DOCSLIB.ORG

Exhibitor PDF List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Exhibitor PDF List Brand Licensing Europe 2019 Exhibitor Listing as of 10/3/21 Name Booth 0+ Media B342 100 Fire Ltd D327 Aardman B280 AC Milan D441 Acamar Films A300 Activision l Blizzard D300 Admiral Sportswear E400 AEX ITALIA B113 Akomba Labs Pte Ltd D328 Alchemy England B430 Alpha Group C260 Alps Group B433 ANIMA KITCHENT MEDIA S.L. B320 Animaccord B220 Animaru C465 Arsenal FC F406 Art Ask Agency B431 Art by Lis Goncalves D488 ArtSHINE C462 Arty Globe D460 AS Roma E405 Asiana Licensing, Inc. B260 Ason Bags & CUULAH C442 Assaf Frank Photography Licensing C466 Asterix D325 Atlantis B362 Atlantyca Entertainment SpA D123 Aurora World Corp. B260 Aurora World LTD B260 Authentic Brands Group D320 Automobili Lamborghini C381 BANDAI NAMCO Entertainment Europe S.A. C202 Bavaria Sonor Licensing C343 BBC Studios C220 Beano Studios C180 Beanstalk C361 Benesse Corporation B124 BEO n PENO D347 BERAKA COSMETICS B260 Bernie Bus and Friends D348 Biplano B303 BJA Designs F321 Blues Clothing/Paul Dennicci Ltd E182 Boat Rocker Studios D140 Bonus Marketing Productions E242 Brainbase B380a Brand Alliance B441 brand4rent licensing C342 BrandComply D440 Brandgenuity C382 Brands & Rights 360 and Epic Story Media D182 Brands Media A360 Bravado B222 Bulldog Licensing A282 Bulls Licensing B201 CAA-GBG A400 Capcom C321 Carbon 12.011 Licensing A386 Carlton London A421 Caroline Mickler E281 Carpinvest Group E384 Carte Blanche E164 Cartoon Saloon Brand Development D141 Cash's Apparel Solutions LTD A370 Casterman A180 CC Brands C142 Celebrities Entertainment A144 Claire Louise C480 Cloudco Entertainment C340 Consumer Fluent F302 Coolabi C222 Copyrights B222 CPLG C280 Creative Licensing Corporation E203 CTC Media D166 Cyber Group Studios F202 Daopanda D344 De Agostini Publishing Italia S.p.A B111 Deafmetal E301 DEAFMETAL E301 Dependable Solutions Inc. C444 Design for Licensing - DXL B112 DHX C280 DIC 2 Srl A260 Difuzed E280 Discovery Inc B282 Dorna Sports C383 Dracco Company Ltd E221 DRi Licensing B261 EDEBE AUDIOVISUAL SL B320 Edutainment Licensing A122 EL OCHO LICENCIAS Y PROMOCIONES SL B320 Elves Behavin' Badly E163 emoji company GmbH C242 Endemol Shine Group C160 Entertainment One B181 ETS STUDIOS C262 Euro Lizenzen C320 European & Global Licensing BV F220 Evolution B341 Fabacus B400 Fanatics - Real Madrid D383 Fantawild Animation Inc. B122 Fashion UK & Global Licensing D221 Faster Brands Ltd E383 FC Barcelona E441 FC Internazionale Milano E443 FC Porto E381 Federacao Portuguesa de Futebol F400 Ferly Ltd F260 Fiat Chrysler Automobiles N.V. B400 FIFA E401 Fluid World D142 FOCO UK E141 France TV Distribution E241 Frankfurt Book Fair C103 Fratelli Fontanella E385 French Football Federation E387 Funimation Entertainment D201 Gallimard Jeunesse A180 Gateley Legal E250 GCP Corp A100 Genichi Watanabe C463 Giochi Preziosi B340 Global Brands Group D180 Global Icons A381 Global Merchandising Services Ltd C184 Globetrade/beetosee E161 Glory Innovations, Inc. A120 Golden Goose C440 Grani & Partners B340 Gruppo Alcuni B115 Guangzhou Liuhua Fashion Wholesale Market B434 Haley Art & Design B461 Hamsta World E143 Hasbro Consumer Products D240 HCA Creation C472 Howard Robinson C470 I Love My Dog / I Love My Cat B110 Iconix Europe A361 IMC TOYS SA B320 IMG B400, B420 Imperial War Museums C446 IMPS / The Smurfs C162 Intime Knits F408 ITV Studios Global Entertainment B128 JCB Consumer Products B363 JELC Ltd B446 Jewel Branding & Licensing, Inc B364 JPatton C341 JUMI D384 Juventus Football Club D382 Kakao IX UK B400 Kate Mawdsley D473 KAZACHOK F223 KNVB F386 KOCCA B260 Konami Cross Media NY, Inc. D244 KREAM Helsinki E301 Lady Geraldine Designs D326 Larkshead Media Ltd A280 Laura Wall Art and Illustration C102 Lemon Ribbon D470 LEONI S.P.A. E240 Licensing International C360 Licensing Link Europe A302 Licensing Management International A140 Licensing Source Book Europe F140 Licensing.biz C104 Lisle Licensing F282 LoCoco Licensing F262 LUK INTERNACIONAL F240 Lumo Stars D164 Luverly Baby Limited C464 Maarit Kontiainen Art E301 Magic Light Pictures D342 Manchester City FC E404 Mattel Brands Consumer Products B200 Maui and Sons B440 Maurizio Distefano The Evolution of Licensing E183 Maverick Media D345 MAYA STUDIO SOCIEDAD LIMITADA B320 MBA Sport E380 Mediatoon Licensing D241 Melnitsa Animation Studio D166 Mercis BV B261 Metrostar B435 MGA Entertainment C143 MGL Licensing C460 Mimmit E301 Mondo TV B161 MONIKLO BRANDS SLL. B320 Moomin B201 MTM Industries F244 MyMediabox C322 N.Smith & Company Ltd F186 National Basketball Association E440 Natural History Museum B385 NECA C186 Nelvana International Limited C140 New Beat E301 Nicoletta Costa C105 Nintendo E220 Nominet A384 Oddcats! B466 Olympique de Marseille E382 On Kids and Family E246 OpSec Security D381 OSO B260 P&B Srl E166 Panini S.P.A B386 PEA & PROMOPLAST SRL F180 Penguin Ventures C240 Perfetti van Melle Group D360 Pink Key Licensing D380 Planeta Junior D183 Princess Sam Consumer Products C120 Rainbow B180 Rediks Graphics B260 Rights & Brands B201 Rights Tracker A424 Riki Group B342 Rino Tokyo C461 RiNo Tokyo C461 Riverside Brands E244 Rocket Licensing B301 ROI Visual B302 Roland-Garros E402 Rovio Entertainment Corporation B140 Royal Horticultural Society B366 Royal Museums Greenwich B380 RSPCA B382 Rugby Australia / Wallabies E386 Sagoo A320 Sanrio B141 Santoro A220 SANY BAGS SL B320 Sarah Boddy D471 Sarah Burman Design B465 Sarah Lovell Art C482 Science Museum Group C441 SEGA Europe A281 Selfie Notes E160 Sinigaglia D121 SmartStudy B260 Smidt-imex F200 Sony Interactive Entertainment Europe D220 Sony Pictures Consumer Products D201 Sophie La Girafe D243 Sorare F384 Spain Licensing Pavilion B320, E251 Sport Lisboa e Benfica E442 Studio 100 Media C182 Studio Canal B222 Studioinyo Corp. B260 Style Library D362 Sutikki UK D223 Swissbrand B360 SYBO Games C302 Sylphe D346 Tempting Brands AG B387 TF1 Licences D340 The Blue Beat Label E225 The Football Association E388 The Partnership B384 The Point. 1888 C380 The Pokemon Company, Intl D260 The Roald Dahl Story Company B261 The Smiley Company B221 The Social Store D302 Tiger Tim E302 Toei Animation Europe C300 Toho Co., Ltd C141 Tokidoki B321 Tomato Source Ltd D301 Toncar S.r.l B126 TOPPS E165 Total Licensing Ltd A182 Tour de France, Paris Dakar & Paris Saint-Germain D401 TSBA A380 TUBA n Co., Ltd E244 Ubisoft EMEA B241 UCLA D403 UEFA Champions League & UEFA Europa League D443 UEFA EURO 2020 B400 Universal Brand Development B240 UP!Content Co. E253 V&A (Victoria and Albert Museum) B381 Van Gogh Museum A302 Viacom Nickelodeon Consumer Products B160 VICBAG GROUP A240 Vicki Thomas Associates B413 Vivendi (Bravado, Copyrights, StudioCanal) B222 Viz Media Europe D247 VOOZ B260 Walker Books E162 Warhammer D181 Warner Bros. Consumer Products D160 Warner Music E123 WIZART B342 Women in Toys, Licensing & Entertainment (WIT) F300 WWE E260 Xilam Animation A322 Yale University B432 Young Toys B260 Ypsilon Licensing F182 ZAG Studios C200 ZINKIA ENTERTAINMENT, SA B320 Zolan Licensing Agency C443 ZURU E244.
Load more

Recommended publications
  • The 26Th Society for Animation Studies Annual Conference Toronto
    Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence The Animator Conferences & Events 6-16-2014 The Animator: The 26th oS ciety for Animation Studies Annual Conference Toronto June 16 to 19, 2014 Society for Animation Studies Paul Ward Society for Animation Studies Tony Tarantini Sheridan College, [email protected] Follow this and additional works at: http://source.sheridancollege.ca/conferences_anim Part of the Film and Media Studies Commons SOURCE Citation Society for Animation Studies; Ward, Paul; and Tarantini, Tony, "The Animator: The 26th ocS iety for Animation Studies Annual Conference Toronto June 16 to 19, 2014" (2014). The Animator. 1. http://source.sheridancollege.ca/conferences_anim/1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the Conferences & Events at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in The Animator by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. THANK YOU TO OUR SPONSORS THE ANIMATOR THEThe 26th Society forANIMATOR Animation Studies Annual Conference TheToronto 26 Juneth Society 16 to 19, 2014 for www.theAnimation animator2014.com Studies @AnimatorSAS2014 Annual Conference Toronto June 16 to 19, 2014 • www.the animator2014.com • @AnimatorSAS2014 WELCOME Message from the President Animation is both an art and skill; it is a talent that is envied the world over. Having a hand in educating and nurturing some of the finest animators in the world is something for which Sheridan is exceptionally proud.
    [Show full text]
  • Film & Television
    416 466 1450 • [email protected] • www.larissamaircasting.com FILM & TELEVISION Kids in the Hall (Series) Amazon (Present) Hardy Boys S2 (Series) YTV/HULU (Present) Run the Burbs (Series) CBC (Present) All My Love, Vadim (Feature) Serendipity Points Films, 6 Bees Productions (Present) Take Note S1 (Series) NBC Universal (Present) Holly Hobbie S3, 4, 5 (Series) Hulu / Family Channel (Present) Detention Adventure (Season 3) CBC (Present) Ghostwriter (Season 2) Apple & Sesame (Present) Kiss the Cook (MOW) Champlain Media Inc./Reel One Entertainment (Present) A Country Proposal (MOW) M6 Métropole Television, France (Present) First Person S2 (Short Films) Carousel Pictures (2021) Overlord and the Underwoods S1(Series) marblemedia & Cloudco Entertainment (2021) Say Yes To Christmas (MOW) Lifetime (2021) Christmas in Detroit (MOW) Lifetime (2021) Terror in the Country (MOW) ReelOne Entertainment (2021) Summer Memories (Series) Family Channel (2021) The Color of Love (MOW) Lifetime (2021) Mistletoe & Molly (MOW) Superchannell Heart & Home (2021) Secret Santa (MOW) Superchannel Heart and Home (2021) Christmas At the Movies (MOW) Superchannell (2021) Christmas in Angel Heights (MOW) M6 Métropole Television, France (2021) Left For Dead (MOW) Lifetime (2021) The Christmas Market (MOW) Vortex Productions (2021) Loving Christmas (MOW) M6 Métropole Television, France (2021) Lucas the Spider Warner Brothers (2020) Sissy Picosphere (2020) Death She Wrote M6 Métropole Television, France (2020) SPIN (Canadian Casting) Disney + (2020) TallBoyz S2 (Series) CBC (2020) Odd Squad Mobile Unit (Season 4) PBS, TVO (2020) Love Found in Whitbrooke Harbor M6 Métropole Television, France (2020) Rule Book of Love M6 Métropole Television, France (2020) Overlord and The Underwoods MarbleMedia & Beachwood Canyon Pictures (2020) Dying to be Your Friend Neshama (2020) The Young Line CBC Kids (2020) The Parker Andersons / Amelia Parker BYUtv (2020) Locked Down (Season 2) YouTube (2020) The Enchanted Christmas Cake Enchanted Christmas Cake Productions Inc.
    [Show full text]
  • 2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
    Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p.
    [Show full text]
  • Vivian Oh, Et Al. V. Navarre Corp, Et Al. 05-Cv-1211-Class Action Complaint
    F V 1, 3 UNITED STATES DISTRICT COURT DISTRICT OF MINNESOTA VIVIAN OH, Individually and on Behalf of All Civ. No. D,5' Others Similarly Situated, CLASS ACTION Plaintiff, COMPLAINT FOR VIOLATIONS OF FEDERAL vs. SECURITIES LAWS NAVARRE CORPORATION, ERIC H . PAULSON, JAMES G . GILBERTSON, BRIAN T. BURKE, CHARLES E, CHENEY and CARY L . DEACON, Defendants. DEMAND FOR JURY TRIAL NATURE OF THE ACTION This is a federal class action on behalf of purchasers of the common stock of Navarr e Corporation ("Navarre" or the "Company") between January 21, 2004 and February 22, 2005, inclusive (th e "Class Period"), seeking to pursue remedies under the Secu rities Exchange Act of 1934 (the "Exchange Act") . 2 . Navarre was formed in 1983 and is headquartered in New Hope, Minnesota, Defendant Navarre engages in the publication and distribution of various home entertainment and multimedia products , including personal computer software, audio and video titles, and interactive games . During the Class Period, defendants issued false financial results which understated expenses in at least the third quarter of fiscal 2004 and first quarter of fiscal 2005.' As a result, Navarre's stock trade d at artificially inflated levels, trading above $15 per share during the second half of calendar 2004. 4. On January 10, 2005, Navarre announced the acquisition of FUNimation Productions, Ltd. and The FUNimation Store, Ltd. (collectively "FUNimation") for $100 million in cash and between 1 .495 million and 1 .827 million shares of Navarre stock, depending on the price of Navarre stock. The release noted FUNimation' s growing sales from 2001 to 2003, but did not report its sales for any period of 2004.
    [Show full text]
  • Nelvana a All P
    FEA TURE lsons Ne f o tesy r ou c tos ho Nelvana a All p , Michael Hirsh Patrick Loubert Clive Smith In 1971, when three some of the finest animated rotting away." The three got young men decided to in- and children's live-action hold of the books and acquired corporate themselves into a shows in the world. the rights to them. The CBC film company called Nelvana, helped to finance a docu- the commercial cinema scene The three first met in the late mentary on an interesting was far different than it is 1960s, a time well remem- moment in Canadian popular today in Canada. Very few bered for its funky, rebellious history; Peter Martin and features were being made in attitudes. Hirsh and Loubert Associates came on as a this country, much less started a small production firm publisher of a coffee-table Toronto, and the occasional called Laff Arts with a business book on Johnny Canuck, independently produced tele- card portraying a man in a suit Nelvana and their cohorts; and vision show created here was on the front; when the card the National Gallery of Canada rarely broadcast interna- was flipped over onto its back, agreed to support a two-year tionally. Michael Hirsh and he had dropped his pants. travelling tour of the comic Patrick Loubert, two York Hirsh admits now, "Toronto book art. These successes University graduates with a wasn't ready for that kind of helped to establish the trio. As taste for underground film- humour." The designer of the a tip of the hat to the project, making, and Clive Smith, a card was Clive Smith.
    [Show full text]
  • Toonboom.Com FEELING GRATEFUL
    SPRING 2012 toonboom.com FEELING GRATEFUL A WORD FROM THE PRESIDENT Dear Customers, Partners and Friends, I would like to open the Winter issue of Toon numerous studios and educational institutions Boom News by thanking all of you for your train animators and create jobs in a fast-changing tremendous support and loyalty. There are no market.” words to describe how privileged we all feel at Our dedication to making the global animation Toon Boom to continuously serve such a vibrant industry successful can only be matched by our and dynamic community composed of professional passion for working with incredible individuals, such content creators, hobbyists, educators, students as yourselves, and helping to create entertainment and children. and messaging for a better world. We are deeply grateful for receiving our second We would like to wish you a wonderful Holiday Primetime Emmy® Engineering Award, this time Season and the very best for 2013. May Peace, for Toon Boom Storyboard Pro. This wonderful Health, Love and Creativity fill up your days recognition granted by the Academy of Television throughout the New Year! Arts and Sciences is a true testament to Storyboard Pro’s significant contribution to the broadcast With warm regards, industry, be it live action or animated. I was also very touched to receive a special Humanitarian Prize at The World Animation Feature Films & VFX Summit in Marina del Rey, California. The award, presented by Animation Magazine president Jean Thoren in front of animation industry leaders, was given to me in
    [Show full text]
  • Boarding: Stories and • Visual Pacing and Storytelling • the Story Artist: What Are Studios Are Looking Snow" Workshop
    : W G O N N I S & D S R E I A R O O T S B Come listen and learn from Through a series of hands-on activities, case studies, demos, and formal presentations, Featured artists: experienced story artists workshop speakers and instructors will focus from Hollywood's hottest on topics such as: Ronnie del Carmen, Story Supervisor and Story Artist at Pixar Animation Studios studios at the Banff New • The feature story process Kris Pearn, Story Arist and Storyboard Media Institute Accelerator’s • Story structure Artist at Sony Pictures Imageworks "Boarding: Stories and • Visual pacing and storytelling • The story artist: what are studios are looking Snow" workshop. for? Chris Tougas, Character Designer, Screenwriter, and Story Artist • Your place in line: what reality do you face Storyboarding is an essential skill out there in the market? Woody Woodman, Co-Founder and Head employed by filmmakers, designers, and of Story at Ravenwood Entertaiment animators to create compelling stories This four-day workshop will incorporate through various mediums, both digital business with pleasure by offering participants the opportunity to enhance their storyboarding Jorden Oliwa, Storyboard Artist, Animator and traditional. Geared towards media and snowboarding skills. The optional ski/ producers and artists, the workshop will snowboard days will take place at Banff’s Peter Hansen, Independent Producer, offer beginner and advanced world-class mountain resorts on Saturday, Program Chair, Digital & Interactive Media storyboarding techniques, and will March 26, 2005 and Monday, March 28, 2005. Design (NAIT) highlight future trends and technologies A snowboarding clinic will also be offered by for storyboarding.
    [Show full text]
  • Nelvana & Commissioned Technical Specifications
    NELVANA & COMMISSIONED TECHNICAL SPECIFICATIONS RELEASE AUGUST 2020 TABLE OF CONTENTS 1. DIGITAL FILE DELIVERY - HD SPECIFICATIONS 2 2. DIGITAL FILE DELIVERY - UHD SPECIFICATIONS BROADCAST 3 3. DIGITAL FILE DELIVERY - SD NTSC SPECIFICATIONS FOR BROADCAST 4 4. ORDER OF EVENTS 5 5. CLOSED CAPTIONING 6 6. DIGITAL FILE DELIVERY FOR AUDIO PRODUCTION – DOLBY 5.1/2.0 7 7. PUBLICITY MATERIALS 9 8. CONTACT INFORMATION 10 9. APPENDICES 11 PURPOSE: This document describes the video and audio practices and technical standards for the delivery of Nelvana acquired and Corus Studios commissioned content to Nelvana and Corus Entertainment for international distribution and broadcast on Specialty and Conventional networks. GENERAL: The master copy of the program should be recorded directly from Licensor’s “master”. All program content should be recorded in accordance with standard industry practices and in accordance with the appropriate ANSI/SMPTE/ITU-R Standards and Recommended Practices. Credits should not contain any website URLs. All files can be delivered via Signiant, Aspera, or onboarded ad-delivery partner. Alternate delivery methods will need to be determined and agreed to on a case by case basis. Best efforts must be made to meet Corus Entertainment’s format specifications. Alternate file specs may be accepted only with prior written consent from Corus Entertainment and following the evaluation of a test file. Content distributors should anticipate a 1-3 week period to onboard and evaluate new file deliveries. Commissioned original content must be captured using an approved camera from the Corus Acceptable Camera List. PLEASE NOTE: The technical specifications outlined below are subject to change based on ongoing development.
    [Show full text]
  • The Animation Industry: Technological Changes, Production Challenges, and Global Shifts
    THE ANIMATION INDUSTRY: TECHNOLOGICAL CHANGES, PRODUCTION CHALLENGES, AND GLOBAL SHIFTS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Hyejin Yoon, M.A. ***** The Ohio State University 2008 Dissertation Committee: Approved by Professor Edward J. Malecki, Adviser Professor Nancy Ettlinger Adviser Graduate Program in Geography Professor Darla K. Munroe ABSTRACT Animated films have grown in popularity as expanding markets (such as TV and video) and new technologies (notably computer graphics imagery) have broadened both the production and consumption of cartoons. As a consequence, more animated films are produced and watched in more places, as new “worlds of production” have emerged. The animation production system, specialized and distinct from film production, relies on different technologies and labor skills. Therefore, its globalization has taken place differently from live-action film production, although both are structured to a large degree by the global production networks (GPNs) of the media conglomerates. This research examines the structure and evolution of the animation industry at the global scale. In order to investigate these, 4,242 animation studios from the Animation Industry Database are used. The spatial patterns of animation production can be summarized as, 1) dispersion of the animation industry, 2) concentration in world cities, such as Los Angeles and New York, 3) emergence of specialized animation cities, such as Annecy and Angoulême in France, and 4) significant concentrations of animation studios in some Asian countries, such as India, South Korea and the Philippines. In order to understand global production networks (GPNs), networks of studios in 20 cities are analyzed.
    [Show full text]
  • 9781474410571 Contemporary
    CONTEMPORARY HOLLYWOOD ANIMATION 66543_Brown.indd543_Brown.indd i 330/09/200/09/20 66:43:43 PPMM Traditions in American Cinema Series Editors Linda Badley and R. Barton Palmer Titles in the series include: The ‘War on Terror’ and American Film: 9/11 Frames Per Second Terence McSweeney American Postfeminist Cinema: Women, Romance and Contemporary Culture Michele Schreiber In Secrecy’s Shadow: The OSS and CIA in Hollywood Cinema 1941–1979 Simon Willmetts Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema Linda Badley, Claire Perkins and Michele Schreiber (eds) Vampires, Race and Transnational Hollywoods Dale Hudson Who’s in the Money? The Great Depression Musicals and Hollywood’s New Deal Harvey G. Cohen Engaging Dialogue: Cinematic Verbalism in American Independent Cinema Jennifer O’Meara Cold War Film Genres Homer B. Pettey (ed.) The Style of Sleaze: The American Exploitation Film, 1959–1977 Calum Waddell The Franchise Era: Managing Media in the Digital Economy James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber (eds) The Stillness of Solitude: Romanticism and Contemporary American Independent Film Michelle Devereaux The Other Hollywood Renaissance Dominic Lennard, R. Barton Palmer and Murray Pomerance (eds) Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown www.edinburghuniversitypress.com/series/tiac 66543_Brown.indd543_Brown.indd iiii 330/09/200/09/20 66:43:43 PPMM CONTEMPORARY HOLLYWOOD ANIMATION Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown 66543_Brown.indd543_Brown.indd iiiiii 330/09/200/09/20 66:43:43 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance.
    [Show full text]
  • European Market Report BLE Exhibitors List Brands & Lifestyle Theatre and Licensing Academy Schedules This Year, BLE Is Pull
    SEPTEMBER 2018 VOLUME 21 This year, BLE is pulling out all the stops for its silver anniversary with an exciting theme, new exhibitors and lots of engaging seminars. Plus: European Market Report BLE Exhibitors List Brands & Lifestyle Theatre and Licensing Academy Schedules 2901 28th Street, Suite 100 Santa Monica, CA 90405 www.licenseglobal.com editorialdepartment content director managing editor Amanda Cioletti 310.857.7688 Patricia DeLuca 212.600.3402 [email protected] [email protected] content editor digital editor Bibi Wardak 310.857.7499 Amber Alston 212.600.3178 [email protected] [email protected] artdepartment graphic designer senior production manager Ramprabhu 714.845.0252 ext. 6055011 Karen Lenzen 218.740.6371 [email protected] [email protected] advertisingdepartment vice president, sales account manager Howard Gelb 310.857.7687 Rebecca Dennis 310.445.3716 [email protected] [email protected] account manager Licensing and Reuse of Content: for Supporting Us Christie Ramsey 310.857.7632 Contact our offi cial partner, Wright’s Media, [email protected] about available usages, license fees, and award seal artwork at [email protected] as the Licensing Industry’s for more information. Please note that Wright’s Media is the only authorized company that we’ve Thought Leader! partnered with for Advanstar UBM materials. ubmlicensing senior vice president, licensing brand director Jessica Blue 310.857.7558 Steven Ekstract 212.600.3254 [email protected] [email protected] licensingexpo marketing
    [Show full text]
  • Catégories En Télévision
    CATÉGORIES EN TÉLÉVISION Best TV Movie Christmas Jars Citytv (Rogers Media) (Muse Entertainment) Jesse Prupas, Jonas Prupas, Misha Solomon, Shane Boucher, Andra Johnson Duke, Michael A. Dunn, Barry McLarren Glass Houses Crave (Bell Media) (Incendo) Jean Bureau, Ian Whitehead No Good Deed Crave (Bell Media) (Incendo) Jean Bureau, Ian Whitehead The Sanctuary Hollywood Suite Inc. Canada (Hollywood Suite Inc. Canada) (AKOOLFILM Company Inc.) Allen Kool, Robin E. Crozier, David O'Keefe, Michael A. Charbon Best Drama Series Sponsor | Canada Media Fund Burden of Truth CBC (CBC) (ICF Films / Eagle Vision / eOne) Ilana Frank, Linda Pope, Adam Pettle, Jocelyn Hamilton, Kyle Irving, Brad Simpson, Lisa Meeches, Kristin Kreuk Cardinal: Until The Night CTV (Bell Media) (Sienna Films / Entertainment One) Jennifer Kawaja, Julia Sereny, Randy Lennox, Jocelyn Hamilton, Patrick Tarr, Nathan Morlando, Jessica Daniel Departure Global (Corus Entertainment) (Shaftesbury) Christina Jennings, Scott Garvie, Malcolm MacRury, T.J. Scott, Vincent Shiao, Patrick Cassavetti, Julie Lacey, Tina Grewal Transplant CTV (Bell Media) (Sphere Media) Jocelyn Deschênes, Bruno Dubé, Joseph Kay, Randy Lennox, Virginia Rankin, Jeremy Spry, Tara Woodbury Vikings History (Corus Entertainment) (Take 5 Productions Inc.) Sheila Hockin, John Weber, Michael Hirst, Morgan O'Sullivan, James Flynn, Alan Gasmer, Sherry Marsh, Bill Goddard Best Comedy Series Baroness Von Sketch Show CBC (CBC) (Frantic Films) Jamie Brown, Carolyn Taylor, Meredith MacNeill, Aurora Browne, Jennifer Whalen, Sally
    [Show full text]