DOCSLIB.ORG

January 1920)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
January 1920) Gardner-Webb University Digital Commons @ Gardner-Webb University The Etude Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1920 Volume 38, Number 01 (January 1920) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 38, Number 01 (January 1920)." , (1920). https://digitalcommons.gardner- webb.edu/etude/664 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The Etude Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. SiAU Ulae 111 mm • , ***v«*«f > , • f - THE ETUDE PRESSER’S MUSICAL MAGAZINE H Pafl« Devoted Teaching Works for Elementary Instruction OLD RHYMES WITH NEW TUNES VERDI—CHILD’S OWN BOOK to the most By Geo. F. Hamer Price,"60 cents OF GREAT MUSICANS The six easy pianoforte compositions in this little Price, 20 cents volume comprise the best set of Mother Goose Melodies the publishers have ever seen. They can The latest of a series written by Thomas Tapper be played or sung and, will delight the child pianist to furnish the child music student with interesting Recent Me facts about great composers. After gathering these or the little singer. The teacher of children will be interested to know that these numbers are also pub¬ facts the child is to write a story of the composer lished separately in sheet form. on the blank pages and there are also pictures to paste in as well as material to bind the book when Publications PICTURES FROM HOLIDAY LAND all is ready. This is one of the most successful works for the child music student. THE PROGRESSIVE MUSICIAN IS By David Dick Slater Price, $1.00 HERE GIVEN A RESUME OF THE Although the composer of these little piano num¬ SUNNY DAY SONGS bers ranks as one of the leading composers that Great By Helen L. Cramm Price, 75 cents NOTEWORTHY MUSIC WORKS PUB¬ Britain has produced in our time he has shown a great aptness in producing pieces for children. Each A delightful book of a dozen and one bright, easy LISHED DURING PAST MONTHS piece has an appropriate verse under the title, adding piano numbers with words between the staves. These BY THE interest to the piece itself. The compositions arc vocal or instrumental pieces furnish excellent recrea¬ about grade two. tion material for little players and singers. This work is the latest of Miss Cramm’s popular books Theodore Presser Company BIRTHDAY JEWELS for little pianists. PHILADELPHIA, PA. VOCAL OR INSTRUMENTAL LITTLE TUNES FOR LITTLE PEOPLE By Geo. L. Spaulding Price, 75 cents FOR THE PIANOFORTE An attractive new volume of little pianopieces with verses which may be sung ad. lib. The verses are By Francesco B. DeLeone Price, 75 cents This new work consists of a set of a dozen studies, Vocal \ pleasing and of the type that appeals to the juvenile. 1 As the title of the book indicates, there is a little each of which has a characteristic title, all of these piece for each month of the year with verse for the being so tuneful as to be considered a real piece. CELEBRATED RECITAL SONGS appropriate birthstone. The numbers are easy to They cannot fail to interest the student. The Studies Compiled and Edited by David Bispham Price, $2.00 play, very melodious, and similar in style and grade are graded and carry the student through the keys, to those in Mr. Spaulding’s successful book, Tunes major and minor, and lead up gradually to the Third A distinctive compilation of good vocal numbers. and Rhymes. Grade, but start iff the Second Grade. The work of an artist is clearly indicated by the excellent type and variety of the forty-four songs together with the well written preface, and the copious annotations. The volume is a handsome Albums of Piano Music of Unusual Worth one of 184 pages and the songs are just such num¬ bers as will be found needful in the preparation of recital programs as well as being extremely fine CELEBRATED COMPOSITIONS for every vocal teacher and vocal student. In fact, AMERICAN COMPOSER’S ALBUM it is just such a volume as every singer will find FOR THE PIANOFORTE BY FAMOUS COMPOSERS Price, $1.25 Price, $1.00 to any profes ’ We were inspired to bring out an album of pieces This collection is the result of careful selection by the best American composers of music. Excellent with the aim to incorporate in one volume such com¬ material for this purpose was available to us, and this positions as every good pianist delights in. The best is a volume that is a credit to American music. We description is the following, which are included in the did not include any of the difficult pieces, but only thirty-three numbers in this volume : those of medium grade and of special merit. Fur Elise, Beethoven; Intermezzo, Brahms; Scarf PEDAL BOOK Dance, Chaminade; Nocturne, Chopin; Humoreske. By Dr. Joh. M. Blose Price, $1.00 Dvorak; Second Valse, Godard; Butterfly, Grieg; This is an excellent work offering foundation SPAULDING ALBUM Largo, Handel; Gipsy Rondo, Haydn; The Mill. studies for acquiring artistic piano effects. It can For the Pianoforte Price $1.00 Jensen; Idilio, Lack; Spring Song, Mendelssohn; be taken up by a student in the second year of study Prelude, Rachmaninoff; Polish Dance, Scharwenka; and it is at about this point in the pupil’s work that A new collection of intermediate grade, Spauld¬ Traumerei, Schumann; Reverie, Schutt; Simple disagreeable and unmusical effects arising from ing’s work is so well known that it needs no intro¬ Aveu,Thome; Chant Sans Paroles,Tschaikowsky,etc. incorrect use of the pedal should be avoided by a duction here, and the many lovers of his music will clear understanding of the purpose of the pedal welcome the opportunity to possess so many of his FAVORITE COMPOSITIONS and then adequate drill such as that for which this successes all in the one volume. FOR THE PIANOFORTE book endeavors to provide a foundation. Remem¬ ber that although it has been said, “The pedal is the By Carl Bohm Price, 75 cents soul of the piano,” a student should not depend on PAUL WACHS’ ALBUM Bohm’s music supplies the kind of material which “soul” or “inspiration,” but be guided in using the For the Pianoforte Price, $1.00 is invaluable in teaching pupils who demand melo¬ pedal by systematic and intelligent practice. dies. Many of Bohm’s compositions contain melo- All lovers of good drawing-room music will be does so near the folk song type that they necessarily THE ART OF THE PIANO delighted with this excellent collection. It has been have become extremely popular. There are twenty- prepared with the greatest care and contains nine¬ four brilliant and popular gems in this album that By Theodore Lack Opus 289 Price, $1.50 teen compositions carefully chosen from the best have been carefully edited and revised. They are This is a modern system of technic for piano play¬ and most popular numbers of Wachs. They are chiefly of intermediate grade to moderately ad¬ ing by a leading French composer and virtuoso. chiefly of intermediate grade (Grades III-V). vanced. There are one hundred special exercises in mechan¬ Wachs is one of the foremost French salon com¬ ism of medium difficulty. All the various points of posers, and this collection is, indeed, a notable one in technic are covered in the modern manner and in music publications. 1 Violin \ addition to furnishing extremely fine material for teaching purposes this work supplies material for any pianist’s daily practice at the keyboard. COMPREHENSIVE VIOLIN METHOD An Opportunity to Ascertain By Mr. and Mrs. Frank T. Benjamin Price, $1.25 the Real Worth of the The one method among all violin instructors which | Piano—Four Hands | is really adapted for “self-instruction.” A complete Publications of the system of diagrams and pictures shows the exact FOUR-HAND EXHIBITION position of each finger on each string in all the Theodore Presser Company scales. A book which does something toward light¬ PIECES FOR THE PIANO ening so pleasantly the labor of routine instruction. Price, $1.25 To afford a better opportunity of Judging the Besides the usual scale > and exercises, the book con¬ This is the duet album offered in advance of genuine value of the books listed on this page we will tains 100 easy duets for violin and piano, including publication under the title of Difficult Four-hand gladly send any of them many old-time favorites. The more advanced ( Album. The numbers are both original duets as well as arrangements of compositions by such for examination. To fur¬ writers as Rachmaninoff, Grieg, Tschaikowsky, ther assistintheselection Moszkowski, Dvorak, Gottschalk, Brahms and others. It -is such a compilation of four-hand num¬ bers as to be regarded as valuable to all good play¬ ers. While this compilation offers excellent material for recital or concert work it is at the same time useful for profitable practice and recreation playing. JANUARY 1920 Page 3 THE ETUDE Page 2 JANUARY 1920 THE ETUDE A List Selected for Aiding Every Music Buyer to Obtain the Best and Most Used Instructors, Studies and Collections for Piano, Voice, Violin and Organ A Careful Study of This List May Bring to Your Attention Just the Type of Work of Which You Are in Need VOCAL COLLECTIONS PRIMERS—RUDIMENTARY WORKS PIANO TECHNICS AND STUDIES PIANO COLLECTIONS ALBUM OF DESCRIPTIVE PIECES 81 ARTISTIC VOCAL ALBUM FOR HIGH V BACH, J.
Load more

Recommended publications
  • Newly Cataloged Items in the Music Library August - December 2017
    Newly Cataloged Items in the Music Library August - December 2017 Call Number Author Title Publisher Enum Publication Date MUSIC. MCD3.C63 B37 v.1 Vivaldi, Antonio, 1678- Vivaldi : Venetian splendour. International Masters 2006 2006 1741. Pub., MUSIC. MCD3.C63 B37 v.2 Bach, Johann Sebastian, Bach : Baroque masterpieces. International Masters 2005 2005 1685-1750. Pub., MUSIC. MCD3.C63 B37 v.3 Bach, Johann Sebastian, Bach : master musician. International Masters 2007 2007 1685-1750. Pub., MUSIC. MCD3.C63 B37 v.5 Handel, George Frideric, Handel : from opera to oratorio. International Masters 2006 2006 1685-1759. Pub., MUSIC. MCD3.C63 C63 v.1 Haydn, Joseph, 1732- Haydn : musical craftsman. International Masters 2006 2006 1809. Pub., MUSIC. MCD3.C63 C63 v.2 Haydn, Joseph, 1732- Haydn : master of music. International Masters 2006 2006 1809. Pub., MUSIC. MCD3.C63 C63 v.3 Mozart, Wolfgang Mozart : musical masterpieces. International Masters 2005 2005 Amadeus, 1756-1791. Pub., MUSIC. MCD3.C63 C63 v.4 Mozart, Wolfgang Mozart : classic melodies. International Masters 2005 2005 Amadeus, 1756-1791. Pub., MUSIC. MCD3.C63 C63 v.5 Mozart, Wolfgang Mozart : magic of music. International Masters 2007 2007 Amadeus, 1756-1791. Pub., MUSIC. MCD3.C63 E17 .1 Beethoven, Ludwig van, Beethoven : the spirit of freedom. International Masters 2005 2005 1770-1827. Pub., MUSIC. MCD3.C63 E17 Rossini, Gioacchino, Rossini : opera and overtures. International Masters 2006 v.10 2006 1792-1868. Pub., MUSIC. MCD3.C63 E17 Schumann, Robert, 1810- Schumann : poetry and romance. International Masters 2006 v.11 2006 1856. Pub., MUSIC. MCD3.C63 E17 Mendelssohn-Bartholdy, Mendelssohn : dreams and fantasies. International Masters 2005 v.12 2005 Felix, 1809-1847.
    [Show full text]
  • FS.699 Frankly PDF Set-Up
    S ECOND Q UARTER 2005 V OLUME 10 • NUMBER 2 FRANKLY SPEAKING A NEWSLETTER FOR AND BY MARIN COUNTY EMPLOYEES ERP! (Excuse Me) By Heather Burton —Aud-Cont. and Maureen Lewis —H&HS Photo by Janice Hughes Imagine a department of over 750 employees having to track costs for grants using individual Excel spreadsheets for each grant. In that same world employees must often record their time and activities in two or three different systems. Tracking the status of a payment to a vendor usually involves phone calls or even a trip to the Auditor’s office. Sound familiar? This is the world that the current financial system supports. Now imagine something better…. ■ It all started two years ago with a needs assessment. The Auditor-Controllor’s Office met with many county departments to determine what should be included in any new system. Once all of the feedback was in, it became clear that the county was ready to move from its current fragmented approach to a new, more flexible system Seated, L to R: Heidi Davaloo (DPW), Margaret Bohan (DPW) Standing, L to R: Francie Hubert (Aud- Cont.), Supranee Mai (Aud-Cont.), Cloann Di Grazia (Aud-Cont.), Jim Toth (IST), Heather Burton that would combine financials and payroll, grant and project (Aud-Cont.), Gordon Haberfelde (IST), Samantha Klein (CAO), and Danny Briones (Aud-Cont.) management, benefits administration, and asset management. …continued on page 11 both women share Hair-Razing the beauty of what lay beneath their hair. Generosity Photo by Ian Roth Curtis heard about By Ian Roth —CDA Locks of Love from a friend, and decided to Hair.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 60,1940-1941
    SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 1492 SIXTIETH SEASON, 1940-1941 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Assistant Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, I94O, BY BOSTON SYMPHONY ORCHESTRA, lflC. The OFFICERS and TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Ernest B. Dane President Henry B. Sawyer Vice-President ERNEST B. Dane Treasurer Henry B. Cabot M. A. De Wolfe Howe Ernest B. Dane Roger I. Lee Reginald C. Foster Richard C. Paine Alvan T. Fuller Henry B. Sawyer Jerome D. Greene Edward A. Taft N. Penrose Hallowell Bentley W. Warren G. E. JUDD, Manager C. W. SPALDING, Assistant Manager [337] The Price!riceiess Gift M US1C ! A true masterpiece of tone and craftsmanship, the Belve- dere has created a new con- cept in heme entertainment .... with tone so realistical- ly beautiful, you can almost feel the presence of radio personalities and recording artists. Here is an instrument you will want to look at and listen to endlessly for its sheer beauty and tone. MAGNAVOX BELVEDERE Automatic Radio - Phonograph $298.50 • You will fall in love with the charm and authentic detail of this magnificent Chippendale Commode. The completely automatic precision record changer plays uninterrupted programs (on 10 and 12-inch records intermixed) and stops auto- matically after the last record is played. The new Pianissimo Pickup eliminates frequent needle changes and greatly prolongs record life. • The new super-power radio takes you directly into studios and concert halls all over the country .... reliably reaches out into foreign lands to bring you first hand news with absolute clarity.
    [Show full text]
  • April 1920) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1920 Volume 38, Number 04 (April 1920) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 38, Number 04 (April 1920)." , (1920). https://digitalcommons.gardner-webb.edu/etude/667 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Jlae Utiuiufi SPRING NUMBER 1MUUISZ5 LJEJNTS APRIL 1920 $ 2.00 A YEAR The Tonne daugrhter of the Into Tnrasn-Bonlba, a new opera by A Brrent Opera Trnst, according: to Colerldgre-Taylor is following a musical Marcel Sninuel-Houssenu, was recently report. Is being proposed in tlif« career, and has already a number of songs country, which would control all presenta¬ tions of opera, all singers, all opera houses, ■SS.rJE •! *£rS'.!Bf j" ' 1 CONTENTS FOR APRIL, 1920 sHSr!Sir'-s‘^“'s SV,s£S: APRIL 1920 Page THE ETUDE Page 218 APRIL 1920 THE Jane Novak in “The River’s End” Jane Novak is an emotional ac¬ PUPILS RECITALS AND PLEASED AUDIENCES tress of sincere power and dis¬ tinguished ability.
    [Show full text]
  • Toward a History of the Institutionalization of the Classical Guitar: Vahdah Olcott Bickford (1885–1980) and the Shaping of Cl
    TOWARD A HISTORY OF THE INSTITUTIONALIZATION OF THE CLASSICAL GUITAR: VAHDAH OLCOTT BICKFORD (1885–1980) AND THE SHAPING OF CLASSICAL GUITAR CULTURE IN TWENTIETH-CENTURY AMERICA by Kathy Acosta Zavala __________________________ Copyright © Kathy Acosta Zavala 2020 A Dissertation Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN MUSIC In the Graduate College THE UNIVERSITY OF ARIZONA 2020 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by: Kathy Acosta Zavala titled: and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _________________________________________________________________ Date: ____________Jan 5, 2021 Matthew S Mugmon Jennifer C Post _________________________________________________________________ Date: ____________Jan 5, 2021 Jennifer C Post _________________________________________________________________ Date: ____________Jan 5, 2021 Jay M Rosenblatt Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. _________________________________________________________________ Date: ____________Jan 5, 2021 Matthew S Mugmon D issertation Committee Chair Fred Fox School of Music Acknowledgments I would like to acknowledge my dissertation committee for their help and guidance throughout this process. Dr. Mugmon, thank you for agreeing to become my dissertation chair and for embarking on this journey with me, for providing advice at every turn, and for looking at countless drafts with such speed and accuracy.
    [Show full text]
  • Pearls and Rarities of the Welte Organ Roll Collection by David Rumsey
    Pearls and rarities of the Welte organ roll collection by David Rumsey Hofner, Diebold, Philipp and the world’s earliest recorded organists The earliest-born of all Welte’s organists seem to have been Carl Hofner and Johann Diebold. Judging by the catalogue numbers Franz Philipp, born half a century later, was possibly the first organist ever to record while still a student (see later). The honour of being first might also have been bestowed on one or two other now-obscure identities, e.g. A. Maenner or “Frey”. However, Hofner and Diebold had at least 5 known rolls rolls released by 1912, Philipp only one (Salvator Rosa’s Canzonetta:Nah und fern on W474). Maenner’s only known dated release is 1922 which is also about when Philipp’s main output of rolls started to appear. Some of these early rolls might have been played in Turin at the 1911 exhibition which ran from April to October, since the advertizing expressly stated: “Philharmonie- Orgel mit Künstlerrollen” (Philharmonic Organ with artist-recorded rolls)1. Carl Hofner 19th/early-20thc German organist and composer, also possibly noted for his improvisation. *1842 Jan 23: Inchenhofen/Augsburg (D) - studied for 5 years at the Munich Conservatorium then spent 8 years as “Music-Prefect” at the monastery school at Metten 1868 Oct: teaching position at the Church Music School in Freiburg/Breisgau; regular duties for the 9 a.m. service at the Münster 1871 Jan 1 began officially as organist at Freiburg Münster 1878 taught Joseph Schildknecht (an important Swiss organist) †1912 May 19 Freiburg (D) Hofner’s playing of Bach’s music represents the closest training to Bach’s own era.
    [Show full text]
  • April 2011 PN Online
    www.tcago.org April 2011 Volume 16, Issue 7 Upcoming Election Notice lection time is right around the corner once again. Your nominating committee (Roger Burg, Charles E Hackman, Joe Henry, Dianne Jelle, Jane Nienaber) has presented the following list of qualified candidates to the Executive Board, and they were approved on 2/28/11. The candidates are as follows: Dean: James Callahan; Sub-Dean: Sharon Kleckner; Secretary: John Salveson; Treasurer: David Geslin. The board member candidates for the Class of 2014 are: Kim Crisler, Laura Edman, An- drew Hackett, Mary Newton, Philip Radtke, Brian Singletary and Kirsten Uhlenberg. According to the Operating Procedures of our chapter, TCAGO members may submit additional nominations by written petition, signed by five (5) chapter voting members in good standing. Signed petitions must be received by John Salveson, the current secretary, prior to April 15, 2011. Information on the candidates and the ballot will be mailed to each chapter voting member in early May. TWINTWIN CITIES CITIES CHAPTER CHAPTER TWINTWIN CITIES CITIES CHAPTER CHAPTER — — — — Organ Recital at Carleton An organ recital, “Music of Three Baroque and Three Con- temporary Composers: Program II,” will be performed by Lawrence Archbold on the Holtkamp organ in the Concert Hall of Carleton College, Northfield, on Sunday, April 3, 2011 , at 3:00 pm . This concert is the fourth in a second series of “Exploring Organ Music” recitals. This “Organ Adventures” program features music by Buxtehude, Pachelbel, J. S. Bach, Pärt, Krenek and Kohn. AMERICANAMERICAN GUILD OF ORGANISTS GUILD OF ORGANISTS AMERICANAMERICAN GUILD OF ORGANISTS GUILD OF ORGANISTS Lawrence Archbold is Professor of Music and Enid and Henry Woodward College Organist at Carleton College.
    [Show full text]
  • Source Affiliations and Framing of the GMO Debate by East Africa's Nation
    Source affiliations and framing of the GMO debate by East Africa’s Nation Media Group Rebecca Randall A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in International Studies University of Washington 2014 Committee: Ben Gardner Patricia Moy Program Authorized to Offer Degree: Jackson School of International Studies © Copyright 2014 Rebecca Randall 2 University of Washington Abstract Source affiliations and framing of the GMO debate by East Africa’s Nation Media Group Rebecca Randall Chair of the Supervisory Committee: Ben Gardner, Chair of Africa Studies Program and Assistant Professor, Interdisciplinary Arts Jackson School of International Studies and University of Washington at Bothell A content analysis of the East African Nation Media Group newspapers’ framing of the GMO debate from 2010-2013 adds to the global studies literature on the transatlantic debate on GMOs. The GMO debate has been described as polarized between European and U.S. political approaches and further as influencing the way that Africans respond to this inherited debate. However, newspapers in Kenya, Uganda and Tanzania have unique approaches to reporting on GMO adoption and regulation that do not ignore transnational influences but does not necessarily correspond with characterizations of an “inherited” debate. In journalists’ reporting on GMOs in Kenya, Uganda and Tanzania, they encounter transnational networks of donors, foundations, governments, researchers, farmers and others spanning from the Global North to East Africa. Each approach is described as benevolent—a panacea for hunger and malnutrition or a preservation of Africa’s biodiversity and traditional indigenous agricultural practices. This misses the skewed power balance in these transnational networks, which privilege experiences in the Global North and outline the socioeconomic conditions that have led to poverty in sub- Saharan Africa in the first place.
    [Show full text]
  • Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
    1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue.
    [Show full text]
  • Paul Motian Trio and Guest Bass Player Tobiography
    www.winterandwinter.com P a u l M o t i a n 25 March 1931 – 22 November 2011 In many interviews, this New York drum- and recordings with Keith Jarrett, Charles mer of Turkish-Armenian extraction has Lloyd and Charlie Haden’s »Liberation been asked time after time for anecdotes Music Ensemble« follow, but over the about Bill Evans, Paul Bley and Keith Jar- years, almost unnoticed, Motian develops rett. His early days attract attention be- his first trio, with Bill Frisell on guitar and cause he was one of the few musicians who Joe Lovano on saxophone. In the mid- can look back on eighties, Motian experiences with begins to collab- Lennie Tristano, orate with Ste- Tony Scott and fan Winter ’s Coleman Haw- newly founded kins, who even music company appeared with JMT Production. Billie Holiday In contrast to and Thelonious the productions Monk in his up to this point, youth, and the first concept played with albums now ap- Arlo Guthrie at pear. The first is the legendary »Monk in Mo- Woodstock Fest- tian«, played by ival. The list of his trio, with great stars Mo- guest musicians tian has played Geri Allen on with goes on for Ꭿ Robert Lewis piano and pages; for some Dewey Redman years he has been reading through his on tenor saxophone. Next comes »Bill painstakingly documented annual calen- Evans«, recorded without pianist by the dars, to stir his memory and write his au- Paul Motian Trio and guest bass player tobiography. Marc Johnson. Winter & Winter, founded at It is not until 1972, at the age of 41, that the end of 1995, takes over and publishes Paul Motian records his debut album under all JMT’s productions, as well as continu- his own name (»Conception Vessel«, with ing work already begun.
    [Show full text]
  • Graded Pieces Sorted by Difficulty (PDF)
    Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments 1 Agay Mysterious Procession Left Hand Melody This is for the total beginner, and can be taught on the very first lesson. RH play a Sight Reading steady even ostinato using only the note E, while the left hand plays the melody which Hand Independence consists only of ABC in different orders and simple rhythms. Excellent for sight- Expressive Playing reading, for hand independence, for expressive playing and for bringing up a melody on the left hand. It can also be used as a seed for free improvisation. 1 Alt Hot Noon in the Meadow Introduction to how chords develop emotSioimn ilar in difficulty to the above, this set of pieces uses modern harmonies to tell stories, so it is a very good introduction to how and why chords and intervals can elicit different emotions (for instance, “The spider” uses tritons to build up suspense, and “Bees and Flies” uses chromatic intervals to emulate buzzing). 1 Alt The Ocean Pattern Introduction A collection of 10 pieces for the complete beginner, most you can teach at the first lesson. The interesting thing here is that they use the whole keyboard and introduce patterns that frequently appear in the more advanced pieces, so they are excellent preparatory pieces. Again very good recital material for beginners. 1 Bach Chorale Lord, do with me as you will, BWV 514 1 Bach, J.C. Air in F, BWV Anh. 131, from 'The Anna Magdalena Bach Book of 1725' 1 Bach, J.C. Aria in A minor 1 Bartók Children at Play 1 Bartók Quasi Adagio no 3 from 'For Children' vol 1 1 Bartók Two Little Dialogues 1 Bartók Two Short Pieces and Two Little Dances 1 Beethoven Ecossaise in Eb major WoO 86 These are one-page very easy pieces (grade 1) that Beethoven most likely wrote as pedagogical material for is pupils.
    [Show full text]
  • The Genre of Cabaret
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 Black Cats, Berlin, Broadway And Beyond: The Genre Of Cabaret Deborah Tedrick University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Tedrick, Deborah, "Black Cats, Berlin, Broadway And Beyond: The Genre Of Cabaret" (2006). Electronic Theses and Dissertations, 2004-2019. 972. https://stars.library.ucf.edu/etd/972 BLACK CATS, BERLIN, BROADWAY AND BEYOND: THE GENRE OF CABARET by DEBORAH LYNNE TEDRICK Bachelor of Music, California State University at Los Angeles, 1989 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2006 © 2006 Deborah Lynne Tedrick ii ABSTRACT Music and Theatre have always captivated me. As a child, my parents would take me to live performances and cinematic shows and I would sit rapt, watching the theatrical events and emotional moments unfold before my eyes. Movie musicals and live shows that combined music and theatre were my favorite, especially theatrical banter and improvisation or sketch comedy. Some of my favorite youthful memories were my annual family summer trips to Las Vegas to visit my grandparents for six weeks.
    [Show full text]