Blue Falcon 188 (Pty)

Total Page:16

File Type:pdf, Size:1020Kb

Blue Falcon 188 (Pty) 6 No. 35625 GOVERNMENT GAZETTE, 31 AUGUST 2012 GOVERNMENT NOTICES GOEWERMENTSKENNISGEWINGS DEPARTMENT OF ARTS AND CULTURE DEPARTEMENT VAN KUNS EN KULTUUR No. 696 31 August 2012 STAATSKOERANT, 31 AUGUSTUS 2012 No. 35625 7 FLAG: A rectangular flag, proportion 2:3 per chevron, Gules and Azure, in chief a sun issuant and in base a descending dove, over all a pall inverted all Or. 4. APPLICANT: Zwakarani Game and Hunting Lodge H4/3/1/4131) BADGE: On a background Argent, issuant from a representation of the Africa continent Sable, a half round demi-sun Or; over all and to sinister a zebra contourne courant to sinister proper. 5. APPLICANT: Marthinus Johannes Jordaan H4/3/4/962) ARMS: Per pale, sinister Argent a fess wavy Azure, charged with another of the first, between in chief a ship in full sail proper its sails bearing the colours and monogram of the Dutch East India Company (VOC) and in base Goutty de Sang; sinister Argent, issuant from the partition line, a demi- Jerusalem cross Gules. CREST: Rizant from flames of fire proper a demi-phoenix Azure, charged on each wing with a fleur de lis Or. WREATH AND MANTLING: Dexter: Azure and Argent; Sinister: Gules and Argent. MOTTO: MEMENTO AD OPUS 6. APPLICANT: Reuel Jethro Khoza H4/3/4/965) ARMS: Or, on a chevron embowed Argent, edged Brunatre, between in chief a sun issuant of the first, edged of the last, and in base an open book Argent, bound Sable, ensigned of a crescent moon Argent, edged Brunatre; three droplets Azure placed one and two. The shield is ensigned of a rocky ground, statant there upon a duiker proper, in front of the rocky ground two swords in saltire Argent, hilted and pommelled Or. MOTTO: Mintirho ya Vulavula 7. APPLICANT: Kyle Frank Nel H4/3/4/860) ARMS: Vert, on a cross flory quadrate Or, a phoenix Purpure issuant from flames of fire proper. CREST: Issuant from a circlet Or, embellished of precious stones proper and heightened of four crosses flory quadrate Or, five organ pipes Argent. WREATH AND MANTLING: Vert and Or. MOTTO: FIDE ET COMCILIUM 8 No. 35625 GOVERNMENT GAZETTE, 31 AUGUST 2012 8. APPLICANT: The South African Police Service- Public Order Police H4/3/3/10/24) ARMS: Murray, a shielded riot policeman and a fillet-bordure all Or. 9. APPLICANT: The South African Police Service- Tracking Team H4/3/3/10/25) ARMS: On a nine-pointed shield the edges embowed Murray edged Or, a chevronel embowed and ensigned of a flame all Or, between in chief dexter a San bow and arrowed quiver in saltire and sinister a sheaf of three arrows one erect surmounted by two in saltire Or, and in base a protea flower Or, seeded and slipped Argent. 10. APPLICANT: The South African Police Service- Mobile Operations H4/3/3/1 0/26) ARMS: On a rounded shield Murray, edged Or, a demi-griffin with wings displayed and elevated enfiling a protea flower in chief all Or. 11. APPLICANT: The South African Police Service - Tactical Response Team H4/3/3/1 0/27) ARMS: Murray a descending eagle with wings displayed Or; a bordure Azure the inner and outer edge Or. 12. APPLICANT: Oellon Fraser Roberts H4/3/4/967) ARMS: Azure, on a chevron Argent, charged with another of the first, three six pointed mullets Or, between in chief dexter a griffin and sinister a lion both rampant respectant Or, and in base a protea flower Or, seeded Argent. CREST: Issuant from an astral coronet proper an eagle with wings displayed Or. WREATH AND MANTLING: Azure and Argent. MOTTO: OPTIMUS ANIMUS 13. APPLICANT: Perry Charles H4/3/4/964) ARMS: Quarterly per fess wavy I, gules an eagle with wings displayed Or, II, Argent a castle with twin towers proper, Ill, Argent three estoiles Azure, placed two and one, IV, paly of five, Gules and Or. CREST: Issuant from a crest coronet consisting of a headring Or, embellished with jewels proper, heightened of four double warded keys, alternated with as many estoiles Or, a demi-lion Or, armed and langued Gules, holding in its dexter claw three keys, one erect and two in saltire Gules. STAATSKOERANT, 31 AUGUSTUS 2012 No. 35625 9 WREATH AND MANTLING: Gules and Argent. MOTTO: HONESTATE VIRTUS ETVIRTUTE 14. APPLICANT: George Thomas Woods H4/3/4/963) ARMS: Argent a cross throughout Gules, edged Or charged in the centre of a bezant, thereupon a martlet proper. CREST: Issuant from a mural crown Or, an elk head and neck Gules attired Or. WREATH AND MANTLING: Gules and Argent. MOTTO: PRO DEUS, PATRIA, ET AMOR 15. APPLICANT: Jan Andries Petrus Brink (H4/3/4/969) BADGE: On an Ogress, within an open laurel wreath an eagle with wings displayed Or, charged on his breast an escutcheon Sable. 10 No. 35625 GOVERNMENT GAZETTE, 31 AUGUST 2012.
Recommended publications
  • Saints, Signs Symbols
    \ SAINTS, SIGNS and SYMBOLS by W. ELLWOOD POST Illustrated and revised by the author FOREWORD BY EDWARD N. WEST SECOND EDITION CHRIST THE KING A symbol composed of the Chi Rho and crown. The crown and Chi are gold with Rho of silver on a blue field. First published in Great Britain in 1964 Fourteenth impression 1999 SPCK Holy Trinity Church Acknowledgements Marylebone Road London NW1 4DU To the Rev. Dr. Edward N. West, Canon Sacrist of the Cathedral Church of St. John the Divine, New York, who has © 1962, 1974 by Morehouse-Barlow Co. graciously given of his scholarly knowledge and fatherly encouragement, I express my sincere gratitude. Also, 1 wish to ISBN 0 281 02894 X tender my thanks to the Rev. Frank V. H. Carthy, Rector of Christ Church, New Brunswick, New Jersey, who initiated my Printed in Great Britain by interest in the drama of the Church; and to my wife, Bette, for Hart-Talbot Printers Ltd her loyal co-operation. Saffron Walden, Essex The research material used has been invaluable, and I am indebted to writers, past and contemporary. They are: E. E. Dorling, Heraldry of the Church; Arthur Charles Fox-Davies, Guide to Heraldry; Shirley C. Hughson of the Order of the Holy Cross, Athletes of God; Dr. F. C. Husenbeth Emblems of Saints; C. Wilfrid Scott-Giles, The Romance of Heraldry; and F. R. Webber, Church Symbolism. W. ELLWOOD POST Foreword Contents Ellwood Post's book is a genuine addition to the ecclesiological library. It contains a monumental mass of material which is not Page ordinarily available in one book - particularly if the reader must depend in general on the English language.
    [Show full text]
  • Travel Guide
    TRAVEL GUIDE Traces of the COLD WAR PERIOD The Countries around THE BALTIC SEA Johannes Bach Rasmussen 1 Traces of the Cold War Period: Military Installations and Towns, Prisons, Partisan Bunkers Travel Guide. Traces of the Cold War Period The Countries around the Baltic Sea TemaNord 2010:574 © Nordic Council of Ministers, Copenhagen 2010 ISBN 978-92-893-2121-1 Print: Arco Grafisk A/S, Skive Layout: Eva Ahnoff, Morten Kjærgaard Maps and drawings: Arne Erik Larsen Copies: 1500 Printed on environmentally friendly paper. This publication can be ordered on www.norden.org/order. Other Nordic publications are available at www.norden.org/ publications Printed in Denmark T R 8 Y 1 K 6 S 1- AG NR. 54 The book is produced in cooperation between Øhavsmuseet and The Baltic Initiative and Network. Øhavsmuseet (The Archipelago Museum) Department Langelands Museum Jens Winthers Vej 12, 5900 Rudkøbing, Denmark. Phone: +45 63 51 63 00 E-mail: [email protected] The Baltic Initiative and Network Att. Johannes Bach Rasmussen Møllegade 20, 2200 Copenhagen N, Denmark. Phone: +45 35 36 05 59. Mobile: +45 30 25 05 59 E-mail: [email protected] Top: The Museum of the Barricades of 1991, Riga, Latvia. From the Days of the Barricades in 1991 when people in the newly independent country tried to defend key institutions from attack from Soviet military and security forces. Middle: The Anna Akhmatova Museum, St. Petersburg, Russia. Handwritten bark book with Akhmatova’s lyrics. Made by a GULAG prisoner, wife of an executed “enemy of the people”. Bottom: The Museum of Genocide Victims, Vilnius, Lithuania.
    [Show full text]
  • Ing Items Have Been Registered
    ACCEPTANCES Page 1 of 38 December 2018 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Æthelmearc, Kingdom of. Badge. Azure, in cross an axe and a knife argent, a bordure Or. Æthelmearc, Kingdom of. Badge. Gules, in cross an axe and a knife argent, a bordure Or. Æthelmearc, Kingdom of. Badge. Purpure, in cross an axe and a knife argent, a bordure Or. Æthelmearc, Kingdom of. Badge. Sable, in cross an axe and a knife argent, a bordure Or. Æthelmearc, Kingdom of. Badge. Vert, in cross an axe and a knife argent, a bordure Or. Anna Leigh. Badge. (Fieldless) On a rose gules a wolf’s head cabossed argent. Masina d’Alessandro. Device. Per bend gules and sable, in sinister chief a cross bottony argent. This device does not conflict with the badge of David of Moffat, (Fieldless) A cross-crosslet argent quarter-pierced gules. There is one DC for fieldlessness. The quarter-piercing of David’s badge is the equivalent of a tertiary delf, which provides the necessary second DC. AN TIR Adele Marie Purrier. Name. The Letter of Intent documented the given name Adele in 16th Switzerland. However, Adele is the likely vernacular form of the Latinized English given name Adela, which was documented in commentary. Therefore, the name is entirely English. Aonghus Keith. Device. Per bend sinister gules and sable, a winged sea-unicorn and a chief rayonny argent. Bella Valencia. Name. Bran Dubh Ua Mic Raith. Name. Submitted as Bran Dubh Ua Mac Raith, the byname was not correctly formed. Gaelic grammar requires the ancestor’s name to be in the genitive form following Ua.
    [Show full text]
  • R-7538 G.Qs a ? / T'
    GIBBON, John Introducilo ad latìnam blasoniam : an essay to a more correct blason in latine than formerly hath been used... / authore Johanne Gibbono... - London : Printed by J.M... : And are tobe sold by J. Crump... [et al.], 1682 [15], 165, [3] p., A-L8, M4 : il. ; g o Port, fileteada. — Esc. xil. intercalados en el texto 1. Heráldica 2. Heraldika I. Titulo R-7538 g.qs a ? / t' * £ iteratura, Heráldica pracipuè , necnon Hi* jiorica, admodum ftudiofis , fequens Tra= LBatus, cui Titulm, Introduco ad Latinam plafoniam, obnixé recommendatur per Gulielmum Dugdale, Eq. Aur. (Prinápalem Armorum $(egem, cognomento Garter. Hen. S. George, Eq. Aur. Clarenceux ${egem Armorum. J Tho. S. George, Eq. Aur. “Morroy I(egem Armorum. Eliam Afhmole Arnig. * { * * Quem, TraBatm Ordinis Georgiani An­ glicani (<vulgo Garteriani diBi) apud Europeos aterno nomine beaYtt, <£?* qui non ita pridem fuit fécialis Windjorienjìs. “ -T t- ■ * I N TR O D U CTIO AD Latinam Blafoniam. AN' Eflay to a more Correft BLASON In Latine than formerly hath been ufed.' COLLECTED Out o f Approved Modern Authors, and de- icribing the Arms of all the Kingdoms o f Europe, and of many ofthe greateft Princes! ■ and Potentates thereof: Together with many other Illuftrious and Ancient Houfes both of England and other Countries. No Work of this Nature extant in our Engliih Tongue, nor (abfit glorUri) of its Method and ; Circumftances in any Foreign Language what- foever. — -------------- -— — ----------------------------------------------------- 1— Authore J O H ANNE, (j IB BO NO Armorttm Servulo, quern a Mrnelio dicunt C&rnUo. LONDON, Printed by J. M, for the Author, and are to be fold by J.
    [Show full text]
  • Contemporary Flags of the Ukrainian Regions: Old Traditions and New Designs
    Contemporary flags of the Ukrainian regions: Old traditions and new designs Andriy Grechylo Abstract Ukraine consists of the Autonomous Republic of Crimea and 24 oblasts (regions or provinces). The new law on local self-governments, adopted by the Verkhovna Rada (Parliament) of Ukraine in 1997, allowed local authorities to confirm the coats of arms, flags, and other symbols of oblasts, rayons (districts), cities, towns, and villages. Over the last six years, all oblasts have adopted their own symbols. Most of them have already adopted regional flags. Many of these flags have old historical signs and colours (Volyn, Ivano-Frankivsk, Lviv, etc.), but some oblasts have chosen new designs (Donetsk, Cherkasy, Kherson, and others). Ukraine is divided into 25 administrative territories — 24 oblasts (provinces or re- gions) and the Autonomous Republic of Crimea. Two cities, Kyiv and Sevastopol, have a special, national status. The oblast borders have remained unchanged since 1959, when Drohobych oblast was joined to the Lviv oblast (Fig. 1). After the disintegration of the Ruthenian Kingdom (Galician-Volynian State) in the middle of the 14th c., the Ukrainian lands were divided among various neighbour- ing countries. During this time the arms of separate administrative territories were used. When Ukraine was absorbed into the USSR, none of the oblasts possessed their own arms or flag. Only after the collapse of the Soviet Union and the declaration of Ukrainian independence did a process of the formation of symbols of administrative territories begin. The first regional coat of arms was ratified for the Transcarpathian (Zakarpattya) oblast in December 1990. In 1992 the symbols of Crimea, which received the status of an autonomous republic, were adopted.
    [Show full text]
  • F Ai Th from Generation to Generation
    • Sy1nbols of our----------­ F ai th from generation to generation 1952 - 1992 St. Michael's in the Hills Episcopal Church 4718 Brittany Road -------- Toledo, Ohio 43615 The Reverend Paul E. Hannaford, Rector ,- . Symb{)ls of our Faith 50th Anniversary Celebration Edition 1952-2002 St. Michael's in the Hills Episcopal Church 4718 BrittanyRd. Toledo, Oh 43615 The Reverend Gregory Sammons, Rector The Reverend MargaretH. Sammons, Associate Rector The Reverend Collins E. Asonye, Assistant Rector • SYMBOLS OF OUR FAITH FROM GENERATION TO GENERATION 1952 - 1992 PRESENTED TO SAINT MICHAEL'S IN THE HILLS EPISCOPAL CHURCH BY THE ALTAR GUILD IN RECOGNITION OF THE 40th ANNIVERSARY OF THE CHURCH, MAY 17, 1992. Betty Stykemain, Director Virginia Ryan, Assistant Director Isabelle Carter, Chairperson Editor and Photographer Isabelle Carter Cover Design Patricia Eckhart I CONTENTS INTRODUCTION ••••••••• ii BRIEF HISTORY OF THE KNEELERS . iii FROM GENERATION TO GENERATION, 1952-1992 v SYMBOLS 1. ANGELS, EVANGELISTS, SAINTS • 1 2. ANIMALS, BIRDS, INSECTS • 7 3. APOSTLES •••••• 13 18 4. CROSSES • 5. EARTH AND SKY • 39 41 6. FLOWERS, PLANTS, TREES 7. GEOMETRIC IMAGES .•••• 49 8. HUMAN BODY 55 9. LETTERS, NUMBERS 57 64 10. PRAYER ANO PR�ISE ••. 11. RELIGIOUS OBJECTS 71 RESOURCES 80 i I INTRODUCTION Canon Edward N. West of New York 1s Cathedral of St. John the Divine has referred to symbols for Christians as 11the shorthand of their faith. 11 He also says that 11symbolism is so powerful that if one takes two sticks to form a cross, the whole message, including the theology, is conveyed. 11 At Saint Michael 1s Church, whenever we are gathered for worship in the nave, we find ourselves in the midst of hundreds of symbols of our faith.
    [Show full text]
  • 1905 and 1906
    REPORT OF THE STATE GEOLOGIST ON THE Mineral Industries and Geology of Certain Areas OF VERMONT. 1905- (906. FIFTH OF THIS SERIES. GEORGE H. PERKINS, Ph. D. State Geologist and Professor of Geology., University of Vermont MONTFELIER, VT.. ARGUS AND PATRIOT PiIsSS. 19(R. List of Plates. PAGE 8 I. Typical Slate Quarry, Pawlet ................................ H. Slate Quarry .................. .... ... ... ..... ...... ......... 14 III. Carriers in use in Slate Quarry ........................... CONTENTS. IV. Slate Carriers (Omitted) ............. ..... ..... ............. .ii V. Machine for Trimming Roofing Slate ... ....... ........ ..... 17 VI. Machine for Sawing Slate ......................... .......... 18 VII. Machine for Planing Slate ................................. 18 VIII. Chain Planer for Slate .................................... PAGE 21 INTRODUCTION . ............................................. IX. BoutwellMilne.VarnUm Company's Quarry, Barre, No. I Vi 22 MINERAL RE5OTjiçps ............................................. X. BoutwellMilne-Var11um Company's Quarry, Barre, No. 2 1 24 BUILDING ANT) & Morse Granite Quarry. Barre . .................. ORNAMENTAl, Svoxrs ...................... 4 XI. Wetmore Woodbury ...................... 26 Marble.................. ..................................... XII. Fletcher Granite Quarry, 4 49 Limestol] e Photomicrograph of Aniphibolite ......................... ............................... 7 XIII. Sl Photomicrograph of Amphibolite ......................... 50 ate.......................................................
    [Show full text]
  • What Goes Around Comes Around: the Circulation of Proverbs in Contemporary Life
    Utah State University DigitalCommons@USU All USU Press Publications USU Press 2004 What Goes Around Comes Around: The Circulation of Proverbs in Contemporary Life Kimberly J. Lau Peter Tokofsky Stephen D. Winick Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the American Popular Culture Commons, and the Folklore Commons Recommended Citation Lau, K. J., Tokofsky, P., Winick, S. D., & Mieder, W. (2004). What goes around comes around: The circulation of proverbs in contemporary life. Logan: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. WhatWhat GoesGoes AroundAround ComesComes AroundAround The Circulation of Proverbs in Contemporary Life EditedEdited byby KimberlyKimberly J.J. Lau,Lau, PeterPeter Tokofsky,Tokofsky, andand StephenStephen D.D. WinickWinick What Goes Around Comes Around What Goes Around Comes Around The Circulation of Proverbs in Contemporary Life Edited by Kimberly J. Lau Peter Tokofsky Stephen D. Winick Utah State University Press Logan, Utah Copyright © 2004 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7800 Manufactured in the United States of America Printed on acid-free paper Library of Congress Cataloging-in-Publication Data What goes around comes around : the circulation of proverbs in contem- porary life / edited by Kimberly J. Lau, Peter Tokofsky, and Stephen D. Winick. p. cm. Essays in honor of Wolfgang Mieder. ISBN 0-87421-592-7 (pbk.
    [Show full text]
  • Center 37, the Entire Archive of Center Reports Is Now Accessible and Searchable Online At
    CENTER37 CENTER37 NATIONAL GALLERY OF ART CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Record of Activities and Research Reports June 2016 – May 2017 Washington, 2017 National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Washington, DC Mailing address: 2000B South Club Drive, Landover, Maryland 20785 Telephone: (202) 842-6480 E-mail: [email protected] Website: www.nga.gov/casva Copyright © 2017 Board of Trustees, National Gallery of Art, Washington. All rights reserved. This book may not be reproduced, in whole or in part (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law, and except by reviewers from the public press), without written permission from the publishers. Produced by the Center for Advanced Study in the Visual Arts and the Publishing Office, National Gallery of Art, Washington ISSN 1557-198X (print) ISSN 1557-1998 (online) Acting Editor in Chief, Chris Vogel Series Editor, Peter M. Lukehart Center Report Coordinators, Danielle Horetsky, Jennifer Rokoski Managing Editor, Cynthia Ware Design Manager, Wendy Schleicher Print and Digital Production Associate, John Long Designed by Patricia Inglis, typeset in Monotype Sabon and Helvetica Neue by BW&A Books, Inc., and printed on McCoy Silk by C&R Printing, Chantilly, Virginia Photography of casva members and events by the department of imaging and visual services, National Gallery of Art Frontispiece: “The African American Art World in Twentieth-Century Washington, DC,” artists panel, Lou Stovall, Martin Puryear, Keith A. Morrison, Sam Gilliam,
    [Show full text]
  • Greek Devotional Images: Iconography and Interpretation in the Religious Arts
    Greek Devotional Images: Iconography and Interpretation in the Religious Arts DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Katherine A. Rask Graduate Program in History of Art The Ohio State University 2012 Dissertation Committee: Mark D. Fullerton, Adviser Timothy J. McNiven Sarah Iles Johnston Hugh B. Urban Copyright by Katherine A. Rask 2012 Abstract This dissertation concerns the uses of iconography, visual culture, and material culture in the study of Greek religion. I draw on methods and theoretical frameworks from outside the discipline in order contextualize the study of images and symbols in larger discourses and to introduce the most recent developments in scholarship. To better understand the religious aspects of Greek experience, this dissertation presents a mixture of intellectual history, historiography, and methodological critique. I provide an interdisciplinary overview of symbol theory and approaches to signs, the deep-seated interweaving of theological and artistic concerns in occultist traditions and 19th century scholarship, and iconographic methodologies employed by Classical studies and archaeology. Several themes repeatedly appear throughout the discussion, including the theoretical relationships between material culture and religion and the perceived dichotomy between phenomenological responses and interpretation. By exploring these topics, it becomes clear that approaches to religion in ancient Greece need to be adapted to better account for visual and material culture. Despite most emphasis on public, ritual-centered aspects, images and objects attest to private encounters with divinities. Based on comparative analysis, I argue that the religious experience of ancient Greeks exhibits many elements of devotionalism, a religious phenomenon developed by Robert Orsi.
    [Show full text]
  • ANATOMICAL WORD ROOTS Appendix I
    Learning Assistance Center University of Hawaii at Manoa ANATOMICAL WORD ROOTS Appendix I When studying anatomy for the first time, many students are confronted with numerous unfamiliar terms that must be mastered, because effective communication requires their use. Some understanding of the derivation of anatomical terms from their classical origins will help to fix their meanings and spelling in mind. The following list is a sampling of the more important word roots used in anatomy, and of the Greek (GK) and Latin (L.) from which they have been derived. Usually only the nominative singular is given for a noun, but the genitive (gen.), nomitive plural (pl.), or diminutive (dim.) is included if sufficiently different or if it has formed the past participle (p.p.), is needed to recognized the root. Most of the examples cited are anatomical structure, but major groups of organisms mention in the book are included, and often a common word is cited to help fix the root in mind. This list of roots is far from inclusive; most familiar words for which the classical and the modern term and meaning are very similar have been omitted; e.g., auditory, cardiac, humerus, pharynx, ulna. Those whose appetites are whetted should consult standard dictionaries or such references as Jaeger (1955) for further study. a – Gr.a or an-, prefix meaning without, not. (agnatha, anapsid) ab – L.ab-, prefix meaning away from. (Abduction) abdom – L.abdomen, abdomen (probably from abdo, to canceal). (Abdomen, Abdominal) acanth – Gr. Akantha, spine, thorn, (Acanthodii) acetabul – L.acetabulum, vinegar cup (from acetum, vinegar). (Acetabulum) acro – Gr.akros, topmost, extreme.
    [Show full text]
  • Ing Items Have Been Registered
    ACCEPTANCES Page 1 of 24 November 2020 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Bera of Tavastland. Device change. Or, five golpes conjoined in saltire and a bordure gules. The submitter’s previous device, Or, a frog gules bezanty and a bordure gules, is released. Bera of Tavastland. Badge change. (Fieldless) Five golpes conjoined in saltire. The submitter’s previous badge, (Fieldless) A frog Or estencely purpure, is released. Bera of Tavastland. Badge change. (Fieldless) Five golpes conjoined in saltire within and conjoined to an annulet purpure. The submitter’s previous badge, (Fieldless) A frog Or semy of torteaux, is released. Bera of Tavastland. Badge change. Vert, on an apple slipped argent a heart gules. There is a step from period practice for use of a modern, trapezoidal-shaped apple. The submitter’s previous badge, (Fieldless) A frog purpure estencely Or, is released. Boghda Altan Arsalan. Name. Emily of Dunvegan. Device. Azure, a cross capital and a bordure Or. This is the defining instance of the cross capital, which is a cross formed by conjoining four architectural columns, including their capitals. Period depictions may be found in BSB Cod.icon 391 (https://daten.digitale-sammlungen.de/bsb00007681/image_32) and BSB Cgm 1952 (https://daten.digitale-sammlungen.de/bsb00016900/image_104), as well as the post-period Randall Holme’s Academy of Armory, 1688, which blazons it (Book V, table 11) as a Cross - at each end the Cemish of a Pillar (or Capitall). While we were considering several potential blazons for this charge (including cross columnar), Bruce Batonvert was able to cite various sources referring to the charge as a cross capital (c.f.
    [Show full text]