September 1944) James Francis Cooke

Total Page:16

File Type:pdf, Size:1020Kb

September 1944) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1944 Volume 62, Number 09 (September 1944) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 62, Number 09 (September 1944)." , (1944). https://digitalcommons.gardner-webb.edu/etude/213 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. M September 1 m Ji4 / yfff K JOHANN SEBASTIAN~BACh1 r AT THE CLAVICHORD L Am\ -— J1 WM L - mKKKM. JtmSKk — ” THE METROPOLITAN OPERA ASSOCIA- TION, through a Statement of Opera- tions, has painted a most optimistic pic- ture of its financial and artistic standing which should be extremely heartening to the millions of supporters of that ven- UhusuaL ColLe^e” erable institution. Through the whole- “AmeeicA’s most hearted cooperation and friendly and sympathetic attitude displayed alike by the managerial staff, the musicians, the artists, and the heads of the several unions, there has been found a solution to the many problems of the past few years, and everyone concerned looks for- ward with great confidence to the future. It may even be possible during the com- With New Dormitory Facilities to Accommodate ing season to place the Association in the “black.” HERE. THERE. AND EVERYWHERE Two Hundred Additional Students THE WORLD PREMIERE of excerpts IN THE MUSICAL WORLD from the orchestration by Dmitri Shos- takovich of Moussorgsky’s “Boris Godou- burgh, has been of invaluable aid to ficiency and ideals. Percy A. Scholes, in the reg- Opens Its 1944-45 Session noff” took place on July 23 on Polish refugees in Scotland. More than an article describing the proud history of the ular Sunday afternoon broadcast fifty Polish doctors have been graduated of the Musical Times, traces its origin New York Philharmonic-Symphony Or- from the Polish School of Medicine. The to a craze for sight-singing which was On September 12 chestra, with Fritz Reiner conducting Paderewski Testimonial Fund, Inc., is a rampant in England one hundred years, and the Metropolitan Opera bass, Alex- participating service of Polish War Re- ago. The Murical Times provided infor- soloist. ander Kipinis, as lief through the National War Fund, 37 mation and material which was eagerly eight years he was pianist of the Brahms East 36th Street, New York 16, N. Y. grasped. Gradually the journal became HOMER GRUNN, com- Quartet. He appeared as soloist with the the leader of musical thought in Britain. and poser and pianist, died Los Angeles Chamber Music Society The Etude (a mere youth of sixty-one) of his im- HAIL TO THE MUSICAL TIMES OF on June 6 at Los An- the Zoellner Quartet. Much salutes its centenarian colleague in Lon- the result of LONDON, which in June celebrated its geles, California. He was portant compositions are don and wishes it unlimited years of one hundredth birthday! Paper shortages born in West Salem, his idealisation of Indian themes. Or- prosperity in those days of peace, when songs, piano works have cut down its pages pathetically, but Wisconsin, May 5, 1880. chestral pieces, and the journal may again resume normal success. neither Blitz nor Robot bomb has had Following study in Chi- have been published with much size. its high am- cago with Emil Liebling, His “Zuni Impressions” was played at the slightest effect upon Dr. Samuel John- he became a pupil of the Hollywood Bowl Concerts. bitions and purposes. RICCARDO ZANDONAI, his “Rasselas” wrote: “Great Grunn Jedliczka at the Stern son, in operatic composer, is re- Conservatory, Berlin. THE PADEREWSKI TESTIMONIAL works are performed not by strength, but ported dead in Pesaro, perseverance.” The Musical Times is Then came activities in the West and FUND, INC., has been rendering a most by Italy, at the age of monument to perseverance. Started by Mid-West. Mi'. Grunn went to Chicago important and valuable war service. The a sixty-one. He had taken Novello in 1844, it was at first where he taught four years in the Chi- Scotch-American Polish Relief under- Vincent refuge in a Franciscan organ for the well- cago Musical College. Then followed a taking, which includes the Paderewski something of a house monastery, after being publisher. It gradually developed period in Phoenix, Arizona, and finally, Hospital, Medical School, Children’s known driven from his home by into a magazine of especially high ef- in 1910, he settled in Los Angeles. For Home, and Student’s Relief in Edin- the Germans. Mr. Zan- donai was born at Sacco, Zandonm Trentino, May 28, 1883. He was a pupil of Mascagni. Several of his operas, including “Conchita,” and “Francesca da Rimini” were produced in C^-ompetition A America. In 1935 he won the Mussolini prize of 50,000 lire at the National Mu- sical Festival in Rome, with his overture, Columiina. BOB JONES be COLLEGE THE SIXTEENTH BIENNIAL 1945 and full details may be secured from AN ANNUAL COMPETITION to Award been gives God all the glory for YOUNG ARTISTS AUDITIONS of the Eric T. Clarke, Metropolitan Opera Asso- called the Ernest Bloch has GUSTAV KLEMM, well-known composer the established by the United Temple Chorus National Federation of Music Clubs, ciation, Inc., New York, 18, New York. and conductor of Baltimore, has been phenomenal of Long Island, for the best work for growth in its student enroll- which carry awards of $1000 each in appointed superintendent of the prepar- THE TWENTY-FIRST ANNUAL women’s chorus based on a text from or ment piano, violm, and voice classifications, will atory department of the Peabody Con- and for the many related to the Old Testament. The Award _ other manifestations of the spring CONTESTS for Young Artists, sponsored be held in New' York C.ty in servatory of Music. Mr. Klemm, who has American Musicians, is is one hundred and fifty dollars, with Divine Approval in the midst of of 1945. State auditions will begin around by the Society of these trying war years. for 1944-45. The publication of the winning work guar- been assistant manager and program an- March 1, 1945, with district auditions, announced the season anteed. The closing date is December 1, notator of the Baltimore Symphony Or- for which the State winners are eligible, class'fications include piano, voice, violin, and all details may be secured from the long identified with follcw ng. The e :act date of the National violoncello, and organ, with various ages chestra, has been group. The contests will begin United Temple Chorus, Lawrence, Long activities in his native city. Auditions w 11 be announced later. All for each musical From Island. BOB JONES earnestly the about February 1, 1945, and all entries 1924 he was associated with Vic- COLLEGE requests the prayers of all of God's details miy be secured from National 1914 to people that Chairman, Miss Ruth M. Ferry, 24 must be in by January 15. Full details tor Herbert. For many years he was pro- it may continue to be faithful to its responsibility with entrance blank may be secured from in the training of cultured Edgewocd Avenue, New Haven 11, gram director and assistant manager of Chris- Mr. Edwin Gemmer, Sec.-Treas., 501 A PRIZE OF ONE HUNDRED DOL- tian leaders for this morally chaotic Connecticut. J. Radio Station WBAL. age. Kimball Building, Chicago, Illinois. LARS is ottered by The H. W. Gray Com- pany, Inc. to the composer of the best A PRIZE OF A .$1,000 WAR BOND THE SOCIETY FOR THE PUBLICA- anthem submitted in a contest sponsored WILL MARION COOK, will be the award in a nation-w de com- Voice — piano pipe TION OF AMERICAN MUSIC has by The American Guild of Organists. Negro composer, whose — Cincinnati petit on conducted by the Academy announced its twenty-sixth annual com- The closing date is January 1, 1945. Full many songs and op- Symphony Orchestra, for the writing of a organ—violin—speech petition. Composers who are American information may be secured from The erettas have enjoyed “Jubilee Overture” to celebrate the fiftieth Liberal Arts College citizens (native or naturalized) are in- American Guild of Organists, 630 Fifth great popularity, died anniversary of the orchestra, which takes art — without additional Avenue, New York 20, New York. vited to submit manuscripts. These should in Graduate place during the coming season. The com- on July 19 New York School of Religion be mailed between October 1 and Novem- cost. petition is open to all American citizens City, at the age of sev- ber 1. Full details may be secured from Graduate School of Fine Arts and works subm.tted must be between enty-five. He was bom Mrs. Helen L. Kaufmann, 59 West Twelfth A COMPOSITION CONTEST open to ten and fifteen minutes in length and in Washington, D. C., Street, New York 11, New York. all composers of American nationality is written especially for the anniversary. announced by Independent Music Pub- and secured his musical For detailed information write THE EIGHTH ANNUAL PRIZE lishers. A cash award of five hundred education at the Oberlin AN AWARD OF $1,000 to encourage SONG COMPETITION, sponsored by dollars will be given the composer of the Conservatory of Music, following which “the writing of Amerrian operas in gen- the Chicago Singing Teachers Guild, is winning composition and also publication he studied violin with Joachim in Berlin.
Recommended publications
  • December 1940) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1940 Volume 58, Number 12 (December 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 12 (December 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/59 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. —— THE ETUDE Price 25 Cents mueie magazine i — ' — ; — i——— : ^ as&s&2i&&i£'!%i£''££. £&. IIEHBI^H JDiauo albums fcj m Christmas flarpms for JfluStc Jfolk IS Cljiistmas iSnraaiitS— UNTIL DECEMBER 31, 1940 ONLY) (POSTPAID PRICES GOOD CONSOLE A Collection Ixecttalist# STANDARD HISTORY OF AT THE — for £111 from Pegtnner# to CHILD’S OWN BOOK OF of Transcriptions from the Masters Revised Edition PlAVUMfl MUSIC—Latest, GREAT MUSICIANS for the Pipe Organ or Electronic DECEMBER 31, 1940 By James Francis Cooke Type of Organ Compiled and MYllfisSiiQS'K PRICES ARE IN EFFECT ONLY UP TO By Thomas
    [Show full text]
  • Vahdah Olcott-Bickford Collection, 1800-2008
    http://oac.cdlib.org/findaid/ark:/13030/c8zp4c79 No online items Guide to the Vahdah Olcott-Bickford Collection, 1800-2008 Special Collections & Archives Oviatt Library California State University, Northridge 18111 Nordhoff St. Northridge, CA, 91330 URL: http://library.csun.edu/SCA Email: [email protected] Phone: (818) 677-2832 Fax: (818) 677-2589 © Copyright 2012 Special Collections & Archives. All rights reserved. Guide to the Vahdah IGRA/VOB 1 Olcott-Bickford Collection, 1800-2008 Overview of the Collection Collection Title: Vahdah Olcott-Bickford Collection Dates: 1800-2008 Bulk Dates: 1923-1979 Identification: IGRA/VOB Creator: Olcott-Bickford, Vahdah, 1885-1980 Physical Description: 88.71 linear feet Language of Materials: English French German Spanish; Castilian Italian Portuguese Repository: International Guitar Research Archives (IGRA) Abstract: Vahdah Olcott-Bickford, née Ethel Lucretia Olcott, was an professional teacher of the Guitar, most well known for her influential Guitar Method, Op. 25, and the Advanced Course, Op. 116. She also wrote numerous articles about the guitar, and corresponded with other musicians and enthusiasts about the instrument throughout her long career. The Vahdah Olcott-Bickford Collection documents Olcott-Bickford’s professional life as a classical guitarist, an avid member of various organizations in the United States, her work with guitarists around the world, and her personal life. The collection includes scores, letters, photographs, newspaper clippings, receipts, articles, lecture notes, and guest books, and dates from 1874-1980. Biographical Information: Ethel Lucretia Olcott was born on October 17, 1885 in Norwalk, Ohio. She was three years old when she and her parents moved to Los Angeles, California. At the age of eight she started guitar lessons with George Lindsay, a well-known classic guitarist.
    [Show full text]
  • Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
    AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof.
    [Show full text]
  • The Victor Black Label Discography
    The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black
    [Show full text]
  • Toward a History of the Institutionalization of the Classical Guitar: Vahdah Olcott Bickford (1885–1980) and the Shaping of Cl
    TOWARD A HISTORY OF THE INSTITUTIONALIZATION OF THE CLASSICAL GUITAR: VAHDAH OLCOTT BICKFORD (1885–1980) AND THE SHAPING OF CLASSICAL GUITAR CULTURE IN TWENTIETH-CENTURY AMERICA by Kathy Acosta Zavala __________________________ Copyright © Kathy Acosta Zavala 2020 A Dissertation Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN MUSIC In the Graduate College THE UNIVERSITY OF ARIZONA 2020 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by: Kathy Acosta Zavala titled: and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _________________________________________________________________ Date: ____________Jan 5, 2021 Matthew S Mugmon Jennifer C Post _________________________________________________________________ Date: ____________Jan 5, 2021 Jennifer C Post _________________________________________________________________ Date: ____________Jan 5, 2021 Jay M Rosenblatt Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. _________________________________________________________________ Date: ____________Jan 5, 2021 Matthew S Mugmon D issertation Committee Chair Fred Fox School of Music Acknowledgments I would like to acknowledge my dissertation committee for their help and guidance throughout this process. Dr. Mugmon, thank you for agreeing to become my dissertation chair and for embarking on this journey with me, for providing advice at every turn, and for looking at countless drafts with such speed and accuracy.
    [Show full text]
  • 2014-03 Programm Domicil.Pdf
    fünfundvierzig jahre domicil März 2014 domicil | Hansastraße 7–11, 44137 Dortmund | www.domicil-dortmund.de Sa 01 03 44&more – Die Party ab 40 Mo 03 03 Monday Night Session Fr 07 03 DEW21 Bandwettbewerb “DORTMUND CALLING“ Sa 08 03 SalsaBomba Sa 08 03 SPIN. - Finest Electronic Beats Party Sa 08 03 Kalle Kalima "Klima Kalima" So 09 03 The Aristocrats "Culture Clash Tour 2014" Mo 10 03 Monday Night Session Di 11 03 E-MEX Ensemble: Lady Suit Mi 12 03 ** NEU ** Päng! Do 13 03 LMBN – Slam Lesebühne Fr 14 03 ** NEU ** Friday Night Lounge: About Aphrodite Sa 15 03 Funkhaus Europa Club: Global Player Party Sa 15 03 WDR Funkhaus Europa - Trafi co: Ebo Taylor / Grandbrothers So 16 03 SOUNDZZ Familienkonzert: Jakob und der Kontrabass Mo 17 03 Monday Night Session Di 18 03 Displace Marilyn Mi 19 03 Freistil Jam Fr 21 03 Christoph Stiefel Inner Language Trio Sa 22 03 Nik Bärtsch's Ronin www.gestaltend.de Designkonzeption/Gestaltung: Sa 22 03 30+ Rock Party So 23 03 WDR Big Band feat. Christian McBride Mo 24 03 Monday Night Session Di 25 03 Karl Lippegaus: John Coltrane "Trane-Trance" II Alle Angaben ohne Gewähr. Mi 26 03 Intercontinental – Weltmusik-Session Do 27 03 Oregon Fr 28 03 Paris la nuit Sa 29 03 Jazzmeeting WDR 3: Medeski Martin & Wood feat. Nels Cline Sa 29 03 Soultrippin‘ Club Party Mo 31 03 Monday Night Session Vorschau | im Vorverkauf 3.4. Gianmaria Testa | 10.4. LMBN | 12.4. Aki Takase „New Blues Project“ | 17.4. The Dorf | 24.4.
    [Show full text]
  • September 1988
    Cover photo by Ebet Roberts 18 AIRTO He calls himself the "outlaw of percussion" because he breaks all the rules, but that's what has kept Airto in demand with musicians such as Miles Davis, Chick Corea, and Weather Report for almost two decades. His latest rule-breaking involves the use of electronics, but as usual, he has come up with his own way of doing it. by Rick Mattingly 24 GILSON LAVIS Back when Squeeze was enjoying their initial success, drummer Gilson Lavis was becoming increasingly dependent on alcohol. After the band broke up, he conquered his problem, and now, with the re-formed Squeeze enjoying success once again, Lavis is able to put new energy into his gig. by Simon Goodwin 28 BUDDY Photo by Ebet Roberts MILES He made his mark with the Electric Flag, Jimi Hendrix's Band of Gypsies, and his own Buddy Miles Express. Now, active once again with Santana and the California Raisins, Buddy Miles reflects on the legendary music that he was so much a part of. by Robert Santelli 32 DAVE TOUGH He didn't have the flash of a Buddy Rich or a Gene Krupa, but Dave Tough made such bands as Benny Goodman's, Artie Shaw's, and Woody Herman's play their best through his driving timekeeping and sense of color. His story is a tragic one, and it is thus even more Roberts Ebet remarkable that he accomplished so much in his by relatively short life. Photo by Burt Korall VOLUME 12, NUMBER 9 ROCK BASICS PERSPECTIVES Heavy Metal Power Warming Up: Part 1 Fills: Part 1 by Kenny Aronoff by Jim Pfeifer 38 90 UP AND COMING DRUM SOLOIST ROCK'N'JAZZ David Bowler Max Roach: "Jordu" CLINIC by Bonnie C.
    [Show full text]
  • Manuscript Collections in the Archives
    M-70 CURTIS PIEHU IAUKEA COLLECTION Introduction The CurtisPiehu Iaukea Collection consists of personaland professionalpapers, including correspondence, commissions, diaries, and photographs given to the Hawaii State Archives at various times. The collection initially was deposited in the Archives by Iaukea in 1926 as a loan and then subsequently more material was acquired fromhis grandsons, Curtis Piehu Iaukea II around 1974 and Edward B. Watson in 1978. In 1936 Iaukea removed some of the material and loaned it to Jean Hobbs to work on his memoirs. This material was later recovered fromJean Hobbs' estate as well as a gift donated by A. R. Nylen, the proprietor of Aala Pawn Shop in Honolulu. The collection also contains a copy of a typescript of the biography of Curtis P. Iaukea by Loma Iaukea Watson, his daughter. There are handwritten annotations and corrections in this copy of the typescript. Access to this manuscriptcollection is unrestricted Biographical Sketch Curtis Piehu Iaukea was born in Waimea, Hawaii on December 13, 1855 to J. W. and Lahapa (Nalanipo) Iaukea. At a young age Iaukea was adopted by his uncle Kaihupa'a, a royal retainer to King Kamehameha III, who raised Iaukea to followin his footstepsas a retainer. Being under the care of Kaihupa'a, Iaukea lived near the palace grounds and grew up among the royal family. Iaukea's education, which was sponsored by King Kamehameha IV, allowed him to attend St. Alban's college, predecessor to Iolani School, and an Anglican school in Lahaina. In 1870 Iaukea returnedto Honolulu and worked as a steward on Kamehameha V's staff.
    [Show full text]
  • SONIA DE LOS SANTOS MI VIAJE: DE NUEVO LEÓN “To Me, It’S
    SONIA DE LOS SANTOS TUESDAY MAY 7 2019 MI VIAJE: 9:30 AM & 11 AM WEDNESDAY MAY 8 2019 DE NUEVO 9:30 AM & 11 AM LEÓN TO THE NEW YORK ISLAND > 2018 2019 LEARNING LINKS FIELD TRIP SERIES BROADEN THE HORIZONS OF YOUR CLASSROOM. EXPERIENCE THE VIBRANT WORLD OF THE ARTS AT THE McCALLUM! McCALLUM THEATRE EDUCATION PRESENTS SONIA DE LOS SANTOS MI VIAJE: DE NUEVO LEÓN “To me, it’s... TO THE NEW about being present and YORK ISLAND connecting with every TUESDAY single child, parent, and MAY 7 2019 9:30 AM & 11 AM teacher in the room.” WEDNESDAY MAY 8 2019 > SONIA DE LOS SANTOS 9:30 AM & 11 AM Connecting to Curriculum and Students’ Lives! HISTORY & GEOGRAPHY > Monterrey Mexico, Latin America, South America, New York City ARTS > Folk music, Latin American music EXPANDING THE CONCEPT OF LITERACY What is a “text”? We invite you to consider the performances on McCallum’s Field Trip Series as non-print texts available for study and investigation by your students. Anyone who has shown a filmed version of a play in their classroom, used a website as companion to a textbook, or asked students to do online research already knows that “texts” don’t begin and end with textbooks, novels, and reading packets. They extend to videos, websites, games, plays, concerts, dances, radio programs, and a number of other non-print texts that students and teachers engage with on a regular basis. We know that when we expand our definition of texts to the variety of media that we use in our everyday lives, we broaden the materials and concepts we have at our disposal in the classroom, increase student engagement, and enrich learning experiences.
    [Show full text]
  • Guitar Tunings
    Guitar tunings Guitar tunings assign pitches to the open strings of guitars, including acoustic guitars, electric guitars, and classical guitars. Tunings are described by the particular pitches denoted by notes in Western music. By convention, the notes are ordered from lowest-pitched string (i.e., the deepest bass note) to highest-pitched (thickest string to thinnest).[1] Standard tuning defines the string pitches as E, A, D, G, B, and E, from lowest (low E2) to highest (high E4). Standard tuning is used by most guitarists, and The range of a guitar with standard frequently used tunings can be understood as variations on standard tuning. tuning The term guitar tunings may refer to pitch sets other than standard tuning, also called nonstandard, alternative, or alternate. Some tunings are used for 0:00 MENU particular songs, and might be referred to by the song's title. There are Standard tuning (listen) hundreds of such tunings, often minor variants of established tunings. Communities of guitarists who share a musical tradition often use the same or similar tunings. Contents Standard and alternatives Standard Alternative String gauges Dropped tunings Open tunings Major key tunings Open D Open C Open G Creating any kind of open tuning Minor or “cross-note” tunings Other open chordal tunings Modal tunings Lowered (standard) E♭ tuning D tuning Regular tunings Major thirds and perfect fourths All fifths and “new standard tuning” Instrumental tunings Miscellaneous or “special” tunings 1 15 See also Notes Citation references References Further reading External links Standard and alternatives Standard Standard tuning is the tuning most frequently used on a six-string guitar and musicians assume this tuning by default if a specific alternate (or scordatura) is not mentioned.
    [Show full text]
  • September / October
    CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 5 Number 5 September-October 2005 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE TILT OF THE KILT Wicked Tinkers Photo by Chris Keeney BY RON YOUNG inside this issue: he wail of the bagpipes…the twirl of the dancers…the tilt of the kilts—the surge of the FADO: The Soul waves? Then it must be the Seaside Highland Games, which are held right along the coast at of Portugal T Seaside Park in Ventura. Highly regarded for its emphasis on traditional music and dance, this festival is only in its third year but is already one Interview: of the largest Scottish events in the state. Games chief John Lowry and his wife Nellie are the force Liz Carroll behind the rapid success of the Seaside games. Lowry says that the festival was created partly because there was an absence of Scottish events in the region and partly to fill the void that was created when another long-standing festival PLUS: was forced to move from the fall to the spring. With its spacious grounds and variety of activities, the LookAround Seaside festival provides a great opportunity for first-time Highland games visitors who want to experience it all. This How Can I Keep From Talking year’s games will be held on October 7, 8 and 9, with most of the activity taking place on the Saturday and Sunday.
    [Show full text]
  • 253537449.Pdf
    CD 105402 HAWAII ISLES OF ENCHANTMENT By CLIFFORD GESSLER Illustrated by E. H. SUYDAM D. APPLETON- CENTURY COMPANY INCORPORATED NEW YORK LONDON 1938 COPYRIGHT, 1937, BY JD. APPLETON-CENTURY COMPANY, INC. rights reserved. This book, or part** thereof, must not be reproduced in any form without permission of the publisher. Illustrations copyright, 937, by JE. HL Suydam Printed in the United States of America INTRODUCTION write of it or must RO away from Hawaii to is bewildered by KO away and return. A newcomer dazed the sharp impact of ONEits contradictions, by resident of long standing, on the thronging impressions. A so for that he other hand, tends to take the islands granted them to the stranger. may he handicapped in interpreting to be in a sense both One is fortunate, therefore, perhaps with the zeal kamaaina and malihini, neither exaggerating V Introduction *$: new convert the charm of those bright islands nor al~ dulled lotting it to be obscured with sensitivity by prolonged and not too daily familiarity. Time, not too long, distance, great, help to attain balance. The aim of this book is to write a national biography a character illumi- and to paint, in broad strokes, portrait, nated here and there by anecdote, of a country and a people that I have loved. Nor shall I tell here all I know about any one aspect of the islands. Not now, at any rate; this is not that kind of book. Scandal seldom reveals the true spirit of a community. The exception is not a reliable index, and controversies are like the shattered window which caused the policeman, after inspecting it without and within, to exclaim: "It's worse than I thought; it's broke on both sides!" Here again the long view is the clearest.
    [Show full text]