JACQUES GORDON COLLECTION Special Collections 994.1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Toward a History of the Institutionalization of the Classical Guitar: Vahdah Olcott Bickford (1885–1980) and the Shaping of Cl
TOWARD A HISTORY OF THE INSTITUTIONALIZATION OF THE CLASSICAL GUITAR: VAHDAH OLCOTT BICKFORD (1885–1980) AND THE SHAPING OF CLASSICAL GUITAR CULTURE IN TWENTIETH-CENTURY AMERICA by Kathy Acosta Zavala __________________________ Copyright © Kathy Acosta Zavala 2020 A Dissertation Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN MUSIC In the Graduate College THE UNIVERSITY OF ARIZONA 2020 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by: Kathy Acosta Zavala titled: and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _________________________________________________________________ Date: ____________Jan 5, 2021 Matthew S Mugmon Jennifer C Post _________________________________________________________________ Date: ____________Jan 5, 2021 Jennifer C Post _________________________________________________________________ Date: ____________Jan 5, 2021 Jay M Rosenblatt Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. _________________________________________________________________ Date: ____________Jan 5, 2021 Matthew S Mugmon D issertation Committee Chair Fred Fox School of Music Acknowledgments I would like to acknowledge my dissertation committee for their help and guidance throughout this process. Dr. Mugmon, thank you for agreeing to become my dissertation chair and for embarking on this journey with me, for providing advice at every turn, and for looking at countless drafts with such speed and accuracy. -
Rrvrbrje-ARK
rrrBRJE-ARv K VOLUME 6 Winter, Park Florida, Thursdajf|Fefmmry. f 0, 1921 NUMBER15 ORANGE CO. Rah For Rollins" 11TH AHHOAL FAIR 'ROLL FOR ROLLINS" Baiipt Slogis OP£NSTD£SDAY ..CAMPAIGN SLOGAKV Great Enthusiasm at Mass Sixty-five Workers for En- Oriando is getting ready foe atd W". Bofc, of Annual Meeting and Election Drive for Endowmeat Fund Meeting ia Orlando. Five dowment Launch Campaign what will undoubtedly be feha %%« i editor, who is at tbe Serai- of Officers Precedes Social In Qriando Began Last Night gest and best mid-winter iaVtfO|t-- tbe prizes at the Bach- Citizens will Confer With at Dinner Marked by Enthu- srical Contest on Thursday Event Which was Attended with Dinner at San Juasu Commissioners to Estimate siastic Speeches for Cause- icsl fair t&st%as «ver been IseiS is Feb. 24tb at 4 o'clock at by Large Number, of Mem- Twelve Companies witi Figures for Bond Issue. Will Telegram From P3c$«i<leBt Central Florida. The entire bn8- if-Hall and Major Alexander bers and Men Relatives. Sixty Workers out for $75,- Also Enlarge Court House. Ward Wishing SanecemL ineas section of the cfty is adorned he famous war correspondent, OfiHOT by Saturday Night. r ' with large flags and bunting for ; at the Delphic dinner at tbe A crowd oi people that • iilled tbe At Tuesday's big mass meeting Enthusiastim for Bollins and a de- Fair week which opens In ia Orlan- omroons on Saturday evening, place gathered at tho new Womaa'j termination to succeed marked she din- does Rollins m«sxi te in Orlando it was unanimously do Feb lo. -
Admissions to Concerts and Operas Customed Place
October 20, 1917 MUSICAL AMERICA 15 · Nothing definite has yet been decided this year give four concerts in Aeolian about the New York appearances of the Hall, on Oct. 22, Nov. 15, Feb. 11 and Barrere Ensemble, the Little Symphony March 8. Unconventional programs, dif Orchestra or the Trio de Lutece. These fering radically from those of most-trios <Cr(O)wd<ed C(O)Irn<e<ert .S<eaS(O)Irn George Barrere ventures which in the have ever been the rule with these artists. past two years have won so much de Among the offerings of their first con served popularity seem likely to suffer cert are an Introduction and Variations Wiinn Tax Ann Avaiinalble in this city from the . enormous demand by Beethoven in the song, "Ich bin der for them on the road and also from the Schneider Kakadu," Smetana's G Mino1 ·fact that M. Barrere and Mr. Salzedo Trio, a Danish folksong, arranged by N<ew Y (O)Jrk Audiitt(O)riiums will not always be in town at the same Herman Sandby and novelties by De time. However, some concerts may be bussy and Percy Grainger. arranged for the spring. The People's Symphony Series [Continued from page 14] late Max Reger will have its first New Carlos Salzedo will, however, be heard York hearing at one of these concerts. with his Harp Ensemble at .lEolian . Although the People's Symphony Or For lovers of chamber music the com Hall on Dec. 18. The Ensemble will give chestra has temporarily discontinued its ing months are fraught with varied in The Mannes Sonata Recitals interesting demonstrations of the various concerts, chamber music programs under terest. -
Edward J. De Coppet and the Birth of Chamber Music in the United States
Antonio Baldassarre Hochschule Luzern – Musik [email protected] The desire for national identity and identifiability: Edward J. De Coppet and the birth of chamber music in the United States Abstract. On October 21, 1886, the Swiss banker and music patron Edward J. De Coppet (1855–1916) organised a musical gathering in his apartment in New York’s upper West Side. The concert marked the beginning of a lively and enduring interest in chamber music by musical New York. Before his death, De Coppet organized 1,054 musical meetings and was also crucial in the establishment of the Flonzaley Quartet. Established in 1902 the Quartet was to rise to become the epitome of modern US- American string quartet culture. In addition De Coppet actively supported the transition of chamber music from a primarily domestic activity into a public venture. His efforts were honored with a remarkable celebration in 1914, celebrating the twenty-fifth anniversary of De Coppet’s musical activities and the tenth anniversary of the first public performance of the Flonzaley Quartet. The paper will explore De Coppet’s efforts as part of a broader culturally- and politically-charged agenda, strongly linked to the desire for national identity and identifiability that shaped activities in many areas of life in the U.S.A. between 1890 and 1920. On the evening of 9 March 1914 more than two hundred renowned musicians and members of the wealthy and socially prominent New York establishment convened for supper at Sherry’s, then one of New York City’s most elegant and upscale restaurants at Fifth Avenue and Forty-Fourth Street.1 They gathered there to celebrate twenty-five years of Mr. -
January 1920)
Gardner-Webb University Digital Commons @ Gardner-Webb University The Etude Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1920 Volume 38, Number 01 (January 1920) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 38, Number 01 (January 1920)." , (1920). https://digitalcommons.gardner- webb.edu/etude/664 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The Etude Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. SiAU Ulae 111 mm • , ***v«*«f > , • f - THE ETUDE PRESSER’S MUSICAL MAGAZINE H Pafl« Devoted Teaching Works for Elementary Instruction OLD RHYMES WITH NEW TUNES VERDI—CHILD’S OWN BOOK to the most By Geo. F. Hamer Price,"60 cents OF GREAT MUSICANS The six easy pianoforte compositions in this little Price, 20 cents volume comprise the best set of Mother Goose Melodies the publishers have ever seen. They can The latest of a series written by Thomas Tapper be played or sung and, will delight the child pianist to furnish the child music student with interesting Recent Me facts about great composers. After gathering these or the little singer. -
Radio Doings 270109.Pdf
January 8 3 --------------------- - -~------------ Hear the "5-50" and Other Popular MODELS At the Following Authorized Dealers in Los Angeles and Vicinity: LOS ANGEIJES H oUYlvood DQltllllOlC'n SQu ,h .'\SDREWS R ADIO CO. -"MERICAI' R ADIO D AVIS RADIO CO. 1 70 ~ McCad d en P I ace 108 E. 8th 51. 2817 S. Main 51. Gl.adstone 07M T Ucker 6028 \VEslmore 6H8 (Branch 152 \V. 2nd, C. R. H AUSHR Pomona) DE Hooc: BROTHERS HIO Melrose Ave. 6120 S. Broadway OLY101,ia 2666 FRANK R AlIlO Co. THornwall 022 ~ 7 15 ~ 5. Main 51. J..oo ASGUE5 M usIc Co. O'rro K. OLES EN HIO S. Broadway ILLU~flNATING Co. I( ,\RR\' ,V. H ARR ISOS AXridge 5479 6548 H oJly,.. ood B h·d. 8~8 S. Flowu SI. T Rinity 9777 Sn)R(as M USIC Co. GLad$lone 5194 ~7 1 1 S. Broadway AXridge 7106 STARR P IANO Co. We. ,lake 630 S. Hill St. Solllh,,;e" T Ri nity 3905 RAMPART RAlIlO COLLiNGH H ARDWARE Co. 2620 W. 6th St. GtE'NDAU·.: 3425 S. Yermont A'·e. WAshington 1613 BEacon 7025 (j1.Y.NDAl.[ ;\-j uslc Co. L. A. DUNCAS (5almacia B ro~.) 2891 W. Pico 51. Wil, hire 118 S. Brand Ave. E Mpire 114 1 GLendale 90 BDIJNI EI..ECTRIC & R ,\DlO \VtS/lNO/lRG R ADIO MUSIC CO. Co. 1095. Vumo])t Ave. SOUTII PASADENA 38195. 'Vutern Ave. DRexel 2990 VErmont 7929 Till! RADIO Ell!CTRIC STORE W/lST COAST RADIO Co. CRosnv ELECTRIC Co. 1161 Fair Oaks 2~07 W. -
Interpretative Analysis of Fifty Contemporary Songs for Solo Voices
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1955 Interpretative analysis of fifty contemporary songs for solo voices Muriel Ruth Maxwell The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Maxwell, Muriel Ruth, "Interpretative analysis of fifty contemporary songs for solo voices" (1955). Graduate Student Theses, Dissertations, & Professional Papers. 2728. https://scholarworks.umt.edu/etd/2728 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. AN INTERPRETATIVE ANALYSIS OF FIFTY CONTEMPORARY SONGS FOR SOLO VOICES by MURIEL MAXWELL B. A. Pomona College, 1944 Presented in partial fulfillment of the requirements for the degree of Master of Music Education MONTANA STATE UNIVERSITY 1955 Approved Chain Board of ers lean, Graduate School Date, UMI Number: EP35329 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI* PIWMWam PubWiing UMI EP35329 Published by ProQuest LLC (2012). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. -
Európai Gyökerek, Magyar Vonatkozások Az Amerikai Vonósnégyes-Kultúra Felvirágzásában
ÉDER PÁL EURÓPAI GYÖKEREK, MAGYAR VONATKOZÁSOK AZ AMERIKAI VONÓSNÉGYES-KULTÚRA FELVIRÁGZÁSÁBAN DLA DOKTORI ÉRTEKEZÉS 2009 Liszt Ferenc Zeneművészeti Egyetem 28. számú művészet- és művelődéstörténeti tudományok besorolású doktori iskola EURÓPAI GYÖKEREK, MAGYAR VONATKOZÁSOK AZ AMERIKAI VONÓSNÉGYES-KULTÚRA FELVIRÁGZÁSÁBAN ÉDER PÁL DLA DOKTORI ÉRTEKEZÉS 2009 II TARTALOMJEGYZÉK TARTALOMJEGYZÉK ........................................................................................................................ II AJÁNLÁS ............................................................................................................................................III KÖSZÖNETNYILVÁNÍTÁS .............................................................................................................. IV BEVEZETÉS ........................................................................................................................................ V AZ AMERIKAI VONÓSNÉGYES-JÁTÉK TÖRTÉNETE .................................................................... 1 A vonósnégyes-játék feltűnésének legkorábbi emlékei, dokumentumai az amerikai földrészen ............ 1 Vonósnégyes kultúra a 20. sz. első felében Amerikában ..................................................................... 7 Elizabeth Sprague Coolidge és a Library of Congress/Az egyetemi rezidenciák megteremtése Amerikában ......................................................................................................................................12 Az egyetemi kvartett-rezidenciák -
Darius Milhaud in the United States, 1940–71: Transatlantic Constructions of Musical Identity
DARIUS MILHAUD IN THE UNITED STATES, 1940–71: TRANSATLANTIC CONSTRUCTIONS OF MUSICAL IDENTITY Erin K. Maher A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2016 Approved by: Annegret Fauser Andrea Bohlman Tim Carter David Garcia Mark Katz © 2016 Erin K. Maher ALL RIGHTS RESERVED ii ABSTRACT Erin K. Maher: Darius Milhaud in the United States, 1940–71: Transatlantic Constructions of Musical Identity (Under the direction of Annegret Fauser) When the French Jewish composer Darius Milhaud (1892–1974) fled his homeland with his wife and son at the time of the German invasion in 1940, this displacement marked the beginning of three decades of engagement with the musical culture and institutions of the United States. After seven years of wartime exile in Oakland, California, Darius and Madeleine Milhaud divided their time between Oakland and Paris, taking on a transatlantic existence that enabled them to assume distinct roles in U.S. musical life. Both during and after World War II, the composer taught on the faculty of Mills College, participated in intersecting musical networks, and continued to compose prolifically. He also continually renegotiated his identity as a composer—and as a Frenchman in the United States—in response to professional opportunities, personal circumstances, and cultural shifts. This dissertation presents the first in-depth study of Milhaud’s activity in the United States, interpreting the results of new archival research through frameworks of identity construction and transnational mobility. -
Selected Non-Indianist Works of Charles Sanford Skilton: The
Selected Non-Indianist Works of Charles Sanford Skilton: The Witch’s Daughter – A Cantata for Soprano and Baritone Soli, Chorus and Orchestra (1918) and Electra – Music of the Electra of Sophocles, Composed for Women’s Chorus and Orchestra (1920) by Evelyn Adele Garren Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Music. ________________________________ Dr. Paul Laird, Chair ________________________________ Dr. Alicia Levin ________________________________ Dr. Bryan Kip Haaheim Date Defended: 23 January 2013 The Thesis Committee for Evelyn Adele Garren certifies that this is the approved version of the following thesis: Selected Non-Indianist Works of Charles Sanford Skilton: The Witch’s Daughter – A Cantata for Soprano and Baritone Soli, Chorus and Orchestra (1918) and Electra – Music of the Electra of Sophocles, Composed for Women’s Chorus and Orchestra (1920) ________________________________ Dr. Paul Laird, Chair Date approved: 23 January 2013 ii Abstract Charles Sanford Skilton (1868-1941) is widely remembered as an exponent of the Indianist Movement in musical composition, which was important from about 1880 to 1920. Little investigation has been completed on his works outside of his Indianist interest, leaving many gaps in our knowledge of his music. While compiling materials for this thesis, it was observed that Skilton, now nearly forgotten as a serious art music composer, was well received as a composer, theorist, and pedagogue during his life. Much of his extant works are comparable to Indianist composers such as Arthur Farwell and Charles Wakefield Cadman. Skilton was known for more than just his Indianist works; his legacy as an American music pioneer is quite worthy of acknowledgement. -
Zoellner Family Collection of Scrapbooks, Photographs, and Papers , 1890-1990
http://oac.cdlib.org/findaid/ark:/13030/tf1s2003wx No online items Finding Aid for the Zoellner Family Collection of Scrapbooks, Photographs, and Papers , 1890-1990 Collection processed and machine-readable finding aid created by Performing Arts Special Collections staff. UCLA Library, Performing Arts Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2002 The Regents of the University of California. All rights reserved. Note Arts and Humanities--Music 61 1 Finding Aid of the Zoellner Family Collection of Scrapbooks, Photographs, and Papers, 1890-1990 Collection number: 61 UCLA Library, Performing Arts Special Collections University of California, Los Angeles Los Angeles, CA Contact Information University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm Processed by: UCLA Library, Performing Arts Special Collections staff Date Completed: 1/17/86 Encoded by: Bryan Griest © 2002 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Zoellner Family Collection of Scrapbooks, Photographs, and Papers, Date (inclusive): 1890-1990 Collection number: 61 Creator: Zoellner Collection Extent: 9 boxes (4.5 linear ft.) Repository: University of California, Los Angeles. Library. Performing Arts Special Collections Los Angeles, California 90095-1575 Abstract: This collection consists of scrapbooks, photographs, correspondence, newspaper and magazine clippings, miscellaneous documents, posters, programs, brochures, essays, and memorabilia Physical location: Stored off-site at SRLF. -
September 1944) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1944 Volume 62, Number 09 (September 1944) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 62, Number 09 (September 1944)." , (1944). https://digitalcommons.gardner-webb.edu/etude/213 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. M September 1 m Ji4 / yfff K JOHANN SEBASTIAN~BACh1 r AT THE CLAVICHORD L Am\ -— J1 WM L - mKKKM. JtmSKk — ” THE METROPOLITAN OPERA ASSOCIA- TION, through a Statement of Opera- tions, has painted a most optimistic pic- ture of its financial and artistic standing which should be extremely heartening to the millions of supporters of that ven- UhusuaL ColLe^e” erable institution. Through the whole- “AmeeicA’s most hearted cooperation and friendly and sympathetic attitude displayed alike by the managerial staff, the musicians, the artists, and the heads of the several unions, there has been found a solution to the many problems of the past few years, and everyone concerned looks for- ward with great confidence to the future. It may even be possible during the com- With New Dormitory Facilities to Accommodate ing season to place the Association in the “black.” HERE.