9, 150, 153–4 Taoism, 20, 58, 68, 71, 72, 90, 123, 490 Toriyama Shiken (1655–1715), 459, 462 Tatsumi fugen (Women’s Words From the Tosa nikki. See Ki no Tsurayuki Southeast, 1798), 528 Toshiyori zuino¯. See Minamoto no Toshiyori Tawada Yo¯ko (b. 1960), 766 Towazugatari. See Lady Nijo¯ Tayama Katai (1872–1930), 570, 590, 595–6, 624 Toyama Masakazu (1848–1900), 613 Futon (The Quilt, 1907), 596, 682 travel. See also chishi, do¯chu¯ki, kiko¯, meishoki, Inaka kyo¯shi (Country Teacher, 1909), meisho-zue, michiyuki 650–2 and Tayasu Munetake (1715–71), 484 early modern literature, 409–10, 420, 469, tayu¯ (chanter), 427, 437, 446 496, 522, 524–7 Tazawa Inafune (1874–96), 601–2, 603 Heian diary, 98, 99, 166–7, 170, 173, 175 Teimon school, 404–5, 406, 417, 508 medieval diary, 269, 270, 274–5, 276, 277, and Danrin haikai, 405 278–9 Tengu no dairi (The Palace of the Tengu), medieval recluse literature, 266–7 358–9 modern literature, 575 Tenji, Emperor (r. 668–71), 17, 18, 20, 31, 58–9, and colonialism, 638, 683–91, chapters 69 61, 83, 86–7, 256 and 70 Tenjiku Tokubei ikokubanashi. See Tsuruya renga poets, 323, 325–6 Nanboku IV poems in Tenmu, Emperor (r. 673–86), 18–20, 27, 31, 32, Kokinshu¯, 117 55, 58, 59–62, 87 Man’yo¯shu¯, 52, 54, 60, 61, 63–4, 65, 67, 70, Tentoku dairi uta-awase (Palace Poetry Match 74, 76, 81 of the Tentoku Era, 960), 118 Shinkokinshu¯, 230 Terakado Seiken (1796–1868), 574 traveling storyteller, 213, 216–17; see also Edo Hanjo¯ki (Prosperous Tales of Edo, biwa ho¯shi, goze 1832–6), 448, 470 Tsubouchi Sho¯yo¯(1859–1935), 567, 570, 582, terakoya (private elementary school), 373, 389 585–6, 589, 600, 624, 628, 703–5, 706 Terayama Shu¯ji(1935–83), 708–9 Sho¯setsu shinzui (The Essence of the Novel, theater, 4, 7, 9, 10, 11, 139, 211, 213, 376, 377, 379, 1885–6), 560–2, 566, 585, 703 415, 507, 520, 546–7, 596–7, 606, 733–4; To¯sei shosei katagi (Manners and Lives of see also bunraku, chaban, jo¯ruri, kabuki, Contemporary Students, 1885–6), ko-jo¯ruri, ko¯wakamai, kyo¯gen, noh, 422–3, 560 shingeki, shinpa theater, chapters 34–7, Tsuda Mamichi (1829–1903), 554 43–5, 72, and 73 Tsuga Teisho¯(1718–after 1794), 410, 492, To¯ no Tsuneyori (1401–84), 160, 212, 323 494–5, 497, 500, 539 To¯in Kinsada, 309 Hanabusa so¯shi (A Garland of Heroes, 1749), To¯kaido¯ meisho zue. See Akizato Rito¯ 494, 495 To¯kaido¯ meishoki. See Asai Ryo¯i Shigeshige yawa (Flourishing in the Wilds, To¯kaido¯ Yotsuya kaidan. See Tsuruya 1766), 494 Nanboku IV Tsuji Jun (1884–1944), 644 To¯kaido¯chu¯ Hizakurige. See Jippensha Ikku Tsuka Ko¯hei (1948–2010), 709 Tokugawa Mitsukuni (1628–1700), 459 tsukeku (added verse), 317, 319, 321, 404, Tokunaga Sunao (1899–1958), 666–7, 668 407, 508 Tokutomi Soho¯(1863–1957), 563 and senryu¯, 508 Tomioka Taeko (b. 1935), 717 Tsukuba mondo¯. See Nijo¯ Yoshimoto

844

Index

Tsukubashu¯. See Nijo¯ Yoshimoto Unzen Taikyoku, 304 tsukuri-monogatari (fictional tale), 125–8 Urabe Kanekata (fl. late 13th c.), 33 Tsukushi no michi no ki. See So¯gi Urami no suke, 400 Tsurayuki-shu¯. See Ki no Tsurayuki Urashima Taro¯, 75 Tsurezuregusa. See Yoshida Kenko¯ ushin (deep refined sensibility), 228, 241, Tsuruya Nanboku IV (1755–1829), 434, 453, 250–1, 254 455–6 Usuyuki monogatari (Tale of Light Snow, early Tenjiku Tokubei ikokubanashi (The Tale of 17th c.), 400 Tokubei from India, 1804), 455 uta-awase (poetry matches), 99, 101, 112–14, To¯kaido¯ Yotsuya kaidan (To¯kaido¯, Ghost 118, 119, 149–50, 158, 225, 232, 239; see Stories at Yotsuya, 1825), 378, 430 also Roppyakuban uta-awase Tsushima Yu¯ko (b. 1947), 746–7 utagaki (ritual of song and frolicking youth), Tsutsumi chu¯nagon monogatari (The Stories of 48–9, 74 the Riverside Middle Counselor), utamakura (poetic toponym), 120, 269 101, 140 uta-monogatari (poem tale), 98, 99, 126, 158, tsu¯zokubon (“popularized version” of books), 283, 299 541, 542 Utatane. See Nun Abutsu tsuzuki-mono (serialized reports), 584–5 Utei Enba (1743–1822), 436, 523, 529 Tsuzurikata kyo¯shitsu (The Composition Utsuho monogatari (The Tale of the Cavern, Class, 1938), 700 late 10th c.), 126–7, 137, 141, 143, 151, 152 Twenty Cases of Unfilial Piety in Our Land. See Ihara Saikaku vendetta (katakiuchi), 306–7, 363, 378, 394, 395, 429, 439–40, 443, 444, 445, 522, 530, Uchimura Kanzo¯(1861–1930), 564, 568 540, 627 Ueda Akinari (1734–1809), 380, 381, 411, 474, 492, 499–502, 539 wabi (subdued simplicity), 216, 265 Harusame monogatari (Tales of the Spring waka, 6, 10–11, 91, 95–6, 108, 189–90, 377, 396; Rain, 1808, revised but incomplete, see also imperial poetry anthology 1809), 501–2 (chokusenshu¯), individual entries on Ugetsu monogatari (Tales of Moonlight and chokusenshu¯ titles, karon, kyo¯ka, Rain, 1776), 474, 500, 501, 700 Man’yo¯shu¯, tanka, chapters 5, 9, 22–25, Ueda Bin (1874–1916), 619–22, 629 and 48 Ueda Hiroshi (1905–66), 667 and Ueda Kazutoshi (1867–1937), 569–70, 652, 743 aristocratic culture, 4–5, 97–8, 101, 281 Ugetsu monogatari. See Ueda Akinari diary, 165–6, 268–9 Uji dainagon monogatari (Collection of Tales Genji monogatari, 135–7, 149, 392 from Uji), 282 genre hierarchy, 3–4, 378 Uji Kaganojo¯(1635–1711), 431 haikai, chapter 41 Uji shu¯i monogatari, 39, 282, 283, 286 imayo¯, 206–8 Ukai (The Cormorant Fisher), 332–3 Kamo no Mabuchi, 484–5 Ukiyo monogatari. See Asai Ryo¯i Kokugaku, 379 Ukiyo-buro. See Shikitei Sanba kyo¯ka, chapter 51 Ukiyo-doko. See Shikitei Sanba literary genres, 98, 99, 125–6 ukiyo-e, 376, 418, 434, 445, 520, 528, 628 Masaoka Shiki, 573 ukiyo-zo¯shi (books of the floating world), 377, modern Japanese poetry, 613–22 379, 380, 415, 418, 420, 421, 422, 430, 495, Motoori Norinaga, 486–7 499, 513, 539 Murasaki Shikibu, 134 Ukyo¯ no Daibu (c. 1157–?), 300–1 noh, 335, 340–1, 344 Kenreimon-in Ukyo¯ no Daibu shu¯ (The Nun Abutsu, 274–5 Collection of Lady Daibu, c. 1232), recluse literature, 259, 260 268, 271–2, 300–1 renga, chapter 33 Uno Chiyo (1897–1996), 647, 740 samurai, 211–12 Uno Ko¯ji (1891–1961), 630 Sei Sho¯nagon, 161

845

Index

waka (cont.) and imperial poetry anthology, 118, 155 Sugawara no Michizane, 106, 107 in 19th century Japan, 535, 562–3 Yosa Buson, 493 performers, 427, 437, chapter 20; see also commentary. chapters 13, and 22; see also goze, shirabyo¯shi karon poets, 58–9, 77, 88, 118, 119, 572, 618–19, in 717–18 Ben no Naishi nikki, 272 writings by, 97–100, 155–6, 193–4, chapters Fu¯yo¯shu¯, 155–6 11, 12, 14, 15, 27, 61, 66, and 76; see also Heike monogatari, 299 individual writers Ise monogatari, 124 World War I (1914–18), 630, 645, 696 Man’yo¯shu¯, chapter 5 World War II (1939–45), 80, 175, 286, 354, 429, Nakatsukasa Naishi nikki, 276 632, 671, 725 Tale of Toyokage, 125 writing system, 1, 16–18, 26–8, 51, 84–5; see also the Kamakura period, 213–14 gender and writing systems and the Meiji period, 564, 565 styles, kana, kanbun, kanji, kundoku, the Muromachi period, 214 logography, phonography, wakan- Ukyo¯ no Daibu shu¯, 271–2 konko¯bun Wakan ro¯eishu¯, 185–7 influence on kanshi, 461–2 Xiao jing (Classic of Filial Piety, Waka kuhon. See Fujiwara no Kinto¯ J. Ko¯kyo¯), 384 Wakamatsu Shizuko (1864–96), 600, 602–3 Xie Lingyun (385–443), 58 Wakan ro¯eishu¯ (Collection of Japanese and Chinese Poems to Sing, early 11th c.), yakazu haikai (rapid solo haikai 6, 98, 120, 178, 185–7, 190, 223; see also sequences), 417 Fujiwara no Kinto¯ Yakusha kuchi samisen. See Ejima Kiseki wakan-konko¯bun (mixed Sino-Japanese style Yamabe no Akahito (fl. 724–36), 65–7, 74–6, writing), 2, 283, 299, 309, 500, 567 81, 83 wa-kan-yo¯ konko¯bun (Japanese-Chinese- Yamada Bimyo¯(1868–1910), 585, 599 Western mixed-style writing), Yamada Eimi (b. 1959), 762, 763, 765 568, 569 Yamaga Soko¯(1622–85), 496 Wang Gai (1645–1707), 493–4 Yamagusuku Seichu¯(1884–1949), 753 Wang Shizhen (1526–90), 482 Yamamoto Hokuzan (1752–1812), 467 Wang Wei, 459, 461 Yamamoto Yu¯zo¯(1887–1974), 700, 706 Wang Xizhi (321–79,or307–65), 69 Yamanoue (or Yamanoe) no Okura (660–c. war. See Genpei War, Korean War, O¯ nin 733), 65, 67–70, 71–4, 75, 77, 82, 83 War, Russo-Japanese War, Second Yamato monogatari (Tales of Yamato, c. 951), Sino-Japanese War, Sino-Japanese 75, 112, 124, 276 War, World War I, World War II Yamato Takeru, 25–6 warrior tale. See gunki-mono Yamazaki Ansai (1618–82), 462, 480 wasan (Buddhist hymns), 208, 214 Yamazaki So¯kan, 326, 404 washu¯ (Japanese stylistic influence in kanbun), Yanagita Kunio (1875–1962), 280 459, 468 Yang So˘k-il (b. 1936), 759 Wataya Risa (b. 1984), 765 Yang Yi (b. 1964), 670, 765–6 Wenxuan (Selections of Refined Literature, J. Yano Ryu¯kei (1851–1931), 559–60, 561, 567 Monzen, early 6th c.), 20, 48, 54, 58, 67, Keikoku bidan (Commendable Anecdotes 70, 87, 89, 184, 189–90, 192 on Creating a Nation, 1883–4), 559, Woman Who Loved Love. See Ihara Saikaku 560, 581–2 women. See also fujin zasshi, gender, girls’ Yashima (or Yashima no ikusa, The Battle of magazine and manga, nyosho, and Yashima), 364 education for: premodern aristocratic Yasuoka Sho¯taro¯(1920–2013), 731, 732, 740, 744 women, women in the early modern Yi Yang-ji (1955–92), 758–9, 765 period, women in the modern period Yokomitsu Riichi (1898–1947), 630, 657, 667, and cinema, 698 684–6, 695–6, 698

846

Index

yomihon (reading books), 369, 377, 378, 379, 387, You xianku. See Zhang Zhou 393, 510, 513, 515, 518, 520, 558–9, 560, Yu Miri (b. 1968), 670, 709, 759, 767 561–2, chapters 50 and 55 Yu Yue (1821–1907), 459, 575 Yorimasa. See Zeami Motokiyo Yuan Hongdao (1568–1610), 462, 467 Yosa (Yoza) Buson (1716–83), 375, 380, 381, Yuan Mei (1716–98), 462 410–13, 492–4 Yuasa Hangetsu (1858–1943), 615 Shinhanatsumi (New Flower yu¯gen (mystery and depth), 216, 227, 228, 239, Gathering), 412 248, 319, 334, 341, 342–3, 346, 620 Yosano Akiko (1878–1942), 139, 237, 618–19, Yu¯ryaku, Emperor, 26, 39, 41, 55–6, 83 624, 645, 646 Yu¯shi ho¯gen (Playboy Dialect, 1770), 375–6 Midare-gami (Tangled Hair, 1901), 618, 645 Yutai xinyong (New Songs from a Jade Yosano Tekkan (1873–1935), 618, 620, 621, 624 Terrace, c. 545), 20, 58 Yoshida Kenko¯(c. 1283–c. 1352), chapter 26 Yuyama sangin hyakuin (Three Poets at Tsurezuregusa (Essays in Idleness, c. 1331), 7, Yuyama, 1491), 325 162, 263–5, 284, 302, 385 Yoshida Mitsuru (1923–79), 725 zainichi literature, 765, chapter 79 Yoshida Shu¯ichi (b. 1968), 764 zange-mono (Buddhist confessional Yoshii Isamu (1886–1960), 624 discourses), 419 Yoshikawa Eiji (1892–1962), 649, 699 Zeami Motokiyo (1363?–1443?), 6–7, 8–9, 216, Yoshimoto Banana (b. 1964), 761, 762, 763 328–9, 332–3, 334–9, 347, 429, chapter 35 Yoshimoto Takaaki (1924–2012), 717 Fu¯shi kaden (Transmission of the Flower Yoshinaga Fumi (b. 1971), 752 through Style and Form, 1400–18), Yoshishige no Yasutane, 191 340, 341, 346 Yoshitsune senbon zakura (Yoshitsune and the Kyu¯i (Nine Ranks, c. 1428), 341–2, 344 Thousand Cherry Trees, 1747), 432, Sando¯ (The Three Paths), 334, 343 443, 444, 453 Tadanori, 336 Yoshiyuki Eisuke (1906–40), 684 Takasago, 335 Yoshiyuki Junnosuke (1924–94), 731 Yorimasa, 336 Yo¯so¯(1376–1458), 315 Zekkai Chu¯shin (1336–1405), 313–14, 315 yotsugi no monogatari (succession tale), 202, Zhang Zhou (c. 657–730) 298–9 You xianku (A Dalliance in the Immortals’ Yotsugi Soga. See Chikamatsu Monzaemon Den), 58, 70, 121–2 Yotsutsuji Yoshinari (1326–1402) Zhu Xi (1130–1200), 379, 469, 479–82, 484 Kakaisho¯ (The River and Sea Commentary, zo¯ka (miscellaneous poems), 54, 77, 78, 83 c. 1387), 136–7 zuihitsu (free-form essay), 162, 205, 215, Yotsuya kaidan. See Tsuruya Nanboku IV 259, 284

847