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The 26Th Society for Animation Studies Annual Conference Toronto
Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence The Animator Conferences & Events 6-16-2014 The Animator: The 26th oS ciety for Animation Studies Annual Conference Toronto June 16 to 19, 2014 Society for Animation Studies Paul Ward Society for Animation Studies Tony Tarantini Sheridan College, [email protected] Follow this and additional works at: http://source.sheridancollege.ca/conferences_anim Part of the Film and Media Studies Commons SOURCE Citation Society for Animation Studies; Ward, Paul; and Tarantini, Tony, "The Animator: The 26th ocS iety for Animation Studies Annual Conference Toronto June 16 to 19, 2014" (2014). The Animator. 1. http://source.sheridancollege.ca/conferences_anim/1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the Conferences & Events at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in The Animator by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. THANK YOU TO OUR SPONSORS THE ANIMATOR THEThe 26th Society forANIMATOR Animation Studies Annual Conference TheToronto 26 Juneth Society 16 to 19, 2014 for www.theAnimation animator2014.com Studies @AnimatorSAS2014 Annual Conference Toronto June 16 to 19, 2014 • www.the animator2014.com • @AnimatorSAS2014 WELCOME Message from the President Animation is both an art and skill; it is a talent that is envied the world over. Having a hand in educating and nurturing some of the finest animators in the world is something for which Sheridan is exceptionally proud. -
Film & Television
416 466 1450 • [email protected] • www.larissamaircasting.com FILM & TELEVISION Kids in the Hall (Series) Amazon (Present) Hardy Boys S2 (Series) YTV/HULU (Present) Run the Burbs (Series) CBC (Present) All My Love, Vadim (Feature) Serendipity Points Films, 6 Bees Productions (Present) Take Note S1 (Series) NBC Universal (Present) Holly Hobbie S3, 4, 5 (Series) Hulu / Family Channel (Present) Detention Adventure (Season 3) CBC (Present) Ghostwriter (Season 2) Apple & Sesame (Present) Kiss the Cook (MOW) Champlain Media Inc./Reel One Entertainment (Present) A Country Proposal (MOW) M6 Métropole Television, France (Present) First Person S2 (Short Films) Carousel Pictures (2021) Overlord and the Underwoods S1(Series) marblemedia & Cloudco Entertainment (2021) Say Yes To Christmas (MOW) Lifetime (2021) Christmas in Detroit (MOW) Lifetime (2021) Terror in the Country (MOW) ReelOne Entertainment (2021) Summer Memories (Series) Family Channel (2021) The Color of Love (MOW) Lifetime (2021) Mistletoe & Molly (MOW) Superchannell Heart & Home (2021) Secret Santa (MOW) Superchannel Heart and Home (2021) Christmas At the Movies (MOW) Superchannell (2021) Christmas in Angel Heights (MOW) M6 Métropole Television, France (2021) Left For Dead (MOW) Lifetime (2021) The Christmas Market (MOW) Vortex Productions (2021) Loving Christmas (MOW) M6 Métropole Television, France (2021) Lucas the Spider Warner Brothers (2020) Sissy Picosphere (2020) Death She Wrote M6 Métropole Television, France (2020) SPIN (Canadian Casting) Disney + (2020) TallBoyz S2 (Series) CBC (2020) Odd Squad Mobile Unit (Season 4) PBS, TVO (2020) Love Found in Whitbrooke Harbor M6 Métropole Television, France (2020) Rule Book of Love M6 Métropole Television, France (2020) Overlord and The Underwoods MarbleMedia & Beachwood Canyon Pictures (2020) Dying to be Your Friend Neshama (2020) The Young Line CBC Kids (2020) The Parker Andersons / Amelia Parker BYUtv (2020) Locked Down (Season 2) YouTube (2020) The Enchanted Christmas Cake Enchanted Christmas Cake Productions Inc. -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
Vivian Oh, Et Al. V. Navarre Corp, Et Al. 05-Cv-1211-Class Action Complaint
F V 1, 3 UNITED STATES DISTRICT COURT DISTRICT OF MINNESOTA VIVIAN OH, Individually and on Behalf of All Civ. No. D,5' Others Similarly Situated, CLASS ACTION Plaintiff, COMPLAINT FOR VIOLATIONS OF FEDERAL vs. SECURITIES LAWS NAVARRE CORPORATION, ERIC H . PAULSON, JAMES G . GILBERTSON, BRIAN T. BURKE, CHARLES E, CHENEY and CARY L . DEACON, Defendants. DEMAND FOR JURY TRIAL NATURE OF THE ACTION This is a federal class action on behalf of purchasers of the common stock of Navarr e Corporation ("Navarre" or the "Company") between January 21, 2004 and February 22, 2005, inclusive (th e "Class Period"), seeking to pursue remedies under the Secu rities Exchange Act of 1934 (the "Exchange Act") . 2 . Navarre was formed in 1983 and is headquartered in New Hope, Minnesota, Defendant Navarre engages in the publication and distribution of various home entertainment and multimedia products , including personal computer software, audio and video titles, and interactive games . During the Class Period, defendants issued false financial results which understated expenses in at least the third quarter of fiscal 2004 and first quarter of fiscal 2005.' As a result, Navarre's stock trade d at artificially inflated levels, trading above $15 per share during the second half of calendar 2004. 4. On January 10, 2005, Navarre announced the acquisition of FUNimation Productions, Ltd. and The FUNimation Store, Ltd. (collectively "FUNimation") for $100 million in cash and between 1 .495 million and 1 .827 million shares of Navarre stock, depending on the price of Navarre stock. The release noted FUNimation' s growing sales from 2001 to 2003, but did not report its sales for any period of 2004. -
Nelvana a All P
FEA TURE lsons Ne f o tesy r ou c tos ho Nelvana a All p , Michael Hirsh Patrick Loubert Clive Smith In 1971, when three some of the finest animated rotting away." The three got young men decided to in- and children's live-action hold of the books and acquired corporate themselves into a shows in the world. the rights to them. The CBC film company called Nelvana, helped to finance a docu- the commercial cinema scene The three first met in the late mentary on an interesting was far different than it is 1960s, a time well remem- moment in Canadian popular today in Canada. Very few bered for its funky, rebellious history; Peter Martin and features were being made in attitudes. Hirsh and Loubert Associates came on as a this country, much less started a small production firm publisher of a coffee-table Toronto, and the occasional called Laff Arts with a business book on Johnny Canuck, independently produced tele- card portraying a man in a suit Nelvana and their cohorts; and vision show created here was on the front; when the card the National Gallery of Canada rarely broadcast interna- was flipped over onto its back, agreed to support a two-year tionally. Michael Hirsh and he had dropped his pants. travelling tour of the comic Patrick Loubert, two York Hirsh admits now, "Toronto book art. These successes University graduates with a wasn't ready for that kind of helped to establish the trio. As taste for underground film- humour." The designer of the a tip of the hat to the project, making, and Clive Smith, a card was Clive Smith. -
Toonboom.Com FEELING GRATEFUL
SPRING 2012 toonboom.com FEELING GRATEFUL A WORD FROM THE PRESIDENT Dear Customers, Partners and Friends, I would like to open the Winter issue of Toon numerous studios and educational institutions Boom News by thanking all of you for your train animators and create jobs in a fast-changing tremendous support and loyalty. There are no market.” words to describe how privileged we all feel at Our dedication to making the global animation Toon Boom to continuously serve such a vibrant industry successful can only be matched by our and dynamic community composed of professional passion for working with incredible individuals, such content creators, hobbyists, educators, students as yourselves, and helping to create entertainment and children. and messaging for a better world. We are deeply grateful for receiving our second We would like to wish you a wonderful Holiday Primetime Emmy® Engineering Award, this time Season and the very best for 2013. May Peace, for Toon Boom Storyboard Pro. This wonderful Health, Love and Creativity fill up your days recognition granted by the Academy of Television throughout the New Year! Arts and Sciences is a true testament to Storyboard Pro’s significant contribution to the broadcast With warm regards, industry, be it live action or animated. I was also very touched to receive a special Humanitarian Prize at The World Animation Feature Films & VFX Summit in Marina del Rey, California. The award, presented by Animation Magazine president Jean Thoren in front of animation industry leaders, was given to me in -
Boarding: Stories and • Visual Pacing and Storytelling • the Story Artist: What Are Studios Are Looking Snow" Workshop
: W G O N N I S & D S R E I A R O O T S B Come listen and learn from Through a series of hands-on activities, case studies, demos, and formal presentations, Featured artists: experienced story artists workshop speakers and instructors will focus from Hollywood's hottest on topics such as: Ronnie del Carmen, Story Supervisor and Story Artist at Pixar Animation Studios studios at the Banff New • The feature story process Kris Pearn, Story Arist and Storyboard Media Institute Accelerator’s • Story structure Artist at Sony Pictures Imageworks "Boarding: Stories and • Visual pacing and storytelling • The story artist: what are studios are looking Snow" workshop. for? Chris Tougas, Character Designer, Screenwriter, and Story Artist • Your place in line: what reality do you face Storyboarding is an essential skill out there in the market? Woody Woodman, Co-Founder and Head employed by filmmakers, designers, and of Story at Ravenwood Entertaiment animators to create compelling stories This four-day workshop will incorporate through various mediums, both digital business with pleasure by offering participants the opportunity to enhance their storyboarding Jorden Oliwa, Storyboard Artist, Animator and traditional. Geared towards media and snowboarding skills. The optional ski/ producers and artists, the workshop will snowboard days will take place at Banff’s Peter Hansen, Independent Producer, offer beginner and advanced world-class mountain resorts on Saturday, Program Chair, Digital & Interactive Media storyboarding techniques, and will March 26, 2005 and Monday, March 28, 2005. Design (NAIT) highlight future trends and technologies A snowboarding clinic will also be offered by for storyboarding. -
Nelvana & Commissioned Technical Specifications
NELVANA & COMMISSIONED TECHNICAL SPECIFICATIONS RELEASE AUGUST 2020 TABLE OF CONTENTS 1. DIGITAL FILE DELIVERY - HD SPECIFICATIONS 2 2. DIGITAL FILE DELIVERY - UHD SPECIFICATIONS BROADCAST 3 3. DIGITAL FILE DELIVERY - SD NTSC SPECIFICATIONS FOR BROADCAST 4 4. ORDER OF EVENTS 5 5. CLOSED CAPTIONING 6 6. DIGITAL FILE DELIVERY FOR AUDIO PRODUCTION – DOLBY 5.1/2.0 7 7. PUBLICITY MATERIALS 9 8. CONTACT INFORMATION 10 9. APPENDICES 11 PURPOSE: This document describes the video and audio practices and technical standards for the delivery of Nelvana acquired and Corus Studios commissioned content to Nelvana and Corus Entertainment for international distribution and broadcast on Specialty and Conventional networks. GENERAL: The master copy of the program should be recorded directly from Licensor’s “master”. All program content should be recorded in accordance with standard industry practices and in accordance with the appropriate ANSI/SMPTE/ITU-R Standards and Recommended Practices. Credits should not contain any website URLs. All files can be delivered via Signiant, Aspera, or onboarded ad-delivery partner. Alternate delivery methods will need to be determined and agreed to on a case by case basis. Best efforts must be made to meet Corus Entertainment’s format specifications. Alternate file specs may be accepted only with prior written consent from Corus Entertainment and following the evaluation of a test file. Content distributors should anticipate a 1-3 week period to onboard and evaluate new file deliveries. Commissioned original content must be captured using an approved camera from the Corus Acceptable Camera List. PLEASE NOTE: The technical specifications outlined below are subject to change based on ongoing development. -
The Animation Industry: Technological Changes, Production Challenges, and Global Shifts
THE ANIMATION INDUSTRY: TECHNOLOGICAL CHANGES, PRODUCTION CHALLENGES, AND GLOBAL SHIFTS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Hyejin Yoon, M.A. ***** The Ohio State University 2008 Dissertation Committee: Approved by Professor Edward J. Malecki, Adviser Professor Nancy Ettlinger Adviser Graduate Program in Geography Professor Darla K. Munroe ABSTRACT Animated films have grown in popularity as expanding markets (such as TV and video) and new technologies (notably computer graphics imagery) have broadened both the production and consumption of cartoons. As a consequence, more animated films are produced and watched in more places, as new “worlds of production” have emerged. The animation production system, specialized and distinct from film production, relies on different technologies and labor skills. Therefore, its globalization has taken place differently from live-action film production, although both are structured to a large degree by the global production networks (GPNs) of the media conglomerates. This research examines the structure and evolution of the animation industry at the global scale. In order to investigate these, 4,242 animation studios from the Animation Industry Database are used. The spatial patterns of animation production can be summarized as, 1) dispersion of the animation industry, 2) concentration in world cities, such as Los Angeles and New York, 3) emergence of specialized animation cities, such as Annecy and Angoulême in France, and 4) significant concentrations of animation studios in some Asian countries, such as India, South Korea and the Philippines. In order to understand global production networks (GPNs), networks of studios in 20 cities are analyzed. -
9781474410571 Contemporary
CONTEMPORARY HOLLYWOOD ANIMATION 66543_Brown.indd543_Brown.indd i 330/09/200/09/20 66:43:43 PPMM Traditions in American Cinema Series Editors Linda Badley and R. Barton Palmer Titles in the series include: The ‘War on Terror’ and American Film: 9/11 Frames Per Second Terence McSweeney American Postfeminist Cinema: Women, Romance and Contemporary Culture Michele Schreiber In Secrecy’s Shadow: The OSS and CIA in Hollywood Cinema 1941–1979 Simon Willmetts Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema Linda Badley, Claire Perkins and Michele Schreiber (eds) Vampires, Race and Transnational Hollywoods Dale Hudson Who’s in the Money? The Great Depression Musicals and Hollywood’s New Deal Harvey G. Cohen Engaging Dialogue: Cinematic Verbalism in American Independent Cinema Jennifer O’Meara Cold War Film Genres Homer B. Pettey (ed.) The Style of Sleaze: The American Exploitation Film, 1959–1977 Calum Waddell The Franchise Era: Managing Media in the Digital Economy James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber (eds) The Stillness of Solitude: Romanticism and Contemporary American Independent Film Michelle Devereaux The Other Hollywood Renaissance Dominic Lennard, R. Barton Palmer and Murray Pomerance (eds) Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown www.edinburghuniversitypress.com/series/tiac 66543_Brown.indd543_Brown.indd iiii 330/09/200/09/20 66:43:43 PPMM CONTEMPORARY HOLLYWOOD ANIMATION Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown 66543_Brown.indd543_Brown.indd iiiiii 330/09/200/09/20 66:43:43 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. -
European Market Report BLE Exhibitors List Brands & Lifestyle Theatre and Licensing Academy Schedules This Year, BLE Is Pull
SEPTEMBER 2018 VOLUME 21 This year, BLE is pulling out all the stops for its silver anniversary with an exciting theme, new exhibitors and lots of engaging seminars. Plus: European Market Report BLE Exhibitors List Brands & Lifestyle Theatre and Licensing Academy Schedules 2901 28th Street, Suite 100 Santa Monica, CA 90405 www.licenseglobal.com editorialdepartment content director managing editor Amanda Cioletti 310.857.7688 Patricia DeLuca 212.600.3402 [email protected] [email protected] content editor digital editor Bibi Wardak 310.857.7499 Amber Alston 212.600.3178 [email protected] [email protected] artdepartment graphic designer senior production manager Ramprabhu 714.845.0252 ext. 6055011 Karen Lenzen 218.740.6371 [email protected] [email protected] advertisingdepartment vice president, sales account manager Howard Gelb 310.857.7687 Rebecca Dennis 310.445.3716 [email protected] [email protected] account manager Licensing and Reuse of Content: for Supporting Us Christie Ramsey 310.857.7632 Contact our offi cial partner, Wright’s Media, [email protected] about available usages, license fees, and award seal artwork at [email protected] as the Licensing Industry’s for more information. Please note that Wright’s Media is the only authorized company that we’ve Thought Leader! partnered with for Advanstar UBM materials. ubmlicensing senior vice president, licensing brand director Jessica Blue 310.857.7558 Steven Ekstract 212.600.3254 [email protected] [email protected] licensingexpo marketing -
Catégories En Télévision
CATÉGORIES EN TÉLÉVISION Best TV Movie Christmas Jars Citytv (Rogers Media) (Muse Entertainment) Jesse Prupas, Jonas Prupas, Misha Solomon, Shane Boucher, Andra Johnson Duke, Michael A. Dunn, Barry McLarren Glass Houses Crave (Bell Media) (Incendo) Jean Bureau, Ian Whitehead No Good Deed Crave (Bell Media) (Incendo) Jean Bureau, Ian Whitehead The Sanctuary Hollywood Suite Inc. Canada (Hollywood Suite Inc. Canada) (AKOOLFILM Company Inc.) Allen Kool, Robin E. Crozier, David O'Keefe, Michael A. Charbon Best Drama Series Sponsor | Canada Media Fund Burden of Truth CBC (CBC) (ICF Films / Eagle Vision / eOne) Ilana Frank, Linda Pope, Adam Pettle, Jocelyn Hamilton, Kyle Irving, Brad Simpson, Lisa Meeches, Kristin Kreuk Cardinal: Until The Night CTV (Bell Media) (Sienna Films / Entertainment One) Jennifer Kawaja, Julia Sereny, Randy Lennox, Jocelyn Hamilton, Patrick Tarr, Nathan Morlando, Jessica Daniel Departure Global (Corus Entertainment) (Shaftesbury) Christina Jennings, Scott Garvie, Malcolm MacRury, T.J. Scott, Vincent Shiao, Patrick Cassavetti, Julie Lacey, Tina Grewal Transplant CTV (Bell Media) (Sphere Media) Jocelyn Deschênes, Bruno Dubé, Joseph Kay, Randy Lennox, Virginia Rankin, Jeremy Spry, Tara Woodbury Vikings History (Corus Entertainment) (Take 5 Productions Inc.) Sheila Hockin, John Weber, Michael Hirst, Morgan O'Sullivan, James Flynn, Alan Gasmer, Sherry Marsh, Bill Goddard Best Comedy Series Baroness Von Sketch Show CBC (CBC) (Frantic Films) Jamie Brown, Carolyn Taylor, Meredith MacNeill, Aurora Browne, Jennifer Whalen, Sally