Beyond the Lens the Marti & Gerrard Friedlander Collection
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Imagination Is the Creative Use of Reality ~ Margaret Mahy
ISSN 11750189: Volume 11: Issue 2: August 2012. Imagination is the creative use of reality ~ Margaret Mahy. When Storylines put the call out for tributes to Margaret Mahy, they came in thick and fast - long and short - from all walks of life. From close friends, colleagues, and fans. From people who had worked closely with Margaret, those who had met her once - or a few times - and from those who never met her. But, all of us have been blessed by Margaret's life and work. And, all of us were grateful to share our thoughts. We thank you all. We are sorry that we couldn't share ALL the photos... there were so many! Herewith - with little editing - are the words of Margaret's friends and fans... Margaret Mahy is my role model. She inspired me to start writing stories and I haven’t stopped since. She opened the gateway to my passion when I met her properly for the first time at a Storylines Festival. I was nervous when I waited in the (very long) queue for her autograph, I was speechless and I didn’t know what to say. But soon my nervousness went away when we started talking, she was warm and friendly and she drew a picture of one of her characters next to her eloquent signature. It was one of the greatest opportunities in my life meeting Margaret Mahy. My admiration for Margaret Mahy formed when I was six. She came to our school wearing a funky, rainbow-coloured wig; she performed a hilarious puppet show that I can still remember. -
Canterbury Society of Arts Autumn Exhibition
-But i Canterbury Society of Arts Autumn Exhibition 12th April - t6th May 19 61 The Canterbury Society of Arts [Inc] 81st Annual Exhibition of New Zealand Art Opened by Prof. Vernon Griffiths, Dean of the Faculty of Music and Fine Arts on Wednesday, April 12th 1961. PATRON HIS EXCELLENCY THE GOVERNOR-GENERAL THE Rt. HONOURABLE VISCOUNT COBHAM, G.C.M.G. PRESIDENT G. T. C. SANDSTON, M.B.E., LL.M. VICE-PRESIDENTS H. G. HELMORE, M.B.E., FRANK GROSS ERIC J. DOUDNEY, F.R.B.S. PAUL PASCOE A.R.I.B.A. RONA FLEMING. COUNCIL IVY G. FIFE, D.F.A. (N.z.) STEWART MINSON, A.R.I.B.A. JOHN OAKLEY, DIP. F.A. DORlS LUSK F. MILES WARREN, A.R.I.B.A., DIP. ARCH. OLIVIA SPENCER BOWER QUENTIN MACFARLANE, DIP. F.A. (HONS.) PROF. H. J. SIMPSON HON. TREASURER D. B. WILKJE SECRETARY-TREASURER ANDRE BROOKE HON. AUDITOR B. F. BICKNELL, F.P.A.N.Z., F.I.A.N.Z. HON. SOLICITORS Messrs. WILDING, PERRY & ACLAND FOREWORD a The Annual Autumn Exhibition this year has attracted a greater number of exhibitors, with a wider variety of work than in recent years. You will find that many of the paintings re present the more contemporary conception of art. We are anxious to introduce you to the work of these young New Zealand artists, and while you may perhaps find some of them difficult to follow, we think you will find many of them exciting, colourful, and vigorous. During the last hundred years, the great French painters Cezanne, Gauguin, Renoir, and later the English painters and sculptors Sutherland, Nash, and Henry Moore, to mention a few, have broken away from the traditional methods of ex pression, and the work of artists has become more individual. -
Human Kind Transforming Identity in British and Australian Portraits 1700-1914
HUMAN KIND TRANSFORMING IDENTITY IN BRITISH AND AUSTRALIAN PORTRAITS 1700-1914 International Conference on Portraiture University of Melbourne and National Gallery of Victoria Conference Programme Thursday 8 September – Sunday 11 September 2016 Biographies of Speakers and Abstracts of their Papers [In chronological order: Speaker, title of paper, organisation, bio, abstract of paper] Speakers: Leonard Bell, University of Auckland, Who was John Rutherford? John Dempsey’s Portrait of the ‘Tattooed Englishman’ c.1829 Bio: Dr Leonard (Len) Bell is an Associate Professor in Art History, School of Humanities, The University of Auckland. His writings on cross-cultural interactions and the visual arts in New Zealand, Australia and the Pacific have been published in books and periodicals in New Zealand, Australia, Britain, USA, Germany, the Czech Republic and Japan. His books include The Maori in European Art: A Survey of the Representation of the Maori from the Time of Captain Cook to the Present Day (1980), Colonial Constructs: European Images of Maori 1840–1914 (1992), In Transit: Questions of Home and Belonging in New Zealand Art (2007), Marti Friedlander (2009 & 2010), From Prague to Auckland: The Photographs of Frank Hofmann (1916-89), (2011), and Jewish Lives in New Zealand: A History (2012: co-editor & principal writer). His essays have appeared in Julie Codell & Dianne Sachko Macleod (eds), Orientalism Transformed: The Impact of the Colonies on British Art (1998), Alex Calder, Jonathan Lamb & Bridget Orr (eds), Voyages and Beaches: Pacific Encounters 1769-1840 (1999), Nicholas Thomas & Diane Losche (eds), Double Vision: Art Histories and Colonial Histories in the Pacific (1999), Felix Driver & Luciana Martins (eds), Tropical Visions in an Age of Empire (2005), Annie Coombes (ed), Rethinking Settler Colonialism: History and Memory in Australia, Canada, Aotearoa/New Zealand and South Africa (2006) and Tim Barringer, Geoff Quilley & Douglas Fordham (eds), Art and the British Empire (2007). -
BULLETIN of the CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETU Summer December 03 – February 04
BULLETIN OF THE CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETU summer december 03 – february 04 Open 10am – 5pm daily, late night every Wednesday until 9pm Cnr Worcester Boulevard & Montreal Street, PO Box 2626 Christchurch, New Zealand Tel: (+64 3) 941 7300, Fax: (+64 3) 941 7301 Email: [email protected] www.christchurchartgallery.org.nz Gallery Shop tel: (+64 3) 941 7388 Form Gallery tel: (+64 3) 377 1211 Alchemy Café & Wine Bar tel: (+64 3) 941 7311 Education Booking Line tel: (+64 3) 941 8101 Art Gallery Carpark tel: (+64 3) 941 7350 Friends of the Christchurch Art Gallery tel: (+64 3) 941 7356 b.135 Exhibitions Programme Bulletin Editor: Sarah Pepperle Gallery Contributors 2 Introduction ISLANDS IN THE SUN MAKING TRACKS COMING SOON! Director: Tony Preston A few words from the Director Curator (Contemporary): Felicity Milburn 31 OCTOBER – 1 FEBRUARY 04 13 FEBRUARY – 30 MAY SILICA, SHADOW Curatorial Assistant (Contemporary): Jennifer Hay AND LIGHT Curatorial Assistant (Historical): Ken Hall 3 My Favourite A remarkable collection of prints A unique installation by Canterbury Public Programmes Officer: Ann Betts Margaret Mahy makes her choice 19 MARCH – 11 JULY by indigenous artists of Australasia artist Judy McIntosh Wilson, Gallery Photographer: Brendan Lee and Oceania. continuing her fascination with the A journey through the works of Friends of Christchurch Art Gallery: Marianne Hargreaves marks and tidal tracks imprinted on 4 Noteworthy W.A. Sutton and Ravenscar George D. Valentine, one of New the sandy beaches of Waikuku. News bites from around the Gallery Galleries Zealand’s foremost nineteenth Other Contributors Catalogue available. -
On the Repatriation of Māori Toi Moko Colleen Murphy a Thesis Submitted in Partial Fulfillment of the Requi
Talking Heads: On the Repatriation of Māori Toi Moko Colleen Murphy A thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts with Honors in the History of Art THE UNIVERSITY OF MICHIGAN April 2016 Murphy 2 TABLE OF CONTENTS Whakawhetai (Acknowledgements) . 03 Text Introduction: Detached Heads . 04 Ta Moko Tattooing . 07 Early Contact with Europeans . 09 Changing Attitudes . 16 General H.G. Robley . 19 People on Display . 26 Western Displays of Māori Art and Artifacts . 30 The Māori Renaissance . 34 Repatriation Practices . 37 Legislation Related to Repatriation . 39 Conclusion: Ceremonial Repatriation . 41 Endnotes . 42 Bibliography . 46 Images . 50 Murphy 3 Whakawhetai (Acknowledgements) I would like to sincerely thank my faculty advisor Dr. David Doris for his indispensable guidance during this process. He continuously found time in his busy schedule to help me with my research, and I am incredibly grateful for his generosity, sense of humor and support. I am also grateful to Dr. Howard Lay for his assistance both in this project and throughout my career at the University of Michigan. He reaffirmed my love for the History of Art in his lectures both at Michigan and throughout France, and demonstrated unbelievable dedication to our seminar class. I am certain that my experience at Michigan would not have been the same without his mentorship. I am greatly appreciative of the staff at Te Papa Tongawera for their online resources and responses to my specific questions regarding their Repatriation Program, and the Library of the University of Wellington, New Zealand, which generously makes portions of the New Zealand Text Collection freely available online. -
Penguin History of New Zealand P.133
CORE Metadata, citation and similar papers at core.ac.uk Provided by UC Research Repository ‘Like Iron Filings to a Magnet’: A Reappraisal of Michael King’s Approach to New Zealand History A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Arts in History at the University of Canterbury by Halie McCaffrey University of Canterbury 2010 Contents Acknowledgements p.ii Abstract p.iv Introduction: Michael King: History Man p.1 Chapter One: ‘Being Pākehā’ in the Historiographical Dialogue of Nation and Identity in New Zealand p.9 Chapter Two: Mātauranga Pākehā: King’s Construction of a New Zealand Identity p.42 Chapter Three: Identity and the Landscape: Imagining New Zealand Through King’s Personal Experience of Place p.68 Chapter Four: King’s People: The Life Histories of New Zealanders p.92 Chapter Five: A Career Full Circle? A Discussion of The Penguin History of New Zealand p.133 Conclusion: Michael Row the Boat Ashore p.177 References Bibliography: Primary Sources p.181 Secondary Sources p.188 ii Acknowledgements The writing this thesis has been a difficult process: both academically and emotionally. The completion of this thesis has come down to a lot of support from different people in my life. I am very thankful to each one of them. At the beginning of this process I was diagnosed with dyslexia. SPLED Canterbury was great help to me during this process. Not only did they pay for my testing, they paid for a tutor to help me work on my weaknesses. I am so grateful to Christine Docherty who showed much compassion in re teaching me the basics of the English language. -
The Tim & Sherrah Francis Collection
The Tim & Sherrah FrancisTimSherrah & Collection The The Tim & Sherrah Francis Collection A+O 106 a life, and love, in New Zealand art… The Tim & Sherrah Francis Collection Art + Object 7–8 September 2016 Tim and Sherrah Francis, Washington D.C., 1990. Contents 4 Our Friends, Tim and Sherrah Jim Barr & Mary Barr 10 The Tim and Sherrah Francis Collection: A Love Story… Ben Plumbly 14 Public Programme 15 Auction Venue, Viewing and Sale details Evening One 34 Yvonne Todd: Ben Plumbly 38 Michael Illingworth: Ben Plumbly 44 Shane Cotton: Kriselle Baker 47 Tim Francis on Shane Cotton 53 Gordon Walters: Michael Dunn 64 Tim Francis on Rita Angus 67 Rita Angus: Vicki Robson 72 Colin McCahon: Michael Dunn 75 Colin McCahon: Laurence Simmons 79 Tim Francis on The Canoe Tainui 80 Colin McCahon, The Canoe Tainui: Peter Simpson 98 Bill Hammond: Peter James Smith 105 Toss Woollaston: Peter Simpson 108 Richard Killeen: Laurence Simmons 113 Milan Mrkusich: Laurence Simmons 121 Sherrah Francis on The Naïve Collection 124 Charles Tole: Gregory O’Brien 135 Tim Francis on Toss Woollaston Evening Two 140 Art 162 Sherrah Francis on The Ceramics Collection 163 New Zealand Pottery 168 International Ceramics 170 Asian Ceramics 174 Books 188 Conditions of Sale 189 Absentee Bid Form 190 Artist Index All quotes, essays and photographs are from the Francis family archive. This includes interviews and notes generously prepared by Jim Barr and Mary Barr. Our Friends, Jim Barr and Mary Barr Tim and Sherrah Tim and Sherrah in their Wellington home with Kate Newby’s Loads of Difficult. -
LATE NIGHT ART @ARTWEEKAUCKLAND Th #ARTWEEKAKL Tuesday 10 October, 5-9Pm Welcome to Live Interactive Art, Galleries Open Late, Creative Events Artweek Auckland 2017
IN THE CENTRAL CITY ARTWEEK.CO.NZ LATE NIGHT ART @ARTWEEKAUCKLAND th #ARTWEEKAKL Tuesday 10 October, 5-9pm Welcome to Live interactive art, galleries open late, creative events Artweek Auckland 2017 Artweek Auckland is an annual, week-long festival celebrating the visual arts of Auckland. Throughout the week activations will be taking place all over Auckland, newcomers and experts alike can immerse themselves in Auckland’s diverse and vibrant contemporary art scene. Venues include galleries, public, Ellen Melville Centre and Freyberg Place private spaces, pop ups and street art. Mapping home through sound, colour and light He aha e tangi te kainga rite? / What sounds The 2017 festival presents the work of over 1000 artists in more than 100 venues. like home? RM Gallery presents a response by UNIFORM + An expressive, lighting piece using street cones at its core to create a living organism KINAlights by Ernest Aurora Artweek Auckland is owned and presented by the New Zealand Contemporary Art Trust, a charitable trust established in 2005 with the objective of creating opportunities for artists, promoting the visual arts industry, and facilitating greater public access to and engagement with the visual arts community. You are invited to look, participate and enjoy. streetARTdego Deborah White ONZM streetARTdego is a micro-festival of food and art that sees 5 of Auckland’s top food vendors Director working with 5 artists for an evening of wonder, surprise and delicious eats in Khartoum Place. Experience music, performance and visual art while -
G Hall 2 Pmnaomi Mccleary Going West
From the Festival: Tales from 20 years of the Going West Books and Writers Festival West Auckland Heritage Conference 2nd October 2016 Naomi McCleary & Robyn Mason All photographs in this presentation are by Festival photographer Gil Hanly, unless otherwise identified Maurice Gee reads Going West at the Henderson (Loomis) Station platform Words that inspire a Festival. A Festival that inspires a writer From Loomis station the track ran straight for several miles, with straggly town on one side – Ah Lapp’s grocery where you could buy Chinese ginger in jars, the Scout Hall, the Anglican Church, the jam factory – and vineyards and farms on the other. • Maurice Gee, Going West, 1992 Going West Festival Participants 1999. Photo: Marti Friedlander Audio Sound engineer Davyd Hodge with crew Nga Kupu Kōrero - Talking about the Word First speaker at Going West: Professor Ngahuia Te Awekotuku Writing About Our Town Kevin Ireland, Maurice Shadbolt, Dick Scott with programmer & presenter Peter Simpson And a Festival inspires a Festival Stephanie Johnson & Mike Johnson Photo: Ted Scott Ephemera 1999 – The Red Mole Riot Manuscripts Serie Barford & Glenn Colquhoun 9/11 Michael King, Amelia Batistich & Patricia Grace Phillip Mann & David Larsen Going West – Making History – One Book, One author, One Festival at a Time Photographs Maurice Shadbolt at the inaugural Going West Festival 1996 Photo: Ted Scott Lynda Topp, Peter Hawes & Max Cryer Lynda & Jools Topp with Michael King Print artist Beth Serjeant with poet Hone Tuwhare Storyfest Unidentified (Photographer -
Download PDF Catalogue
THE 21st CENTURY AUCTION HOUSE A+O 7 A+O THE 21st CENTURY AUCTION HOUSE 3 Abbey Street, Newton PO Box 68 345, Newton Auckland 1145, New Zealand Phone +64 9 354 4646 Freephone 0800 80 60 01 Facsimile +64 9 354 4645 [email protected] www.artandobject.co.nz Auction from 1pm Saturday 15 September 3 Abbey Street, Newton, Auckland. Note: Intending bidders are asked to turn to page 14 for viewing times and auction timing. Cover: lot 256, Dennis Knight Turner, Exhibition Thoughts on the Bev & Murray Gow Collection from John Gow and Ben Plumbly I remember vividly when I was twelve years old, hopping in the car with Dad, heading down the dusty rural Te Miro Road to Cambridge to meet the train from Auckland. There was a special package on this train, a painting that my parents had bought and I recall the ceremony of unwrapping and Mum and Dad’s obvious delight, but being completely perplexed by this ‘artwork’. Now I look at the Woollaston watercolour and think how farsighted they were. Dad’s love of art was fostered at Auckland University through meeting Diane McKegg (nee Henderson), the daughter of Louise Henderson. As a student he subsequently bought his first painting from Louise, an oil on paper, Rooftops Newmarket. After marrying Beverley South, their mutual interest in the arts ensured the collection’s growth. They visited exhibitions in the Waikato and Auckland and because Mother was a soprano soloist, and a member of the Hamilton Civic Bev and Murray Gow Choir, concert trips to Auckland, Tauranga, New Plymouth, Gisborne and other centres were in their Orakei home involved. -
IPG Spring 2020 Photography Titles - December 2019 Page 1
Photography Titles Spring 2020 {IPG} David Batchelder Alfred & Me Christiane Stahl Summary David Batchelder’s images are labyrinths of wondrous forms, surprising colors, and shifting layers. They give us the impression of flying over landscape formations, snowy mountain ranges, meandering rivers; or, alternatively, we seem to be in the midst of choppy seascapes, where unfamiliar creatures are rising up out of the blue-green depths. However, the photographs depict nothing more than banal segments of a beach in Charleston, South Carolina. The abstract quality of these natural motifs bring out hidden ideas. Suddenly we Michael Imhof Verlag see faces, ghosts, animals, and plants. Batchelder, an American born in 1939, is not interested in the laws of 9783731908814 Pub Date: 2/1/20 structure but the chaotic, strange, surreal, and irrational—in short, the world of dreams and the imagination. On Sale Date: 2/1/20 $22.95 USD/€19.95 EUR Contributor Bio Discount Code: LON Dr. Christiane Stahl has held positions including: Academic Assistant at the Deutsche Historische Museum Hardcover Berlin, Head of the Alfred Ehrhardt Stiftung Köln, and Deputy chairperson of the Deutsche Gesellschaft für 112 Pages Photographie (DGPh), among others. Carton Qty: 18 Photography / Collections, Catalogs, Exhibitions PHO004000 11.8 in H | 9.8 in W | 0.5 in T | 2.1 lb Wt Darren Almond: Nocturn Darren Almond, Andreas Baur, Johannes Meinhard Summary The title of the book and exhibition is derived from the large-format Nocturnes (2004–2010) featuring photographs of moonlit landscapes using long exposure times, which evoke Romantic landscapes in their European variants, and classical Japanese and Chinese landscape painting in their Asiatic motifs. -
(No. 7)Craccum-1983-057-007.Pdf
tfiWFRSITY OF *UCI 2 1 APR 1 9 8 3 CENTENARY S.G.M. LITERARY INSERT C.K. STEAD PROFILE ;e < INSIDE lcti FEATURES W E / S T 5 eral coi Wednes Violence Against Women — 7 EXEC Elections — 5 ired that Amnesty International — 4 N o r membe: M- ting to dc REGULAR FEATURES tiness and SRC Report — 3 iness was Campus News — 4 asions wit Newsbriefs — 6 tore who1 Outskirts — 6 i , cific items Survival ’83 — 8 o hoursi Chaplains Chat — 8 Letters — 17, 20, 2 1 sussed. Notices — 23 ' t Media — 24 xecutive REVIEWS rV£ KC Asking For It - 8 sion o: vP iversity C< TE MAATAAPUNU last item On Literaria — 9 ning’s 1 C K Stead Profile — 1 1 ipanied Interview - Riemke Ensing — 13 Student at the Gates (review) — 14 mbers ha Poetry Reviews — 15 nplicate m Poetry and Prose — 10, 12, 16, 19 both a £ ierai Met SA’s part been org Cover photo by Marti Friedlander S p i r on for a mbers of r e g i o n . «ring cont further 1 of knov CRACCUM ting to ticipation cellation A\V/A\V/A\V/A\V/A sntually d< Editor rticipation Louise Rafkin yifll Gene kchtime. T Production Manager Elizabeth Leyland Sub-Editor Neil Morrison }RC Contributors Fiona Cameron, Robert Leonard, ENT) Rangi Chadwick, Sara Noble, Karen Edmonds, Kirsty McDonald, Heather Worth SPECIAL GENERAL Newsbriefs In attendanc John Bates |y debate < tennifd celel MEETING of the most i "he Centenai Photography ring the mot Sarah Westwood, Gil Hanly itions and ^ Elizabeth Leyland THURSDAY 1PM — REC CENTRE ther endorse ither refem d and Mat Cartoonists lamed that Courtney, Carmyn Bear A motion that the AUSA will participate in the John cited the petition as an indicator of stut jnistrative Centenary celebrations has been put forward to be interest, although many students were ill infoi and always discussed at this Special Meeting.