Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna O Waiwhetu 2009
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Cultural Identity Portrait Unit
Cultural Identity Portrait Unit Drawing and Painting Level 4*, Year 9 This resource is offered as an example of a unit that engages with the “front end” of The New Zealand Curriculum (2007) – considering Vision, Principles, Values, and Key Competencies, as well as Achievement Objectives. *Teachers are encouraged to use or modify this work in any way they find helpful for their programmes and their students. For example, it may be inappropriate to assess all students at level 4. UNIT: Cultural Identity Portrait CURRICULUM LEVEL: 4 MEDIA: Drawing and Painting YEAR LEVEL: 9 DURATION: Approximately 16 – 18 Periods ASSESSMENT: Tchr & Peer DESCRIPTION OF UNIT Students research and paint a self-portrait that demonstrates an understanding of the Rita Angus work ‘Rutu’. CURRICULUM LINKS VISION: Confident – producing portraits of themselves that acknowledge elements of their cultural identity will help students to become confident in their own identity. Connected – working in pairs and small groups enables students to develop their ability to relate well to others. Producing a portrait which incorporates a range of symbols develops students’ abilities as effective users of communication tools. Lifelong learners – comparing traditional and contemporary approaches to painting portraits helps students to develop critical and creative thinking skills. PRINCIPLES: High Expectations – there are near endless opportunities for students to strive for personal excellence through the production of a self-portrait: students are challenged to make art works that clearly represent themselves both visually and culturally. Cultural diversity – students are introduced to portraits showing a range of cultures. They are required to bring aspects of their own cultural identity to the making of the portrait, and share these with other members of their class. -
Ascent03opt.Pdf
1.1.. :1... l...\0..!ll1¢. TJJILI. VOL 1 NO 3 THE CAXTON PRESS APRIL 1909 ONE DOLLAR FIFTY CENTS Ascent A JOURNAL OF THE ARTS IN NEW ZEALAND The Caxton Press CHRISTCHURCH NEW ZEALAND EDITED BY LEO BENSEM.AN.N AND BARBARA BROOKE 3 w-r‘ 1 Published and printed by the Caxton Press 113 Victoria Street Christchurch New Zealand : April 1969 Ascent. G O N T E N TS PAUL BEADLE: SCULPTOR Gil Docking LOVE PLUS ZEROINO LIMIT Mark Young 15 AFTER THE GALLERY Mark Young 21- THE GROUP SHOW, 1968 THE PERFORMING ARTS IN NEW ZEALAND: AN EXPLOSIVE KIND OF FASHION Mervyn Cull GOVERNMENT AND THE ARTS: THE NEXT TEN YEARS AND BEYOND Fred Turnovsky 34 MUSIC AND THE FUTURE P. Plat: 42 OLIVIA SPENCER BOWER 47 JOHN PANTING 56 MULTIPLE PRINTS RITA ANGUS 61 REVIEWS THE AUCKLAND SCENE Gordon H. Brown THE WELLINGTON SCENE Robyn Ormerod THE CHRISTCHURCH SCENE Peter Young G. T. Mofi'itt THE DUNEDIN SCENE M. G. Hire-hinge NEW ZEALAND ART Charles Breech AUGUSTUS EARLE IN NEW ZEALAND Don and Judith Binney REESE-“£32 REPRODUCTIONS Paul Beadle, 5-14: Ralph Hotere, 15-21: Ian Hutson, 22, 29: W. A. Sutton, 23: G. T. Mofiifi. 23, 29: John Coley, 24: Patrick Hanly, 25, 60: R. Gopas, 26: Richard Killeen, 26: Tom Taylor, 27: Ria Bancroft, 27: Quentin MacFarlane, 28: Olivia Spencer Bower, 29, 46-55: John Panting, 56: Robert Ellis, 57: Don Binney, 58: Gordon Walters, 59: Rita Angus, 61-63: Leo Narby, 65: Graham Brett, 66: John Ritchie, 68: David Armitage. 69: Michael Smither, 70: Robert Ellis, 71: Colin MoCahon, 72: Bronwyn Taylor, 77.: Derek Mitchell, 78: Rodney Newton-Broad, ‘78: Colin Loose, ‘79: Juliet Peter, 81: Ann Verdoourt, 81: James Greig, 82: Martin Beck, 82. -
The Story up to Now Architects, President (2014–16) of the by Bill Mckay
FREE Please take one. Issue One An offering of New Zealand Architecture and Design. — 2016 — 10. 14. 26. The diversity of New Class of ’15: the creative Innovative work by design- Zealand’s architecture and inspiring designs oriented companies is is highlighted in Future that received the highest showcased in the hosting Islands, the country’s architectural honours at space at the venue of the exhibition in the Biennale the 2015 New Zealand New Zealand architecture Architeturra 2016. Architecture Awards. exhibition in Venice. Joyful architecture Children playing on the roof of Amritsar, the Wellington house that was a career-long project of Sir Ian Athfield (1940– 2015), an outstanding figure in New Zealand architecture. More village than residence, Amritsar has captivated visitors for 40 years. One new fan is U.S. critic Alexandra Lange (see page 9). Photograph courtesy Athfield Architects. Our archipelago has been discovered by a succession cultural and spiritual importance around which of voyagers and explorers over the centuries but was dwellings were clustered. one of the last significant land masses to be peopled. As the Māori population increased and society The story Around 800 years ago, in the last thrust of human became more tribalised, strategic hillsides were expansion throughout the Pacific Ocean, expert nav- secured during periods of warfare by large-scale igators sailing sophisticated doubled-hulled vessels earthworks and palisades known as pā. The history landed in the southern reach of Polynesia (‘many of New Zealand architecture is not just one of arrival up to now islands’) and adapted their way of life to a colder, and the adaptation and evolution of building forms more temperate land. -
Christchurch Town Hall, Christchurch, 1965-1972
d o c o m o m o _ _ n n International working party for documentation and conservation New International Selection of buildings, sites and neighbourhoods of the Full Documentation Fiche 2003 modern movement composed by national/regional working party of: NEW ZEALAND 0. Picture of building/ group of buildings/ urban scheme/ landscape/ garden depicted item: Warren & Mahoney, Christchurch Town Hall, Christchurch, 1965-1972. source: V-Base, Venue Management, Christchurch date: unknown d o c o m o m o _ n _ n International working party for ISC/R members update 2003 documentation and conservation of buildings, sites and neighbourhoods of the for office use only modern movement 1. Identity of building/ group of buildings/ landscape/ garden 1.1 Data for identification current name: Christchurch Town Hall former/original/variant name: n/a number(s) and name(s) of street(s): 100 Kilmore Street town: Christchurch province/state: Canterbury post code: 8013 block: lot: Gaz 86/3002 Pt Lot 1 DP9143 Pt Lot 1 country: New Zealand national topographical grid reference: BX 24 current typology: ADM REC former/original/variant typology: n/a comments on typology: A civic building (ADM) for a recreational (REC) purpose (concert auditorium, theatre and associated facilities) 1.2 Status of protection protected by: Christchurch City Council [City Plan listing] grade: 1 date: 1993 valid for: whole building remarks: 1.3 Visually or functionally related building(s)/site(s) name(s) of surrounding area/building(s): Crowne Plaza Hotel (formerly the Parkroyal Hotel) (1988); Christchurch Convention Centre (c.1997) visual relations: Both these buildings are adjacent to the Town Hall and are connected to it physically via first-floor covered walkways; the Convention Centre is north directly across Kilmore Street, the Crowne Plaza Hotel is to the west of the Town Hall. -
Cathedral Working Group Recommendation Report
CATHEDRAL WORKING GROUP RECOMMENDATION REPORT NOVEMBER 2016 Released by the Minister supporting Greater Christchurch Regeneration This document and its contents are confidential and shall not be distributed, published, copied or reproduced without the express written permission of the Minister Supporting Greater Christchurch Regeneration and the Church Property Trustees. VERSION ISSUE DATE REASON FOR ISSUE AUTHOR APPROVED FOR ISSUE 1 28.10.16 Draft for Review Bianca Hurrell, RCP Marcus Read, RCP 2 31.10.16 Draft to include Bianca Hurrell, RCP Marcus Read, RCP comments from Working Group Chair Regeneration 3 01.11.16 Edited and Proofed Anna Komink, Axiom Marcus Read, RCP Final Draft to CWG / Bianca Hurrell, RCP 4 07.11.16 Updates following Bianca Hurrell, RCP / Marcus Read, RCP / CWG meeting Anna Komink, Axiom Geoff Dangerfield, CWG Christchurch 5 21.11.16 Updates as Geoff Dangerfield, Geoff Dangerfield, provided to CWG CWG / Marcus Read, CWG / Marcus Read, for review RCP RCP 6 24.11.16 Final Draft providedGreater Geoff Dangerfield, Marcus Read, RCP / to CWG for review CWG / Marcus Read, Geoff Dangerfield, RCP CWG 7 25.11.16 Final Copy Geoff Dangerfield, Geoff Dangerfield, CWG / Marcus Read, CWG / Marcus Read, RCP RCP supporting Minister the by Released ii CONTENTS 1.0 Executive Summary 1 2.0 Recommendations 7 3.0 Introduction 9 4.0 Background and Context 12 5.0 Values and Requirements of the ChristChurch Cathedral 13 6.0 Heritage and Archaeological Review Regeneration16 7.0 Structural Review 21 8.0 Regeneration of the Square 27 9.0 Delivery -
Exhibitions & Events at Auckland Art Gallery Toi O
Below: Michael Illingworth, Man and woman fi gures with still life and fl owers, 1971, oil on canvas, Auckland Art Gallery Toi o Tāmaki MARITIME MUSEUM FERRY TERMINAL QUAY ST BRITOMART On Show STATION EXHIBITIONS & EVENTS CUSTOMS ST BEACH RD AT AUCKLAND ART GALLERY TOI O TĀMAKI FEBRUARY / MARCH / APRIL 2008 // FREE // www.aucklandartgallery.govt.nz ANZAC AVE SHORTLAND ST HOBSON ST HOBSON ALBERT ST ALBERT QUEEN ST HIGH ST PRINCES ST PRINCES BOWEN AVE VICTORIA ST WEST ST KITCHENER LORNE ST LORNE ALBERT PARK NEW MAIN WELLESLEY ST WEST STANLEY ST GALLERY GALLERY GRAFTON RD WELLESLEY ST AUCKLAND AOTEA R MUSEUM D SQUARE L A R O Y A M Auckland Art Gallery Toi o Tāmaki Discount parking - $4 all day, weekends and PO Box 5449, Auckland 1141 public holidays, Victoria St carpark, cnr Kitchener New Gallery: Cnr Wellesley and Lorne Sts and Victoria Sts. After parking, collect a discount voucher from the gallery Open daily 10am to 5pm except Christmas Day and Easter Friday. Free guided tours 2pm daily For bus, train and ferry info phone MAXX Free entry. Admission charges apply for on (09) 366 6400 or go to www.maxx.co.nz special exhibitions The Link bus makes a central city loop Ph 09 307 7700 Infoline 09 379 1349 www.stagecoach.co.nz/thelink www.aucklandartgallery.govt.nz ARTG-0009-serial Auckland Art Gallery’s main gallery will be closing for development on Friday 29 February. Exhibitions and events will continue at the New Gallery across the road, cnr Wellesley & Lorne sts. On Show Edited by Isabel Haarhaus Designed by Inhouse ISSN 1177-4614 Auckland Art Gallery Toi o Tāmaki relies on From the Chris Saines, the good will and generosity of corporate Gallery Floor Plans partners. -
Download PDF Catalogue
artart & objectobject Important Paintings & Contemporary Art Thursday 26th April 2012 Welcome to ART+OBJECT’s first Important Paintings and Contemporary Art ART+OBJECT catalogue of 2012. In recent months ART+OBJECT clients have enjoyed a 3 Abbey Street run of significant single vendor catalogues from the ground breaking A. T. Newton Pycroft rare book catalogue in November 2011, the Leo Tattersfield collection Auckland of Chinese Jade which was the centrepiece of A+O’s Asian Art catalogue of PO Box 68 345 February, The English Collection of Modern Design on March 1 and latterly Newton the Russell and Shirley Hodgson Collection of Contemporary Art which was Auckland 1145 offered on March 22 of this year. Turn to page 10 to review some of the auction Telephone: +64 9 354 4646 highlights of this cutting edge collection. Freephone: 0 800 80 60 01 Facsimile: +64 9 354 4645 In each case these collections revealed an acute eye and a passion for [email protected] assembling definitive and insightful holdings – in some cases assembled over www.artandobject.co.nz many decades. Collectors have responded to these with great enthusiasm resulting in some of the most successful auction catalogues A+O has ever offered. Another trend has been the emergence of the collecting group. A significant Cover: section of this current catalogue is devoted to the Times Group, a collective John Ward Knox founded in 2002 with a defined lifespan of a decade. On page 8 Ben Plumbly Untitled (4) (detail) examines the Times Group Collection and the group’s approach to building a oil on calico large and diverse collection. -
University of Otago Magazine 44April 2017
UNIVERSITY OF OTAGO MAGAZINE 44APRIL 2017 INSIDE Alumnus Professor Robert Webster Avian flu, ethics and the future Planning for the ‘Age of Ageing’ Politics and dignity Arts fellowship celebrates 50 years University of Otago Magazine A magazine for alumni and friends of the University of Otago Issue 44 APRIL 2017 ISSN - 1175-8147 Editor Karen Hogg Designer Peter Scott Writers Kevin Clements Kim Connelly Ian Dougherty Laura Hewson Karen Hogg The Amie Richardson Stephen Sowerby Sam Stevens University of Otago Fleur Templeton Kim Thomas Mark Wright Magazine Nigel Zega Photographers Sharron Bennett has its Alan Dove Sheena Haywood Michael Roberts own website Graham Warman Cover Professor Robert Webster Photo: Alan Dove Printing PMP Print Circulation Development and Alumni Relations Office otago.ac.nz/otagomagazine Email [email protected] • To update or change delivery address • To read the Magazine and other alumni communications electronically • To receive just one “household” postal copy of the Magazine Tel 64 3 479 4516 Editorial contact details University of Otago Magazine Marketing and Communications PO Box 56 Dunedin 9054 New Zealand Tel 64 3 479 8679 If you would prefer to read Email [email protected] the magazine online Web otago.ac.nz/otagomagazine and no longer receive a hard copy, Copyright please email You are welcome to reproduce material from the magazine after gaining permission from the editor. All reproduced material must be appropriately acknowledged. [email protected] The University of Otago Magazine is published by the Marketing and Communications Division of the University. The opinions expressed are not necessarily those of the University. -
Tui Motu Interislands Monthly Independent Catholic Magazine March 2015 | $7
Tui Motu InterIslands monthly independent Catholic magazine March 2015 | $7 Thomas Merton 1915–1968 . editorial choosing peace in lent dmittedly I’m new in town who got us thrown out of the "club" effects of trauma on the people and and don’t know everyone, yet by refusing to host nuclear-armed ships their commitment to work for peace . no one I’ve met supports the here . Then we have Helen Clark’s “no” We find metanoia at the heart of Government’sA idea of sending our to our joining the Iraq war in the early our Lenten journey shining through soldiers to the conflict in Iraq . In spite 2000s and Sue Bradford’s halt to hitting Merton’s spirituality, the articles on of the evidence of the Islamic State’s children . None claim perfect solutions nonviolence and coming into bud atrocities, responding to violence with but all put their foot down on vio- in the reflection of our young writer, violence is against our New Zealand lence . Each says there are other, better Susana Suisuiki . She captures the values . With our history of the loss of responses . And while these may be confusion around trying to find her fathers, grandfathers, uncles, sons and uncharted, messy and time-consuming her way . Even though her future is husbands killed, wounded or slogging — they are more life-sustaining . not all worked out, she senses that her through the two world and Vietnam Our March issue offers food for first steps are in the right direction . wars, we have learnt some bottom thought and discussion on these and Cythnia Greensill offers a way lines . -
About People
All about people RYMAN HEALTHCARE ANNUAL REPORT 2019 We see it as a privilege to look after older people. RYMAN HEALTHCARE 2 ANNUAL REPORT 2019 04 Chair’s report 12 Chief executive’s report 18 Our directors 20 Our senior executives 23 How we create value over time 35 Enhancing the resident experience 47 Our people are our greatest resource 55 Serving our communities 65 The long-term opportunities are significant 75 We are in a strong financial position 123 We value strong corporate governance 3 RYMAN HEALTHCARE CHAIR’S REPORT We continue to create value 4 ANNUAL REPORT 2019 RYMAN HEALTHCARE CHAIR Dr David Kerr Ryman has been a care company since it started 35 years ago. As we continue to grow, we continue to create value for our residents and their families, our staff, and our shareholders by putting care at the heart of everything we do. We’re a company with a purpose – to look after older people. We know that if we get our care and resident experience right, and have happy staff, the financial results take care of themselves. I believe purpose and profitability are comfortable companions. Integrating the two supports us in creating value over time. This year, we continue to use the Integrated Reporting <IR> Framework* to share the wider story of how we create that value. *For more information on the <IR> Framework, visit integratedreporting.org 5 RYMAN HEALTHCARE “I believe purpose As a company we’re very focused on growth, but we will not compromise our core value of and profitability are putting our residents first. -
Download PDF Catalogue
COLLECTORS NEW ART ART+OBJECT 151 2020 ART + OBJECT 23.06.20 Front cover: Laurence Aberhart Taranaki, Midhurst, 11 July 1991 Back cover: Ann Verdcourt Untitled – Ladybird Figure Art+Object 3 Abbey Street Newton Auckland PO Box 68345 Wellesley Street Auckland 1141 Tel +64 9 354 4646 Free 0 800 80 60 01 Fax +64 9 354 4645 [email protected] www.artandobject.co.nz instagram: @artandobject facebook: Art+Object youtube: ArtandObject Photography: Sam Hartnett Design: Fount–via Print: Graeme Brazier Welcome to Art+Object’s third post-lockdown auction, an absorbing collection of art and decorative arts. In particular we are proud to offer an excellent collection of New Zealand photography from a private collector together with many other interesting consignments. Since returning to the office in May we have completed two auctions that had been on hold since April. Both of these events were remarkably successful and we would like to warmly thank our vendors who remained patient during the lockdown and all those who supported us at the viewings and attended the auctions, whether on-line at home or in person. It is extremely heartening to see that even in the most tumultuous of times, there is still a desire for art in our lives. During the recent lockdown period, like many I agreed with the slogans that suggested we should send 2020 back to where it came from. If only we could rewind and start again! The effect on businesses and families, the many disappointments of cancelled events and travel, will be felt for some time to come. -
13 1 a R T + O B Je C T 20 18
NEW A RT + O B J E C T COLLECTORS ART + OBJECT 131 ART 2018 TWENTIETH CENTURY DESIGN & STUDIO CERAMICS 24 –25 JULY AO1281FA Cat 131 cover.indd 1 10/07/18 3:01 PM 1 THE LES AND AUCTION MILLY PARIS HIGHLIGHTS COLLECTION 28 JUNE PART 2 Part II of the Paris Collection realised a sale The record price for a Tony Fomison was total of $2 000 000 and witnessed high also bettered by nearly $200 000 when clearance rates and close to 100% sales by Ah South Island, Your Music Remembers value, with strength displayed throughout Me made $321 000 hammer ($385 585) the lower, mid and top end of the market. against an estimate of $180 000 – The previous record price for a Philip $250 000. Illustrated above left: Clairmont was more than quadrupled Tony Fomison Ah South Island, Your Music when his magnificent Scarred Couch II Remembers Me was hammered down for $276 000 oil on hessian laid onto board ($331 530) against an estimate of 760 x 1200mm $160 000 – $240 000. A new record price realised for the artist at auction: $385 585 2 Colin McCahon Philip Clairmont A new record price Scarred Couch II realised for the artist North Shore Landscape at auction: oil on canvas, 1954 mixed media 563 x 462mm and collage on $331 530 unstretched jute Milan Mrkusich Price realised: $156 155 1755 x 2270mm Painting No. II (Trees) oil on board, 1959 857 x 596mm Price realised: $90 090 John Tole Gordon Walters Timber Mill near Rotorua Blue Centre oil on board PVA and acrylic on 445 x 535mm Ralph Hotere canvas, 1970 A new record price realised Black Window: Towards Aramoana 458 x 458mm for the artist at auction: acrylic on board in colonial sash Price realised: $73 270 $37 235 window frame 1130 x 915mm Price realised: $168 165 Peter Peryer A new record price realised Jam Rolls, Neenish Tarts, Doughnuts for the artist at auction: gelatin silver print, three parts, 1983 $21 620 255 x 380mm: each print 3 RARE BOOKS, 22 AUG MANUSCRIPTS, George O’Brien Otago Harbour from Waverley DOCUMENTS A large watercolour of Otago Harbour from Waverley.