Origins and Characteristics of the Japanese Collection in the British Library
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Treasures of Jodo Shinshu and the Hongwanji II —The Preservation of Beauty and Teachings—
Special Exhibition Treasures of Jodo Shinshu and the Hongwanji II —The Preservation of Beauty and Teachings— March 4th to June 11th, 2017 at Ryukoku Museum List of Works Notes • The list numbers corespond to the exhibition labels. • Not all the works of this list will be exhibited at the same time because of the exhibition rotations. Chapter 1 Past Chief Priests of Hongwanji No. Title Artist or Author Materials Date Location and Owner [National Treasure] Inscription and Endorsed Muromachi period, 1 Colors on silk Hongwanji, Kyoto Portrait of Shinran (Anjō no Go'ei ) by Rennyo (1415-99) Bunmei 11 (1479) Momoyama period, 2 Portraits of Shinran (Hana no Go'ei ) Colors on silk Hongyō-ji, Shiga 16th-17th century Endorsed by Muromachi period, 3 Portraits of Shinran Colors on silk Konjōbō, Toyama Jitsunyo (1458-1525) Meiō 6 (1497) Endorsed by Muromachi period, 4 Portraits of Shinran Colors on silk Hōon-ji, Toyama Shōnyo (1516-54) 16th century Wood with Kamakura-Nambokuchō 5 Seated Image of Shinran pigments, Hongaku-ji, Fukui period, 14th century crystal Eyes Wood with toned Nambokuchō-Muromachi 6 Seated Image of Shinran repairs, Konkaikōmyō-ji, Kyoto period, 14th-15th century crystal Eyes Illustrated Biography of Shinran Nambokuchō period, 7 Colors on paper Kōraku-ji, Nagano (Hongwanji shōnin Shinran denne ) 14th century [Important Cultural Property] Inscription by Nambokuchō period, Jōsembō in Temma, 8 Illustrated Biography of Shinran Colors on paper Zonkaku (1290-1373) 14th century Osaka (Hongwanji shōnin Shinran denne ) by Tokuriki Zensetsu, -
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Patricia Shehan Campbell, Chair Jeffrey M. Perl Christina Sunardi Paul S. Atkins Program Authorized to Offer Degree: Music ii ©Copyright 2017 Michiko Urita iii University of Washington Abstract In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita Chair of the Supervisory Committee: Professor Patricia Shehan Campbell Music This dissertation explores the essence and resilience of the most sacred and secret ritual music of the Japanese imperial court—kagura taikyoku and kagura hikyoku—by examining ways in which these two songs have survived since their formation in the twelfth century. Kagura taikyoku and kagura hikyoku together are the jewel of Shinto ceremonial vocal music of gagaku, the imperial court music and dances. Kagura secret songs are the emperor’s foremost prayer offering to the imperial ancestral deity, Amaterasu, and other Shinto deities for the well-being of the people and Japan. I aim to provide an understanding of reasons for the continued and uninterrupted performance of kagura secret songs, despite two major crises within Japan’s history. While foreign origin style of gagaku was interrupted during the Warring States period (1467-1615), the performance and transmission of kagura secret songs were protected and sustained. In the face of the second crisis during the Meiji period (1868-1912), which was marked by a threat of foreign invasion and the re-organization of governance, most secret repertoire of gagaku lost their secrecy or were threatened by changes to their traditional system of transmissions, but kagura secret songs survived and were sustained without losing their iv secrecy, sacredness, and silent performance. -
© in This Web Service Cambridge University
Cambridge University Press 978-1-107-02903-3 - The Cambridge History of Japanese Literature Edited by Haruo Shirane and Tomi Suzuki Index More information Index Abbot Rikunyo (1734–1801), 465 Ukiyo monogatari (Tales of the Floating Abe Akira (1934–89), 736 World, 1661), 392 Abe Kazushige (b. 1968), 765, 767 Atsumori, 8, 336, 343 Abe Ko¯bo¯(1924–93), 701, 708, 709, 760 aware (pathos), 80, 138, 239, 299, 474, 486 Adachigahara, 339 Ayukawa Nobuo (1920–86), 717 akahon (red books), 510–22 Azuma nikki (Eastern Diary, 1681), 409 Akazome Emon, 135, 161, 170, 193–7 Azumakagami, 201 Akimoto Matsuyo (1911–2001), 708 azuma-uta (eastland songs), 77, 79, 82, 111 Akizato Rito¯(?–1830), 524 To¯kaido¯ meisho zue (Illustrated Sights of Backpack Notes. See Matsuo Basho¯ the To¯kaido¯, 1797), 524–5 Bai Juyi (or Bo Juyi, J. Haku Kyoi or Haku Akutagawa Ryu¯nosuke (1892–1927), 286, 630, Rakuten, 772–846), 124 639, 669, 684, 694–5, 700 Baishi wenji (Collected Works of Bai Juyi, ancient songs, 25, 26, 28–9, 37, 40–4, 52, 57–8, J. Hakushi monju¯ or Hakushi bunshu¯, 60; see also kiki kayo¯ 839), 184–6, 283 Ando¯ Tameakira (1659–1716), 138, 480 Changhen-ge (Song of Never-Ending Shika shichiron (Seven Essays of Sorrow, J. Cho¯gonka, 806), 152 Murasaki, 1703), 138 Baitei Kinga (1821–93), 530 anime, 729, 764 bakufu (military government), 95, 201, 211–12, Anzai Fuyue (1898–1965), 684, 714–15 215, 216, 295, 297, 309, 312, 314, 348–9, aohon (green books), 510–22 374–6, 377–8, 388, 389, 393–5, 419, 432–3, Aono Suekichi (1890–1961), 658–9 505–7, 520–2, 532–3 Arai Hakuseki (1657–1725), 4, 461, 546 banka (elegy), 54, 63–4, 76, 77, 83 Arakida Moritake (1473–1549), 326 banzuke (theater programs), 391, 425, 452 Arakida Reijo (1732–1806), 377 Battles of Coxinga. -
Japonica Humboldtiana 8 (2004)
JAPONICA HUMBOLDTIANA 8 (2004) Contents MARKUS RÜTTERMANN Ein japanischer Briefsteller aus dem ‘Tempel zu den hohen Bergen’ Übersetzung und Kommentar einer Heian-zeitlichen Handschrift (sogenanntes Kôzanjibon koôrai). Zweiter und letzter Teil ............ 5 GERHILD ENDRESS Ranglisten für die Regierungsbeamten des Hofadels Ein textkritischer Bericht über das Kugyô bunin ............................. 83 STEPHAN KÖHN Alles eine Frage des Geschmacks Vom unterschiedlichen Stellenwert der Illustration in den vormodernen Literaturen Ost- und Westjapans .................... 113 HARALD SALOMON National Policy Films (kokusaku eiga) and Their Audiences New Developments in Research on Wartime Japanese Cinema.............................................................................. 161 KAYO ADACHI-RABE Der Kameramann Miyagawa Kazuo................................................ 177 Book Reviews SEPP LINHART Edo bunko. Die Edo Bibliothek. Ausführlich annotierte Bibliographie der Blockdruckbücher im Besitz der Japanologie der J. W. Goethe-Universität Frankfurt am Main als kleine Bücherkunde und Einführung in die Verlagskultur der Edo-Zeit Herausgegeben von Ekkehard MAY u.a............................................ 215 4 Contents REGINE MATHIAS Zur Diskussion um die “richtige” Geschichte Japans Steffi RICHTER und Wolfgang HÖPKEN (Hg.): Vergangenheit im Gesellschaftskonflikt. Ein Historikerstreit in Japan; Christopher BARNARD: Language, Ideology, and Japanese History Textbooks ........................................................................... -
Kaempfer's Album of Famous Sights of Seventeenth Century Japan
KAEMPFER'S ALBUM OF FAMOUS SIGHTS OF SEVENTEENTH CENTURY JAPAN YU-YING BROWN WITHIN the covers of a large and weighty album bound in western style and preserved in The (Western) Manuscript Collections of the British Library (Add. MS. 5252; bearing Sloane's old classification 'Bibliothecae Sloanianae Min. 47') are to be found three groups of curiously varied material. The first consists of a series of fifty Japanese paintings executed in brilhant colours and in gold, each on paper measuring 215 x 322 mm. (ff. 1-50). They depict famous sights of Japan enlivened by vignettes of people engaged in a variety of activities, though mostly pleasure outings or pilgrimages to shrines, temples and scenic spots. The second comprises seven Japanese figure drawings mounted on ff. 53-59, together with three padded applique pictures (ff. 68-70), now identified as oshie (pressed pictures). The third group seems to be entirely Chinese in origin. It consists of twenty-six floral and figure pictures in silk brocade or embroidery (ff. 51, 52, 60-67, i00"i5)- These otherwise unrelated groups of items have one thing in common. They were all smuggled out of Japan in 1692 by the German physician and traveller, Dr Engelbert Kaempfer (1651-1716), and have all, until recently, lain dormant, in pristine condition, among the British Museum's foundation collections.^ This paper seeks to introduce the first and major part of the album only, namely the remarkable set of fifty miniature paintings. These are of unique importance for all historians of Japanese art and culture as well as for specialists in 'Kaempfer studies'. -
Glimpses of Medicine in Early Japanese-German Intercourse
九州大学学術情報リポジトリ Kyushu University Institutional Repository Glimpses of medicine in early Japanese-German intercourse Michel, Wolfgang (Michel-Zaitsu) Kyushu University : Professor emeritus http://hdl.handle.net/2324/20441 出版情報:pp.72-94, 2011-12-26. 財団法人 日本国際医学協会 バージョン: 権利関係: Chapter 1 Glimpses of medicine in early Japanese-German intercourse Wolfgang Michel, MA, PhD Permanent Exective Board Member, Japan Society for Medical History, Professor emeritus, Kyushu University For most of the Edo period, encounters between Japanese and Germans took place within the framework of Dutch-Japanese intercourse. World maps and occasional writings such as the “Notes on Western Countries” (Seiyō kibun, 1715) by Arai Hakuseki referred to the existence of Germany (Zerumania), but this was of little significance in actual encounters, as every European setting foot on Japanese soil officially had to be a ‘Redhead’ (kōmōjin) from Holland (Oranda). Nevertheless, a considerable number of merchants, physicians, surgeons, and pharmacists at the trading post at Dejima in Nagasaki came from German-speaking regions. Some of them made significant contributions to mutual understanding between Japan and Europe. Various German books in Dutch translation also provided Japanese 72 scholars with new perspectives on man and nature. This essay discusses the early stage of German-Japanese encounters and the gradual absorption of Western medicine and allied disciplines into Japan. Growing awareness of weaknesses and needs During the 15th and 16th centuries, Japan absorbed a number of foreign innovations in smelting and forging methods and in crafts such as papermaking, silk weaving, and printing. Most of this know-how came from China. It was disseminated not by Buddhist monks or scholars as earlier knowledge had been, but by merchants and artisans; hence it was predominantly of a practical nature. -
Book Reviews
Book Reviews Trew made himself known as an able extensively and at the same level with the medical practitioner, teacher of anatomy and physician Loelius at the Ansbach court. As a botany, collector in natural history, editor of non-resident personal physician to the same one of the first medical periodicals-the court, Trew was frequently consulted by his Commercium litterarium-and of colleague. In the patronage relationship magnificently illustrated botanical works (see between (noble) patient and doctor, Trew's also my notice of T Schnalke [ed.], Natur im geographical distance from the court rather Bild in Med. Hist. 1996, 40: 529). His enhanced his medical authority. Patients' surviving correspondence, a total of 4,831 estimation of his medical advice "from a letters to him and 873 from him, was linked to distance" is likewise reflected in his a large extent to these activities. Schnalke has consultations with the younger Physicus selected for his study five representative Gruner in Grafenberg near Nuremberg. Perhaps correspondences, in which Trew entertained the most remarkable of the five dialogues with a medical professor (Albrecht correspondences studied by Schnalke is that von Haller), a court surgeon (Carl Friedrich with May, an apprenticeship-trained surgeon, Gladbach), a court physician (Johann Lorenz who had been taught anatomy by Trew in Ludwig Loelius), a Physicus, i.e. medical Nuremberg and then went to Strasbourg, where officer (Christian Albrecht Gotthold Gruner), he made an academic career as a surgical and an academic surgeon (Johann Cristoph teacher, prosector, and demonstrator of May). anatomy. In various ways May was aided in his A number of issues that are characteristic of career by Trew as well as by the Strasbourg Enlightenment medicine feature in these professors of anatomy and surgery Johann letters, e.g. -
Engelbert Kaempfer's Intercultural Contacts Shamakhi 1683-1684
Discovering Azerbaijan Lothar WEYS Doctor of History Kamil IBRAHIMOV Doctor of History Engelbert Kaempfer’s intercultural contacts Shamakhi 1683-1684 s secretary of a Swedish delegation to the court of Shah Suleyman, Engelbert Kaempfer (1651- A1716) travelled through what is today Azerbaijan for 77 days. He stayed in Shamakhi, the former capital of the Persian province of Shirvan, for four weeks, includ- ing his visit to Baku and the oil fields of Absheron. Not so well known are details of his stay in Shamakhi. His diary and book with five entries from Shamakhi in five lan- guages give the names of seven of his local or foreign contacts - clerics of different nominations, military men and diplomats from different nations. Identifications of his contacts and details of their lives can be found in Kaempfer’s “Amoenitates” and books by European and Persian travelers, Chardin, Tavernier and Ibn Muham- mad Ibrahim. All this shows Shamakhi as an important place of intercultural contacts. For 10 years from 1683 to 1692, German physician Engelbert Kaempfer (1651-1716) travelled through parts of Russia, Persia, India, Siam, Japan and South Af- rica. First as secretary of a Swedish delegation he came to the court of the Persian Shah Suleyman. Later in the Engelbert Kaempfer 4 www.irs-az.com 4(41), AUTUMN 2019 Cover of E. Kaempfer’s book on natural and political characteristics of the countries he visited. 1712 service of the Dutch trading company “Verenigde Oost- Kaempfer in Shamakhi. Unlike his report on Baku, indische Compagnie” he traveled to Japan. His “History he doesn’t give a printed report of his stay in this town of Japan” published in London in 1727 was a reference in December 1683-January 1684. -
British Diplomatic Perceptions of Modernisation and Change in Early Meiji Japan, 1868-90
BRITISH DIPLOMATIC PERCEPTIONS OF MODERNISATION AND CHANGE IN EARLY MEIJI JAPAN, 1868-90 FAUZIAH FATHIL Submitted for the Degree of PhD in History School of Oriental and African Studies University of London 2006 ProQuest Number: 10672846 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10672846 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 2 ABSTRACT In studying foreign images, it is generally necessary to examine the views of relevant actors, and few, if any, actors are more relevant than diplomats as they are directly related to foreign diplomacy or relations between countries. While many works have been written on popular images of Meiji Japan as perceived by Western visitors, very few have so far touched on images of Meiji Japan as viewed by British diplomats. Using mainly archive materials, this thesis aims to study British diplomatic views of political, economic and social change in Japan during the crucial early stages of that country's modernisation in the first half of the Meiji period. The thesis examines various patterns of diplomatic views as they witnessed the different changes that took place in Meiji Japan, most notably the diversity of views and images of the modernisation of the country. -
Displaying Authority: Guns, Political Legitimacy, and Martial Pageantry in Tokugawa Japan, 1600-1868
DISPLAYING AUTHORITY: GUNS, POLITICAL LEGITIMACY, AND MARTIAL PAGEANTRY IN TOKUGAWA JAPAN, 1600-1868. Daniele Lauro A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History Chapel Hill 2012 Approved by: Dr. Morgan Pitelka Dr. William M. Fletcher Dr. Wayne Lee © 2012 Daniele Lauro ALL RIGHTS RESERVED ii ABSTRACT DANIELE LAURO: Displaying authority: guns, political legitimacy, and martial pageantry in Tokugawa Japan, 1600-1868. (Under the direction of Morgan Pitelka) From the end of the sixteenth century on, firearms in Japan are increasingly found in contexts other than the battlefield. A perusal of the Records of the Tokugawa Family (Tokugawa Jikki) - the military clan that ruled Japan from 1603 to 1868 - reveals, for instance, that guns were often involved in ritual practices performed by the warrior elite, such as weddings, funerals, hunting parades, and celebrations of the New Year. Moreover, it was common for both the shogun and the domainal lords (daimyô) to display firearms and other weapons during public audiences and military parades. By considering different ritual practices that involved the display of military power such as daimyo processions to Edo, shogunal pilgrimages to Nikko, military reviews, large-scale hunts and other pageants, this paper argues that during the Tokugawa period guns were often used by the warrior elite as tools to shore up authority, legitimize the political order, and reinforce ideals of warrior identity. iii TABLE OF CONTENTS Introduction……………………………………………………………………………..1 Chapter I. Local authority on the move: daimyo processions (daimyô gyôretsu) and the system of alternate attendance (sankin kôtai)……………………………….11 II. -
Japan Looking at the World Looking at Japan : European Expansion Into
Japan Looking at the World Looking at Japan European Expansion into East Asia, the Formation of the Japanese Concept and Perception of Colonial Rule as well as European Responses c. 19001 Harald Kleinschmidt, Tokyo An Interactionist Approach to the History of International Relations On 8 February 1868, the newly installed Meiji Government of Japan issued its proclamation nr 5. In this proclamation, it declared that it would honor the treaties that had been concluded between Japan and states in Europe and North America since 1854, but that it would also seek their revision in ac- cordance with ‘universal public law’ 宇内の公法 (udai no kōhō). On behalf of the government, Higashikuze Michitomi 東久世通禧, then in office as Director General Agency for Foreign Affairs 外国事務総督 (Gaikoku Jimu Sōtoku), communicated the contents of the proclamation to foreign diplo- matic envoys then accredited in Japan.2 The proclamation thus articulated the perception that there was a hierarchy of two legal frameworks that could be addressed for different, if not mutually exclusive purposes. Within this 1 Paper read to the Historical Institute of the University of Greifswald, 24 April 2017. 2 GENERAL AGENCY FOR FOREIGN AFFAIRS 外国事務総督 (Gaikoku Jimu Sōtoku): “Gaikō ni kan suru Fukokusho 外交に関スル布告書” (Government Proclamation Relating to Diplomacy [dated 8 February 1868 = 15th day of the first month of year Keio 4, concerning the treaties between Japan and other states, written by ŌKUBO Toshimichi 大 久保利道 and MUTSU Munemitsu 陸奥宗光]), Dai Nihon gaikō monjo 大日本外交文書 (Diplomatic Records of Japan), nr 97, vol. 1, Nihon Kokusai Kyōkai 日本国際協会 1938: 227–28. HIGASHIKUZE Michitomi: Nikki 日記 (Diary), vol. -
JAPAN COLLECTIONS Prepared by Tokiko Bazzell
JAPAN COLLECTIONS prepared by Tokiko Bazzell Heine, Wilhelm (Peter Bernhard Wilhelm Heine), 1827-1885 Graphic scenes in the Japan expedition. New York, G. P. Putnam & company, 1856. 2 p.l., 10 pl. 52 cm. Born on January 30, 1827 in Dresden, Germany, Heine studied art in Germany and France and worked as a scene designer for the court theater. During an upheaval in his native country, he immigrated to the United States in 1849. He met the archaeologist, Ephraim George Squier, and spurred Heine's artistic career and intellectual curiosity in different cultures. In September 1852 at the age of 25, Heine joined Commodore Perry's expedition to Japan. He diligently recorded in paintings, sketches and writings, important meetings, events, people, and wildlife. Graphic Scenes in the Japan Expedition offers 10 sketches, which were later copied by other artists. Frederic Trautmann, translator of Heine's memoir With Perry to Japan, stated "Heine's images of the Perry expedition and his memoir of it remain his greatest service to America and his supreme achievement." It is not an overstatement that Heine's drawings spurred a craze for Japanese things in the U.S. after their return. Eventually, Heine made four trips to Japan. He returned to Germany after his last trip and published Japan: Beiträge zur Kenntnis des Landes und seiner Bewohner in 1880 in Dresden, where he died five years later. Kaempfer, Engelbert, 1651-1716. The history of Japan : giving an account of the ancient and present state and government of that empire, of its temples, palaces, castles and other buildings, of its metals, minerals, trees, plants, animals, birds and fishes, of the chronology and succession of the emperors, ecclesiastical and secular, of the original descent, religions, customs, and manufactures of the natives, and of their trade and commerce with the Dutch and Chinese : together with a description of the kingdom of Siam.