Inventory of the Barry Cleavin Archive (Archive Number: CAG 56)

Total Page:16

File Type:pdf, Size:1020Kb

Inventory of the Barry Cleavin Archive (Archive Number: CAG 56) Inventory of the Barry Cleavin archive (Archive number: CAG 56) Introduction This archive contains items relating to Barry Cleavin during the period 1963 to 2007. The archive was donated by Barry Cleavin to the Christchurch Art Gallery Te Puna o Waiwhetu. The items in this archive have been grouped according to year and include a reference to the location of the item in the archive. Where an item cannot be identified by date, it is listed under the following headings at the back of the inventory: • Exhibitions • Prints • Photographs • Newspaper clippings • Notes • Letters • Teaching notes and lectures by Barry Cleavin • Other In addition, at Appendix A is a list of exhibitions that Barry Cleavin participated in during the period 1965 to 1982. This list is a copy of a document in the archive. Text placed within inverted commas “…” indicates text taken directly from a document. Text placed within square brackets […] indicates text that has not been taken directly from a document, such as, information that has been deduced from examining associated items, or from other sources for the purpose of clarification. The interpolated information has not been verified to be accurate. This inventory was compiled by Alice Barclay as part of the course requirements for the ARTS 495 Internship Paper for an Honours degree in the Art History at the University of Canterbury, 2016. The inventory was completed on 1 June 2016. Barry Cleavin archive 1 1963 Item Location Photograph of [Barry Cleavin?] and fellow [students?] at the Box 1, clippings [University of Canterbury School of Fine Arts?]. Handwritten “1963”. book 1, page 3. Photograph of [Barry Cleavin?] and fellow [students?] at the Box 1, clippings [University of Canterbury School of Fine Arts?]. Handwritten “1963”. book 1, page 3. Barry Cleavin archive 2 1964 Item Location Newspaper clipping of a photograph of “Barry Cleavin and Dick Frizzell” Box 1, painting murals for the “Fine Arts Ball” at the “Durham Street Art Gallery”. clippings Handwritten “1964”. Source unknown. book 1, page 5. Original photograph of above item of Barry Cleavin, Dick Frizzell and one Box 1, other painting murals for the Fine Arts Ball at the Durham Street Art Gallery. clippings [1964?]. book 1, page 5. Invitation from the “Art Committee of Writer’s” to the “official opening of an Box 1, exhibition of International Graphic Art at St. Patrick’s Hall, Listowel on clippings Wednesday May 31st. at 8.00pm”. [1964?]. book 1, page 7. Newspaper clipping of a photograph of “Works by Sketch Club members of Box 1, the Canterbury University School of Fine Arts on display at the riverside clippings exhibition…”. [1964?]. Source unknown. book 1, page 7. Newspaper clipping “Three Approaches to Painting” regarding “three Arts Box 1, Festival exhibitions which opened in the city [Christchurch] yesterday”. One clippings of these exhibitions is the “School of Fine Arts riverside exhibition”. Specific book 1, page reference to “W. Thornton”, “Jas. Cleverly”, “Woollaston”, “William Jones”, 7. “Ria Bancroft”, “Nolan”, “Drysdale”, “Dobell”, “Picasso”, “Judi Cheesman”, “Roualt”, “Tom Kreisler”, “Hutson” and “Philip Trusttum”. [1964?]. Source unknown. Barry Cleavin archive 3 1965 Item Location Photograph of [Barry Cleavin?] and two unknown [artists?]. “1965” Box 1, handwritten. clippings book 1, page 9. Newspaper clipping of an advertisement of the “University of Canterbury, Box 1, School of Fine Arts exhibition at the Durham Street Gallery June 17-24 1965, clippings book today 10-5”, including a photograph of [Barry Cleavin?] and two unknown 1, page 9. [artists?]. Source unknown. Photograph of [Barry Cleavin?]. Handwritten note “Life Painting” to the Box 1, right of the photograph. [1965?] clippings book 1, page 9. Photograph of [Barry Cleavin?]. Handwritten note “Life Painting” above the Box 1, photograph. [1965?] clippings book 1, page 9. Photograph of a drawing by [Barry Cleavin?]. Handwritten note “Mischka Box 1, the Mouse and the Hungry Bear.” [1965?]. clippings book 1, page 11. Photograph of a drawing. Handwritten note “Screaming Soul. (Max Muir).” Box 1, [1965?]. clippings book 1, page 11. Photograph of a painting dated “Nov 65”. Handwritten note “Canterbury Box 1, Landscape through a window.”. Artist unknown. clippings book 1, page 12. Photograph of a painting dated “Nov 65”. Handwritten note “Infinity II.”. Box 1, Artist unknown. clippings book 1, page 13. Photograph of a painting dated “Nov 65”. Handwritten note “A memory of Box 1, Prince.”. Artist unknown. clippings book 1, page 13. Photograph of a painting dated “Nov 65”. Handwritten note “Canterbury Box 1, Landscape.” Artist unknown. clippings book 1, page 13. Photograph “(a)” of an untitled [purple-grey] painting dated “Nov 65”. Box 1, Artist unknown. clippings book 1, page 15. Photograph “(b)” of an untitled [blue-green-yellow] painting dated “Nov Box 1, 65”. Artist unknown. clippings book 1, page 15. Photograph “(c)” of an untitled [blue-green] painting dated “Nov 65”. Artist Box 1, unknown. clippings book 1, page 15. Photograph “(d)” of an untitled [yellow] painting dated “Nov 65”. Artist Box 1, unknown. clippings book 1, page 15. Photograph “(e)” of an untitled [brown] painting dated “Nov 65”. Artist Box 1, unknown. clippings book 1, page 17. Photograph “(f)” of an untitled nude painting dated “Nov 65”. Artist Box 1, unknown. clippings book 1, page 17. Barry Cleavin archive 4 Copy of examination paper “No. 713A, University Of Canterbury, Box 1, Examination For Diploma In Fine Arts, 1965, History Of Painting, Italian, clippings book Venetian, French Painting And The Modern Movement.” 1, page 19. Newspaper clipping “Fine Arts Results.” Refers to “fine arts examination Box 1, results” and “successful candidates”, including “Cleavin, B.V., 714”. Source clippings book unknown. [1965?]. 1, page 19. Copy of examination paper “No. 713B, University of Canterbury, Box 1, Examination for Diploma in Fine Arts, 1965, Third Professional Examination clippings book (Painting), Methods and Theory of Painting.” Handwritten notes regarding 1, page 19. one of the questions on the examination paper. Copy of examination paper “No. 330, University of Canterbury, Examination Box 1, for Diploma in Fine Arts, 1965, History and Theory of Art”. The examination clippings book paper includes a number of handwritten notes in relation to the questions. 1, page 19. Newspaper clipping “Fine Arts” regarding “Diploma in Fine Arts” Box 1, examination results. Specific reference to “First Professional Examination” clippings book and “Cleavin, B.V…”. Source unknown. [1965?]. 1, page 19. Newspaper clipping “Diploma in Fine Arts” regarding “professional Box 1, examination” results. Specific reference to “Second Professional clippings book Examination” and “B.V. Cleavin…”. Source unknown. [1965?]. 1, page 19. Newspaper clipping “Fine Arts Results” regarding “fine arts examination Box 1, results”. Specific reference to “successful candidates are…Cleavin, B.V.…”. clippings book Source unknown. [1965?]. 1, page 19. Exhibition catalogue for the “Canterbury Society of Arts Spring Exhibition Box 1, for Associate Working Members, 10 – 24 September 1965.” “189” works clippings book exhibited. Specific reference to “186 Barry Cleavin, Infinity, PVA, 40 Gns”. 1, page 21. “Invitation to the opening by MR G C C Sandston MBE at 8pm Friday 10 Box 1, September, Canterbury Society of Arts, Spring exhibition, Associate working clippings book members, 10 – 24 September 1965”. 1, page 21. Barry Cleavin archive 5 1966 Item Location Exhibition catalogue “Downstage Theatre Gallery. May 9, 1966. Three Young Box 1, Christchurch Artists.” The catalogue lists the works on display by “John clippings book Parker”, “Barry Cleavin” and “Tom Kreisler”, including the title of the work, 1, page 23. price of each work available for sale and a brief “notes” on each artist. Handwritten note “1966” at the top of the page. Programme for “The Knack” a “play” at the “Downstage in association with Box 1, The New Zealand Theatre Centre by Ann Jellicoe.” Specific reference to clippings book “Exhibition of paintings by Tom Kreisler, John Parker and Barry Cleavin of 1, page 23. the Ilam School of Art, University of Canterbury.” [1966?]. Copy of “SWAB, October, 1966, 1/9” magazine including an article “Get It Box 1, Up Them Stairs? Not Me” regarding “Wellington Centre Gallery Exhibition clippings book of paintings by Cleavin, Tippet, Williams, and Parker, opened on Monday, 1, page 25. September 12.”. Newspaper clipping “Random Reminder, More Haste” regarding four Box 1, young men making a trip from “Picton” to “Wellington”. Source unknown. clippings book [1966?]. 1, page 25. Exhibition catalogue front page of “20/20 Vision, Durham St. June 11 – 26”. Box 1, [1966?]. clippings book 1, page 27. Newspaper clipping “Exhibition Shows World Problems” on the “20-20 Box 1, Vision” exhibition at the “Canterbury Society of Arts Gallery….”. Specific clippings book reference to “E.N. Bracey”, “Michael Eaton”, “Trevor Moffitt”, “Don 1, page 27. Peebles”, “David Graham”, “Barry Cleavin”, “Michael Kitson”, and [Pat?] “Hanley”. Source unknown. [1966?]. Newspaper clipping “First Exhibit an Empty Room” regarding the “opening Box 1, of the 20/20 Vision art exhibition at the Durham Street Art Gallery…”. clippings book Source unknown. [1966?]. 1, page 27. Newspaper clipping “Viewers Involved in 20-20 Art Show” regarding the Box 1, “20-20 Vision” exhibition, the “…Hay’s Prize…”, and the “…Pan Pacific Arts clippings book Festival…”. Source unknown. [1966?]. 1, page 27. Exhibition catalogue for “20/20 Vision Durham St. June 11 – 26” including a Box 1, list of the exhibiting artists, titles of the works on display, price of each work clippings book available for sale and brief notes on each artist. Exhibiting artists: “Maurice 1, page 29. Askew”, “E.N. Bracey”, “Barry Cleavin”, “John Coley”, “John Drawbridge”, “Michael Eaton”, “Richard Frizzell”, “David Graham”, “David Graves”, “Patrick Hanley”, “Michael Kitson”, “Tom Kreisler”, “Quentin Macfarlane”, “Don Peebles”, “Peter Smith”, “Murray Reece”, “Tom Taylor” and “Patrick Williams”. Photograph of [Barry Cleavin?] standing in front of two works of art.
Recommended publications
  • NZSA Bulletin of New Zealand Studies
    NZSA Bulletin of New Zealand Studies Issue Number 2 Edited by Ian Conrich ISSN 1758-8626 Published 2010 by Kakapo Books 15 Garrett Grove, Clifton Village, Nottingham NG11 8PU © 2010 Kakapo Books © 2010 for the poetry, which remains with the authors. No part of this publication may be reprinted or reproduced in any form or by any means, electronic, recording or otherwise, or stored in an information retrieval system without written permission from the publisher. Editor: Ian Conrich Assistant Editor: Tory Straker Typesetter: Opuscule Advisory Board: Dominic Alessio (Richmond The American International University) Clare Barker (University of Birmingham) Kezia Barker (Birkbeck, University of London) Claudia Bell (University of Auckland, New Zealand) Judy Bennett (University of Otago, New Zealand) Roger Collins ( Dunedin, New Zealand) Sean Cubitt (University of Melbourne, Australia) Peter Gathercole (Darwin College, University of Cambridge) Nelly Gillet (University of Technology of Angoulême, France) Manying Ip (University of Auckland, New Zealand) Michelle Keown (University of Edinburgh) Yvonne Kozlovsky-Golan (Sapir Academic College, Israel) Geoff Lealand (University of Waikato, New Zealand) Martin Lodge (University of Waikato, New Zealand) Bill Manhire (Victoria University of Wellington, New Zealand) Rachael Morgan (Edinburgh) Michaela Moura-Koçuglu (Goethe University, Frankfurt, Germany) David Newman (Simon Fraser University, Canada) Claudia Orange (Te Papa Tongarewa Museum of New Zealand) Vincent O’Sullivan (Victoria University of Wellington,
    [Show full text]
  • Beyond the Lens the Marti & Gerrard Friedlander Collection
    BEYOND THE LENS THE MARTI & GERRARD FRIEDLANDER COLLECTION Marti Friedlander’s contribution to the development of contemporary New Zealand art has been quite simply outstanding and it is with great honour that we bring you this catalogue, Beyond the Lens - The Marti and Gerrard Friedlander Collection. Celebrated and respected for her photography, but also for her generosity, in later life Marti became known to many of us through the causes that she and Gerrard supported with great passion. Breast cancer, issues of Māoridom and helping young people – all these were causes close to their hearts. Marti was an unforgettable character to those that knew her. Curious and direct, with a distinctive gravelly voice and an accent that gave away her Northern Hemisphere start in life. I was most interested to read Kathlene Fogarty’s account of Driving with Marti, mainly as I had previously assumed that Marti didn’t drive. Having lived and worked in Parnell for years, she was a most familiar figure to locals; striding purposefully up Brighton Road and determinedly around the village, frequently pausing to chat and always stopping for coffee. Known for her strong personality and love of people, Marti’s curiosity for the strange new land she came to with husband Gerrard in 1958 was borne out in the photographs she took. Over the next fifty years she famously photographed not only the landscape but it’s people – both the ordinary and the extraordinary - in a time well before the notion of celebrity existed. Her visual record of our country in a time of change and maturation is invaluable.
    [Show full text]
  • Canterbury Society of Arts Autumn Exhibition
    -But i Canterbury Society of Arts Autumn Exhibition 12th April - t6th May 19 61 The Canterbury Society of Arts [Inc] 81st Annual Exhibition of New Zealand Art Opened by Prof. Vernon Griffiths, Dean of the Faculty of Music and Fine Arts on Wednesday, April 12th 1961. PATRON HIS EXCELLENCY THE GOVERNOR-GENERAL THE Rt. HONOURABLE VISCOUNT COBHAM, G.C.M.G. PRESIDENT G. T. C. SANDSTON, M.B.E., LL.M. VICE-PRESIDENTS H. G. HELMORE, M.B.E., FRANK GROSS ERIC J. DOUDNEY, F.R.B.S. PAUL PASCOE A.R.I.B.A. RONA FLEMING. COUNCIL IVY G. FIFE, D.F.A. (N.z.) STEWART MINSON, A.R.I.B.A. JOHN OAKLEY, DIP. F.A. DORlS LUSK F. MILES WARREN, A.R.I.B.A., DIP. ARCH. OLIVIA SPENCER BOWER QUENTIN MACFARLANE, DIP. F.A. (HONS.) PROF. H. J. SIMPSON HON. TREASURER D. B. WILKJE SECRETARY-TREASURER ANDRE BROOKE HON. AUDITOR B. F. BICKNELL, F.P.A.N.Z., F.I.A.N.Z. HON. SOLICITORS Messrs. WILDING, PERRY & ACLAND FOREWORD a The Annual Autumn Exhibition this year has attracted a greater number of exhibitors, with a wider variety of work than in recent years. You will find that many of the paintings re­ present the more contemporary conception of art. We are anxious to introduce you to the work of these young New Zealand artists, and while you may perhaps find some of them difficult to follow, we think you will find many of them exciting, colourful, and vigorous. During the last hundred years, the great French painters Cezanne, Gauguin, Renoir, and later the English painters and sculptors Sutherland, Nash, and Henry Moore, to mention a few, have broken away from the traditional methods of ex­ pression, and the work of artists has become more individual.
    [Show full text]
  • Newsletter – 20 April 2012 ISSN: 1178-9441
    INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions .........................................................
    [Show full text]
  • Download PDF Catalogue
    THE COLLECTION OF DAME JUDITH TE TOMAIRANGI O TE AROHA BINNEY AND AND SEBASTIAN BLACK The Collection of Dame Judith te Tomairangi o Te Aroha Binney and Art+Object 4 June 2015 A+O 93 Sebastian Black The Collection of Dame Judith Te Tomairangi o Te Aroha Binney and Sebastian Black Thursday 4 June 6.30pm Art+Object 3 Abbey Street Newton, Auckland PO Box 68 345 Newton, Auckland 1145 Telephone: +64 9 354 4646 Freephone: 0 800 80 60 01 Facsimile: +64 9 354 4645 [email protected] www.artandobject.co.nz EXHIBITING FJ6A>INA6C9H86E:H WILTON LODGE, FJ::CHIDLC Privately positioned on 3,450 square metres, this substantial 6gXa^cZV`^iX]Zcl^i]i]gZZaVg\Zldg`heVXZh!ZmiZch^kZhidgV\Z north-facing waterfront property overlooks Lake Hayes with GZ[jgW^h]ZYl^i]XdcXgZiZ!hX]^hihidcZ!XZYVgVcYXdeeZg magnificent views to the mountains beyond. Award winning BVhiZgHj^iZl^i]ildheVX^djhlVa`"^cYgZhh^c\gddbh architect John Blair designed this home to achieve maximum :miZgcVa]ZViZYhl^bb^c\edda^hXdbeaZbZciZYWnVÒgZeaVXZ sunshine and lake views from almost every room. Italian marble BZY^Vgddb!\nbcVh^jb!i]gZZhijY^ZhVcY[djgXVg\VgV\^c\ features throughout the spacious and elegant four bedroom home. :miZch^kZbVijgZaVcYhXVe^c\VcYigZZ"a^cZYVXXZhhidaV`Z[gdci luxuryrealestate.co.nz/QT94 434 LOWER SHOTOVER ROAD, FJ::CHIDLC Situated on one of the most sought after land positions in ;djgWZYgddbhZcXdbeVhh^c\hZa["XdciV^cZYbVhiZghj^iZ Queenstown, this 547 square metre Kerry Mason designed 9Zh^\cZg`^iX]Zc!hijYn!ilda^k^c\VgZVh!Y^c^c\gddb!XZaaVg home was built in 2012.
    [Show full text]
  • Fiona Hall Medicine Bundle for the Non-Born Child (Detail) 1994
    Bulletin Summer Christchurch Art Gallery December 2008 — B.155 Te Puna o Waiwhetu February 2009 1 Bulletin B.155 Summer Christchurch Art Gallery December 2008 — Te Puna o Waiwhetu February 2009 Two cyclists use the custom-designed bikes that form Anne Veronica Janssens's Les Australoïdes installation in the Gallery foyer. Front and back cover images: Fiona Hall Medicine bundle for the non-born child (detail) 1994. Aluminium, rubber, plastic layette comprising matinee jacket. Collection of Queensland Art Gallery, purchased 2000. Queensland Art Gallery Foundation Grant. Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney 2 3 Contents B.155 4 DIRECTOR'S FOREWORD A few words from director Jenny Harper 5 EXHIBITIONS PROGRAMME What's on at the Gallery this season 6 FIONA HALL: FORCE FIELD Paula Savage on one of Australia's finest contemporary artists 15 LOOKING INTO FORCE FIELD Two personal responses 16 SHOWCASE Recent gifts to the Gallery's collection 18 WUNDERBOX A collection of collections from the collection 26 THE ART OF COLLECTING Four artists show us their personal collections 30 LET IT BE NOW Six emerging Canterbury artists 34 WHITE ON WHITE Exploring the myriad possibilities of white 42 OUTER SPACES Richard Killeen takes his art out to the street 44 LONG WIRES IN DARK An interview with MUSEUMS Alastair Galbraith 46 ARE YOU TALKING TO ME? Jim and Mary Barr on collecting 47 PAGEWORK #1 Eddie Clemens 50 TE HURINGA / Pākehā colonisation TURNING POINTS and Māori empowerment 56 SCAPE 2008 Looking back at some of the Gallery projects 58 MY FAVOURITE Film-maker Gaylene Preston makes her choice 60 TIME-LAPSE Installing United We Fall 62 NOTEWORTHY News bites from around the Gallery 64 STAFF PROFILE Martin Young 64 COMING SOON Previewing Rita Angus: Life & Vision and Miles: a life in architecture Please note: The opinions put forward in this magazine are not necessarily those of Christchurch Art Gallery Te Puna o Waiwhetu.
    [Show full text]
  • Art History Theses (Updated November 2015)
    Art History Theses (updated November 2015) These theses are held in the Department Library. MA and PhD theses are also held in the main University Library, and many are available in PDF format online from (http://otago.ourarchive.ac.nz/). Many BA(Hons) and PGDip disserations are also held in the Hocken Collections. For more information, please contact [email protected]. Art History Theses Allen, Elise. "The Paradox of the Picture Plane." BA(Hons), 2008. Armistead, Michelle. "Nothing to Latch Onto: The Black Paintings of Ralph Hotere, 1968-69." BA(Hons), 2005. Atkinson, Claire. "The Fashionable Artist and the Artist as Fashion: The Structuring of Fashion and the Feminine in the Female Sculptural Groups of Marisol Escobar." PGDip Arts, 2004. Bagnall, Lorna Alice. "Contemporary Flesh: Transgressing Boundaries in the Bodies of Jenny Saville." BA(Hons), 2013. Ballard, Susan. "Reading the leaves: an approach to some artists' books." PGDip, 1996. Ballard, Susan. "Feminist and postmodernist intersections with New Zealand photography: a study of four artists." PGDip, 1996. Barr, Adrian. "Kazimir Malevich: A Creative Relationship of Word and Image." MA, 2001. Barry, Briar. "Journeys in Imagery: The Art and Illustration of Gavin Bishop." BA(Hons), 2009. Bath, David. "Conflicting Tensions: Eight Works of Elizabeth rees." BA(Hons), 1998. Baxendall, Lydia. "Nigel Brown and NZ National Identity." MA, 2011. Bell, David. "Art in Education: A survey exhibition to celebrate one hundred and twent-five years of art at the Duendin College of Education." PGDip, 1999. Bell, David. "Explaining Ukiyo-E." PhD, 2002. Bell, David. "Kanadehon Chushingura: Representations of Kanadehon Chushingura In Ukiyo-e." PGDip, 1998.
    [Show full text]
  • Milestones in NZ Sexual Health Compiled by Margaret Sparrow
    MILESTONES IN NEW ZEALAND SEXUAL HEALTH by Dr Margaret Sparrow For The Australasian Sexual Health Conference Christchurch, New Zealand, June 2003 To celebrate The 25th Annual General Meeting of the New Zealand Venereological Society And The 25 years since the inaugural meeting of the Society in Wellington on 4 December 1978 And The 15th anniversary of the incorporation of the Australasian College of Sexual Health Physicians on 23 February 1988 TABLE OF CONTENTS Pg Acknowledgments 3 Foreword 4 Glossary of abbreviations 5 Chapter 1 Chronological Synopsis of World Events 7 Chapter 2 New Zealand: Milestones from 1914 to the Present 11 Chapter 3 Dr Bill Platts MBE (1909-2001) 25 Chapter 4 The New Zealand Venereological Society 28 Chapter 5 The Australasian College 45 Chapter 6 International Links 53 Chapter 7 Health Education and Health Promotion 57 Chapter 8 AIDS: Milestones Reflected in the Media 63 Postscript 69 References 70 2 ACKNOWLEDGMENTS Dr Ross Philpot has always been a role model in demonstrating through his own publications the importance of historical records. Dr Janet Say was as knowledgeable, helpful and encouraging as ever. I drew especially on her international experience to help with the chapter on our international links. Dr Heather Lyttle, now in Perth, greatly enhanced the chapter on Dr Bill Platts with her personal reminiscences. Dr Gordon Scrimgeour read the chapter on the NZVS and remembered some things I had forgotten. I am grateful to John Boyd who some years ago found a copy of “The Shadow over New Zealand” in a second hand bookstore in Wellington. Dr Craig Young kindly read the first three chapters and made useful suggestions.
    [Show full text]
  • Hearing Ourselves: Globalisation, the State, Local Content and New Zealand Radio
    HEARING OURSELVES: GLOBALISATION, THE STATE, LOCAL CONTENT AND NEW ZEALAND RADIO A thesis submitted in fulfilment of the requirements for the degree of Master of Arts in Sociology at the University of Canterbury by Zita Joyce University of Canterbury 2002 ii Abstract _____________________________________________________________________ Local music content on New Zealand radio has increased markedly in the years between 1997, when content monitoring began, and January 2002. Several factors have contributed to this increase, including a shift in approach from musicians themselves, and the influence of a new generation of commercial radio programmers. At the heart of the process, however, are the actions of the New Zealand State in the field of cultural production. The deregulation of the broadcasting industry in 1988 contributed to an apparent decline in local music content on radio. However, since 1997 the State has attempted to encourage development of a more active New Zealand culture industry, including popular music. Strategies directed at encouraging cultural production in New Zealand have positioned popular music as a significant factor in the development and strengthening of ‘national’ or ‘cultural’ identity in resistance to the cultural pressures of globalisation. This thesis focuses on the issue of airtime for New Zealand popular music on commercial radio, and examines the relationship between popular music and national identity. The access of New Zealand popular music to airtime on commercial radio is explored through analysis of airplay rates and other music industry data, and a small number of in-depth interviews with radio programmers and other people active in the industry. A considerable amount of control over the kinds of music supported and produced in New Zealand lies with commercial radio programmers.
    [Show full text]
  • Publication.Pdf
    1 NEWTON I, 1960–64 In 1960 McCahon and his family moved from Titirangi to the inner- city suburb of Newton, in those days a predominantly working-class and Polynesian neighbourhood. The award of the first Hay’s Art Prize to McCahon for Painting (1958), a radical abstract, caused a furore in newspapers and much unwelcome negative publicity for the artist. After a year of little painting, he embarked on the Gate series (including Here I give thanks to Mondrian, p. 10), an important new series of geometrical abstractions, exhibited at The Gallery (Symonds Street, Auckland) in 1961; a further extension of the series was the sixteen-panel The Second Gate Series (1962, pp. 51–53), a collaboration with John Caselberg (who supplied the Old Testament texts) which addressed the threat of nuclear annihilation; it was exhibited in Christchurch with other work in 1962. Lack of critical enthusiasm for this abstract/text work led McCahon to reconsider his direction, resulting in a ‘return’ (his word) to landscape painting in a large open Northland series (1962, p. 33, 59) and Landscape theme and variations (1963, pp. 60–61), two eight- panel series, exhibited at The Gallery simultaneously with a joint Woollaston/McCahon retrospective at Auckland City Art Gallery. In 1964, after twelve years at Auckland City Art Gallery, McCahon resigned to join the staff of Auckland University’s Elam School of Fine Arts, where he taught from 1964 to 1971. His first exhibition after joining Elam, Small Landscapes and Waterfalls (Ikon Fine Arts, 1964), proved to be both aesthetically and commercially successful.
    [Show full text]
  • 13 1 a R T + O B Je C T 20 18
    NEW A RT + O B J E C T COLLECTORS ART + OBJECT 131 ART 2018 TWENTIETH CENTURY DESIGN & STUDIO CERAMICS 24 –25 JULY AO1281FA Cat 131 cover.indd 1 10/07/18 3:01 PM 1 THE LES AND AUCTION MILLY PARIS HIGHLIGHTS COLLECTION 28 JUNE PART 2 Part II of the Paris Collection realised a sale The record price for a Tony Fomison was total of $2 000 000 and witnessed high also bettered by nearly $200 000 when clearance rates and close to 100% sales by Ah South Island, Your Music Remembers value, with strength displayed throughout Me made $321 000 hammer ($385 585) the lower, mid and top end of the market. against an estimate of $180 000 – The previous record price for a Philip $250 000. Illustrated above left: Clairmont was more than quadrupled Tony Fomison Ah South Island, Your Music when his magnificent Scarred Couch II Remembers Me was hammered down for $276 000 oil on hessian laid onto board ($331 530) against an estimate of 760 x 1200mm $160 000 – $240 000. A new record price realised for the artist at auction: $385 585 2 Colin McCahon Philip Clairmont A new record price Scarred Couch II realised for the artist North Shore Landscape at auction: oil on canvas, 1954 mixed media 563 x 462mm and collage on $331 530 unstretched jute Milan Mrkusich Price realised: $156 155 1755 x 2270mm Painting No. II (Trees) oil on board, 1959 857 x 596mm Price realised: $90 090 John Tole Gordon Walters Timber Mill near Rotorua Blue Centre oil on board PVA and acrylic on 445 x 535mm Ralph Hotere canvas, 1970 A new record price realised Black Window: Towards Aramoana 458 x 458mm for the artist at auction: acrylic on board in colonial sash Price realised: $73 270 $37 235 window frame 1130 x 915mm Price realised: $168 165 Peter Peryer A new record price realised Jam Rolls, Neenish Tarts, Doughnuts for the artist at auction: gelatin silver print, three parts, 1983 $21 620 255 x 380mm: each print 3 RARE BOOKS, 22 AUG MANUSCRIPTS, George O’Brien Otago Harbour from Waverley DOCUMENTS A large watercolour of Otago Harbour from Waverley.
    [Show full text]
  • Report of Ministerial Committee of Inquiry Into Violence
    If you have issues viewing or accessing this file contact us at NCJRS.gov. CIC~r S~:2. -9Y i;, ~: Report of Ministerial Committee of Inquiry into Violence 108665 U.S. Department of Justice National Institute of Justice This documenl has been reproduced exactly as received from the person or organization originating it. Points 01 view or opinions stated In this document are those of the authors and do not necessarily represent the official posilion or pOlicies 01 the National Institute of Justice. Permission to reproduce this copyrightetl material has been granted by Department of Justice, Wellington, New Zealand .. to the National Criminal Justice Reference Service (NCJRS). Further reproduction outside of the NCJRS system requires permis· sian of the copyright owner. Presented to the Minister of Justice March 1987 iOReport of Ministerial Committee of Inquiry in~o Violence "'---, Presented to the Minister of Justice March 1987 COMMITTEE OF INQUIRY INTO VIOLENCE Chairman Sir Clinton Roper of Christchurch, Retired Judge of the High Court Members Mr M. R. D. Guest of Dunedin, Barrister and Solicitor and Dunedin City Councillor since 1977. Mrs A. Tia Q.S.M., J.P. of Auckland with a long history in community and youth social work. Dr A. P. McGeorge of Auckland, Psychiatrist and Familv therapist, Director of the Adolescent Unit of Auckland Hospital Board. Mrs B. E. Diamond of Wellington, teacher for 20 years and Senior Mistress at Wainuiomata College. Sir Norman Perry M.B.E. of Opotiki, member of the East Coast Regional Development Council and consultant to the Whakatohea Maori Tribal Authorities on rural industry and work trusts.
    [Show full text]