Download PDF Catalogue
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Art's Histories in Aotearoa New Zealand Jonathan Mane Wheoki
Art’s Histories in Aotearoa New Zealand Jonathan Mane Wheoki This is the text of an illustrated paper presented at ‘Art History's History in Australia and New Zealand’, a joint symposium organised by the Australian Institute of Art History in the University of Melbourne and the Australian and New Zealand Association of Art Historians (AAANZ), held on 28 – 29 August 2010. Responding to a set of questions framed around the ‘state of art history in New Zealand’, this paper reviews the ‘invention’ of a nationalist art history and argues that there can be no coherent, integrated history of art in New Zealand that does not encompass the timeframe of the cultural production of New Zealand’s indigenous Māori, or that of the Pacific nations for which the country is a regional hub, or the burgeoning cultural diversity of an emerging Asia-Pacific nation. On 10 July 2010 I participated in a panel discussion ‘on the state of New Zealand art history.’ This timely event had been initiated by Tina Barton, director of the Adam Art Gallery in the University of Victoria, Wellington, who chaired the discussion among the twelve invited panellists. The host university’s department of art history and art gallery and the University of Canterbury’s art history programme were represented, as were the Museum of New Zealand Te Papa Tongarewa, the City Gallery, Wellington, the Govett-Brewster Art Gallery, New Plymouth, the Dunedin Public Art Gallery and the University of Auckland’s National Institute of Creative Arts and Industries. The University of Auckland’s department of art history1 and the University of Otago’s art history programme were unrepresented, unfortunately, but it is likely that key scholars had been targeted and were unable to attend. -
Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna O Waiwhetu 2009
Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna o Waiwhetu 2009 1 BULLETIN EDITOR Bulletin B.156 Autumn DAVID SIMPSON Christchurch Art Gallery March — May Te Puna o Waiwhetu 2009 GALLERY CONTRIBUTORS DIRECTOR: JENNY HARPER CURATORIAL TEAM: KEN HALL, JENNIFER HAY, FELICITY MILBURN, JUSTIN PATON, PETER VANGIONI PUBLIC PROGRAMMES: SARAH AMAZINNIA, LANA COLES PHOTOGRAPHERS: BRENDAN LEE, DAVID WATKINS OTHER CONTRIBUTORS ROBBIE DEANS, MARTIN EDMOND, GARTH GOULD, CHARLES JENCKS, BRIDIE LONIE, RICHARD MCGOWAN, ZINA SWANSON, DAVID TURNER TEL: (+64 3) 941 7300 FAX: (+64 3) 941 7301 EMAIL: [email protected], [email protected] PLEASE SEE THE BACK COVER FOR MORE DETAILS. WE WELCOME YOUR FEEDBACK AND SUGGESTIONS FOR FUTURE ARTICLES. CURRENT SUPPORTERS OF THE GALLERY AALTO COLOUR CHARTWELL TRUST CHRISTCHURCH ART GALLERY TRUST COFFEY PROJECTS CREATIVE NEW ZEALAND ERNST & YOUNG FRIENDS OF CHRISTCHURCH ART GALLERY GABRIELLE TASMAN HOLMES GROUP HOME NEW ZEALAND LUNEYS PHILIP CARTER PYNE GOULD CORPORATION SPECTRUM PRINT STRATEGY DESIGN & ADVERTISING THE PRESS THE WARREN TRUST UNIVERSITY OF CANTERBURY UNIVERSITY OF CANTERBURY FOUNDATION VBASE WARREN AND MAHONEY Visitors to the Gallery in front of Fiona Hall’s The Price is Right, installed as part of the exhibition Fiona Hall: Force Field. DESIGN AND PRODUCTION ART DIRECTOR: GUY PASK Front cover image: Rita Angus EDITORIAL DESIGN: ALEC BATHGATE, A Goddess of Mercy (detail) 1945–7. Oil on canvas. Collection CLAYTON DIXON of Christchurch Art Gallery Te PRODUCTION MANAGER: -
2019 Annual Report
New Zealand Portrait Gallery Te Pūkenga Whakaata Annual Report 2019 1 Chair’s Introduction On behalf of the Trustees and Management Board of the New Zealand Portrait Gallery Te Pūkenga Whakaata, it is my pleasure to present our Annual Report for 2019. Nick Cuthell, Portrait of Dr Alan Bollard. 2012. Collection, Reserve Bank of New Zealand. This is my first report to you as Chair, We are very grateful to all the artists and I am delighted to confirm the and curators for their work in bringing Gallery is in good heart despite the these remarkable exhibitions to the financial challenges we continue to Gallery. face. We are also very grateful to our The year’s exhibition programme has sponsors for their backing of this been a resounding success – from year’s programme. Without them John Walsh’s stunning Portrait of our exhibitions would not have been Ūawa Tolaga Bay with its massive possible. Special thanks must be mural of an East Coast community given to Chris and Kathy Parkin whose to the three innovative and diverse generosity provided a professional exhibitions which followed. The publicist to promote our exhibitions. range of experience represented As a result, visitor numbers are by these exhibitions, as well as running almost 6% ahead of last year. the small exhibitions in the front Our loyal Friends and supporters have gallery, encapsulate our evolving also continued to champion projects understanding of ourselves as New to improve the Gallery’s facilities, and Zealanders, our history and creativity. the Director and her team continue to 2 Cover image: Opening of Being Chinese in Aotearoa exhibition, 20 November 2019. -
Download PDF Catalogue
THE COLLECTION OF DAME JUDITH TE TOMAIRANGI O TE AROHA BINNEY AND AND SEBASTIAN BLACK The Collection of Dame Judith te Tomairangi o Te Aroha Binney and Art+Object 4 June 2015 A+O 93 Sebastian Black The Collection of Dame Judith Te Tomairangi o Te Aroha Binney and Sebastian Black Thursday 4 June 6.30pm Art+Object 3 Abbey Street Newton, Auckland PO Box 68 345 Newton, Auckland 1145 Telephone: +64 9 354 4646 Freephone: 0 800 80 60 01 Facsimile: +64 9 354 4645 [email protected] www.artandobject.co.nz EXHIBITING FJ6A>INA6C9H86E:H WILTON LODGE, FJ::CHIDLC Privately positioned on 3,450 square metres, this substantial 6gXa^cZV`^iX]Zcl^i]i]gZZaVg\Zldg`heVXZh!ZmiZch^kZhidgV\Z north-facing waterfront property overlooks Lake Hayes with GZ[jgW^h]ZYl^i]XdcXgZiZ!hX]^hihidcZ!XZYVgVcYXdeeZg magnificent views to the mountains beyond. Award winning BVhiZgHj^iZl^i]ildheVX^djhlVa`"^cYgZhh^c\gddbh architect John Blair designed this home to achieve maximum :miZgcVa]ZViZYhl^bb^c\edda^hXdbeaZbZciZYWnVÒgZeaVXZ sunshine and lake views from almost every room. Italian marble BZY^Vgddb!\nbcVh^jb!i]gZZhijY^ZhVcY[djgXVg\VgV\^c\ features throughout the spacious and elegant four bedroom home. :miZch^kZbVijgZaVcYhXVe^c\VcYigZZ"a^cZYVXXZhhidaV`Z[gdci luxuryrealestate.co.nz/QT94 434 LOWER SHOTOVER ROAD, FJ::CHIDLC Situated on one of the most sought after land positions in ;djgWZYgddbhZcXdbeVhh^c\hZa["XdciV^cZYbVhiZghj^iZ Queenstown, this 547 square metre Kerry Mason designed 9Zh^\cZg`^iX]Zc!hijYn!ilda^k^c\VgZVh!Y^c^c\gddb!XZaaVg home was built in 2012. -
A Visual Arts and Art History Education Resource for Secondary Teachers, Inspired by Bill Culbert's 2013 Venice Biennale Exhi
ART IN CONTEXT A VISUAL ARTS AND ART HISTORY EDUCATION RESOURCE FOR SECONDARY TEACHERS, INSPIRED BY BILL CULBERT’S 2013 VENICE BIENNALE EXHIBITION, FRONT DOOR OUT BACK Helen Lloyd, Senior Educator Art, Museum of New Zealand Te Papa Tongarewa and Education Programme Manager for Creative New Zealand (2013) © Museum of New Zealand Te Papa Tongarewa and Creative New Zealand, 2013 CONTENTS BaCKGROUND About this resource ............................................................................................. 3 The Venice Biennale ............................................................................................ 4 Venice – the city ................................................................................................... 4 Bill Culbert ............................................................................................................ 5 Front Door Out Back ........................................................................................... 5 Studying art in context ....................................................................................... 6 Curriculum links ................................................................................................... 7 Useful books ........................................................................................................ 7 Useful websites ................................................................................................... 7 RESOURCES Part 1: Front Door Out Back analysis cards Drop ...................................................................................................................... -
Final Funds Needed for Spectacular City Sculpture
News Release 19 June 2014 Page 1 of 12 Final Funds Needed For Spectacular City Sculpture The SCAPE Public Art Trust of Christchurch has launched a funding initiative to meet the final cost of installing a spectacular Neil Dawson sculpture, Fanfare, at the city’s gateway beside the northern motorway by the end of the year. Fanfare will be New Zealand’s largest public artwork, 24 metres high and weighing 25 tonnes, and featuring 360 wind-powered pinwheels able to be lit up on festive occasions. SCAPE Public Art Director, Deborah McCormick, said all but $360,000 of the $3.3 million needed to install the sculpture has already been raised and the latest initiative is intended to cover the final portion. “People and businesses can join our Fan Club and contribute set amounts from $1,000, $3,000 and $5,000, with a range of benefits and privileges, or donate any amount they wish. Supporters will have a share in an iconic sculptural legacy for the city and make a unique contribution to our changing future landscape.” Deborah McCormick said. Fanfare was made by Christchurch sculptor Neil Dawson for the City of Sydney to celebrate New Year in 2005 and was displayed hanging from the city’s harbour bridge. It was later gifted by the City of Sydney to the Christchurch City Council, which partnered with SCAPE Public Art to re-assemble the sculpture and raise funds to pay for its new installation. The sculptor has produced other large-scale sculptures, including Chalice in Cathedral Square, Christchurch, Ferns in Civic Square, Wellington and Feather from Afar in the International Finance Centre, Pudong, Shanghai. -
Te Wheke 01 Art of Protest 02 News, Events & Workshops 02 at The
Issue 19 Exhibitions Ōtautahi www.artbeat.org.nz July 2020 Galleries Christchurch Studios Waitaha Street Art Canterbury Art in Public Places ARTBEAT In this issue: Te Wheke 01 Art of Protest 02 News, Events & Workshops 02 At the Galleries 03 Discover Map 04 Reviews 06 Te Wheke Pathways Across Oceania. Our Public Art Collection but not as we once knew It Polynesia and the Pacific region, and migra- tion and belonging are allocated centre-stage in Te Wheke Pathways Across Oceania, an exhibition that draws from works in the Christ- church Art Gallery Te Puna o Waiwhetū collec- tion. It is exciting and enlightening experience developed by the Gallery’s curators in consul- tation with curator of Cook Islands heritage, Stephanie Oberg. Yet, in many ways Te Wheke Pathways Across Oceania is not entirely unanticipated or without precedent. Since its reopening in December 2015 the Gallery’s perma- ↑ Aotearoa New Zealand, the Christchurch Art but wide knowledge and a different perspec- nent collection has assumed a new-found contemporary. Milburn comments: ‘We really John Pule Not life, rediscovered by its curatorial team who wanted to re-imagine the Gallery’s spaces of This Time Gallery’s had its origins in European works, tive.She helped us to look outside more tradi- seem committed and excited about new and we were also keen to bring in different (Dreamland), particularly British works. The narrative of tional art histories and we found that really ways of thinking about and experiencing perspectives. We were especially conscious 2008. Oil on how those connections shaped our art history valuable.’ canvas. -
University of Otago Magazine 44April 2017
UNIVERSITY OF OTAGO MAGAZINE 44APRIL 2017 INSIDE Alumnus Professor Robert Webster Avian flu, ethics and the future Planning for the ‘Age of Ageing’ Politics and dignity Arts fellowship celebrates 50 years University of Otago Magazine A magazine for alumni and friends of the University of Otago Issue 44 APRIL 2017 ISSN - 1175-8147 Editor Karen Hogg Designer Peter Scott Writers Kevin Clements Kim Connelly Ian Dougherty Laura Hewson Karen Hogg The Amie Richardson Stephen Sowerby Sam Stevens University of Otago Fleur Templeton Kim Thomas Mark Wright Magazine Nigel Zega Photographers Sharron Bennett has its Alan Dove Sheena Haywood Michael Roberts own website Graham Warman Cover Professor Robert Webster Photo: Alan Dove Printing PMP Print Circulation Development and Alumni Relations Office otago.ac.nz/otagomagazine Email [email protected] • To update or change delivery address • To read the Magazine and other alumni communications electronically • To receive just one “household” postal copy of the Magazine Tel 64 3 479 4516 Editorial contact details University of Otago Magazine Marketing and Communications PO Box 56 Dunedin 9054 New Zealand Tel 64 3 479 8679 If you would prefer to read Email [email protected] the magazine online Web otago.ac.nz/otagomagazine and no longer receive a hard copy, Copyright please email You are welcome to reproduce material from the magazine after gaining permission from the editor. All reproduced material must be appropriately acknowledged. [email protected] The University of Otago Magazine is published by the Marketing and Communications Division of the University. The opinions expressed are not necessarily those of the University. -
Tui Motu Interislands Monthly Independent Catholic Magazine March 2015 | $7
Tui Motu InterIslands monthly independent Catholic magazine March 2015 | $7 Thomas Merton 1915–1968 . editorial choosing peace in lent dmittedly I’m new in town who got us thrown out of the "club" effects of trauma on the people and and don’t know everyone, yet by refusing to host nuclear-armed ships their commitment to work for peace . no one I’ve met supports the here . Then we have Helen Clark’s “no” We find metanoia at the heart of Government’sA idea of sending our to our joining the Iraq war in the early our Lenten journey shining through soldiers to the conflict in Iraq . In spite 2000s and Sue Bradford’s halt to hitting Merton’s spirituality, the articles on of the evidence of the Islamic State’s children . None claim perfect solutions nonviolence and coming into bud atrocities, responding to violence with but all put their foot down on vio- in the reflection of our young writer, violence is against our New Zealand lence . Each says there are other, better Susana Suisuiki . She captures the values . With our history of the loss of responses . And while these may be confusion around trying to find her fathers, grandfathers, uncles, sons and uncharted, messy and time-consuming her way . Even though her future is husbands killed, wounded or slogging — they are more life-sustaining . not all worked out, she senses that her through the two world and Vietnam Our March issue offers food for first steps are in the right direction . wars, we have learnt some bottom thought and discussion on these and Cythnia Greensill offers a way lines . -
Mihi Whakatau and Welcome
Mihi Whakatau and Welcome Tāmaki herenga waka Tāmaki whai rawa Tāmaki pai Tāmaki Makaurau Ko ngā kurī purepure o Tāmaki e kore e ngaro i te pō On behalf of the Aotearoa New Zealand Association of Art Educators (ANZAAE) 2014 conference steering committee, it is my privilege to extend a warm welcome to you all. We are excited to be offering Te Aho I Muri Nei – Supporting Innovation as a forum in which we can all share ideas, perspectives and experiences and engage in constructive dialogue to expand our thinking and weave links that connect us to people, knowledge, theory and practice in the Arts. It gives me great pleasure to welcome so many distinguished guests and participants who have come from near and far to take part in our proceedings over the next three days. As a local, I welcome you to our city and hope you all have an opportunity to enjoy some of what Auckland has to offer. I would also like to take this opportunity to acknowledge and thank our host and major sponsor AUT, and in particular, the Art and Design School for partnering this conference. Your support has been a tremendous help in the shaping and success of Te Aho I Muri Nei – Supporting Innovation. We are privileged to share in your state of the art facilities and welcoming generosity. I hope that these next three days not only provides an opportunity to communicate, but also to collaborate - through interesting and fruitful discussions and conversations, fresh ideas and a new impetus for our work. -
B.167 Bulletin Christchurch Art Gallery Te Puna O Waiwhetu Autumn March
bulletin Autumn Christchurch Art Gallery March—May b.167 Te Puna o Waiwhetu 2012 EDITOR THE GALLERY IS CURRENTLY CLOSED TO THE PUBLIC. Bulletin Autumn DAVID SIMPSON HOWEVER, THE GALLERY SHOP IS OPEN AS USUAL. Christchurch Art Gallery March—May Te Puna o Waiwhetu 2012 GALLERY CONTRIBUTORS CHRISTCHURCH ART GALLERY DIRECTOR: JENNY HARPER TE PUNA O WAIWHETU CURATORIAL TEAM: KEN HALL, FELICITY MILBURN, CNR WORCESTER BOULEVARD AND MONTREAL STREET, JUSTIN PATON, PETER VANGIONI PO BOX 2626, CHRISTCHURCH 8140, NEW ZEALAND PUBLIC PROGRAMMES: LANA COLES TEL: (+64 3) 941 7300 PHOTOGRAPHER: JOHN COLLIE FAX: (+64 3) 941 7301 WWW.CHRISTCHURCHARTGALLERY.ORG.NZ OTHER CONTRIBUTORS SALLY BLUNDELL, Katie Thomas, Coralie Winn GALLERY SHOP TEL: (+64 3) 941 7370 EMAIL: [email protected], [email protected] FORM GALLERY TEL: (+64 3) 377 1211; (+64) 21 776708 WE WELCOME YOUR FEEDBACK AND SUGGESTIONS FOR FUTURE ARTICLES. EDUCATION BOOKINGS EMAIL: [email protected] FRIENDS OF CHRISTCHURCH ART GALLERY EMAIL: [email protected] CHRISTCHURCH ART GALLERY TRUST TEL: (+64 3) 353 4352 CURRENT DIRECT SPONSORS OF THE GALLERY CHARTWELL TRUST CHRISTCHURCH ART GALLERY TRUST CREATIVE NEW ZEALAND DUX DE LUX FRIENDS OF CHRISTCHURCH ART GALLERY GABRIELLE TASMAN GIESEN WINES Mitsubishi ELECTRIC NEWSTALK ZB PHILIP CARTER SKY ARTS CHANNEL SPECTRUM PRINT STRATEGY DESIGN & ADVERTISING THE PRESS THE ROYAL NETHERLANDS EMBASSY THE NZ NETHERLANDS FOUNDATION DESIGN & ADVERTISING DESIGN AND PRODUCTION ART DIRECTOR: GUY PASK EDITORIAL DESIGN: Matt Kitto, LEON -
Download PDF Catalogue
COLLECTORS NEW ART ART+OBJECT 151 2020 ART + OBJECT 23.06.20 Front cover: Laurence Aberhart Taranaki, Midhurst, 11 July 1991 Back cover: Ann Verdcourt Untitled – Ladybird Figure Art+Object 3 Abbey Street Newton Auckland PO Box 68345 Wellesley Street Auckland 1141 Tel +64 9 354 4646 Free 0 800 80 60 01 Fax +64 9 354 4645 [email protected] www.artandobject.co.nz instagram: @artandobject facebook: Art+Object youtube: ArtandObject Photography: Sam Hartnett Design: Fount–via Print: Graeme Brazier Welcome to Art+Object’s third post-lockdown auction, an absorbing collection of art and decorative arts. In particular we are proud to offer an excellent collection of New Zealand photography from a private collector together with many other interesting consignments. Since returning to the office in May we have completed two auctions that had been on hold since April. Both of these events were remarkably successful and we would like to warmly thank our vendors who remained patient during the lockdown and all those who supported us at the viewings and attended the auctions, whether on-line at home or in person. It is extremely heartening to see that even in the most tumultuous of times, there is still a desire for art in our lives. During the recent lockdown period, like many I agreed with the slogans that suggested we should send 2020 back to where it came from. If only we could rewind and start again! The effect on businesses and families, the many disappointments of cancelled events and travel, will be felt for some time to come.