ART + OBJECT
IMPORTANT PAINTINGS & CONTEMPORARY ART
ART + OBJECT
26 NOVEMBER 2019
IMPORTANT PAINTINGS & CONTEMPORARY ART Amazing energy
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Important Paintings & Contemporary Art 2019
Cover: Lot 54. Thomas Ruff , h.l.k. 03, 2000
Welcome to our fi nal Important Paintings and Contemporary Art catalogue for 2019. Although we are all looking forward to the summer (if it ever arrives!), it is hard to believe that 2019 is drawing to a close. It’s been a busy year for our small team, with some notable auctions. We have achieved new auction records for Milan Mrkusich, John Pule, Barry Lett and Seung Yul Oh and held our fi rst auction dedicated to the work of one artist alone.
Our book department, most ably led by Pam Plumbly, has had a stellar year off ering a number of private collections. Rare Antarctic Books from the Library of Richard Reaney and Th e Christopher Parr Collection saw items of great historical signifi cance pass through our rooms, with unprecedented prices achieved. On December 10, the fi nal auction of the year will be Th e Ron Keam Collection, including signifi cant paintings, books, letters and ephemera relating to the Tarawera eruption and the surrounding geothermal area; its a wonderful insight into an important part of our country and it’s history.
Our early November auctions, Beyond the Lens, Th e Marti and Gerrard Friedlander Collection and Celebrating Colin McCahon were a great success. I would particularly like to thank the generous people who participated in our public programme over the weekend viewing: Judy Millar, Peter Simpson, Len Bell and Kathleen Fogarty. Th e viewing and talks were well-attended and thank you to everyone who came along – I hope you enjoyed it. We were also fortunate to have the support of our partners Seresin Estate wine, Taittinger Champagne and Allpress Espresso – which really kept us going through a busy weekend viewing.
Within the pages of this catalogue is a wonderful selection of contemporary New Zealand art. Of particular note is the important painting by Gordon Walters Untitled, 1977 (lot 62). We are also delighted to off er works from the Toi Collection (lots 73–79) and works from the Estate of Simon Manchester (lots 80–92). Simon was a great friend of Art+Object, a prolifi c collector, with an unbridled passion for fi ne art and ceramics. Th e fi rst fi ve lots of this auction are being sold in support of Auckland Pride and no buyer’s premium applies. We look forward to Art+Object seeing you at the viewing. Season's greetings. 3 Abbey Street Newton Auckland PO Box 68345 Leigh Melville Wellesley Street Auckland 1141 Tel +64 9 354 4646 Free 0 800 80 60 01 Fax +64 9 354 4645 [email protected] www.artandobject.co.nz
instagram: @artandobject facebook: Art+Object youtube: ArtandObject
Photography: Sam Hartnett Design: Fount–via Print: Graeme Brazier
www.artandobject.co.nz
7 NEW 25 FEB COLLECTORS 2020 ART
Leigh Melville [email protected] ENTRIES +64 21 406 678 INVITED
Jeffrey Harris John Pule The Betrayal The windows are dark like the eyes I tried to believe in for etching, 9/50 so long title inscribed and signed 215 x 260mm watercolour, oil stick and ink on paper $600 – $900 title inscribed and inscribed From The Shark That Ate The Sun, signed and dated Christchurch 1998 770 x 565mm
$4000 – $6000
THE RON KEAM 10.12.19 COLLECTION
Charles Blomfield Our final auction of 2019 is a collection Other highlights of the collection include a Rotomahana after the Eruption devoted to the thermal region of New number of photograph albums by Josiah Martin, oil on canvas Zealand, assembled by the late Professor the Burton Brothers, Elizabeth Pullman, Illes signed and dated ‘87 Ron Keam. Ron was Associate Professor of and others; a very large collection of New 430 x 585mm Physics at The University of Auckland and Zealand postcards as well as rare New Zealand had a life-long fascination with the mystery of books, pamphlets, booklets and brochures on $25 000 – $35 000 geothermal activity and the history associated early tourism. Of major historical importance with Mount Tarawera, its eruption, and the relating to the eruption, is a Para Kiekie [rain active geothermal districts which surround cloak] provenanced to Te Wairoa. The cloak was it. He was the leading world authority on the taken to America by Alfred Fairbrother, the early Tarawera eruption and geothermal activity in Baptist missionary, and later returned to New New Zealand and had been publishing on that Zealand. Also of importance is a large original region for many years. In 1988 he produced map of the Geothermal Area drawn in ink by the magnificent book, Tarawera: The Volcanic S. Percy Smith. Eruption of 10 June 1886.
Pam Plumbly This important historical collection, much [email protected] of which relates to the eruption of Mount +64 21 448 200 +64 9 354 4646 Tarawera, the destruction of the Pink and White Terraces in 1868, and the surrounding areas includes a superb collection of works by Charles Blomfield along with a rare painting of the eruption by Ina Haszard.
10 A SELECTION OF PAINTINGS FROM THE COLLECTION WILL BE ON VIEW FROM 20 NOVEMBER, WITH A CATALOGUE AVAILABLE ONLINE ON NOV 25.
S. Percy Smith original ink sketch map, covers the area from the Tarawera volcano area in the north to the Blue Lake in the south, circa 1886 1080 x 1300mm
$4000 – $7000 AUCTION BEYOND THE LENS NOV 2019 HIGHLIGHTS THE MARTI Following a busy viewing and excellent 19 Tony Fomison attendance at our public programmes over Ngauteringaringa AND GERRARD oil on jute laid onto particle the weekend, the auction of the Marti and board (1980) Gerrard Friedlander Collection was held on title inscribed FRIEDLANDER 192 x 143mm a warm spring evening. Good attendance Realised $28 800 at the auction ensured a high sell-through COLLECTION rate, with excellent results achieved for 23 Philip Clairmont Friedlander’s own photography. Corner of the Bedroom Window oil on jute laid onto board signed and dated ’75 1210 x 745mm Realised $66 000
4 Marti Friedlander Philip Clairmont cibachrome photograph title inscribed 297 x 250mm Realised $12 600
3 Marti Friedlander Gordon Walters in the Studio colour photograph signed verso 250 x 300mm Realised $8400
17 Marti Friedlander Jubilee, Turangawaewae, 1971 gelatin silver print signed 290 x 376mm 19 Realised $6000
297
23
3
4 17 AUCTION CELEBRATING 12 Colin McCahon The First Bellini Madonna enamel on board HIGHLIGHTS COLIN MCCAHON signed and dated ’61 – ’62 and inscribed Bellini I 1219 x 906mm NOV 2019 Realised $420 500
8 Colin McCahon Little Landscape with Tree In a landmark event for Art+Object, our oil on board auction dedicated to the work of Colin signed and dated 1951 400 x 500mm McCahon was a resounding success. Realised $141 100 We were delighted to contribute towards acknowledging the artist’s centenary year
3 Colin McCahon and a large crowd filled the saleroom to Truth from the King Country: witness the event. Load Bearing Structures No. I (Third Series) synthetic polymer paint on canvasboard title inscribed, signed and dated ’78 verso 227 x 305mm Realised $98 500
9 Colin McCahon Cross synthetic polymer paint title inscribed, signed and dated Feb – Mar ’71 787 x 585mm Realised $255 000
10 Colin McCahon Light Passing Through a Dark Landscape synthetic polymer paint on paper title inscribed, signed and dated 10 Jan ’72 and inscribed (B) 1090 x 725mm Realised $228 000 9
3
8
12 Important Paintings & Contemporary Art 2019
Auction Tuesday 26 November at 6.30pm 3 Abbey Street, Newton, Auckland
Preview Wednesday 20 November 5.00pm – 7.00pm
Gordon Walters Untitled polyvinyl acetate and acrylic on canvas signed and dated 1977 verso 1220 x 943mm
Viewing Thursday 21 November Sunday 24 November 9.00am – 5.00pm 11.00am – 4.00pm Friday 22 November Monday 25 November 9.00am – 5.00pm 9.00am – 5.00pm Saturday 23 November Tuesday 26 November 11.00am – 4.00pm 9.00am – 2.00pm
14 ART + OBJECT
26 NOVEMBER 2019
IMPORTANT PAINTINGS & CONTEMPORARY ART ARTWORKS TO BE SOLD FOR THE BENEFIT OF PRIDE Lots 1 – 5. These works attract no buyer's premium or commission charges 1
Peter Peryer Sacred Heart gelatin silver print title inscribed, signed and dated 1993 verso 455 x 300mm
$4000 – $6000
2
Fiona Clark Carmen Rupe on her 70th Birthday, Wellington digital print on archival paper from medium format film, 1/2 (printed 2019) original Michael Lett label affixed verso 635 x 505mm
$3000 – $5000
16 Important Paintings & Contemporary Art 2019
3
Michael Parekowhai Antares (minor) type C print, unique edition original Michael Lett label affixed verso 600 x 600mm
$6000 – $9000
17 Important Paintings & Contemporary Art 2019
4
Imogen Taylor Hot Lunch acrylic on hessian title inscribed, signed and dated 2017 verso 350 x 400mm
$2000 – $3000
5
Judy Millar Untitled acrylic and oil on paper signed and dated 2019 verso 1000 x 690mm
$4000 – $7000
18 Important Paintings & Contemporary Art 2019
6
Karl Maughan Kimbolton screenprint, 1/95 title inscribed and signed 728 x 1050mm
$2500 – $4000
7
Karl Maughan Colyton screenprint, 3/100 title inscribed and signed 695 x 1104mm
$2500 – $4000
19 Important Paintings & Contemporary Art 2019
8
Liz Maw Model with Mannequin oil on board, diptych title inscribed, signed and dated 2010 verso 250 x 400mm Provenance Private collection, Wellington.
$8000 – $12 000
9
Judy Millar Untitled acrylic on aluminium signed and dated 2003 verso 782 x 570mm
$4000 – $6000
20 Important Paintings & Contemporary Art 2019
10
Man Ray Le Cadeau iron and copper, 3941/5000 accompanied by original certificate of authenticity 170 x 100 x 100mm Provenance Private collection, Auckland.
$2000 – $3000
11
Michael Parekowhai The Bosom of Abraham screenprinted vinyl on fluorescent light housing 1300 x 200 x 80mm Provenance Private collection, Auckland.
$10 000 – $16 000
21 Important Paintings & Contemporary Art 2019
12
Shane Cotton Ko te pae o tane acrylic on canvas title inscribed, signed and dated ’01 and inscribed Bim Series 700 x 1000mm
$25 000 – $35 000
22 Important Paintings & Contemporary Art 2019
13
Michael Parekowhai Rainbow Servant Dreaming polyeurethane & two-pot automotive paint on fibreglass composite, 2005 640 x 240 x 150mm
$12 000 – $18 000
14
Michael Parekowhai Rainbow Servant Dreaming polyeurethane & two-pot automotive paint on fibreglass composite, 2005 640 x 240 x 150mm
$12 000 – $18 000
23 Important Paintings & Contemporary Art 2019
15
Ronnie van Hout End Doll mixed media and coffin box, 5/12 (2007) signed and dated 08. 08. 2007 on original Physics Room Edition label Provenance Private collection, Auckland. 580 x 153 x 220mm
$6000 – $9000
16
Ronnie van Hout ‘4 Days and Nights’ after McCahon pegasus print, a/p (edition of ten) artist’s name, title and date (2004) inscribed on original Darren Knight Gallery label affixed verso Exhibited ‘Ronnie Van Hout: Selected Photographs’, Darren Knight Gallery, Sydney, 25 March – 26 April 2003. Provenance Private collection, Australia. 515 x 735mm
$2000 – $3000
24 Important Paintings & Contemporary Art 2019
17
Kushana Bush Antique Nudes (from All Things to All Men series) gouache and pencil on paper title inscribed, signed and dated 2012 verso 570 x 755mm
$4000 – $6000
18
Ayesha Green Heta Te Haara acrylic on board title inscribed, signed and dated 2017 verso 1190 x 930mm Provenance Private collection, Auckland.
$5000 – $8000
25 Important Paintings & Contemporary Art 2019
19
Laurence Aberhart Taranaki (Last Light), 2 August 1991 gold and selenium toned gelatin silver print 110 x 245mm Provenance Purchased from Sue Crockford Gallery, Auckland, 26 July 2002.
$2000 – $3500
20
Laurence Aberhart Taranaki, Wanganui, 8 May 1986 gold and selenium toned gelatin silver print 195 x 245mm Provenance Purchased from Sue Crockford Gallery, Auckland, 26 July 2002.
$3000 – $5000
21
Laurence Aberhart Oanui, Taranaki, 2 August 1991 gold and selenium toned gelatin silver print 195 x 245mm Provenance Purchased from Sue Crockford Gallery, Auckland, 26 July 2002.
$3000 – $5000
26 Important Paintings & Contemporary Art 2019
22
Pat Hanly Mt Eden, Dawn enamel and oil on board signed and dated ’73; title inscribed, signed and dated and inscribed Energy Series, N. F. S verso 446 x 446mm
$15 000 – $22 000
27 Important Paintings & Contemporary Art 2019
23
Bill Culbert East Coast, North Island, 1992 gelatin silver print 385 x 385mm Provenance Purchased from Sue Crockford Gallery, Auckland, 12 July 2004.
$1500 – $2500
24
Peter Peryer Street Scene gelatin silver print title inscribed, signed and dated 1988 verso 310 x 460mm
$2000 – $3000
28 Important Paintings & Contemporary Art 2019
25
Terry Stringer Untitled cast bronze, edition 2/2 2170 x 340 x 340mm signed and dated 2009
$14 000 – $22 000
29 Important Paintings & Contemporary Art 2019
26
Karl Maughan Tarana oil on linen signed and dated 2012 verso 1525 x 1525mm
$25 000 – $40 000
30 Important Paintings & Contemporary Art 2019
27
John Pule Lagaloga Kua ole tokalalo Kie Koe Keu a fano oil on unstretched canvas title inscribed, signed and dated 2005 2100 x 1810mm Provenance Purchased by the current owner from Jonathan Smart Gallery, Christchurch.
$38 000 – $48 000
31 Important Paintings & Contemporary Art 2019
28
Peter Robinson Untitled ink and tippex on paper variously inscribed 420 x 296mm
$2500 – $4000
29
Peter Robinson One Lives lamda print mounted to aluminium, edition of 5 2270 x 1200mm Provenance Private collection, Auckland.
$10 000 – $16 000
32 Important Paintings & Contemporary Art 2019
30
Peter Madden The Dream found photographs and enamel on Perspex (2010) original Michael Lett label affixed verso 593 x 593mm Provenance Private collection, Auckland.
$3000 – $5000
31
Peter Madden Our past will become us in copper collage and mixed media on soft board title inscribed, signed and dated 2014 verso 890 x 687mm Exhibited ‘Peter Madden: Behind the line of care’, Ivan Anthony Gallery, Auckland, 6 August – 6 September 2014. Provenance Private collection, Auckland.
$12 000 – $18 000
33 Important Paintings & Contemporary Art 2019
32
Ralph Hotere Winter Solstice oil pastel on paper title inscribed, signed and dated ’91 and inscribed Carey’s Bay Provenance Private collection, Northland. 406 x 282mm
$15 000 – $22 000
34 Important Paintings & Contemporary Art 2019
33
Gordon Walters Maho silkscreen print, 48/50 title inscribed and signed Provenance Private collection, Australia. 343 x 185mm
$5000 – $8000
34
Bill Hammond Singer Songwriter III lithograph, edition of 100 title inscribed, signed and dated 2001 on the plate 687 x 845mm Provenance Private collection, Auckland.
$2500 – $4000
35 Important Paintings & Contemporary Art 2019
35
Ann Robinson Semillon Rim Bowl cast glass signed and dated 2013 and inscribed No. 3 to underside 500mm: diameter
$18 000 – $26 000
36 Important Paintings & Contemporary Art 2019
36
Ralph Hotere Winter Solstice oil on acrylic on paper title inscribed, signed and dated ‘Port Chalmers VI ’89’ 640 x 495mm
$20 000 – $30 000
37 Important Paintings & Contemporary Art 2019
37
Peter Stichbury Milton Torres colour pencil on paper signed and dated 2014; original Michael Lett label affixed verso 418 x 345mm
$5500 – $7500
38
Douglas MacDiarmid Maite ink and wash on paper signed and dated ’66 640 x 488mm
$1500 – $2500
38 Important Paintings & Contemporary Art 2019
39
Don Driver Potted Red mixed media and found objects on board title inscribed, signed and dated 1993 verso 2000 x 595 x 300mm
$8000 – $12 000
40
David McCracken Untitled stainless steel signed 695 x 240 x 138mm
$4000 – $7000
39 Important Paintings & Contemporary Art 2019
41
Milan Mrkusich Painting 62 – 1 oil and metallic foils on canvas title inscribed and signed verso 845 x 897mm Provenance Collection of Ministry of External Affairs and Trade, New York. Private collection, Auckland
$35 000 – $50 000
40 Important Paintings & Contemporary Art 2019
42
Alan Pearson Portrait of Herman Gladwin oil on board signed and dated ’67; title inscribed on original Kelliher Prize catalogue label affixed verso 908 x 751mm Provenance Private collection, Christchurch.
$16 000 – $24 000
41 Important Paintings & Contemporary Art 2019
43
Francis Upritchard D. D. B modelling material, foil, wire, paint and vitrine (2007) Exhibited 'Bogagnome', Ivan Anthony Gallery, Auckland, 2007 Provenance Private collection, Auckland. 600 x 270 x 190mm
$22 000 – $32 000
42 Important Paintings & Contemporary Art 2019
44
Francis Upritchard Yukiko super sculpy, foil, wire and paint Provenance Private collection, Auckland. 355 x 170 x 160mm Exhibited ‘Gesamtkunsthandwerk’, Govett- Brewster Gallery, New Plymouth, 12 March – 6 June 2011.
$17 000 – $25 000
43 Important Paintings & Contemporary Art 2019
45
Richard Killeen Past, Present and Future acrylic lacquer on aluminium title inscribed, signed and dated July 1978 verso Provenance Private collection, Auckland. 1215 x 1210mm
$20 000 – $30 000
44 Important Paintings & Contemporary Art 2019
46
Gordon Walters Untitled gouache on paper signed and dated ’56 Exhibited ‘Gordon Walters: New Vision’, Dunedin Public Art Gallery, 11 November 2017 – 8 April 2018 (touring nationally). Illustrated Lucy Hammonds, Julia Waite, Laurence Simmons, Gordon Walters: New Vision (Auckland and Dunedin, 2017), p.88. Provenance Private collection, Australia. 290 x 355mm
$45 000 – $65 000
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47
Gordon Walters No. II acrylic and collage on card title inscribed, signed and dated 1989 Provenance Private collection, Auckland. 150 x 185mm
$5000 – $8000
48
Gordon Walters Untitled – Composition En Abyme acrylic and collage on card signed and dated ’87 Provenance Private collection, Auckland. 177 x 138mm
$6000 – $9000
46 Important Paintings & Contemporary Art 2019
49
Gordon Walters Untitled acrylic on paper signed and dated ’83 and 31. 8. 83 Provenance Private collection, Auckland. 650 x 465mm
$30 000 – $40 000
47 Important Paintings & Contemporary Art 2019
50
Peter Stichbury Untitled acrylic on canvas signed and dated 2000 verso 1070 x 915mm Provenance Private collection, New York, U.S.A.
$50 000 – $70 000
48 Important Paintings & Contemporary Art 2019
51
Peter Stichbury Molly acrylic on canvas signed and dated 2004 verso Provenance Private collection, Auckland. 352 x 301mm
$15 000 – $22 000
49 Important Paintings & Contemporary Art 2019
52
Geoff Thornley Naming the Site No. I oil on canvas title inscribed, signed and dated 13. 98 verso 2440 x 2000mm Exhibited ‘Geoff Thornley: Naming the Site’, Antoinette Godkin Gallery, Auckland, 12 May – 12 June, 1999.
$30 000 – $45 000
50 Important Paintings & Contemporary Art 2019
53
Dale Frank Mike Hunt pigmented varnish on canvas signed and dated ’01 verso 1400 x 1000mm
$18 000 – $26 000
51 Important Paintings & Contemporary Art 2019
54
Thomas Ruff h.l.k. 03 type C print face-mounted to plexiglas, 2/5 title inscribed, signed 2000 verso; original Mai 36 Galerie, Zurich label affixed verso 950 x 1400mm Provenance Private collection, Sydney. Purchased by the current owner from Mai 36 Gallery, Zurich at the Armoury Show, New York, 2002.
$25 000 – $35 000
52 Important Paintings & Contemporary Art 2019
53 Important Paintings & Contemporary Art 2019
55
Karl Maughan Bowral oil on canvas title inscribed, signed and dated April 2012 and inscribed 2700 Miles. 10 verso 1520 x 2400mm
$40 000 – $60 000
54 Important Paintings & Contemporary Art 2019
55 Important Paintings & Contemporary Art 2019
56
Karl Maughan Warrnambool Ballarat Diptych oil on canvas, two panels signed and dated 2012 verso 1525 x 2845mm: overall
$55 000 – $80 000
56 Important Paintings & Contemporary Art 2019
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57
Bill Hammond Ancestral acrylic and metallic pigment on recycled paper title inscribed, signed and dated 2005 and inscribed paper I 780 x 587mm Provenance Private collection, Auckland.
$35 000 – $50 000
58 Important Paintings & Contemporary Art 2019
58
Bill Hammond Restoration acrylic and metallic pigment on found chinoiserie four panel screen title inscribed, signed and dated 1987 1780 x 480 x 25mm: each panel 1780 x 1300 x 500mm: installation size variable
$50 000 – $75 000
59 Important Paintings & Contemporary Art 2019
59
Michael Illingworth Painting II oil on canvas signed and dated ’71 verso; title inscribed on label affixed verso 597 x 901mm
$65 000 – $85 000
60 Important Paintings & Contemporary Art 2019
60
Frances Hodgkins Arrangement of Jugs lithograph signed Provenance Private collection, Waikato. 470 x 618mm
$15 000 – $22 000
61 Important Paintings & Contemporary Art 2019
FRANCES HODGKINS
62 Important Paintings & Contemporary Art 2019
61 This strong and distinctive painting dates below it, and trailing vines on the left, but in Walled Garden with Convovulus from 1942 and was included in the exhibition general effect the picture approaches close to gouache, 1942 – 1943 440 x 510mm Gouaches by Frances Hodgkins at the Lefevre abstraction. Presumably the flecks of paint Gallery in London in 1943. This was in – blue, brown and especially white – which Exhibited war time and Hodgkins was confined to dominate the composition are meant to ‘Gouaches by Frances Hodgkins – A new series of Gouaches painted during 1942 England and Wales – no more gallivanting signify the convolvulus of the title, though – 1943’, The Leferve Galleries, London, around the warmer parts of the continent, the primary impression is of unidentifiable England, March – April 1943. as she had done regularly before the war; calligraphic marks decoratively strewn across ‘First Exhibition of Water-colour paintings mostly she hunkered down in the village the central part of the picture. by John Marshall. Paintings, Water- of Corfe in the so-called Isle of Purbeck colours and Gouaches by Frances Another effect worth mentioning is the Hodgkins, 1869 – 1947. New paintings (actually a peninsula) in Dorset. The village is structural device of a densely packed by Keith Vaughan.’, Leicester Galleries, dominated by the ruins of a medieval castle London, 8 – 28 June, 1956. squarish centre – a tight jumble of shapes and which Hodgkins painted several times, as she ‘Frances Hodgkins, Works from Private colours – which is entirely surrounded on did the modest courtyard here depicted in Collections: An exhibition held to all four sides by a kind of loose border. The celebrate the opening of the new store the village between her studio and the cottage edges are lighter in colour (blue, white and and gallery’, Kirkcaldie and Stains, where she lived between 1939 and her death Wellington, 1 – 29 August, 1989, Cat pale orange patches and painterly squiggles), in 1947. No. 43. sparer in imagery, airy and spacious in effect, ‘Manufacturing Meaning: The Victoria University, Wellington Art Collection The new website The Complete Frances and creating an impression of tightly packed in Context’, 22 September 1999 – 31 Hodgkins (completefranceshodgkins.com) enclosure for the middle portion of the January 2000. recently posted on line by Auckland Art picture. Illustrated Gallery enables comparison of Walled Garden This painting shows Hodgkins at the Elizabeth Eastmond, Michael Dunn, Iain with Convulvulus to the other gouaches from height of her remarkable powers – radical, Buchanan, Frances Hodgkins: Paintings 1942-43 with which it was exhibited. Of the and Drawings (Auckland University Press, idiosyncratic, and memorable. fourteen works in the exhibition – depicting 1994), p. 159. ‘Frances Hodgkins: Works from Private ornaments, kitchen and barn interiors, collections’ (Kirkcaldie and Stains, farmyard activities, town and country scenes Wellington, 1989), Cat No. 43. and so on – this work is the most radical in Peter Simpson Provenance its denial of conventional perspective and Collection of Geoffrey Gorer, Sussex, representation of objects. Shown at the same England. Acquired from the artist. time at Lefevre Gallery as Picasso and his Gifted by Geoffrey Gorer to Mrs Nancy Moore, Frome, England. Contemporaries the painting shows that Private collection, Auckland. Purchased Hodgkins was sometimes surprisingly close from Ferner Galleries, Auckland to her radical European contemporaries in
$75 000 – $100 000 embracing Picasso-like modernism in spatial experiment and transformation of objects.
Without Hodgkins’ title viewers might be hard put to identify all the elements of the scene depicted. In the foreground jugs and pots, as so often in Hodgkins’ paintings, are quickly sketched in with a few brush strokes, and towards the top of the picture the rooflines of several buildings are clearly discernible. Leaves and flowers are also identifiable; there is a tall shrub on the right with a trio of bright patches (flower beds?)
63 Important Paintings & Contemporary Art 2019
GORDON WALTERS
64 Important Paintings & Contemporary Art 2019
62 In 1976 Gordon Walters moved from connections between the groups of two Untitled Auckland to Christchurch, following his koru motifs as descending to the right or to polyvinyl acetate and acrylic on canvas signed and dated 1977 verso wife Margaret Orbell’s appointment to a the left? With Walters’ work we often talk lectureship in Māori Studies at Canterbury about unity as a virtue but transformation, a Provenance University. In a new studio space in the perpetual process of transformation, was the Private collection, Auckland. Purchased from Webb’s, Auckland, 27 April 1989, basement of his house he was able to paint unifying principle in his art. Untitled (1977) Lot No. 32. without disruption. Over the next two years presents an equilibrium subject to stresses: 1220 x 943mm he worked consistently producing on canvas the vertical preserved among asymmetries
$500 000 – $800 000 a group of black and white koru paintings of the horizontal. Overall it plays acutely which comprised some of his most assured with gravity, pressing down or straining and confident work. These paintings included upward in a way that gives an otherwise Karakia (Te Papa Tongarewa) and Waiata inexplicable animation to the forms. Walters (The Dowse Art Museum) and Untitled lets the rhythms of the koru motif, as they (1977). The new paintings optically stable accumulate or thin out, move one’s eye control drew on the strong features of earlier through the picture as it absorbs the overall works such as Tohu (1973) and Maho (1973, image. We intuitively gauge the weights and Te Papa Tongarewa). Of his new work Walters the tensions that constitute the painting’s wrote to Michael Dunn in May 1978: “I think stability. An epiphany bursts forth when you it is now the best I have done with the koru by grasp how finely calibrated that stability is, far… The koru works best in black and white and how it rests upon a breaking point. Move or in one colour on white and I am limiting any one of these shapes a millimetre, and all my new ones to this range.” change the ballast of the descending forms, and the whole might collapse or fly to pieces, In these works Walters creates a system disintegrating in a chain reaction. Yes, the by which elements in the painting can be control is resolute, triumphant even, but made to relate to one another, a personal every square centimetre of the canvas now notion of order. Having made up the rules starts to vibrate. A construction, shimmering of engagement he then tests them, pushes in the mind. against them, sees how they hold up under pressure. Through a process of collage and Walters is dialectical, which does not mean assemblage of shapes on paper he makes ambivalent or ambiguous. He delivers, as difficulties for himself. He tries to get out of he once said, “dynamic relations” of a few a jam of his own devising. He backs himself repeated elements in opposition that are into a corner and then finds a means of resolved and clarified at full strength. His escape. An overall visual coherence is created paintings succeed best when you can feel out of a potential visual falling apartness. him searching for solutions. As he worked His best compositions are those that teeter on this refined group of black and white on the edge of control, making clear that koru paintings, drawing upon what was by the artist is not just making a product, but this stage a comprehensive archive of forms keeping alive the decision-making process and ideas, solutions would come to him, that goes with the pictorial process, one of but without finality. For, like most art that whose goals is a sense of renewable surprise. challenges and then rewards, works like At first glance the placement of the koru Untitled (1977) depend on other eyes and motifs may appear random-looking but on minds for completion: our own, now. sustained attention emerge as profoundly disciplined. That is not to say that they lull us into a passive contemplation. From sustained Laurence Simmons looking there emerges an intensification of dramatic uncertainty. Why in Untitled (1977) is there only one grouping of three koru circles and why is it placed where it is? Why, at first sight, do there appear to be more white koru than black ones on the left- hand vertical stack? There are in fact seven of each. And are we to read the diagonal
65 Important Paintings & Contemporary Art 2019
RALPH HOTERE
66 Important Paintings & Contemporary Art 2019
63 Ralph Hotere’s inclusion in Phaidon’s 20th Hotere’s use of vernacular building materials Black Window Century Art Book late last century, alongside is another essential part of his practice and acrylic on board and burnished steel and leadhead nails in original villa sash 499 other illustrious figures, including Colin one which marks him as one of our most window frame McCahon, served to reinforce his status important and original artists. Here he title inscribed, signed and dated 1982 alongside art historical heavyweights such contains his brooding protest landscape – Feb ’81 verso as Jasper Johns, Alberto Burri, Donald Judd within the ubiquitous New Zealand colonial 1120 x 952mm and Jean Dubuffet whilst simultaneously villa window. In doing so he calls into Illustrated reminding us that, on his day, his art could question the manner in which we engage Kriselle Baker and Vincent O’ Sullivan, sit as comfortably in the company of theirs with both art works and the changing Hotere (Ron Sang Publications, Auckland, 2008), p. 220. as anyone’s. landscape, and questions the very relevance of art in a time of crisis and its ability to Provenance Brought up in the far north in a devout bring about social change. Private collection, Auckland. Roman Catholic family, Ralph Hotere’s art $120 000 – $160 000 has always been informed by the theology, In a long and prolific career in which Hotere liturgy, sacramentalism and the iconography has consistently created challenging art of the church, even when at its seemingly works, Black Window is an elegant visual most abstract and international. Black metaphor for the beauty and fragility of Window reminds us how the artist’s origins human life. The use of language and signs in a small Maori Catholic community from his Catholic upbringing together with remained a key touchstone for his art as the inherent tension and resonance between well as providing the emotional and visual dissonant surfaces and materials housed stimulus for it. The cross mounted to a within the window frame invite the viewer diamond shaped motif which dominates the to perceive and join the artist in his on-going surface is from the French cult of devotion investigation of the transcendental. the Sacred Heart (Sacré Coeur), whilst the fourteen burnished dots recall the Stations of the Cross, the fourteen step Catholic Ben Plumbly devotion that commemorates Jesus Christ’s last day on earth as a man. On the matte black acrylic board are a vast number of crosses floating in darkness, these act as a direct reminder as to the fate which befell his brother and numerous others in the Maori Battalion who lie buried in the Sangro river war cemetery on Italy’s Adriatic coast. The Christian crosses are interspersed with the ‘x’ shaped cross, simultaneously representing fear, protest, anger, cancellation, error and an indictment against the futility of war.
67 Important Paintings & Contemporary Art 2019
64
Ralph Hotere Oputae signed and dated ’84 burnished and lacquered baby corrugated iron Provenance Private collection, Marlborough. 620 x 1345mm
$75 000 – $100 000
68 Important Paintings & Contemporary Art 2019
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65
Jacqueline Fahey Portrait of the Poet oil on board signed; title inscribed and dated 1978 on original exhibition label affixed verso 600 x 893mm Provenance Private collection, Auckland.
$14 000 – $22 000
70 Important Paintings & Contemporary Art 2019
66
Michael Smither Portrait of the Artist’s Father oil on board artist's name, title and date (1975) inscribed on original Govett- Brewster Art Gallery exhibition label affixed verso; original Peter McLeavey Art Dealer blind stamp applied verso 912 x 640mm Provenance Private collection, Auckland.
$25 000 – $35 000
71 Important Paintings & Contemporary Art 2019
67
Simon Kaan Untitled signed and dated ’06 oil on board 1180 x 1578mm
$15 000 – $22 000
72 Important Paintings & Contemporary Art 2019
68
John Walsh Waka Huia oil on canvas title inscribed, signed and dated 2002 verso 1400 x 1960mm
$20 000 – $30 000
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69
Michael Smither Squid on a Plate oil on board signed with artist’s initials M. D. S and dated ’87 810 x 923mm Provenance Purchased from C. O. C. A, Christchurch, circa 1990. Private collection, Nelson.
$40 000 – $60 000
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70
Toss Woollaston McFedries Farm, Riwaka oil on board signed 892 x 787mm Provenance Private collection, Wellington.
$25 000 – $35 000
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71
Denys Watkins A Man and His Wife oil on canvas title inscribed, signed and dated 1987 verso 1700 x 1900mm
$8000 – $12 000
72
Denys Watkins Djinn/Ferric acrylic on canvas title inscribed, signed and dated ’04 verso 1350 x 1350mm
$5000 – $8000
76 THE TOI COLLECTION Lots 73 – 79 73
Darryn George Mihini (8. 3L) oil on canvas title inscribed, signed and dated 2005 verso 1490 x 1990mm
$10 000 – $16 000
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74
Jacqueline Fraser “That Misogynist Gucci Crow Holds Her Eyes Open With Super Glue”, Sucker French stretch brocade, backlit photograph, faux fur and wig signed and dated 12. 8. 2005 2310 x 1020mm
$16 000 – $25 000
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75
Chris Charteris Tokoro Sperm whale jaw bone 1150 x 160 x 60mm
$12 000 – $16 000
76
Ann Robinson Twisted Flax Pod cast glass and resin-coated steel 1350 x 310 x 290mm
$20 000 – $30 000
79 Important Paintings & Contemporary Art 2019
77
Rohan Wealleans Untitled VI house paint on canvas (2009) 850 x 570mm Provenance Purchased from Nadene Milne Gallery, Arrowtown, 15 April 2009.
$7000 – $10 000
78
Rohan Wealleans Untitled III house paint on canvas (2009) 850 x 570mm Provenance Purchased from Nadene Milne Gallery, Arrowtown, 15 April 2009.
$7000 – $10 000
80 Important Paintings & Contemporary Art 2019
79
Tony de Lautour S. F. O acrylic and oil on unstretched canvas title inscribed and signed 2025 x 2760mm
$25 000 – $30 000
81 SIMON MANCHESTER
1958 – 2019 WORKS FROM THE ESTATE OF SIMON MANCHESTER Lots 80 – 92 80
Martin Poppelwell Head (Yellow) wool title inscribed, signed with artist’s initials and dated 2011; original Dilana label to underside 845 x 470mm
$1000 – $2000
81
Paul Maseyk The Ship acrylic on canvas title inscribed, signed and dated 2008 on artist’s label affixed verso 810 x 525mm
$800 – $1400
82
Paul Maseyk Wednesday acrylic on canvas title inscribed, signed and dated ’09 verso 1180 x 795mm
$1000 – $2000
83
Paul Maseyk Chatelaine acrylic and metallic pigment on canvas title inscribed, signed and dated 2008 verso 832 x 715mm
$800 – $1400
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84
Peter Peryer Figure Study type C print, 6/15 title inscribed, signed and dated 2005 verso 850 x 615mm
$5000 – $7000
85
Gavin Hipkins Tender Buttons (Monk) type C print, 1/8 title inscribed, signed and dated ’07 verso 450 x 300mm
$2000 – $3000
86
Gavin Hipkins Tender Buttons (Skull) type C print, 3/8 title inscribed, signed and dated ’07 verso 450 x 300mm
$2000 – $3000
84 Important Paintings & Contemporary Art 2019
87 et al. Untitled mixed media variously inscribed 760 x 730 x 25mm
$700 – $1200
88 et al. the – ordinary practices acrylic and colour pencil on blind variously inscribed 920 x 1390mm
$4000 – $7000
89
L. Budd Studies in Pain coloured pencil and graphite on journal title inscribed, signed and variously inscribed 245 x 183mm
$600 – $900
90
L. Budd No – thing mixed media and found book title inscribed and inscribed The L.B Art Award inside the cover 175 x 119 x 15mm
$1000 – $2000
85 Important Paintings & Contemporary Art 2019
91
L. Budd can one detach the thought from form? acrylic and coloured pencil on blind title inscribed 730 x 530mm
$3000 – $5000
92
L. Budd Becoming Joan of Arc mixed media, two panels 760 x 630mm and 570 x 480mm
$2000 – $3000
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93
Richard Lewer Black Dot oil on epoxy-coated steel signed verso 1005 x 1005mm Exhibited: ‘It’s More Than A Game: Richard Lewer’, Gow Langsford Gallery, Auckland, 1 April – 25 April 2015. Illustrated: ‘Richard Lewer – You Wouldn’t Make This Stuff Up’, Vault – Australian Art and Culture, p. 34.
$6000 – $9000
94
John Walsh Pare for Working upon Economic Recovery oil on board title inscribed, signed and dated 2006 verso 895 x 1190mm Provenance Private collection, Hawke’s Bay.
$13 000 – $18 000
87 Important Paintings & Contemporary Art 2019
95
Star Gossage Wheturangimarie oil on board title inscribed, signed and dated 2007 verso 1120 x 835mm
$8000 – $12 000
96
Milan Mrkusich Painting Yellow (1973) gouache on paper signed and dated ’73 340 x 420mm
$6000 – $9000
88 Important Paintings & Contemporary Art 2019
97
Ian Scott Small Lattice No. 355 acrylic on canvas title inscribed, signed and dated July 2008 verso 910 x 910mm
$6000 – $9000
98
Ian Scott New Zealand Elegy acrylic and silkscreen on canvas title inscribed, signed and dated February 2002 verso 1520 x 920mm
$6000 – $9000
89 Important Paintings & Contemporary Art 2019
99
Richard Lewer Untitled – Four Works on Sandpaper oilstick on sandpaper variously inscribed 275 x 230mm: each panel
$1500 – $2500
100
Richard Lewer Praying for your Brother oil and varnish on canvas 805 x 805mm
$10 000 – $16 000
90 Important Paintings & Contemporary Art 2019
101
Darryn George Ornament No. 2 – Kotui oil and acrylic on canvas title inscribed, signed and dated 2005 verso 1410 x 1000mm
$6000 – $9000
102
Simon Morris Untitled acrylic on canvas 1020 x 2130mm Provenance Private collection, Auckland.
$4000 – $7000
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103
Tony Fomison Sina ma Tuna oil on canvasboard title inscribed, signed and inscribed Started December 1986 Lincoln Street, finished January 1987, Grey Lynn verso; original Fomison Estate label affixed verso 450 x 300mm Provenance Private collection, Auckland.
$6000 – $9000
104
John Reynolds The High Moral Ground acrylic and enamel paint marker on canvas title inscribed, signed and dated 2003 verso 1500 x 1000mm
$8000 – $14 000
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105
Toss Woollaston Erua watercolour signed and dated ’61 Provenance Private collection, Auckland. 385 x 293mm
$4000 – $6000
106
Patrick Hayman Woman with a Cat oil and tempera on board title inscribed and signed verso 396 x 267mm
$5000 – $8000
93 Important Paintings & Contemporary Art 2019
CONDITIONS OF SALE
Please note: it is assumed that all bidders at auction have read and agreed IMPORTANT ADVICE FOR BUYERS to the conditions described on this page. Art+Object directors are available during the auction viewing to clarify any questions you may have.
1. Registration: Only registered bidders 7. Payment: Successful bidders The following information does not form may bid at auction. You are required to are required to make full payment part of the conditions of sale, however complete a bidding card or absentee immediately post sale – being either the buyers, particularly first time bidders are bidding form prior to the auction day of the sale or the following day. If recommended to read these notes. giving your correct name, address and for any reason payment is delayed then telephone contact and supplementary a 20% deposit is required immediately information such as email addresses that and the balance to 100% required within A. Bidding at auction: Please ensure you may wish to supply to Art+Object. 3 working days of the sale date. We your instructions to the auctioneer are accept payment via Eftpos, cash (under clear and easily understood. It is well to $5000.00) and direct credit. Visa and understand that during a busy sale with 2. Bidding: The highest bidder will be MasterCard credit cards are accepted, multiple bidders the auctioneer may not the purchaser subject to the auctioneer however a surcharge of 2.5% will be be able to see all bids at all times. It is accepting the winning bid and any added. Payments over $10,000.00 must recommended that you raise your bidding vendor’s reserve having been reached. be made by direct credit to our bank number clearly and without hesitation. The auctioneer has the right to refuse account. Our bank details for deposits If your bid is made in error or you have any bid. If this takes place or in the event are 12-3107-0062934-00. Please use misunderstood the bidding level please of a dispute the auctioneer may call your buyer number as transaction advise the auctioneer immediately of for bids at the previous lowest bid and reference. Please refer to point 7 of the your error – prior to the hammer falling. proceed from this point. Bids advance at Conditions of Sale in the catalogue for a Please note that if you have made a bid sums decreed by the auctioneer unless detailed description of payment terms. and the hammer has fallen and you are signaled otherwise by the auctioneer. the highest bidder you have entered a No bids may be retracted. The binding contract to purchase an item at auctioneer retains the right to bid on 8. Failure to make payment: If a the bid price. New bidders in particular behalf of the vendor up to the reserve purchaser fails to make payment as are advised to make themselves known figure. outlined in point 7 above Art+Object to the sale auctioneer who will assist you may without any advice to the purchaser with any questions about the conduct of exercise its right to: a) rescind or stop the auction. 3. Reserve: Lots are offered and sold the sale, b) re offer the lot for sale to an subject to the vendor’s reserve price underbidder or at auction. Art+Object being met. reserves the right to pursue the B. Absentee bidding: Art+Object purchaser for any difference in sale welcomes absentee bids once the proceeds if this course of action is necessary authority has been completed 4. Lots offered and sold as described and lodged with Art+Object. A+O will and viewed: Art+Object makes chosen, c) to pursue legal remedy for breach of contract. do all it can to ensure bids are lodged all attempts to accurately describe on your behalf but accepts no liability for and catalogue lots offered for sale. failure to carry out these bids. See the Notwithstanding this neither the vendor 9. Collection of goods: Purchased Absentee bidding form in this catalogue nor Art+Object accepts any liability items are to be removed from for information on lodging absentee bids. for errors of description or faults and Art+Object premises immediately after These are accepted up to 2 hours prior to imperfections whether described payment or clearance of cheques. the published auction commencement. in writing or verbally. This applies to Absentee bidders must make provision questions of authenticity and quality of for the uplifting of purchased items (see the item. Buyers are deemed to have instructions on the facing page). C. Telephone bids: The same conditions inspected the item thoroughly and apply to telephone bids. It is highly proceed on their own judgment. The preferable to bid over a landline as act of bidding is agreed by the buyer to 10. Bidders obligations: The act of the vagaries of cellphone connections be an indication that they are satisfied bidding means all bidders acknowledge may result in disappointment. You will on all counts regarding condition and that they are personally responsible be telephoned prior to your indicated authenticity. for payment if they are the successful lot arising in the catalogue order. If bidder. This includes all registered the phone is engaged or connection absentee or telephone bidders. Bidders impossible the sale will proceed without 5. Buyers premium: The purchaser by acting as an agent for a third party must your bidding. At times during an auction bidding acknowledges their acceptance obtain written authority from Art+Object the bidding can be frenetic so you need of a buyers premium of 17.5% + GST to and provide written instructions from to be sure you give clear instructions be added to the hammer price in the any represented party and their express to the person executing your bids. The event of a successful sale at auction. commitment to pay all funds relating to a auctioneer will endeavour to cater to successful bid by their the requirements of phone bidders but 6. Art+Object is an agent for a nominated agent. cannot wait for a phone bid so your vendor: A+O has the right to conduct prompt participation is requested. the sale of an item on behalf of a vendor. 11. Bids under reserve & highest This may include withdrawing an item subject bids: When the highest bid is D. New Zealand dollars: All estimates from sale for any reason. below the vendor’s reserve this work in this catalogue are in New Zealand may be announced by the auctioneer dollars. The amount to be paid by as sold ‘subject to vendor’s authority’ successful bidders on the payment date or some similar phrase. The effect of is the New Zealand dollar amount stated this announcement is to signify that the on the purchaser invoice. Exchange rate highest bidder will be the purchaser at variations are at the risk of the purchaser. the bid price if the vendor accepts this price. If this highest bid is accepted then the purchaser has entered a contract to purchase the item at the bid price plus any relevant buyers premium.
94 Important Paintings & Contemporary Art 2019
ABSENTEE & PHONE BID FORM
Auction No. 146 Important Paintings and Contemporary Art 26 November 2019 at 6.30pm
This completed and signed form authorises Art+Object to bid on I understand that if successful I will purchase the lot or lots at my behalf at the above mentioned auction for the following lots or below the prices listed on this form and the listed buyers up to prices indicated below. These bids are to be executed at premium for this sale (17.5%) and GST on the buyers premium. the lowest price levels possible. I warrant also that I have read and understood and agree to comply with the conditions of sale as printed in the catalogue.
Lot no. Lot Description Bid maximum in New Zealand dollars (for absentee bids only)
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95 Important Paintings & Contemporary Art 2019
ARTIST INDEX
Aberhart, Laurence 19, 20, 21 Parekowhai, Michael 3, 11, 13, 14 Pearson, Alan 42 Budd, L. 89, 90, 91, 92 Peryer, Peter 1, 24, 84 Bush, Kushana 17 Poppelwell, Martin 80 Pule, John 27 Charteris, Chris 75 Clark, Fiona 2 Ray, Man 10 Cotton, Shane 12 Reynolds, John 104 Culbert, Bill 23 Robinson, Ann 35, 76 Robinson, Peter 28, 29 Driver, Don 39 Ruff, Thomas 54
et al. 87, 88 Scott, Ian 97, 98 Smither, Michael 66, 69 Fahey, Jacqueline 65 Stichbury, Peter 37, 50, 51 Fomison, Tony 103 Stringer, Terry 25 Frank, Dale 53 Fraser, Jacqueline 74 Taylor, Imogen 4 Thornley, Geoff 52 George, Darryn 73, 101 Gossage, Star 95 Upritchard, Francis 43, 44 Green, Ayesha 18 Walsh, John 68, 94 Hammond, Bill 34, 57, 58 Walters, Gordon 33, 46, 47, 48, 49, 62 Hanly, Pat 22 Watkins, Denys 71, 72 Hayman, Patrick 106 Wealleans, Rohan 77, 78 Hipkins, Gavin 85, 86 Woollaston, Toss 70, 105 Hodgkins, Frances 60, 61 Hotere, Ralph 32, 36, 63, 64 van Hout, Ronnie 15, 16
Illingworth, Michael 59
Kaan, Simon 67 Killeen, Richard 45
de Lautour, Tony 79 Lewer, Richard 93, 99, 100
MacDiarmid, Douglas 38 Madden, Peter 30, 31 Maseyk, Paul 81, 82, 83 Maughan, Karl 6, 7, 26, 55, 56 Maw, Liz 8 McCracken, David 40 Millar, Judy 5, 9 Morris, Simon 102 Mrkusich, Milan 41, 96
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26 NOVEMBER
2019