Christchurch Town Hall, Christchurch, 1965-1972
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Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna O Waiwhetu 2009
Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna o Waiwhetu 2009 1 BULLETIN EDITOR Bulletin B.156 Autumn DAVID SIMPSON Christchurch Art Gallery March — May Te Puna o Waiwhetu 2009 GALLERY CONTRIBUTORS DIRECTOR: JENNY HARPER CURATORIAL TEAM: KEN HALL, JENNIFER HAY, FELICITY MILBURN, JUSTIN PATON, PETER VANGIONI PUBLIC PROGRAMMES: SARAH AMAZINNIA, LANA COLES PHOTOGRAPHERS: BRENDAN LEE, DAVID WATKINS OTHER CONTRIBUTORS ROBBIE DEANS, MARTIN EDMOND, GARTH GOULD, CHARLES JENCKS, BRIDIE LONIE, RICHARD MCGOWAN, ZINA SWANSON, DAVID TURNER TEL: (+64 3) 941 7300 FAX: (+64 3) 941 7301 EMAIL: [email protected], [email protected] PLEASE SEE THE BACK COVER FOR MORE DETAILS. WE WELCOME YOUR FEEDBACK AND SUGGESTIONS FOR FUTURE ARTICLES. CURRENT SUPPORTERS OF THE GALLERY AALTO COLOUR CHARTWELL TRUST CHRISTCHURCH ART GALLERY TRUST COFFEY PROJECTS CREATIVE NEW ZEALAND ERNST & YOUNG FRIENDS OF CHRISTCHURCH ART GALLERY GABRIELLE TASMAN HOLMES GROUP HOME NEW ZEALAND LUNEYS PHILIP CARTER PYNE GOULD CORPORATION SPECTRUM PRINT STRATEGY DESIGN & ADVERTISING THE PRESS THE WARREN TRUST UNIVERSITY OF CANTERBURY UNIVERSITY OF CANTERBURY FOUNDATION VBASE WARREN AND MAHONEY Visitors to the Gallery in front of Fiona Hall’s The Price is Right, installed as part of the exhibition Fiona Hall: Force Field. DESIGN AND PRODUCTION ART DIRECTOR: GUY PASK Front cover image: Rita Angus EDITORIAL DESIGN: ALEC BATHGATE, A Goddess of Mercy (detail) 1945–7. Oil on canvas. Collection CLAYTON DIXON of Christchurch Art Gallery Te PRODUCTION MANAGER: -
The Story up to Now Architects, President (2014–16) of the by Bill Mckay
FREE Please take one. Issue One An offering of New Zealand Architecture and Design. — 2016 — 10. 14. 26. The diversity of New Class of ’15: the creative Innovative work by design- Zealand’s architecture and inspiring designs oriented companies is is highlighted in Future that received the highest showcased in the hosting Islands, the country’s architectural honours at space at the venue of the exhibition in the Biennale the 2015 New Zealand New Zealand architecture Architeturra 2016. Architecture Awards. exhibition in Venice. Joyful architecture Children playing on the roof of Amritsar, the Wellington house that was a career-long project of Sir Ian Athfield (1940– 2015), an outstanding figure in New Zealand architecture. More village than residence, Amritsar has captivated visitors for 40 years. One new fan is U.S. critic Alexandra Lange (see page 9). Photograph courtesy Athfield Architects. Our archipelago has been discovered by a succession cultural and spiritual importance around which of voyagers and explorers over the centuries but was dwellings were clustered. one of the last significant land masses to be peopled. As the Māori population increased and society The story Around 800 years ago, in the last thrust of human became more tribalised, strategic hillsides were expansion throughout the Pacific Ocean, expert nav- secured during periods of warfare by large-scale igators sailing sophisticated doubled-hulled vessels earthworks and palisades known as pā. The history landed in the southern reach of Polynesia (‘many of New Zealand architecture is not just one of arrival up to now islands’) and adapted their way of life to a colder, and the adaptation and evolution of building forms more temperate land. -
Cathedral Working Group Recommendation Report
CATHEDRAL WORKING GROUP RECOMMENDATION REPORT NOVEMBER 2016 Released by the Minister supporting Greater Christchurch Regeneration This document and its contents are confidential and shall not be distributed, published, copied or reproduced without the express written permission of the Minister Supporting Greater Christchurch Regeneration and the Church Property Trustees. VERSION ISSUE DATE REASON FOR ISSUE AUTHOR APPROVED FOR ISSUE 1 28.10.16 Draft for Review Bianca Hurrell, RCP Marcus Read, RCP 2 31.10.16 Draft to include Bianca Hurrell, RCP Marcus Read, RCP comments from Working Group Chair Regeneration 3 01.11.16 Edited and Proofed Anna Komink, Axiom Marcus Read, RCP Final Draft to CWG / Bianca Hurrell, RCP 4 07.11.16 Updates following Bianca Hurrell, RCP / Marcus Read, RCP / CWG meeting Anna Komink, Axiom Geoff Dangerfield, CWG Christchurch 5 21.11.16 Updates as Geoff Dangerfield, Geoff Dangerfield, provided to CWG CWG / Marcus Read, CWG / Marcus Read, for review RCP RCP 6 24.11.16 Final Draft providedGreater Geoff Dangerfield, Marcus Read, RCP / to CWG for review CWG / Marcus Read, Geoff Dangerfield, RCP CWG 7 25.11.16 Final Copy Geoff Dangerfield, Geoff Dangerfield, CWG / Marcus Read, CWG / Marcus Read, RCP RCP supporting Minister the by Released ii CONTENTS 1.0 Executive Summary 1 2.0 Recommendations 7 3.0 Introduction 9 4.0 Background and Context 12 5.0 Values and Requirements of the ChristChurch Cathedral 13 6.0 Heritage and Archaeological Review Regeneration16 7.0 Structural Review 21 8.0 Regeneration of the Square 27 9.0 Delivery -
Our Gathering Place
Our gathering place Proudly managed by ASM Global Nau mai haere mai ki Te Pae Ōtautahi Welcome to Te Pae Christchurch Convention Centre View from Victoria Square – Architectural Render Welcome to Te Pae Christchurch The South Island Christchurch City Located in the middle of the South A vibrant, walkable city centre Island, home to New Zealand’s most showcasing innovation and urban beautiful scenery and experiences. regeneration. River Promenade Location Architectural Collaboration Looking out over the Ōtākaro A beautifully designed building using Avon River promenade, right in natural materials and reflecting the the heart of Christchurch CBD. braided rivers of our landscape. Flexible Spaces Global Expertise Designed to adapt to your event Experienced management by ASM requirements, from international Global – our team are dedicated to conferences to bespoke gatherings. the success of your event. View from Oxford Terrace – Architectural Render OUR STORY Te Pae Christchurch Convention Centre is the city’s gathering place – an architectural and social landmark designed as a welcoming heart in the centre of Christchurch. Opening in 2021, Te Pae Christchurch Convention Centre will become a showcase of the very best of Canterbury and the wider South Island. From rich and authentic food and cultural offerings, to seamless hosting and flawless technology, our focus is on providing our guests with the opportunity to share knowledge, make connections and enjoy a genuine and enriching experience in a world class environment. Te Pae Christchurch at night – Architectural Render Te ūnga, ko Aotearoa Destination New Zealand Introduction Destination New Zealand New Zealand Destination The South Island Getting Here Te Pae Christchurch Venue Spaces Explore Christchurch City of Innovation About Us 5 Lake Gunn, Fiordland NEW ZEALAND Aotearoa New Zealand is a country rich in culture and Aotearoa, the Land of the stunning natural landscapes. -
The Petty Bourgeoisie in Colonial Canterbury; A
THE PETTY BOURGEOISIE IN COLONIAL CANTERBURY; A STUDY OF THE CANTERBURY WORKING MAN'S POLITICAL PROTECTION AND MUTUAL IMPROVEMENT ASSOCIATION (1865-66), AND THE CANTERBURY FREEHOLD LAND SOCIETY (1866-70) A thesis submitted in fulfilment of the requirements for the degree of Master of Arts in History in the University of Canterbury by G. R. Wright University of Canterbury 1998 CONTENTS Abbreviations ............................................................................................ 1 Abstract ................................................................................................... 2 Preface .................................................................................................... 3 1. The Petty Bourgeoisie ............................................................................... 7 2. Occupations ......................................................................................... 35 3. Politics ............................................................................................... 71 4. Land ................................................................................................ 1 08 5. Voluntary Participation ........................................................................... 137 Conel u sions ........................................................................................... 161 Appendices ............................................................................................ 163 References ............................................................................................ -
DISCOVER YOUR CITY THROUGH ARCHITECTURE OPEN CHRISTCHURCH 15-16 MAY 2021 40+ BUILDINGS, 1 WEEKEND 1 Openchch.Nz 2
DISCOVER YOUR CITY THROUGH ARCHITECTURE OPEN CHRISTCHURCH 15-16 MAY 2021 40+ BUILDINGS, 1 WEEKEND CHAMPION SPONSOR PRINCIPAL SPONSORS FUNDERS openchch.nz 0 WITH 46 OPEN BUILDINGS, TWO GUIDED 2 CENTRAL CITY WALKS AND DOZENS OF SPECIAL ACTIVITIES (FROM CHILDREN’S WORKSHOPS TO PERFORMANCES AS WELL AS EXPERT TALKS AND TOURS), OPEN CHRISTCHURCH 2021 IS A CELEBRATION OF OUR ARCHITECTURE. This one-weekend-only festival is – by creating your own itinerary Accessible for everyone in or visiting Ōtautahi you’ll discover your city in a Christchurch over 15 & 16 May. new way. Not Accessible Building owners/kaitiaki will Te Pūtahi thanks all our generous literally open their doors so you Toilets building partners and contributors can experience great design from for welcoming everyone to explore the inside, for free. There are a Parking Provided these special works of architecture. handful of exceptions to this as a We also acknowledge our family of small fee of $4+bf is charged for Ticketed sponsors, funders and supporters access to buildings that require Dr Jessica Halliday for making Open Christchurch 2021 advanced booking. Walk up: turn up on the day Te Pūtahi Director possible. Open Christchurch is a We encourage you to peruse the feast of architecture – we hope you programme carefully and to delve relish the chance to explore and COVID-19: For the latest into openchch.nz to select what enjoy this selection of the city’s information about Covid levels you want to see over the weekend best buildings. please see openchch.nz MESSAGE FROM THE MAYOR more knowledgeable about local architecture and design, engage Open Christchurch is a fantastic in dialogue and make informed festival allowing residents and judgements about our future city’s visitors to explore over 40 environment. -
Future Christchurch Update
Future Christchurch Update e voice of the Canterbury rebuild OCTOBER This is the nal edition of the Future Christchurch Update. Thank you to everyone who has read and supported this publication. Greater Christchurch progress snapshot Pages 12–13 Find out how to keep up-to-date with progress Page 23 The Terraces project, along the Ōtākaro/Avon River in central Christchurch, is connecting people to the river and its wildlife. Future Christchurch Update signs o The time has come for the Future Christchurch Much has changed in the intervening years and it is time Christchurch Update, including a comprehensive Update to sign o , but the story of greater for a new approach that recognises most people today Useful Contacts page (23). Christchurch’s regeneration will continue to be told. use digital channels to stay informed and connected, through their laptops, smartphones and tablets. Christchurch’s regeneration is entering an exciting The Update was created after the earthquakes in a phase and we’re committed to keeping you informed joint e ort between Christchurch City Council and the You will nd more details about where to go for any every step of the way. Government to keep people informed about progress in information in this nal edition of the Future the recovery. Future Christchurch Update October 2016 Future Christchurch Update October 2016 CHRISTCHURCH CITY COUNCIL Gerry Brownlee Minister supporting Greater Christchurch Regeneration Karleen Edwards Inside: Christchurch City Council Chief Executive 4–5 Christchurch City Council 6 Regenerate Traditionally, October heralds through the long-standing partnership the next phase of proposed Major We’ve come a long way since this and our underground pipe network new buildings opening on a regular and o er free expert advice to help Christchurch the beginning of Canterbury’s involving Environment Canterbury, Cycle Routes. -
A Sustainable Rebuilt City Using Geothermal Heat Pumps
A SUSTAINABLE REBUILT CITY USING GEOTHERMAL HEAT PUMPS: THE CHRISTCHURCH STORY Anya Seward1, Brian Carey1, Zeb Etheridge2, Melissa Climo3 and Helen Rutter4 1GNS Science, Private Bag 2000, Taupo 2000 2 Environment Canterbury, PO Box 345, Christchurch 8140 3 University of Canterbury, Private Bag 4800, Christchurch 8140 4 Aqualinc Research Limited, PO Box 20462, Christchurch 8543 [email protected] Keywords: Geothermal heat pumps, Christchurch, aquifer right. Christchurch is particularly suitable as is discussed in heating. this paper. ABSTRACT New Zealand’s climate is generally temperate, experiencing The post-earthquake re-build of Christchurch’s inner city has neither excessive heat nor extreme cold. In the residential allowed large commercial-scale building owners to design home sector this has led to a history of minimal investment and utilise more efficient building energy systems using in home energy systems with the population generally having aquifer based geothermal heat pump (GHP) technology. The lower expectations of indoor comfort than is found in many city is located on a series of confined aquifers, ranging in other nations (Climo et al, 2012). This is a barrier to the depths from 5 m to greater than 200 m. These aquifers uptake and utilisation of GHP technology in this sector contain water that is consistently between 12-13oC providing (Coyle, 2014) where these types of systems are really only a stable consistent source of heat energy. The systems extract being installed in top end residential circumstances. heat from this source and also use it as a sink for cooling. The overall annual energy requirements from a large 2. -
Public Art in Central Christchurch
PUBLIC ART IN CENTRAL CHRISTCHURCH A STUDY BY THE ROBERT MCDOUGALL ART GALLERY 1997 Public Art In Central Christchurch A Study by the Robert McDougall Art Gallery 1997 Compiled by Simone Stephens Preface Christchurch has an acknowledged rich heritage of public art and historically, whilst it may not be able to claim the earliest public monument in New Zealand, it does have the earliest recognised commissioned commemorative sculpture in the form of the Godley statue by Thomas Woolner. This was unveiled in August 1867. Since that date the city has acquired a wide range of public art works that now includes fountains and murals as well as statues and sculpture. In 1983 the Robert McDougall Art Gallery, with the assistance of two researchers on a project employment scheme, undertook to survey and document 103 works of art in public places throughout Christchurch. Unfortunately even though this was completed, time did not permit in-depth research, or funding enable full publication of findings. Early in 1997, Councillor Anna Crighton, requested that the 1983 survey be reviewed and amended where necessary and a publication produced as a document describing public art in the city. From June until December 1997, Simone Stephens carried out new research updating records, as many public art works had either been removed or lost in the intervening fourteen years. As many of the more significant public art works of Christchurch are sited between the four Avenues of the inner city, this has been the focus of the 1997 survey the results of which are summarised within this publication. -
Reconstruction in New Zealand Post 2010-11 Christchurch Earthquakes
ReBuilDD Field Trip February 2012 RECONSTRUCTION IN NEW ZEALAND POST 2010-11 CHRISTCHURCH EARTHQUAKES Stephen Platt Christchurch city centre, February 2012 UNIVERSITY OF ImageCat CAMBRIDGE CAR Published by Cambridge Architectural Research Ltd. CURBE was established in 1997 to create a structure for interdisciplinary collaboration for disaster and risk research and application. Projects link the skills and expertise from distinct disciplines to understand and resolve disaster and risk issues, particularly related to reducing detrimental impacts of disasters. CURBE is based at the Martin Centre within the Department of Architecture at the University of Cambridge. About the research This report is one of a number of outputs from a research project funded by the UK Engineering and Physical Sciences Research Council (EPSRC), entitled Indicators for Measuring, Monitoring and Evaluating Post-Disaster Recovery. The overall aim of the research is to develop indicators of recovery by exploiting the wealth of data now available, including that from satellite imagery, internet-based statistics and advanced field survey techniques. The specific aim of this trip report is to describe the planning process after major disaster with a view to understanding the information needs of planners. Project team The project team has included Michael Ramage, Dr Emily So, Dr Torwong Chenvidyakarn and Daniel Brown, CURBE, University of Cambridge Ltd; Professor Robin Spence, Dr Stephen Platt and Dr Keiko Saito, Cambridge Architectural Research; Dr Beverley Adams and Dr John Bevington, ImageCat. Inc; Dr Ratana Chuenpagdee, University of Newfoundland who led the fieldwork team in Thailand; and Professor Amir Khan, University of Peshawar who led the fieldwork team in Pakistan. -
The Story of Christchurch, New Zealand
THE STORY OF CHRISTCHURCH, N.Z. JOHN ROBERT GODLEY, The Founder of Canterbury. THE STORY OF CHRISTCHURCH NEW ZEALAND. BY HENRY F. WIGRAM. CHRISTCHURCH: PRINTED AND PUBLISHED BY THE LYTTELTON TIMES Co., LTH I91B. 430 PREFACE. The story of the foundation and early growth of Canterbury was first told to me, bit by bit, more than thirty years ago, some of it by men and women who had actually taken part in the founding of the settlement, and shaping its destiny, and some by late-comers, who had followed closely on the heels of the pioneers. There were many people then living who delighted in talking of their strenuous life in the pioneering days, " when all the world was young," and in telling of events which are now passing into silent history. Many of the stories I heard then are still vivid in my memory, little episodes illustrating the daily life of a community which had to do everything for itself survey, settle, stock and till the land, build its own roads, bridges and railways, form its own religious, educa- tional, political and social institutions, and construct its own local government. It is no wonder that coming from the valley of the Thames, where the results of centuries of civilisation had come to be accepted as the natural condition of nineteenth century existence, I found the contrast interesting and inspiring. My wife and I were received with the kindly hospi- tality so typical of the time and country. Amongst our immediate neighbours at Upper Riccarton were many old settlers. Mr. -
Michael Findlay "Peter Beaven: the Return of History to Architecture in the 1960S"
Michael Findlay "Peter Beaven: The Return of History to Architecture in the 1960s" Christchurch architect Peter Beaven's long career has been marked by his opposition to modernist philosophies during which time his practice has been animated by a strong sense of history and place. Beaven's diverse body of work is incorporated into New Zealand modernism as though his strongly expressed beliefs about the role of the architect under modernism were immaterial. Critic Kenneth Frampton's influential chapter on critical regionalism in Modern Architecture: A Critical History sets up a framework for interpreting Beaven's contentious statement that he was never a modernist. This paper specifically explores Beaven's position with relation to the design of the Canterbury Building Society building in High St, Auckland (1967). Kerry Francis "Wrapping the Present (the hard man comes to town): Slight adjustments in Whangarei during the 1960s" In 1964 The New Zealand Refining Company opened the country’s only oil Refinery at the entrance to the Whangarei Harbour. This Refinery placed a provincial town at a pivotal location in the modern New Zealand. During the same decade two Whangarei buildings that had been designed by architect A. P. Morgan received new facades courtesy of a “new” architect M.J. Stiffe. In 1963 the Whangarei Womens’ Club in Rust Avenue received a wrap of red brick and mill finish aluminium windows around the original 1924 weatherboard bungalow and in 1967 the then Head Office for the North Auckland Electric Power Board an asymmetric entry location and a skin of selected mosaic tiles across the original (1950) symmetrical plaster façade.