FINE & APPLIED ARTS 2 & 3 DECEMBER 2020

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DUNBAR SLOANE SINCE 1919

Our Wellington auction house has shifted to new premises, located in Kiwi Wealth House corner of Featherston & Ballance Street. Our phone number, email address and bank details remain unchanged. We look forward to welcoming you to our new premises.

Dunbar Sloane Ltd 94 Featherston Street Wellington CBD www.dunbarsloane.com NEW ZEALAND & INTERNATIONAL FINE & APPLIED ART

Wednesday 2 December 2020 - 6pm start Part One - Evening Sale Lot 1 - 70 Thursday 3 December 2020 - 12noon start Part Two - Day Sale & Applied Arts Lot 100 - 232 Thursday 3 December 2020 - 4pm start Studio Ceramics & Applied Arts Lot 300 - 370

MAORI ARTEFACTS

Thursday 3 December 2020 - 6pm start

Lot 400 - 462

LIVE BIDDING VIEWING SCHEDULE Friday 27th November 9am - 4pm Please note we now offer our own live online bidding service. Sunday 29th November 12noon - 3pm For instruction see our website: Monday 30th November 9am - 4pm www.dunbarsloane.co.nz Tuesday 1st December 9am - 4pm Online registrations and absentee bids must be made at least Wednesday 2nd December 9am - 4pm 2 hours before the auction commences, or 24 hours if you are an International client ENQUIRIES BUYERS PREMIUM Helena Walker, Director Fine Arts Each lot is subject to 18% + GST buyers premium +64 4 472 1367 / [email protected] PO Box 224, Wellington 6140

NEW ZEALAND & INTERNATIONAL FINE ART

PART ONE / EVENING SALE

Wednesday 2 December 2020 6pm start Lot 1 - 70 1

1 2 3 Karl Maughan (b 1964) Max Gimblett (b 1935) Ralph Hotere (1931-2013) Plume Whirlpool Blue screenprint, limited edition 58/100 unique screenprint, 1/1 lithograph, limited edition 10/24 signed (lower right) & inscribed with title signed & dated ‘Max Gimblett 2019’ (lower signed (lower right); inscribed with title and (lower centre) right) dated ‘Blue 1998’ (lower left) 75 x 91cm 68 x 98cm 57 x 63cm $2,500 - $4,500 $2,000 - $4,000 $4,000 - $7,000

PROVENANCE PROVENANCE PROVENANCE Private collection, Kapiti Coast purchased Gow Langsford Gallery, Auckland Private collection, Wairarapa Private collection, Kapiti Coast LITERATURE Peter Vangioni & Jillian Cassidy, Hotere, empty of shadows and making a shadow (Christchurch 2005) p. 106. fig. 94. 2

3 4

5

10 DUNBAR SLOANE 4 William (Bill) Hammond (b 1947) Limbo Bay lithograph, limited edition 6/48 signed and dated ‘W D Hammond 2001’ and inscribed with title (lower centre) 53 x 74cm $6,500 - $8,500

5 William (Bill) Hammond (b 1947) Singer Songwriter I lithograph, edition of 100 signed, inscribed with title and dated 2001 (upper centre within print) 69.5 x 84cm $5,000 - $8,000

6 Don Binney (1940-2012) Kaiaraka Kaku, Great Barrier screenprint, limited edition of 150 68 x 42cm $9,000 - $15,000

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FINE ART 11 7 8

7 8 9 Gordon Walters (1919-95) Gordon Walters (1919-95) Colin McCahon (1919-87) Painting No. 7. (2016) Untitled (1978), 2018 Tomorrow will be the same but not as this is screenprint, P/P, edition of 100 screenprint on archival paper, edition of 100 silkscreen print, limited edition 57/100 Walters Estate blindstamp (lower left); in- Walters Estate blindstamp (lower left) McCahon House chop mark to paper margin scribed with title (lower centre) 105.5 x 80.5cm (lower right) 75 x 54cm $7,500 - $12,500 115 x 69.5 cm $6,500 - $8,000 $12,000 - $18,000

This work was published by McCahon House to mark the centenary year of McCahon’s birth (2019).

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FINE ART 13 10

10 11 12 Michael Illingworth (1932-88) After Andy Warhol (American, 1928-87) After Andy Warhol (American, 1928-87) Tawera (1969) Diamond Dust Marilyn Marilyn Monroe (11.22) silkscreen print from the Barry Lett Galleries silkscreen print, published by Sunday B. silkscreen print, published by Sunday B. multiple series Morning, limited edition of 2,500 Morning from set of ten prints 44 x 56cm (plate) numbered & stamped to reverse “published certificate of authenticity affixed to reverse $2,800 - $4,000 by Sunday B. Morning” and “fill in your own 91.5 x 91.5cm signature.” with certificate of authenticity $2,000 - $4,000 affixed to reverse 91.5 x 91.5cm $3,000 - $6,000

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FINE ART 15 13 14

13 14 15 Kushana Bush (b 1983) Emily Hartley-Skudder (b 1988) Elizabeth Thomson (b 1955) Pat-a-Cake Assembly Adventurer’s Collection (2013) Casa Jardinero (House of the gardener) gouache and pencil on paper oil on canvas cast bronze with patina and oil paint signed, inscribed with title and dated ‘2010 56 x 84cm mounted on board June’ to reverse $2,600 - $4,000 signed, inscribed with title and dated 2007 76 x 56cm to the reverse $5,500 - $7,500 EXHIBITED 113 x 115cm Wellington, {Suite Gallery}, 28th November - $16,000 - $24,000 8th December 2013 PROVENANCE Commissioned from the artist & Mark Hutchins Gallery, Wellington, 2006 The Paul & Kerry Barber Collection

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16 17 Ian Scott (1945-2013) Paul Dibble (b 1943) Small Lattice No. 45 Going Bush acrylic on canvas cast bronze, limited edition 3/3 signed and dated ‘Ian Scott May ‘81’ to etched signature and dated 'NZ 2004' to reverse and inscribed with title to stretcher base 76 x 76cm 61cm height, 46cm width, 15.5cm depth $6,000 - $10,000 $10,000 - 16,000

PROVENANCE PROVENANCE Purchased from Janne Land Gallery, Purchased Bowen Galleries, Wellington 2004 Wellington,1981 Private collection, Wellington Sale, Art+Object, The Collection of Frank & Lyn Corner, Wellington, 18/03/2018 (lot 28) EXHIBITED Private collection Wellington, Bowen Galleries, Group Sculpture Exhibition, 2004

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FINE ART 19 18 Douglas MacDiarmid (1922-2020) Vaporetti, Venice oil on canvas signed and dated ‘74/MacDiarmid’ (lower right) 115 x 72.5cm $4,000 - $8,000

PROVENANCE Corporate Collection, Wellington

Douglas MacDiarmid was both passionate miles at the end of the day. All the sights In the 1980s, Douglas was the most remote painter and perpetually inquisitive traveller, and happy people on every side are good New Zealander in Wellington art gallery exploring the world when travel was a more for the spirits - so much so that newspapers owner Louise Beale’s stable of artists. The leisurely pursuit. From his Paris base he full of woe everywhere in the world are hard provenance of this painting is well adventured abroad at least once a year into to make much sense of. After a week or two documented within a decade of old age, sketching everywhere he went. more of this, I’ll be able to face my familiar correspondence between the two friends, Equally a figurative and landscape painter, he devils back in Paris….” now archived at Te Papa Tongarewa. also delighted in finding beauty and rhythm in scenes of everyday life. From this scene of tourists crowded on Vaporetti, Venice 1974 came to New Zealand ferries, he made two further paintings as for a 1981 solo MacDiarmid exhibition at her Venice was a city he first sought out for its details of Vaporetti ‘74. The first was called Elva Bett Gallery, 147 Cuba Street, splendid architecture, history and culture - Voyageurs and the second, an even closer Wellington. It was listed as No 8 in the the Renaissance art and opera, that labyrinth vignette titled Lovers (Conversation with life). catalogue, with the smaller Voyageurs also of narrow lanes to lose one’s self in; those Douglas did several paintings of the appearing in the March 16-27 show as No 15 magnificent piazzas and the play of light and vaporetto on the Grand Canal: Detail from Vaporetto (top). Although much shadow on the canals. “It taught me a number of things about admired, the larger canvas of the passenger painting - according to the way I placed the ferries didn’t sell at the time. He stayed in Venice regularly, first in pilgrims’ multi-coloured effect of the crowd on the dormitories, then a friend’s flat, so was ferry, the ferry went in the direction it should, Apart from her gallery and curatorial work, well acquainted with the schedules of the or went backwards! I’ve never been able to Louise acted as art consultant for a Welling- ‘vaporetto’ (public water buses) that ply establish a law for that but it taught me that ton architect, which resulted in her placing between Venice and nearby islands day and you have to use colour emotionally, and get some MacDiarmid paintings in new night. Douglas rode these ferries to Lido it to work emotionally, or it’s just going to be commercial buildings in the city. It was a role Beach to swim and sunbake, always referring dead like a definition.” she valued, as she wrote to him in the mid- to them as ‘vaporini’, to use the local 1980s: “ I do like this work very much and language. When the ferries were too crowded, he and am conscious that in doing so it considerably his companions took a small, high speed spreads the web for future art buyers from The painting originating from an Italian gondola (motoscafo) over to the Lido an otherwise ignorant public so has a long- holiday in July-August 1973. While in Venice beaches and island haunts. “I can remember term education aspect.” When Vaporetti, he wrote home: there hobnobbing with (Jean-Paul) Venice 1974 became a colourful presence “One of my friends has a handsome hunk Belmondo the actor, whom I would never in an accounting firm in 1985, Douglas re- of old palazzo on the Grand Canal where consider a friend but I knew him slightly from marked...”Glad too to know after how-many- I’ve come to pull myself together - it is bliss, sharing the beach.” centuries-can-it-be that good old Vaporetti because it is the only city on earth where has been moored at last. Odd how some there is no motor traffic, and so one walks things don’t find the right eye easily.” and walks, and going up and down these endless bridges over canals adds up to 100 Anna Cahill

20 DUNBAR SLOANE FINE ART 21 19 Melvin (Pat) Day (1923-2016) Still Life with Newspaper oil on canvas signed and dated ‘Day 83’ (lower right) 118 x 150cm $7,000 - $12,000

PROVENANCE Corporate collection, Wellington

22 DUNBAR SLOANE 20 John Weeks (1888-1965) Maori patterns & native birds tempura on board signed ‘JOHN WEEKS’ (lower left); certificate of authenticity from Artist’s Estate no. 469. affixed to reverse 40 x 50cm $8,000 - $16,000

PROVENANCE The Estate of V L Mayclair. Mrs Mayclair inherited this work from Mr John O’Connor. John’s mother (Hilda O’Connor) was John Weeks’ partner.

FINE ART 23 21

21 22 23 John Weeks (1888-1965) John Weeks (1888-1965) John Weeks (1888-1965) Mountain Stream c.1946 Moonlight and firelight, Dermnat Three Nudes oil on card tempura on board monoprint signed’ J. WEEKS’ (lower right) signed ‘JOHN WEEKS’ (lower left); certificate 39 x 49cm 39 x 49.5cm of authenticity from Artist’s Estate no. 493 S $2,000 - $4,000 $10,000 - $20,000 affixed to reverse 52 x 62cm PROVENANCE PROVENANCE $4,000 - $7,000 Sale, Art+Object, The Collection of Frank & Purchased directly from the artist in 1948 Lyn Corner, Wellington, 18/03/2018 (lot 86) Sale, Art+Object, The Collection of Frank PROVENANCE Private collection & Lyn Corner, Wellington, 18/03/2018 (lot 32) The Estate of V L Mayclair. Private collection Mrs Mayclair inherited this work from Mr John O’Connor. John’s mother (Hilda O’Connor) was John Weeks’ partner.

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FINE ART 25 24 Charles Tole (1890-1967) Colour Pattern oil on board signed and dated ‘CHARLES TOLE ‘78’ (lower left); inscribed with title, dated and cat no. 281. on original typed paper label affixed to reverse 29.5 x 24cm $5,000 - $10,000

PROVENANCE Private Estate, Wellington

26 DUNBAR SLOANE 25 Michael Illingworth (1932-88) Untitled (Landscape) oil on board signed and dated ‘Illingworth 72’ to reverse 27 x 25.5cm $18,000 - $36,000

PROVENANCE most likely purchased solo exhbition Peter McLeavey Gallery, Wellington, August - September 1972 Private Estate, Wellington

FINE ART 27 26 Colin McCahon (1919-87) Truth from the King Country Load Bearing Structures synthetic polymer paint on canvas board signed, inscribed with title and dated ‘TRUTH FORM THE KING COUNTRY/ LOAD BEARING STRUCTURES/ 6 COLIN McC. ‘78/ ACRYLIC’ to reverse 20.3 x 25.3cm $35,000 - $60,000

PROVENANCE Purchased Peter Mcleavey Gallery, Wellington (dated unknown) Private Estate, Wellington

28 DUNBAR SLOANE FINE ART 29 27 Gordon Walters (1919-95) Koru 1959/73 ink on paper dated ‘6.3.73’ (lower right); signed and dated ‘Gordon Walters 1973 / Koru 1959 /73’ to reverse 70 x 52.5cm $75,000 - $100,000

PROVENANCE Gordon Walters is one of New Zealand’s Walters made his first ‘koru paintings’ in Purchased from Peter McLeavey Gallery, most important and iconic modernist 1956, but didn’t show them until 1966 when Wellington, c. 1974 painters. In the mid-1960s, Gordon Walters he first exhibited this painting in Auckland. Sale, Art+Object, The Collection of Frank & emerged as a unique presence in the His adaptation of the koru has been both Lyn Corner, Wellington, 18/03/2018 (lot 72) modern movement in New Zealand. Best- admired and criticised by cultural Private collection known for work that fused the influence of commentators. Walters himself, when geometric, abstraction of European discussing the motif, increasingly focused on modernist art with the traditional organic the fine mechanics of abstraction: forms of Māori and Pacific art.

‘What I’ve done to the form is push it more in Walters attended the Wellington the direction of geometry. So that I can have Technical School of Art (1935-1944), in my painting not only a positive/negative becoming interested in European effect of black and white, but I can also have modernism through reproductions of works a working of vertical and horizontal, which is by Yves Tanguy. Travelling to Europe in 1950, equally important.’ he was exposed to works by Mondrian, as well as the pure abstraction of Victor Vasarely. On his return to New Zealand in 1951 he began to research Māori rafter painting and decorative design, visiting museums with fellow artist Theo Schoon and analyzing the forms. Walters modified the fern motif found in Maori meeting houses and traditional Polynesian tattoos, by geometricizing it and alternating positive and negative versions in the manner of the Italian painter Giuseppe Caprogrossi (1900 -1972).

30 DUNBAR SLOANE FINE ART 31 28 Gordon Walters (1919-95) Untitled (No 2.) gouache on paper signed, inscribed and dated ‘No 2. / Gordon Walters. 76 ‘ (lower), dated 19.12.76 (upper right) 21.5 x 12cm (overall sheet) $16,000 - $30,000

PROVENANCE Private Estate, Wellington

32 DUNBAR SLOANE FINE ART 33 29 Michael Smither (b 1939) Study for Baptism of Christ oil on board signed, inscribed with title and dated ‘M.D.Smither Study for Baptism of Christ 1967’ to reverse 72 x 65cm $70,000 - $100,000

PROVENANCE 'Smither was brought up a Roman Catholic Caricature has often been an element in Private collection, New Plymouth and his careert in art is dominated by a Smither’s work from some depictions of his concern for and knowledge of the Church family to the tiny, bust figures in the Pukekura LITERATURE and its teachings... Park paintings. It is a useful tool which can Govett-Brewster Art Gallery, Michael Smither make a scene of portrait more immediately An Introduction (1984) exhibition catalogue In Study for the Baptism of Christ 1967... compelling as the artist has obviously p. 86. (b/w illustration) John and Christ have waded into what is selected what he regards as the most Trish Gribben, Michael Smither Painter (Ron clearly a Taranaki stream for the act. important features by exaggerating them. Sang 2004) p. 75 as ‘The Baptism of Christ in However, it can be risky business as it does a Taranaki Stream’ ‘The Stony River is the spiritual river of very easily distance the viewer. The image Taranaki. I did not know that until I’d done becomes ludicrous or repels us so that we EXHIBITED the painting but I recognised the spiritual are unable to empathise with it. Smither Auckland, Barry Lett Galleries as ‘Baptism of quality of it at the time because of the clear came very close to this in a larger version Christ (first study 1966)’, ‘Religious paintings water. I’ve always said that if anything of the Baptism done the same year. In this and drawings’ 1968, cat. no. 7. happens to the Stony River that it’s time to work four apostles are included, and, in the

New Plymouth, Govett-Brewster Art Gallery, get out of Taranaki’. 1. foreground, one mournfully studies a toe Taranaki review, 1970 as ‘The baptism’, stubbed on the rocks. The inclusion of such cat. no. 37. As well as the specificity of place, Smither an everyday detail does add a human quality New Plymouth, Govett-Brewster Art Gallery, has also tried to humanise the ritual. The to the scene but at the cost of detracting Michael Smither - An Introduction, figure of Christ is braced under the freezing from the two lead players who in the smaller 1 November - 16 December 1984, mountain water while John stands on a solid version are the sole focus of the drama. cat. no. 29. (original paper label to reverse) Taranaki stone for elevation. The frail, Also, the number of characters draws amorphous bodies of the two men are attention to the unlikely physiognomy and There is also a larger version of this painting countered by the strongly modelled, anatomy which we can more easily accept in with four apostles included. Drawings for this powerful rocks on the bank and the rounded, the smaller work. Once again there is pure painting are in sketchbook 22a, dated by the interlocking patterning of the riverbed. And clear water, and a limpid pool. The stillness artist 1966. yet the figures are well integrated tonally sets the specific time: it is the very instant with the natural surroundings. of Baptism, the water has not yet run-down Characteristically of Smither’s work both men Christ’s back. The disconcerting evocation and rocks seem to have been formed from of a very specific time or place or event by the same substance. They are not realistic non-specifically expressed elements like portraits, but the gesture and setting make it faces, bodies, stones make us feel we must believable event. be able to grasp the strange image better, until it slips away.'

1 Michael Smither in conversation with Jim & Mary Barr, 13 June 1984.

Michael Smither, An Introduction (Govertt-Brewster Art Gallery, New

Plymouth 1984) p.44, 46 - 47.

34 DUNBAR SLOANE FINE ART 35 30 Michael Smither's iconic Domestic series Joseph Snarling was included in Smither’s Michael Smither (b 1939) begun after the birth of his daughter Sarah second exhibition of The Paintings for the Joseph Snarling in 1964. Arguably his most iconic series, it is Revolution, shown at Dennis Kohn Gallery, oil on board a social commentary of Smither's domestic 1979. Painted over the previous four years, signed, inscribed and dated ‘PORTRAIT OF incidents and routines, where the viewer is the works attempted to alert viewer to the JOSEPH SHOWING HIS TEETH invited into his own private sphere to view an violent and destructive forces overwhelming (SNARLING), 1977, OIL, M. D. SMITHER, often discordant, chaotic view of his the world around him. This portrait depicts 19A MT VIEW PLACE NEW PLYMOUTH domestic environment. While focusing on his youngest son, Joseph’s new teeth turned 88285 ph’ to reverse; his own children, this new subject matter from an affectionate observation to a original paper label from Anxious Images provided an insight into his own childhood, painting about the loss of innocence: exhibition affixed to reverse whereupon he found himself depicting in 62 x 72cm part his own previously forgotten "On this particular occasion he was larking $80,000 - $120,000 childhood moments and the resultant works around in the bedroom…and I said “O can therefore be seen as self-portraits of his Joseph your teeth are really interesting, smile PROVENANCE own youth. This unusual choice of theme, again.” So he sort of grimaced for me for purchased Gow Langsford Gallery, Auckland often overlooked in western and twentieth about five minutes and you can see his nose Private collection century art, especially by male artists as well wrinkled up and everything, and I drew the as his rejection of the conventional notions state of his teeth. They were in all direc- EXHIBITED of sentimentality typically associated with tions…I mean they were being pushed out Auckland, Denis Cohn Gallery,‘Paintings for still life and portraiture genres, separates his by his new teeth coming through, and they

the Revolution’, 1979 work from that of his New Zealand were his baby teeth in total confusion…"2. Auckland, Auckland City Art Gallery, Contemporaries. Aspects of Recent New Zealand Art ‘Anxious The choice of title Joseph Snarling is Images’, 27 June - 12 August 1984 (touring From the mid-seventies Smither’s direction deliberately confronting. It is a direct r exhibition) no. 69 as ‘Portrait of Joseph changed. As his children grew older, their esponse to how Smither felt about not only showing his teeth’ experiences grew more personal and were “the way I felt about teeth (but) life at that

often unable to be shared. He began to time."3. LITERATURE grapple with more specific painterly Govett-Brewster Art Gallery, Michael Smither problems, with his personal context evolving The portrait is highly finished and free of An Introduction (1984) exhibition catalogue into a more obvious expression of ideas and any obvious painterly qualities. It resembles p. 65. (b/w illustration) the concepts of the everyday world. The a scientifically precise study rather than a Trish Gribben, Michael Smither Painter series, The Paintings for the Revolution, as psychologically revealing portrait. (Rong Sang 2004) p. 148 as ‘Joseph Snarling Smither describes: Sentimentality traditionally associated with 1978’ this genre is avoided, viewed by many as "found a way of expressing myself though controversial at the time and confronting to the world I knew: Seeing boys fighting over this day. There is no attempt at naturalism a pink plastic gun, I realised I could stay with but rather a sustained enquiry into form and my domestic works and use them to express finish. Scale is crucial in this process. The my vision…The revolution, I also realised was distortion of scale, including the enlargement my own. A change of heart. When you are in of features, the awkward cropping and left conflict with yourself it is much easier to pick leaning composition, all force consideration

up on the conflicts going on outside you.”1. away from an emotive response and back to the painting itself. The employment of a bright colour palette, creates a sense of vibrancy and modernity, whilst also captivating the viewer. The result - a powerful masterpiece of Smither's ouvre that refuses to be ignored.

1. Trish Gribben, Michael Smither Painter (Ron Sang 2004) p. 127

2. NZ Oral History Archive 410

3. Gribben (2004) p. 151/

36 DUNBAR SLOANE FINE ART 37 31 James Patrick (Pat) Hanly (1932-2004) Torso R enamel on board signed and dated ‘Hanly 77’ (lower left); inscribed “TORSO R”/ Hanly 1977’ with original artist’s label to the reverse 44.5 x 53cm $40,000 - $60,000

PROVENANCE purchased by the current vendor from Brooke Gifford Gallery, Christchurch Private collection, Canterbury

Produced during the Torso series of 1977, which evolved at a point of Hanly’s career when he was at ease with his technical development. The past friction between abstract and figurative techniques is now resolved. From this point onward, Hanly leaves behind the pure abstraction of past series, synthesising the freedoms of pure painting with the figurative. As Torso R exhibits, the surface in these works is a combination of pure painting, with the poured, trailed and dripped paint technique and bright high gloss colour depicting as Hanly describes “fluid impressions which evoke the qualities, mainly physical, of remembered women”.1

1. Russell Haley, Hanly, A New Zealand Artist. Hodder and Stoughton, Auckland, 1989, p. 200.

38 DUNBAR SLOANE FINE ART 39 32 Don Binney (1940-2012) EII/Exocet oil and enamel with collage elements on canvas signed and dated ‘DON BINNEY ‘82’ (upper right) 91 x 60cm $26,000 - $36,000

PROVENANCE Don Binney is best known for his sharp clear with John Leech Gallery, 2002 images of native birds and the West Coast Sale, International Art Centre, Auckland landscape around Te Henga and the 29 July 2004 (lot 78) Waitakere ranges. Since his first exhibition in The Paul & Kerry Barber Collection. 1963 Binney has maintained the integrity of his precise realist style. Typically his images ILLUSTRATED include the flattened forms of native birds Elizabeth Caughey and John Gow, above rolling hills Contemporary New Zealand Art 4. John Leech & Gow Langsford Catalogue, Conservationist issues are often part of the 2002 subtext of much of his painting. Equally his work has often displayed a political EXHIBITED conscience. EII/Exocet was painted in John Leech & Gow Langsford, Auckland response to the Falklands war. In 1982 the 10 September - 5 October 2002 new military government of Argentina committed an act of unprovoked aggression by invading the Falkland Islands. Diplomatic talks failed to resolve the issue and the British Prime Minister of the time Margaret Thatcher dispatched a military task force to attempt to return the Falklands to British rule. In May of that year the British Navy sunk the Argentinean cruiser the Belgrano. Shortly afterwards the H. M. S. Sheffield was hit by an Argentine Exocet missile sinking the ship and resulting in the loss of forty lives.

Within the painting the inverted head of the Queen is depicted in an upside down world from which a triangle of white light, or perhaps reason, is shown pouring onto a sea of blue. Below this is a map of the Falkland Islands. It is an ambiguous image but one which nonetheless evokes the polarity of the two governments and the conflict that was a result of failed diplomacy.

40 DUNBAR SLOANE FINE ART 41 33 Karl Maughan (b 1964) Green Island / White Island diptych, oil on canvas signed, inscribed with titles and dated 2019 to reverse of both canvas 100.5 x 100.5cm per panel, 100.5 x 201cm overall $40,000 - $60,000

PROVENANCE commissioned directly from the artist Private collection, Christchurch

42 DUNBAR SLOANE FINE ART 43 34 Seraphine Pick (b 1964) Surface Paradise oil on linen signed and dated ‘Seraphine Pick 2008’ (lower right) 136 x 154cm $40,000 - $60,000

EXHIBITED Waikanae, Mahara Gallery, ‘After Sight’ 2008

44 DUNBAR SLOANE FINE ART 45 35 Raymond McIntyre (1879-1933) Phyllis Constance Cavendish oil on canvas signed ‘McIntyre’ (upper right) 60.2 x 50.7 cm $26,000 - $36,000

PROVENANCE Raymond McIntyre’s art education began in McIntyre ceased exhibiting around 1928 Sale, John Cordy Ltd, Auckland, 10 August 1894 at Canterbury College School of Art. and devoted the majority of his time writing 1983 (lot 321) as ‘Portrait of Actress’ He concurrently took lessons from Dutch for the periodical Architectural Review, purchased by Sir Ivor & Jane Richardson, immigrant artist, Petrus Van der Velden. although he continued to paint for personal Wellington During this period McIntyre experimented pleasure. For this reason and the destruction Sale, Sir Ivor Richardson Art Collection, widely with a variety of artistic styles of correspondence, sketches and studies by Dunbar Sloane Ltd, 22 March 2006 (lot 57) including Barizon, Impressionism, Art a housekeeper after McIntyre’s death in 1933 The Collection of Paul & Kerry Barber, Nouveau, and Aesthetic Movement from work’s from the later part of his career are Wellington which he adopted that he continued to draw scarce. on throughout his career. His work was often LITERATURE not well received within New Zealand; his McIntyre faced the common expatriate Dominion Post 23 March 2006 ‘Judge’s impressionist work stood in stark contrast to dilemma of dislocation and the desire to artworks fetch up to $1.4m’ (illustrated) the realist based work which was currently return to New Zealand countered by the in vogue. Finding the New Zealand art sense of fulfilment and challenge offered in community repressive and as an inadequate Europe. In contrast to many New Zealand challenge, McIntyre departed for England artist’s of this period, McIntyre chose to in 1908 to further his artistic education remain in Britain. Somewhat ironically this and capitalise on the possibility of career has hindered his reputation in New Zealand, advancement. however this should not distract from the fact that the quality and progressive nature of his Settling in London, McIntyre was quickly work is such that he must be regarded as one accepted into the London art scene. of New Zealand’s most distinguished artists. Particularly successful was his series of female portraiture begun in 1912. These are arguably the most compelling works of his career. Highly decorative, the works portrayed young sophisticated women whose features were modified and idealised for the sake of design. Formal elements dominate the model, the approach objective and lacking sentimentality, moving the works beyond categorisation as mere portraiture. Phyllis Constance Cavendish is an important work from this series, the subject one of McIntyre’s favourite models. This work most likely dates from the later period of the series due to the fuller figure of the model and the employment of more representative details including the atmosphere and recession of the background, a shift away from the Art Nouveau characteristics that predominate earlier in the series.

46 DUNBAR SLOANE FINE ART 47 36 37 Evelyn Page (1899-93) Evelyn Page (1899-93) Still Life with Fruit and Wine Portrait of Frances oil on canvas board oil on canvas signed ‘EVELYN PAGE’ (lower left) signed ‘EVELYN PAGE’ (lower left) 35 x 43cm 44 x 36cm $15,000 - $25,000 $12,000 - $18,000

PROVENANCE PROVENANCE Sale, Dunbar Sloane Ltd, Wellington, 8 May Sale, Dunbar Sloane Ltd, Auckland, 2002 (lot 22) 4 December 2002 (lot 22) The Collection of Paul & Kerry Barber, The Collection of Paul & Kerry Barber, Wellington Wellington

48 DUNBAR SLOANE FINE ART 49 38 Raymond McIntyre (1879-1933) After the Bath Oil on board signed and dated ‘Raymond McIntyre/1907’ (upper left) 29 x 18.5cm $10,000 - $16,000

PROVENANCE Collection of C Paulesen Sale, Webb’s, Auckland 27 June 2000 (lot 1219) The Collection of Paul & Kerry Barber, Wellington

39 Peter McIntyre (1910-95) Head of Maori Girl graphite on paper signed ‘PETER MCINTYRE’ (lower right) 33 x 30cm $2,000 - $4,000

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40 Peter McIntyre (1910-95) New Zealand Solider, WWII oil on canvas 61 x 48cm $16,000 - $26,000

PROVENANCE gifted directly by the artist to Mr McIntosh, who worked closely with the artist and was involved in the Italian Campaign, 1944 by descent Sale, Watsons, Christchurch, 31 May 2006 (lot 46) Private collection, Christchurch

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50 DUNBAR SLOANE FINE ART 51 41 Peter McIntyre (1910-95) Rangitikei River watercolour on paper signed ‘PETER McINTYRE’ (lower right) 53 x 72cm $14,000 - $20,000

PROVENANCE purchased by the current owner, approx 50 years ago Private collection, Taranaki

52 DUNBAR SLOANE 42 Peter McIntyre (1910-95) Lower Hutt Library and Gardens oil on canvas signed ‘Peter McIntyre’ (lower right) 60 x 75cm $5,000 - $8,000

PROVENANCE Won in a Lower Hutt City Council raffle by the current owner’s grandparents Private collection, Wellington Sale, Dunbar Sloane Ltd, Wellington, 08/08/2018 (lot 50) Private collection, Wellington

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54 DUNBAR SLOANE 45

43 44 45 Peter McIntyre (1910-95) Peter McIntyre (1910-95) Francis McCracken (1879-1959) Parisian Street Scene St Mark’s Square Venice Spanish Landscape oil on canvas board watercolour and Indian ink on paper oil on canvas signed ‘Peter McIntyre’ (lower right) signed ‘PETER MCINTYRE’ (lower right) signed ‘F. McCRACKEN’ (lower right) 49 x 59cm 53 x 72cm 44 x 54cm $4,500 - $7,000 $6,000 - $10,000 $4,000 - $7,000

PROVENANCE PROVENANCE PROVENANCE Private collection, Hawkes Bay Private collection, Hawkes Bay Sale, Webb’s Auckland, 12 December 2000 Sale, Dunbar Sloane Ltd, Wellington, (lot 278) 08/08/2018 (lot 52) The Collection of Paul & Kerry Barber, Private collection, Wellington Wellington

FINE ART 55 46 Sydney Lough Thompson (1877-1973) Notre Dame de Brusc oil on canvas signed ‘S L Thompson’ (lower right) 46 x 55cm, unframed $4,000 - $7,000

PROVENANCE Private collection, France

47 Sydney Lough Thompson (1877-1973) Interieur Chapelle Locmaria oil on canvas signed ‘S L Thompson’ (lower right) 50 x 61cm, unframed $5,000 - $8,000

PROVENANCE Private Collection, France 46

48 Mountford Tosswill (Toss) Woollaston (1910-98) Winter Morning - Mapua oil on card signed and inscribed with title to reverse 36 x 56cm $7,000 - $12,000

PROVENANCE purchased by the current owner’s father, from a friend who studied at the Canterbury School of Art with Woollaston Private collection, Nelson

49 Colin Wheeler (1919-2012) Ben Ohau Range near Tekapo township oil on board signed ‘COLIN WHEELER’ (lower right); inscribed with title to original paper label to reverse 47.5 x 59.5cm $3,000 - $6,000 47

PROVENANCE Private collection, Central Otago

56 DUNBAR SLOANE 48

49

FINE ART 57 50

50 51 52 Charles Decimus Barraud (1822-97) John Gully (1819-88) John Gibb (1831-1909) Worser Bay, Wellington Mitre Peak Mt Cook from Tasman Valley watercolour on paper watercolour on paper oil on canvas signed and dated ‘CD Barraud 1869’ signed and dated ‘John Gully 1885’ signed and dated ‘JOHN GIBB 1891’ (lower right) (lower right) (lower right), inscribed with title on original 37 x 51cm 65 x 92cm label to reverse $2,500 - $4,000 $10,000 - $16,000 57 x 101cm $12,000 - $18,000 PROVENANCE PROVENANCE Private collection, Auckland Private collection, United Kingdom PROVENANCE Private collection, United Kingdom

58 DUNBAR SLOANE 51

52

FINE ART 59 53 Chris Heaphy (b 1965) Tuamatawnakatangihangakoauraoutamatateapolaiwhenuakitonatahu acrylic on linen, diptych each panel signed and dated 2004 to reverse; inscribed with title to reverse (left hand panel) 160 x 260cm overall $5,000 - $10,000

PROVENANCE Corporate Collection, Wellington

60 DUNBAR SLOANE 54 Guy Ngan (1926-2017) PROVENANCE Sunscape II with Antipodes Gallery, Wellington c.1977 acrylic and polyurethane on board Sale, Dunbar Sloane Ltd, Wellington, signed, inscribed with title and dated ‘Guy 24 September 2014 (lot 54) Ngan/ N.Z. 1976’ (lower right) Private collection, Wairarapa 58.5 x 119cm $12,000 - $20,000 LITERATURE Guy Ngan Scrapbook Number One (Ron Sang Publications Auckland 2010)

FINE ART 61 55

62 DUNBAR SLOANE 56

55 56 Jeffrey Harris (b 1949) Jeffrey Harris (b 1949) Untitled Portrait (1973) Untitled (1989) gouache on paper oil pastel and graphite on paper signed and dated ‘Harris ‘73’ (upper right) signed and dated ‘J Harris 1989’ (lower right) 34.5 x 24cm 25 x 37.5cm $7,500 - $12,500 $2,500 - $4,500

PROVENANCE PROVENANCE purchased Suite, Wellington purchased Suite, Wellington Exhibited Exhibited Wellington, {Suite}, Jeffrey Harris, Wellington, {Suite}, Jeffrey Harris, 11 October - 1 November 2017 11 October - 1 November 2017 Private collection, Wellington Private collection, Wellington

FINE ART 63 58 59

58 59 60 Ralph Hotere (1931-2013) Ralph Hotere (1931-2013) Ralph Hotere (1931-2013) Night Window, Carey’s Bay La Cruz Woman; Woman Series reproduction print lithograph, A/P (edition of 18) watercolour and Indian ink on paper signed, inscribed with title and dated 1995 signed and dated ‘Hotere ‘92’ (lower right) signed and dated ‘Hotere ‘62/ Vence AM, within print 75 x 52.5cm (sheet) France’ (lower left); inscribed with title and 138 x 73.5cm $6,000 - $10,000 dated Vence, Alpes Maritimes, France 1962’ $4,000 - $7,000 and ‘For Mirek, in appreciation, RH’ to PROVENANCE reverse When the original of this art work was Estate of Mirek Smisek 66 x 43.5cm purchased by the Dunedin Public Art Gallery This work was part of an artist exchange $8,000 - $16,000 Society, the artist allowed 65 actual size between Smisek & Hotere reproductions of the painting to be made PROVENANCE and sold to assist with the raising of funds for LITERATURE Estate of Mirek Smisek the original acquisition. Peter Vangioni & Jillian Cassidy, Hotere, This work was part of an artist exchange empty of shadows and making a shadow between Smisek & Hotere (Christchurch 2005) p. 78. fig. 62 The portrait of Hotere’s first wife, Betty Rameka.

64 DUNBAR SLOANE 60

FINE ART 65 61 Dick Frizzell (b 1943) Backyard Painting (Detail) oil on hardboard signed, inscribed with title and dated ‘Backyard Painting (detail)/ FRIZZELL 21/1/80’ (lower centre) 90 x 66cm $10,000 - $20,000

PROVENANCE Sale, Webb’s, Auckland, 02 April 2007 (lot 93) Private collection, Wairarapa

62 James Patrick (Pat) Hanly (1932-2004) Jinger Girl Indian ink on paper signed, inscribed with title and dated ‘Pat Hanly ‘76 Jinger Girl’ (lower left) 55 x 54cm $8,000 - $16,000

PROVENANCE Purchased Peter Webb Galleries, Auckland, 1997 Sale, Webb’s, The Warwick & Kitty Brown Collection, Auckland, 17/05/2017 (lot 4) Private collection, Wellington

63 James Patrick (Pat) Hanly (1932-2004) Garden pastel on paper 61 signed with initials and dated ‘P.H. 77’ (lower right) 31 x 36cm $5,000 - $8,000

PROVENANCE purchased Brooke Gifford Gallery, Christchurch Private collection, Canterbury

66 DUNBAR SLOANE 62

63

FINE ART 67 64 James Patrick (Pat) Hanly (1932-2004) Panama Woman lithograph, limited edition of 38, no. P. 1. signed and dated ‘Hanly 87’ (lower right) 83 x 66cm $2,500 - $4,000

PROVENANCE Corporate Collection, Wellington

65 James Patrick (Pat) Hanly (1932-2004) Youth in Anger. 7 Ages of Man screenprint and collage, limited edition 4/10 signed and dated ‘Hanly ‘75’ (lower right); inscribed ‘Youth in anger. 7 ages of man. 3. “And then the Lover...” W.S. (lower left) 39.5 x 35cm $2,500 - $4,000

PROVENANCE Purchased 1984

64 Sale, Art+Object, The Collection of Frank & Lyn Corner, Wellington, 18/03/2018 (lot 16) Private collection

66 Gretchen Albrecht (b 1943) Winter Sky / Reflection watercolour signed and dated ‘Albrecht ‘75’ (lower right), inscribed with title (lower centre) 109 x 73cm $8,000 - $16,000

PROVENANCE Purchased Dunbar Sloane Ltd, Wellington, 28 April 1998 (lot 87) Private collection, Wellington

65

68 DUNBAR SLOANE 66

FINE ART 69 67 68

67 68 Robert Ellis (b 1929) Philip Trusttum (b 1940) Nga Taonga Riding acrylic and pastel on paper oil on board signed, inscribed with title and dated signed with initials PST and dated ‘74 (lower ‘Robert Ellis Nga Taonga 3 Oketopa 1993’ centre); signed, inscribed with title and dated (upper left) 2/63 to original paper label on reverse 94 x 74.5cm 73.5 x 42cm $2,500 - $4,500 $3,000 - $6,000

PROVENANCE PROVENANCE Corporate collection, Wellington Purchased at an auction in Christchurch,1980 Sale, Dunbar Sloane Ltd, Wellington, 24 Art+Object, The Collection of Frank & Lyn September 2014 (lot 82) Corner, Wellington, 18/03/2018 (lot 25) Private collection, Wellington Private collection

70 DUNBAR SLOANE 69 Philip Trusttum (b 1940) Untitled (Abstract) c1970 oil & felt tip on loose canvas panels 131 x 110cm $3,000 - $6,000

PROVENANCE purchased Brooke Gifford Gallery, Christchurch Private collection, Christchurch

70 Ben Johnson (British b 1946) Interior with Staircase II (1971) acrylic on board with letter of authenticity, 2007 199 x 143cm $3,000 - $6,000

PROVENANCE commissioned by the current owner directly from the artist whilst living in Berkshire, 1971 Private collection, Nelson 69

70

FINE ART 71 72 DUNBAR SLOANE

NEW ZEALAND & INTERNATIONAL FINE ARTS

PART TWO / DAY SALE

Thursday 3 December 2020 12 noon start Lot 100 - 232

FINE ART 73 100

101 102

100 101 102 Juliet Peter (1915-2009) Juliet Peter (1915-2009) Juliet Peter (1915-2009) Moth, Moon and Bush Poodle Hyde Park Thorns acrylic on board lithograph, ltd ed 1/20 lithograph, ltd ed 3/12 signed and dated ‘Juliet Peter /84’ (lower signed (lower right) signed (lower right) right); signed, inscribed with title and dated 38 x 49cm, unframed 37 x 47cm ‘84 to reverse $400 - $800 $400 - $800 64 x 88cm $1,500 - $3,000

Provenance Sale, Dunbar Sloane, Fine Art, Wellington, 27 August 2003 (lot 376)

74 DUNBAR SLOANE 103 104 105

106

107 108

103 105 107 Roy Cowan (1918-2006) Roy Cowan (1918-2006) John Drawbridge (1930-2005) Bird of Paradise Wombat Jack Tanya About to Fly lithograph, ltd ed 9/16 lithograph, ltd ed 2/4 mezzotint & drypoint etching, ltd ed 14/50 signed (lower right) signed (lower left); signed, inscribed with signed, inscribed with title and dated 1967 46 x 61cm, mounted title & dated ‘66 to reverse 33 x 33cm $300 - $600 44.5 x 58cm $800 - $1,600 $400 - $800 104 Provenance Roy Cowan (1918-2006) 106 Purchased from the artist, July 1968 “1910” Roy Cowan (1918-2006) Sale, Art+Object, The Collection of Frank & lithograph’ ltd ed 10/29 M for Matagouri Lyn Corner, Wellington, 18/03/2018 (lot 1) signed (lower right) lithograph, ltd ed 1/8 63 x 46cm signed with initials & dated ‘75 (lower right), 108 $500 - $800 inscribed with title (lower left) Rita Angus (1908-70) 40 x 58cm The Flute Player $400 - $800 woodblock signed ‘Rita Cook’ within the print 17 x 11.5cm $800 - $1,600

FINE ART 75 109 110

111 112

109 111 112 Gwen Knight (1888-1974) Irvine Major (1922-2000) Peter McIntyre (1910-95) Magnolia Untitled (Nelson Landscape) Evening, Blenheim oil on board oil on board oil on canvas board signed (lower right) signed & dated ‘65 (lower left) 50.5 x 60cm 65 x 80cm 61 x 75cm $2,000 - $4,000 $1,500 - $3,000 $750 - $1,250 Provenance 110 Vendor’s parents owned a shop that sold art Gwen Knight (1888-1974) supplies in Blenheim. McIntyre had an Wellington Harbour towards Pencarrow exhibition in Blenheim c1964 & was oil on board purchased by the vendor’s mother. signed (lower right) Private collection, Marlborough 47 x 68cm $1,250 - $2,500

76 DUNBAR SLOANE 113 114

116

115 117

113 115 116 Frank Gross (1908-63) Eric Lee Johnson Cedric Savage (1901-69) Untitled (Country Cottage) House at Port Albert Fijian Landscape watercolour & ink on paper watercolour & ink on paper watercolour signed (lower left) signed (lower right) signed & dated ‘32 (lower left) 41.5 x 60cm 40 x 56cm 24 x 29.5cm $1,500 - $2,500 $1,000 - $2,000 $500 - $800

114 Exhibited 117 Eric Lee Johnson (1908-93) ASA Gallery, Auckland, Lee Johnson John Weeks (1888-1965) The Maratoto Valley c1960 Exhibition, August 1969. Velvet Hills watercolour Lent by Doctor Neville Hogg, Dargaville watercolour & conte on paper signed (lower right) certificate of authenticity from Week’s Estate 31 x 55.5cm attached to reverse $800 - $1,600 35.5 x 46.5cm $2,000 - $3,000

FINE ART 77 118 118 (reverse)

119

120

John Weeks (1888-1965)

The following seven lots are from the Estate of V L Mayclair. Mrs Mayclair inherited these artworks from Mr John O’Connor. John’s mother (Hilda O’Connor) was John Weeks’ partner.

118 119 120 John Weeks (1888-1965) John Weeks (1888-1965) John Weeks (1888-1965) Untitled (Farmer with Cattle) Paris Untitled (Boats at Dry Dock) oil on board oil on board oil on muslin laid down on board Weeks OConnor Estate stamp (lower right) signed (lower left); certificate of authenticity Weeks OConnor Estate stamp to reverse 29 x 40cm from John Weeks Estate 39 x 47.5cm together with Winter Townscape, oil on 14 x 20.5cm $800 - $1,600 board, signed (lower right) to reverse $1,500 - $3,000 29 x 40cm $1,500 - $3,000

78 DUNBAR SLOANE 121 122

124 123

121 123 124 John Weeks (1888-1965) John Weeks (1888-1965) John Weeks (1888-1965) Untitled (Hanging out the Washing) Untitled (Landscape with Red Rooftops) The Meeting Place Morocco c1927-8 mixed media collage oil on board watercolour and ink on paper Weeks OConnor Stamp no. 5 (centre left Weeks OConnor Estate stamp to reverse signed (lower right); certificate of edge) 29.5 x 38cm authenticity no. 500 from John Weeks Estate, 35.5 x 30.5cm together with another Untitled (Auckland Weeks OConnor no. 14. stamp to reverse $800 - $1,600 Landscape) oil on board by an unknown 21 x 27.5cm hand, 44 x 53cm, both unframed (2) $400 - $800 122 $300 - $600 John Weeks (1888-1965) Untitled (Roof Tops) oil on muslin laid down on board Weeks OConnor Estate stamp to reverse 43 x 33cm together with another similar study Untitled (Houses), oil on paper laid on board, 46.5 x 38cm (2) $500 - $1,000

FINE ART 79 125 126

128

127

125 127 128 Michael Smither (b 1939) Michael Smither (b 1939) Michael Smither (b 1939) Alfred Road Bridge Blue Flipper Coral Head with Fish screenprint, ltd ed 14/50 screenprint, ltd ed 42/50 screenprint, ltd ed 17/50 signed with initials & dated 2014 (lower right) signed with initials & dated 2013 (lower right) signed with initials and dated ‘MDS 2013’ 49 x 64.5cm 68 x 50cm (lower right) $1,800 - $2,800 $1,800 - $2,800 37 x 44cm $1,800 - $3,000 126 Michael Smither (b 1939) Stony River screenprint, ltd ed 48/72 signed with initials & dated 2011 (lower right) 57.5 x 81cm $1,800 - $2,800

80 DUNBAR SLOANE 129 130 131

132

133

129 131 133 Michael Smither (b 1939) Michael Smither (b 1939) Gordon Crook (1921-2011) Sarah with Baked Beans Okahu Hatch The Boating Pond, Marine Series screenprint, ltd ed 11/50 screenprint, ltd ed 10/12 screenprint, ltd ed 1/10 in original shaped signed with initials & dated 2018 (lower signed with initials & dated ‘09 (lower right) frame designed by Ron Barber right) 24 x 23cm signed with initials & dated ‘GC’93 (lower 49 x 37cm $600 - $1,200 right), inscribed with title (lower left) with $1,250 - $2,500 original label to reverse 132 94 x 109 cm (including frame) 130 Michael Smither (b 1939) $2,000 - $4,000 Michael Smither (b 1939) Bartok Wedding Dance Breaking Waves screenprint, ltd ed 13/45 Provenance screenprint, no. 72/2 signed & dated ‘80 (lower right) & inscribed Purchased from Brooker Gallery, Wellington, signed with initials MDS (lower right) with title (lower left) circa 1994 55 x 57cm 50 x 68cm Sale, Art+Object, The Collection of Frank & $600 - $1,000 $750 - $1,500 Lyn Corner, Wellington, 18 March 2018 (lot 97)

FINE ART 81 134 135

137

136 138

134 136 138 Wayne Youle (b 1974) Dick Frizzell (b 1943) Dick Frizzell (b 1943) Paint Ochre Tiki Faith in Science screenprint, ed of 40 screenprint, P. P. lithograph, ltd ed 34/75 54.5 x 74cm signed & dated 2006 (lower right) signed & dated 2002 (lower right); $600 - $1,200 67 x 55cm inscribed with title (lower centre) $1,500 - $2,500 73 x 53cm 135 $1,000 - $2,000 Dick Frizzell (b 1943) 137 Mickey to Tiki (Reversed) Dick Frizzell (b 1943) screenprint, ltd ed 468/500 Red Ochre Tiki signed & dated ‘12 (lower right) lithograph, AP 69 x 99cm signed, inscribed with title & dated 229/9/92 $1,600 - $2,600 (lower left) 40 x 30cm $1,000 - $2,000

82 DUNBAR SLOANE 139 140

142 143

141

139 141 143 Tony Fomison (1939-90) John Pule (b 1962) Greg O’Brien (b 1964) Past talking to the future: schooltime Restless Spirit IX For Maxwell Fernie II lithograph, ltd ed 6/13 lithograph, ltd ed 7/20 etching, ltd ed 23/50 signed & dated ‘86 (lower right) signed & dated 2000 (lower left) signed & dated 2009 (lower right) 38 x 56cm 76 x 57cm 50 x 39.5cm $750 - $1,250 $1,250 - $2,500 $300 - $600

140 142 Fatu Feu’u (b 1946) Greg O’Brien (b 1964) Taula aitu For Maxwell Fernie I woodblock, ltd ed 12/40 etching, ltd ed 23/50 signed & dated ‘96 (lower right), inscribed signed & dated 2009 (lower right) with title (lower centre) 50 x 39.5cm 60 x 74.5cm $300 - $600 $800 - $1,600

FINE ART 83 144 145 146

257

147 148 149

144 146 148 Liz Maw (b 1966) Matt Griffin (b 1976) Matt Griffin (b 1976) Aura Pen Model (2014) Wasted Faded (2014) giclee on paper, ltd ed 5/10 collage collage signed (lower left); inscribed with title & 60.5 x 50cm 48.5 x 62cm dated 2002 (lower centre) $300 - $600 $300 - $600 73 x 60cm $1,800 - $2,800 Exhibited 149 Wellington, Hamish McKay Gallery, Matt Matt Griffin (b 1976) 145 Griffin, 27 June - 25 July 2015 (with following Henry Moore Double View (2014) Kate Woods (b 1981) three lots) collage Abstract Geology (Smithson - Whites Avia- 48.5 x 65cm tion) 2010 147 $300 - $600 c-print, ltd ed 1/4 Matt Griffin (b 1976) 39 x 59.4cm (sheet) Moore Pens (2014) $400 - $800 collage 55.5 x 41cm $300 - $600

84 DUNBAR SLOANE 150 151

152 153

150 152 153 Peter Peryer (1941-2019) Robin Morrison (1944-93) Robin Morrison (1944-93) Farm Study (1986) Portrait of Robin White and Michael Portrait of Robin White in Her Studio silver gelatin print cibachrome photograph cibachrome photograph 12 x 12cm 27.5 x 41cm 27.5 x 41cm $1,500 - $2,500 $1,000 - $2,000 $1,000 - $2,000

151 Robin White and her son Michael are sitting Peter Peryer (1941-2019) in front of her painting, Sam Hunt at the Blood Lilies (1981) Portobello Pub, 1978. This image and the silver gelatin print following lot were taken for the 22 x 16cm publication Alister Taylor, Robin White: New $1,250 - $2,500 Zealand Painter (Martinborough 1981)

FINE ART 85 154 155

157 156 158

154 156 158 Owen R Lee (1918-2003) Rata Lovell-Smith (1894-1969) Annie Elizabeth Kelly (1877-1946) Wellington from Kelburn Up the Farm, Harewood Through the Trees in North Hagley Park oil on board oil on board oil on canvas signed & dated 1994 (lower right) signed (lower left) signed (lower right); inscribed with title on 64 x 83cm 35 x 45cm original paper label affixed to reverse $800 - $1,600 $800 - $1,600 35.5 x 45.5cm $500 - $1,000 155 157 Peter Beadle Marcus King (1891-1983) Stone Cottage & Woolshed, Lindis Pass Tree Pattern Waikanae oil on board oil on canvas board signed (lower right); signed and dated 1990 signed (lower right) to reverse 28 x 38cm 40 x 50cm $800 - $1,600 $1,000 - $2,000

86 DUNBAR SLOANE 159 160

161 162

159 160 161 Tom Esplin (1915-2005) Tom Esplin (1915-2005) Tom Esplin (1915-2005) Market Day Old Stockholm Souvenir of Thassos Greece Suffolk Village oil on board oil on board oil on board signed (lower right); signed and inscribed signed ‘Esplin’ (lower right), inscribed with signed ‘Esplin’ (lower right); inscribed with with title on original label affixed to reverse title on original paper label attached to title on paper label affixed to reverse 39 x 54cm reverse 23 x 41.5cm $4,000 - $7,000 25 x 39cm $4,000 - $6,000 $4,000 - $7,000 162 Provenance Tom Eslin (1915-2005) purchased Moller Gallery, Auckland 1981 Evening Walk, Holland oil on board signed ‘Esplin’ (lower right); inscribed with title on original paper label to reverse 28.5 x 43cm $4,000 - $6,000

FINE ART 87 163 164

167

166

165

163 165 167 Alice Whyte (1880-1952) Doris Lusk (1916-90) Alan D Baker (Australian 1914-87) Still Life with Pink & White Blooms Still Life with Pink Roses Petunias oil on canvas laid down on board watercolour oil on board signed & dated ‘Alice Fallwell 1904’ (lower signed & dated 1989 (lower right) signed (lower right) right) 41 x 28cm 23.5 x 29cm 42.5 x 78cm $1,500 - $3,000 $800 - $1,400 $1,600 - $2,400 166 164 Peter Beadle (b 1933) Sydney Lough Thompson (1877-1973) Sunflowers Anemones - Vase Vert oil on board oil on canvas signed (lower centre/right) signed ‘S L Thompson’ (lower right) 40 x 49cm 46 x 38cm, unframed $800 - $1,600 $2,500 - $4,500

88 DUNBAR SLOANE 168 169

171

170 172

168 170 172 Florence Fitzgerald (British 1857-1927) Paul Gribble (British b 1938) Louis Davis (British 1860-1941) An Old Church in Kent Girl with Daisy Pipers & Soldiers of King Malcolm’s Army, oil on canvas oil on canvas design for stained glass window in Dunblane signed & dated ‘20 (lower left) signed (lower left) Cathedral 39 x 59cm 50 x 39cm charcoal on paper $700 - $1,200 $750 - $1,250 original exhibition label ‘Louis Davis Provenance Exhibition, March-April 1971, no. 43’ 169 purchased Century Galleries Ltd, Henley on to reverse Karl Kauffman (Austrian 1843-1905) Thames, 1999 65 x 38.5cm Pair French Moroccan Market Scenes $750 - $1,250 oil on board 171 both signed with pseudonym H. Carnier Felix Kelly (1914 - 1994) (lower right) Drifter and Paddle Steamer (1946) 30 x 18cm each (2) lithograph $600 - $1,200 signed (within plate) 41 x 68cm $1,000 - $2,000

FINE ART 89 173

174 175

176 177

173 175 177 Ernest W Christmas (1863-1918) W G Baker (1864-1929) William Mathew Hodgkins (1833 - 98) Riding the Coast Road, Wellington Harbour Waikato River The Hooker Valley oil on canvas board oil on canvas watercolour signed & dated 1907 (lower left) signed & inscribed with title (lower left) signed & inscribed with title (lower right) 37 x 54cm 59 x 90cm 23 x 33.5cm $800 - $1,400 $2,000 - $4,000 together with other similar watercolour by the same hand (2) 174 176 $500 - $800 George William Carrington (1855-1940) W G Baker (1864-1929) Moonrise, Halfmoon Bay, Stewart Island Waiau River Lake Manapouri oil on board watercolour heightened with white signed with initials (lower right) signed & inscribed with title (lower left) 18 x 38cm 35.5 x 54cm $500 - $800 $600 - $1,200

90 DUNBAR SLOANE 177a

177a Horatio Gordon Robley (1840-1930) Plan of the Gate Pa, and Breach Drawn Early on The 30th April 1864 Indian ink and graphite on paper signed and dated 'H.G.Robley Lieut and … Musketry/ 68th Light Infantry/1864/ member of the/ Tauranga Savage Club/ 16 Sept. 1922' lower right with numerous annotations 38 x 44cm together with ink and graphite study to reverse of Pukehinahina Pa, signed with numerous annotations $3,500 - 6,000

Provenance by descent from the Bickers Family Private collection, Bay of Plenty Sale, Dunbar Sloane, Wellington, 08/08/2018 (lot 45)

178 Phillip Waddington (b 1951) Tuhoe Chieftainess, Te Onewhero Tamarau oil on canvas signed (upper right); signed & inscribed with 178 title on original paper label to reverse 46 x 36cm $4,000 - $7,000

FINE ART 91 179

180

181

182 183

179 181 183 Gerda Leenards (b 1946) Ruth Cole (b 1961) Michael Moore (b 1956) The Lie of the Land (1991) Flooded Out Christmas Day Beside the Ruamahunga acrylic & emulsion on canvas oil on canvas acrylic on board 64 x 200cm signed & dated ‘96 (lower right) signed & dated ‘13 (lower right), inscribed $2,000 - $4,000 51 x 159cm with title to reverse $1,000 - $2,000 123 x 41cm 180 $800 - $1,600 Gerda Leenards (b 1946) Provenance Harbour purchased from Brian Queenin Gallery, charcoal on paper Wellington 1999 signed & dated ‘97 (lower right) 30 x 140cm 182 $750 - $1,500 Kirsty Nixon Near Whitianga acrylic on canvas signed, inscribed with title & dated 2006 to reverse 30 x 122cm $1,200 - $2,400

92 DUNBAR SLOANE 184 185

186 187

188

184 186 188 Suzanne Herschell Peter O’Hagan (1942-2013) Glenda Randerson (b 1949) Wellington Harbour Under the Faux Tree - The Saviour Protects Work and Play (Nan and Christopher Scott) oil on canvas the Vintage Verzy oil on linen signed (lower left) watercolour signed & dated ‘88 (lower right) 92 x 152xm signed (lower left) 140 x 110cm $1,000 - $2,000 59 x 59cm $1,000 - $2,000 $1,000 - $2,000 185 Jan Nigro (1920-2012) 187 Untitled (Nudes in Summer Landscape) Peter O’Hagan (1942-2013) pastel & acrylic on paper Night: Returning ‘Ichi Ban’ to its Home Port signed (lower right) after the Sydney to Hobart 73 x 82cm watercolour & gouache on paper $1,250 - $2,500 signed (lower left) 44 x 43cm $800 - $1,600

FINE ART 93 190 191

189 192 193

189 190 192 John Badcock (b 1952) Sam Mahon (b 1954) Mountford Tosswill (Toss) Woollaston Student Anna Study in Blue (1910-98) oil on canvas mixed media on board Portrait of Wayne Bowden signed (lower left); signed inscribed with title signed & dated ‘98 (lower left) Indian ink on paper & dated 2007 to reverse 41 x 43cm signed (lower right); inscribed with title & 196 x 83.5cm $500 - $800 dated 1968 to reverse $1,800 - $3,000 52 x 33cm 191 $600 - $1,200 Provenance Pippa Sanderson (b 1962) Purchased McAtamney Gallery, Geraldine Whanganui-a-tara II 193 2012 acrylic on board Megan Jenkinson (b 1958) signed, inscribed with title & dated 2003 Amphlorae before the fall to reverse photographic collage 60 x 60cm signed & dated ‘87 (lower right) $500 - $800 49 x 26cm together with similar work ‘Discrete Particulars, The Florentia Pectora’ (Flowering Hearts) Series, 49 x 29.5cm by the same hand (2) $600 - $1,000

94 DUNBAR SLOANE 194

195

196 198

197

194 195 197 R P Moore Mladen Bizumic (b 1976) Sam Cairncross (1913-76) Otago Harbour New Zealand 1925 Aipotu: Rain Music Porirua Harbour black & white panoramic photograph colour photographic print, ltd ed 2/3 oil on board photographers stamp (lower right) & signed & dated 2004 to reverse signed (lower right); inscribed with title to inscribed with title (lower centre) 67.5 x 97cm reserve 22 x 96cm $400 - $700 31 x 54cm $600 - $1,000 $1,250 - $2,500 196 Gordon Crook (1921-2011) 198 Launch Louise Henderson (1902-94) colour photograph Tropical Auckland signed with initials, inscribed with title & watercolour on paper dated ‘05 (lower right) signed (lower left) 83 x 29.5cm 63 x 46cm $600 - $1,200 $1,600 - $3,000

Provenance Sale, Art+Object, The Collection of Frank & Lyn Corner, Wellington, 18/03/2018 (lot 99)

FINE ART 95 199 200 201

202 203 204

Russell Clark (1905 - 1966)

The following six lots are from the collection of the artist's wife,Mrs Rosalie Clark (now Archer). They are sourced from sketch books from when the artist was an Official War artist, stationed in the Pacific 1944-45 and later years.

199 201 203 Russell Clark (1905-66) Russell Clark (1905-66) Russell Clark (1905-66) Guadalcanal Airstrip Cow Cartoons Omapere (1951) pencil & sepia wash on paper ink on paper ink on paper 12 x 16.5cm 18.5 x 12cm, 12 x 18.5cm (framed as one) inscribed with title (lower right) together with Warship at Sea, Off Lauthala $300 - $600 12 x 19.5cm Bay, Suva, Fiji, watercolour, 4.5 x 15.5cm (2) together with another study Rawene (1951), $600 - $1,200 This and the following work were most likely ink & wash on paper, 12.5 x 19.5cm (2) produced for the New Zealand Listener, for $600 - $1,200 Illustrated whom the artist worked for over 20 years Michael Dunn, The Drawings of Russell Clark 204 (Auckland 1976) p. 35. (Guadalcanal Airstrip) 202 Russell Clark (1905-66) Russell Clark (1905-66) Maungataniwha Range from (H)Oneke (1951) 200 Cartoon Faces c.1950 ink & wash on paper Russell Clark (1905-66) ink on paper inscribed with title (lower right) Pig Roast, Tonga (1944) 19 x 12cm (framed as one) 12 x 16.5cm watercolour, ink & watercolour on paper $600 - $1,200 together with other Old House (probably inscribed with title (lower right) Northland) c.1950, ink on tracing paper, 11.5 12 x 16.5cm x 18cm & Portrait of Man in Period Costume $600 - $1,200 on NZ Military Forces receipt, 21 x 16.5cm (2) $600 - $1,200 Illustrated Michael Dunn, The Drawings of Russell Clark (Auckland 1976) p. 43.

96 DUNBAR SLOANE 205 206 207

208 209 210

205 207 209 Ivy Fife (1905-76) Ivy Fife (1905-76) Stanley Palmer (b 1936) Ripapa Island Lyttelton Harbour Helen’s Blue Budgerigar ‘There ahead was stretched the sandy road watercolour watercolour with shallow puddles; the same soaking signed (lower right) signed (lower right) bushes showed on either side.’ Katherine 34 x 38.5cm 25 x 19cm Mansfield At the Bay $500 - $1,000 Note: Helen was the artist’s neice bamboo engraving, ltd ed 7/100 $300 - $600 signed & dated 1984 (lower right) 206 45 x 65cm Ivy Fife (1905-76) 208 $400 - $800 Estuary Stanley Palmer (b 1936) gouache on paper ‘And the sound of the sea was a vague 210 signed (lower left) murmur, as though it had walked out of a Stanley Palmer (b 1936) 24.5 x 34.5cm dark dream.’ Katherine Mansfield At the Bay ‘The tide was out; the beach was deserted, $500 - $1,000 bamboo engraving, ltd ed 7/100 lazily plopped the warm sea.’ Katherine signed & dated 1984 (lower right) Mansfield At the Bay 47 x 67cm bamboo engraving, ltd ed 7/100 $400 - $800 signed & dated 1984 (lower right) 45 x 65cm $400 - $800

FINE ART 97 211 212

213

214

211 213 214 Rudolf Boelee (b 1940) Rudolf Boelee (b 1940) Robyne Voyce (b 1960) Crown Lynn Modernist Vase Diptych Petrus van der Velden Composition no. 3 (2007) acrylic and screenprint on board triptych, screenprint & acrylic on three triptych, fabric construction on board artist’s stamp (lower right of both panels & co-joined panels signed with artist’s stamp and dated 2007 to to reverse) signed, inscribed with title & dated ‘99 to reverse of each panel 60 x 60cm per panel, 60 x 120cm overall reverse 60 x 60cm per panel, 180 x 60cm overall $1,000 - $2,000 39 x 91cm (overall) $1,500 - $2,500 $800 - $1,400 212 Rudolf Boelee (b 1940) Left/Right M J S Diptych acrylic & screenprint on two panels signed, artist’s stamp, inscribed with title & dated ‘96 to the reverse of both panels 60 x 60cm per panel, 60 x 120cm overall $1,000 - $2,000

98 DUNBAR SLOANE 215 216 217

218 219 220

215 217 219 Mary McFarlane (b 1960) Max Gimblett (b 1935) Elliot Collins (b 1983) Moon Knows XXI Remembrance Future Music #1 mixed media on vintage mirror brass quatrefoil vinyl on tambourine signed, inscribed with title & dated 2001 to inscribed #6861, signed and dated 2015 on signed & dated 2012 to inner rim reverse printed artist label verso 17cm dia. 45 x 30cm (maximum) 25 x 25 cm $350 - $700 $750 - $1,500 $1,250 - $2,500 220 216 218 Mervyn Williams (b 1940) Darryn George (b 1970) John Nixon (Australian 1949-2020) Untitled Noa Untitled acrylic on paper oil on canvas acrylic enamel on hardboard signed & dated 1985 (lower right) signed, inscribed with title and dated 2002 signed and dated 1999 to reverse 61.5 x 49cm to reverse 53.5 x 53.5cm $1,000 - $2,000 40 x 40cm $1,200 - $2,400 $1,200 - $2,400

FINE ART 99 224

221

222 225

223 226

221 223 225 Gordon Crook (1921-2011) Michael Cubey Philip Trusttum (b 1940) Two Figures in a Telephone Box Untitled (1991) Back & Side tapestry mounted on recycled paper acrylic, graphite & pastel on paper both acrylic on paper signed with initials & dated ‘79 (lower left) 79 x 119cm each signed & dated 1998 (various) 63 x 67cm $600 - $1,200 22 x 16cm each (2) $1,000 - $2,000 $800 - $1,600 224 Provenance Eion Stevens (b 1952) 226 Sale, Art+Object, The Collection of Frank & Archer Don Peebles (1922-2010) Lyn Corner, Wellington, 18/03/2018 (lot 186) acrylic on board with petroleum based glaze Untitled signed with initials, inscribed with title & watercolour & charcoal on paper 222 dated ‘13 to reverse 57.5 x 56cm Katy Corner (1956-2016) 49 x 40cm maximum $600 - $1,000 Magnetism (2003) $750 - $1,500 embroidery Provenance artist’s catalogue label affixed to reverse Gifted to current owner by the artist, who 12.2 x 30.5cm, was a personal friend $750 - $1,250

Provenance Sale, Art+Object, The Collection of Frank & Lyn Corner, Wellington, 18/03/2018 (lot 183)

100 DUNBAR SLOANE 227 228 229

230 231 232

227 229 231 Nigel Brown (b 1949) John Drawbridge (1930-2005) Dick Frizzell (b 1943) Tree of Life Woman with Matisse No. I Aroha Nui woodcut, ltd ed 2/10 mezzotint and drypoint etching, ltd ed screenprint, AP signed & dated ‘83 (lower centre) 12/100 signed & dated ‘19 (lower right) 37 x 15.5cm signed & dated 1983 (lower right); inscribed 58 x 43cm $500 - $800 with title (lower centre) $900 - $1,500 79 x 58cm 228 $1,000 - $2,000 232 John Drawbridge (1930-2005) Dick Frizzell (b 1943) Two Small Waves Provenance Table / Wine mezzotint, ltd ed 4/50 Sale, Art+Object, The Collection of Frank & lithograph, ltd ed 32/100 signed & dated ‘97 (lower right) Lyn Corner, Wellington, 18/03/2018 (lot 94) signed & dated 2002 (lower right) 37 x 28.5cm 58 x 48.5cm $600 - $1,200 230 $500 - $1,000 Dick Frizzell (b 1943) Tall Ships lithograph, ltd ed 107/150 signed & dated 17/6//90 within the print 73 x 54cm $600 - $1,200

FINE ART 101 102 DUNBAR SLOANE Part Three Studio Ceramics & Applied Art

Thursday 3 December 4pm start Lot 300 - 370

FINE ART 103 300 301 302 303 Mirek Smisek Wine Carafe Mirek Smisek Ovoid Bottle Mirek Smisek Jug strap handle, Mirek Smisek Two Specimen impressed mark, original rattan Vase, impressed mark, 30cm impressed mark, 18cm height Vases of different colourways, and cork stopper, 31.5cm height height $140 - $300 both with impressed marks, overall $300 - $600 15.5cm, 11cm heights $300 - $600 $100 - $200

304 Mirek Smisek Three Bowls, two Mirek Smisek Early Specimen 306a Mirek Smisek Pair of Plates and matching & one other Vase, impressed mark, 12.5cm Mirek Smisek Teapot, Small Bowl, all with impressed decoration, all with impressed height original cane handle, impressed marks, 23.5cm & 13.5cm dia. marks, 13cm dia. $100 - $200 mark, 15.5cm height (excluding $160 - $300 $100 - $200 handle) $140 - $300 305 306

307 308 309 310 Mirek Smisek Pair of Mugs, Mirek Smisek Pair of Tankards, Mirek Smisek Five Coffee Mugs, Mirek Smisek Nine Unomi, impressed marks, 11cm heights both with impressed marks, all with impressed marks, 8cm consisting of one pair & seven $80 - $140 13cm heights heights others matching, impressed $60 - $120 $60 - $120 marks, 7cm heights $80 - $140

311 312 313 314 Mirek Smisek Set of Six Wine Anneke Borren Four Goblets, Anneke Borren Six Goblets, Anneke Borren Five Goblets Goblets, all with impressed 17.5cm height incised basket weave pattern, compressed ovoid bowls, marks, 12cm heights $80 - $160 14cm height 14cm height $200 - $400 $100 - $200 $100 - $200

104 DUNBAR SLOANE 315 316 317 Anneke Borren Circular Lidded Pot, original Anneke Borren Flower Sphere, Anneke Borren Squat Ovoid Bottle Vase, NZ native timber turned lid with incised mark painted mark to base, 15cm height signed to base, 18.5cm height & paper label to base, 18cm height overall $100 - $200 $100 - $200 $100 - $200

318 319 Anneke Borren Fruit Bowl painted mark to base, 27cm Anneke Borren Three Graduated Pots lemon yellow dia., together with wall mounting vase, painted mark to glaze with turned wood lids, painted signatures to base, 18.5cm length (2) bases, 12cm, 11.5cm, 10cm heights $100 - $200 $100 - $200

320 Anneke Borren - Big Tile Cube each panel of 4 x 4 tiles, all decorated with bird motifs. Cube framed and on wooden platform base, 67cm height x 65cm width $1,800 - $3,000

Provenance Cubes in this series were made for Children’s hospital waiting rooms, functioning as big kids playing blocks. This cube was commissioned for the waiting room of a Private Doctor & is slightly smaller than the above examples.

Literature Similar cube illustrated ‘Anneke Borren - Ceramiste’, 2016 [pub in conjunction with Anneke Borren’s retrospective exhibition at Rick Rudd’s Ceramics Museum, Whanganui, 2016] p. 17.

FINE ART 105 321 Anneke Borren Drinking Chess Set, complete with board, pieces of sizes, largest 14.5cm height $600 - $1,000

Provenance purchased Van Helden Gallery, Days Bay, October 1979

322 Mirek Smisek Branch Pot, Te Horo c1980, cobalt salt glaze, impressed mark, 56cm height $1,500 - $2,500

Provenance Studio & Estate of the artist purchased New Zealand Academy of Fine Arts, June 2013 Collection of Paul & Kerry Barber, Wellington

Exhibited Wellington, New Zealand Academy of Fine Arts, 60 Years 60 Pots, May-June 2013

323 Mirek Smisek Large Footed Table Bowl, impressed mark, 52cm dia. $500 - $1,000

324 325 326 Mirek Smisek Ovoid Vase, incised early Mirek Smisek Ovoid Vase, early mark to Mirek Smisek Massive Planter, impressed mark to base, 26cm height base, 24cm height mark, 39cm width $300 - $600 $300 - $600 $250 - $450

106 DUNBAR SLOANE 327 328 329 Nicholas Brandon Floor Vase, entitled Warren Tippet Large Charger, ash & Barry Brickell Large Lidded Stoneware Hawks & Doves c.1979, 32cm height tenmoku glaze, impressed mark, 45.5cm dia Crock, impressed mark, 47cm height $200 - $400 $300 - $600 $750 - $1,250

330 331 332 333 Barry Brickell Casserole, Barry Brickell Ashtray, Barry Brickell Freeform Vase, Chester Nealie Flask, strap impressed mark, 28.5cm dia. impressed mark, 16cm dia. impressed mark, 6cm height handle, impressed marks & (lacking lid) $60 - $120 $100 - $200 original paper label affixed, $100 - $200 16.5cm height $160 - $300

334 335 336 337 Bruce Martin Ashtray, Estelle Martin Lidded Helen Mason Domestic Ware, Patti Meads Nine Wine Goblets, impressed mark, Casserole, painted mark to base, comprising soup tureen, five all with impressed marks, 15cm 20.5cm x 20.5cm 25.5cm dia. soup bowls, three additional heights $60 - $120 $60 - $120 bowls & salt pig, all with $80 - $160 impressed marks, of sizes $100 - $200

FINE ART 107 338 339 340 Steve Fulmer - ‘Mister Fulmer’ Vase, Steve Fulmer - Pair Graduated Vases, Peter Collis Jardiniere, ribbed spherical hand-modelled low fired stoneware with hand-modelled low fired stoneware with form, signed & dated ‘95 to base, 23cm dia. oxide (1991), etched with title (lower) with oxide, various impressed marks, 45cm & $140 - $300 paper label to base, 48cm height 32cm heights $300 - $600 $300 - $600

341 342 John Papas Images (1982) Christine Thacker Three Pierced Bowls, mixed media ceramic panel, signed & c.2002, all signed to bases, 20.5cm, dated 1982 (lower right), inscribed with 20cm (2) dia. title to reverse, 123 x 108cm (some $200 - $400 damage & one tile missing) $500 - $1,000

343 344 344a Pair of Ceramic Tiles, - Melancolia Coin Jar Christine Thacker Matthew Couper Roy Cowan Large Bowl, interior decoration glazed decoration of figures, both signed & (2010) ceramic & mixed media, of stylised flowers, incised initials, 37cm dia dated to front and reverse, of sizes 33cm x 22cm x 15cm (snake’s head repaired) (small chip to rim) together with Attributed $100 - $200 $200 - $400 Juliet Peter ceramic tile with chicken (2) $200 - $400

108 DUNBAR SLOANE 345 Christine Boswijk Untitled (Table Sculpture), fired clay within a perspex case on a steel plinth with inset fluorescent lighting tube 78cm height maximum ceramic, 155cm height overall including base $3,000 - $6,000

346 347 348 349 Aaron Scythe Teapot & Vase Richard Stratton Ovoid Vase, Richard Stratton Rectangular Elizabeth Lissaman Two Mugs, applied impressed stamp to incised & glazed decoration, Vase, high fired agate & incised signature & dated 1972 base of teapot, 20cm & 29cm signed & dated ‘91 to base, stoneware, impressed mark & to base, 8cm height heights 29cm height incised date ‘2018’ to base, $40 - $100 $100 - $200 $160 - $300 20.5cm height $200 - $400

FINE ART 109 350 351 352 Crown Lynn Hand Potted Vase, Crown Lynn Hand Potted Vase, Paul Maseyk Pair of Nudey Mugs, tiki mark & incised no.24 to base, tiki mark to base 13.5cm height painted signature to base, 13cm height 18cm height $100 - $200 $60 - $120 $200 - $400

353 354 355 Len Castle Hanging Bottle Vase, Len Castle Early Elongated Ovoid Vase, Len Castle Three Small Bowls, impressed mark, 26cm length impressed mark, 27cm height impressed marks, 13.5cm dia. $500 - $800 (slight chip to base) $100 - $200 $350 - $500

356 357 358 Duncan Shearer Tapering Elliptical Vase, James Greig Unfolding Form Bowl, James Greig Ovoid Specimen Vase, impressed mark, 47cm height c1974, incised mark, 41.5cm length incised mark, 14.5cm height $160 - $240 $400 - $800 $100 - $200

110 DUNBAR SLOANE 359 361 James Greig - Transformation Series Attributed Barry Brickell Sculptural Form, c. 1985–1986 textured surfaces with a Unmarked, 80cm height transparent over glaze, incised mark to base $750 - $1,250 113.5 x 40 x 34cm $6,000 - $10,000

362 363 364 Barry Brickell Anthropomorphic Theo Janssen ‘Male/Female’ Lorna Ellis Bronze Bust, Engineering Series Vessel, Takaka marble sculpture in two parts, 40cm, incised signature & dated ‘71, 32.5cm height glazed terracotta, impressed mark, 39cm heights $600 - $1,000 44.5cm height, (rim chip) $1,000 - $1,600 $400 - $800

FINE ART 111 365 367 369 Feltex ‘Mt Cook’ Souvenir Rug, Feltex ‘Mitre Peak’ Souvenir Rug, Feltex ‘Auckland Harbour Bridge’ Feltex Carpets New Zealand Ltd Feltex Carpets New Zealand Ltd Souvenir Rug, Brendan Hartwell for Feltex Mt Cook, woollen souvenir rug, Mitre Peak New Zealand, woollen rug, Carpets New Zealand Ltd 132cm x 68.5cm 137 x 69cm Auckland Harbour Bridge, woollen souvenir $1,500 - $2,500 $1,500 - $2,500 rug, no 5 of Riccarton series , 69 x 136cm $1,500 - $2,500 366 368 Feltex ‘Mt Egmont’ Souvenir Rug, Feltex 'Taupo' Souvenir Rug, 370 Brendan Hartwell for Feltex Carpets Brendan Hartwell for Feltex Carpets Feltex ‘Rotorua’ Souvenir Rug New Zealand Ltd New Zealand Ltd Brendan Hartwell for Feltex Carpets New Mt Egmont, woollen souvenir rug, Taupo, woollen souvenir rug, no 3 of Zealand Ltd 136cm x 69cm Riccarton series,136 x 69cm Rotorua, woollen souvenir rug, $1,500 - $2,500 $1,500 - $2,500 69cm x 137cm $1,500 - $2,500

112 DUNBAR SLOANE FINE ART 113 114 DUNBAR SLOANE Part Four Maori Artefacts

Thursday 3 December 6pm start Lot 400 - 462

MAORI ARTEFACTS 115 401 402 403

405 409 410

411 412 413

400 405 411 21cm length Stone Mahe/Sinker Stone Toki/Adze 16cm length Stone Toki/Adze 11cm length Y21138 Y21117 Y21143 $100 - $200 $200 - $400 $200 - $400 406 412 31.9cm length 401 Stone Toki/Adze18cm length Large Stone Toki/Adze Stone Patu Muka Aruhe (Pounder) Y21137 Y21120 21cm length $40 - $100 $300 - $600 Y 21144 $100 - $200 407 413 32cm length Two Stone Toki/Adzes Large Stone Toki/Adze 402 9.5cm, 11.2cm length Y21121 Stone Patu Muka Aruhe (Pounder) Y21115 & Y21116 $300 - $600 21.5cm length $100 - $200 Y 21141 414 $100 - $200 26.5cm length 408 Stone Hogback Toki/Adze Y21119 Stone Toki/Adzes 10.7cm length, Y21114 403 together with other probable Pacific Island $140 - $300 Stone Patu Muka Aruhe (Pounder) stone adze, 14cm length (2) 12cm length $60 - $140 415 Y21136 Stone Toki/Adze 21cm length $100 - $200 Y21118 409 $200 - $400 Stone Toki/Adze 17cm length 404 Y21149 Stone Patu Muka Aruhe (Pounder)26.5cm $100 - $200 416 length Stone Toki Adze on Wooden Shaft black Y21140 sharp edges toki attached to rakau whakairo 410 $160 - $300 with thick muka, 35cm length Pounamu Toki/Adze, 14.2cm length Y21112 Y21145 $300 - $600 $200 - $400

116 DUNBAR SLOANE 419 420 422

400 418 421 417 423

417 422 427 Matau/Fish Hook paua shell attached to C18/19th Bone Puhoro (pendant toggle) Three Greenstone Chisel Pieces and Stone wood, bone hook barb lashed with muka 7.7cm Piece miro, 10cm Y21134 8.5cm, 7cm, 4cm, 15cm Y21135 $200 - $400 $40 - $80 $300 - $600 423 428 418 C18/19th Pounamu Kuru (Pendant) Naively Carved Bone Heru (Hair Comb) C18/19th Matau/Fish Hook all bone hook 16cm length (damage) barb 6.5cm (repaired) Y21146 14.5cm Y21122 $500 - $1,000 $100 - $200 $200 - $400 424 429 419 C19th Pounamu Kuru (Pendant) 7.5cm Late C19th/20th PiuPiu (skirt) traditional Collection C18/19th Five Bone Matau Fish length all flax with wide woven band, 71cm band Hooks and Lures 6.2cm, 5cm, 2cm, 3.6cm, Y21146 width 3.5cm $300 - $600 Y No. Pending Y21125 - Y21129 $100 - $200 $300 - $600 425 Greenstone Pendant elongated form 430 420 9.5cm, un-registered Four Stone Toki/Adze 22cm, 22cm, 12cm, Collection Four Bone C18/19th Uhi (tattoo $100 - $200 11cm implement) 5.6cm to 3cm Y No. Pending Y21130 - Y21132, Y21148 426 $100 - $200 $400 - $800 C20th Greenstone Tiki traditional form with both hand on thighs, (chip to bottom left) 421 9.5cm height Two C18/19th Bone Ngira (needle) $200 - $400 10.7cm, 9.2c Y21123, Y21124 $400 - $800

MAORI ARTEFACTS 117 431

432

433

431 432 433 C19th Tewhatewha (Long Handled C19th Pouwhenua (Long Handled Late C19th Hoe (paddle) Weapon) possibly totara hard wood with a Weapon) possible Kohekohe hardwood, plain design, 180cm length burr to the blade carved face band to the rounded rau (blade) with carved whiti Y21113 shaft with a drilled suspension hole to towards bottom of shaft, depicts a carved $100 - $200 blade,139cm length manaia paua inlay to one eye only, Y21110 152cm length $1,000 - $2,000 $2,000 - $4,000

118 DUNBAR SLOANE 434 A Finely Carved Hoe, Maori ceremonial The handle of serpentine shape with further For a similar carved paddle attributed to paddle with orthodox leaf-shaped blade fully kowhaiwhai carving confirming to the blade Tene Waitere and held in the Canterbury decorated on both sides attributed to Tene intersected by a wheku head with paua shell Museum collection see Carved Histories: Waitere (Ngati Tarawhai). The front carved eyes and terminating in a manaia head. Rotorua Ngati Tarawhai carving by Roger in deep relief with three ancestral figures, Length.1820mm. Neich. P. 249. Figure 15.46 each with cut paua shell eyes decorated with Y 4010 notched ridge (rauponga) and spiral (pakura) $8,000 - 14,000 designs. The central male figure with unusual carved phallus, symbolic of virility and courage The lower section of the blade terminating in a wheku head. The reverse side of the blade with kowhaiwhai carving.

MAORI ARTEFACTS 119 435 A Rare C18th/19th Whakapakoko Atua (Godstick) Carved as a human figure with wheku face with protruding tongue and deeply set eyes. Decorated with notched ridge (rauponga) and spiral (pakura) designs The ears unusually pierced, probably for the attachment of feathers The figure with hands placed beside a protruding abdomen. The reverse with notched spine possibly associated with genealogy. Length.29cm Y 21074 $15,000 - $25,000

120 DUNBAR SLOANE 436

437 438

436 437 438 Late C19th/ Early C20th Korupe (Lintel), Late C19th/Early C20th Pouaka (Box) dark Late C19th/ Early C20th NZ Folk Art hardwood with remains of original painted stained kauri all carved with entwining tiki Carved Work Box large size with fall- finish carved with three masks joined with heads and arms, paua shell insets front and lift lid revealing side bank of five pierced pakati (pattern) and notch style dec- 51cm length, 21cm width, 25cm height drawers. All carved with Maori portraits of orations above a geometric diamond pattern Y168 chieftains, depiction of Heeni Hirini and support inset with paua $2,000 - $4,000 child, wharenui meeting house and to the lid 133cm length x 37cm height a tiki with scrolling tail Y1466 80cm length, 51.5cm depth, 55cm height $3,000 - $5,000 $2,000 - $4,000

MAORI ARTEFACTS 121 439 444 445

441 442 443 447

439 442 446 Stone Mahe/Sinker Four Stone Whao/Chisel Pounamu Whao/Chisel & Toki/Adze 11cm length 13.5cm 11cm 9cm 8cm Length with later holes formed to allow wearing Y-Number pending Y-Numbers pending as pendant, 4cm 6cm $200 - $400 $100 - $200 Y-Number Pending $200 - $400 440 443 Two Stone Whao/Chisel & partially Six Stone Toki/Adze 447 formed Stone Toki/Adze 8cm 8cm 7cm 6cm 5.5cm 4.5cm length Two small Pounamu Whao/Chisel and 25cm 17cm 14cm Length Y-Number pending Sandstone Hoanga/Grinding Block Y-Numbers pending $100 - $200 with Pounamu Toki Fragment $100 - $200 2cm 3cm 5cm 4cm 444 Y-Number pending 441 Two Pounamu Toki/Adze $100 - $200 Four Stone Whao/Chisel 9.5cm 6cm length 14cm 15cm 8cm 15cm Length Y-Number Pending 448 Y-Numbers pending $100 - $200 Four Pounamu Toki Fragments $100 - $200 8cm 7cm 5cm 4cm 445 Y-Number pending Provenance Two Pounamu Kota/Scraper with fine $100 - $200 One Stone Toki/Adze serrated edging , 5.5cm 6cm length Kaikoura Peninsula 9/4/1955 Y-Number Pending 449 $200 - $400 Stone Matau/Fishing Lure Minnow Shank with triangular cross-section holes & Bone Piece , 7.5cm 5.5cm Y-Number pending $100 - $200

122 DUNBAR SLOANE 458

462

452 455 461 459

450 454 459 Three Small Pounamu Whao/Chisel & Mid C20th Walking Stick Maori carved Whale Ear small Bone Ngira/Needle with threading handle and titled Hemi Rangi Nui $40 - $100 hole 87cm length 4.5cm 4cm 4.5cm 4.5cm $80 - $160 460 Y-Number Pending Fossil Sea Sponge from the Ward Beach $100 - $200 455 Area, sea coral sponge and boar tusk Large African Mask stylised form with 10cm dia. each 451 diaper bold decoration $60 - $160 Modern Carved Greenstone Hei Tiki 136cm length 9cm $300 - $500 461 $100 - $200 Replica Huia in Glass Dome 456 50cm overall height 452 Large Hawaiian Island Fishing Lure 30cm $400 - $800 Composite Moulded Maori Poupou Wall $50 - $150 Panel two full Tiki figures on plinth base 462 1340cm Height 457 Replica NZ Moa Foot Skeleton $200 - $500 Pacific Island Finely Woven Hair Comb 32cm 19cm $200 - $400 453 $100 - $200 Small Wooden Club together with Mid C20th carved kauri hand held paddle 458 38cm 41cm Length Vintage Collection Paryphania Shells etc $50 - $100 $100 - $200

MAORI ARTEFACTS 123 ALPHABETICAL INDEX

PART ONE I PART TWO F Illingworth, Michael 10, 25 Feu’u, Fatu 140 A A Fife, Ivy 205 – 207 Albrecht, Gretchen 66 J Angus, Rita 108 Fitzgerald, Florence 168 Johnson, Ben 70 Fomison, Tony 139 B B Frizzell, Dick 135 – 138, 230 – 232 Barraud, Charles Decimus 50 M Badcock, John 189 Binney, Don 6, 32 McCahon, Colin 9, 26 Baker, Alan D 167 G Bush, Kushana 13 McCracken, Francis 45 Baker, W G 175 – 176 George, Darryn 216 MacDiarmid, Douglas 18 Beadle, Peter 155, 166 Gimblett, Max 217 D McIntyre, Peter 39 - 44 Bizumic, Mladen 195 Gribble, Paul 170 Day, Melvin (Pat) 19 McIntyre, Raymond 35, 38 Boolee, Rudolf 211 – 213 Griffin, Matt 146 – 149 Dibble, Paul 17 Maughan, Karl 1, 33 Brown, Nigel 227 Gross, Frank 113 N E Ngan, Guy 54 C H Ellis, Robert 69 Cairncross, Sam 197 Henderson, Louise 198 P Carrington, George William 174 Herschell, Suzanne 184 F Page, Evelyn 36, 37 Christmas, Ernest W 173 Hodgkins, William Matthew 177 Frizzell, Dick 61 Pick, Seraphine 34 Clark, Russell 199 – 204 Cole, Ruth 181 J G S Collins, Elliot 219 Jenkinson, Megan 193 Gibb, John 52 Scott, Ian 16 Corner, Katy 222 Johnson, Eric Lee 114 – 115 Gimblett, Max 2 Smither, Michael 29, 30 Cowan, Roy 103 – 106 Gully, John 51 Cubey, Michael 223 K T Crook, Gordon 133, 196, 221 Kauffman, Karl 169 H Tole, Charles 24 Kelly, Annie Elizabeth 158 Hammond, Bill 4, 5 Thomson, Elizabeth 15 D Kelly, Felix 171 Hanly, Pat 31, 62-65 Thompson, Sydney Lough 46, 47 Davis, Louis 172 King, Marcus 157 Hartley-Skudder, Emily 14 Trusttum, Philip 67, 68 Drawbridge, John 107, 228 – 229 Knight, Gwen 109 – 110 Harris, Jeffrey 55, 56 Heaphy, Chris 53 W E L Hotere, Ralph 3, 58-60 Walters, Gordon 8, 27, 28 Epslin, Tom 159 – 162 Lee, Owen R 154 Warhol, Andy After 11, 12 Leenards, Gerda 179 – 180 Weeks, John 20 - 23 Lovell – Smith, Rata 156 Wheeler, Colin 49 Lusk, Doris 165 Woollaston, Mountford Tosswill 48

124 DUNBAR SLOANE M T APPLIED ARTS M Mahon, Sam 190 Thompson, Sydney Lough 164 Martin, Bruce 334 Major, Irvine 111 Trusttum, Philip 225 B Martin, Estelle 335 Maw, Liz 144 Borren, Anneke 312 – 321 Maseyk, Paul 352 McFarlane, Mary 215 V Boswijk, Christine 345 Mason, Helen 336 McIntyre, Peter 112 Voyce, Robyne 214 Brandon, Nicholas 327 Meads, Patti 337 Moore, Michael 183 Brickell, Barry 329 – 332, Moore, R P 194 W 361 – 362 N Morrison, Robin 152 – 153 Waddington, Phillip 178 Nealie, Chester 333 Weeks, John 117 – 124 C N Whyte, Alice 163 Castle, Len 353 – 355 P Nigro, Jan 185 Williams, Mervyn 220 Collis, Peter 340 Papas, John 341 Nixon, John 218 Woollaston, Mountford Tosswill 192 Couper, Matthew 344 Nixon, Kirsty 182 Woods, Kate 145 Cowen, Roy 344 S Crown Lynn 350 – 351 Shearer, Duncan 356 O Y Smisek, Mirek 300 – 311, O’Brien, Greg 142 – 143 Youle, Wayne 134 E 322 – 326 O’Hagan, Peter 186 – 187 Ellis, Lorna 364 Stratton, Richard 347 – 348

P F T Palmer, Stanley 208 – 210 Feltex Rugs 365 – 370 Thacker, Christine 342 – 343 Pebbles, Don 226 Fulmer, Steve 338 – 339 Tippet, Warren 328 Peter, Juliet 100 – 102 Peyer, Peter 150 – 151 G Pule, John 141 Greig, James 357 – 359

R J Randerson, Glenda 188 Janssen, Theo 363

S L Sanderson, Pippa 191 Lissaman, Elizabeth 349 Savage, Cedric 116 Smither, Michael 125 – 132 Stevens, Eion 224

FINE ART 125 RECENT ART HIGHLIGHTS 2020 RESULTS - OVER 90% OF LOTS SOLD & OVER 130% BY VALUE

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11

10 12

Illustrated: 1 Ralph Hotere Black Painting - Yellow/Green III, brolite & lacquer on board - $44,200 2 Don Peebles, Relief Construction enamel on wooden construction - $23,900 3 Paul Dibble Pacific Dancer, cast bronze - $86,600 4 Colin McCahon, Singing woman on pink ground, oil on board - $400,000 5 Colin McCahon North Otago Landscape 3, oil on board - $717,300 6 Melvin (Pat) Day Breaker Bay, Wellington Harbour, oil on canvas - $52,600 7 Ivon Hitchens (British) Conservatory, oil on canvas - $215,100 8 Fiona Pardington Portrait of Female Huia, c-type print - $56,200 9 Euan MacLeod Quail Peninsula, oil on canvas - $40,600 10 Gordon Walters - Kapiti, ltd ed screenprint - $19,000 11 Max Gimblett Treasure, mixed media on board - $24,000 12 Toss Woollaston Grey River, oil on board - $56,200 * Rounded to the nearest hundred including buyers premium + GST

FINE ART 127 ENTRIES CURRENTLY INVITED

New Zealand & International Fine Arts March/April 2021

Enquiries

Helena Walker +64 4 472 1367 / 0274 713 662 [email protected]

Dunbar M Sloane +64 9 377 5820 / 021 473 998 [email protected]

ENTRIESENTRIES CURRENTLYCURRENTLY INVITEDINVITED

Antique & Decorative Arts

March/April 2021

Enquiries

Anthony Gallagher +64 4 472 1367 0274 713 667 [email protected]

128 DUNBAR SLOANE ENTRIES CURRENTLY INVITED

CATALOGUE ONLINE

Fine & Estate Jewellery

9 December 2020

Illustrated

Art Deco All Platinum 96stone Diamond Two Piece Dress Clip/ Brooch Est $12,000 - 18,000

Enquiries

Bettina Frith +64 4 472 1367 0272 308 448 [email protected]

FINE ART 129 CONDITIONS OF SALE

1. 5. satisfies Dunbar Sloane Ltd had considered in the light of the entry in the Catalogue The highest Bidder is deemed to be Each Lot sold by the Seller thereof with the Lot is a deliberate forgery then the the Buyer, and if during the Auction all faults and defects therein and with sale of the Lot will be rescinded and the the Auctioneer considers that a dispute all errors of description and is to be purchase price of the same refunded. has arisen, the Lot in dispute shall be taken and paid for whether genuine and immediately put up again for sale. authentic or not and no compensation 7. shall be paid for the same. 2. To prevent inaccuracy in delivery, and Dunbar Sloane Ltd act as agents only inconvenience in settlement of Purchase, The Auctioneer has the right to refuse and neither they nor the Seller are no Lot can be taken away during the any bid and to advance the bidding responsible for any faults or defects in times of sale, nor can any Lot be taken at his absolute discretion. any Lot or the correctness of any away unless it has been paid for in full. 3. statement as the authorship, origin, date, All lots are to be paid for and taken away The Seller shall be entitled to place a age, attribution, genuineness, at the Buyer’s expense within two reserve on any Lot and the Auctioneer provenance or condition of any Lot. working days from the sale. Purchases, shall have the right to bid on behalf All statements in the Catalogues, whilst in our care, will be insured for this of the Seller for any Lot on which Advertisements or Brochures of period (subject to terms and conditions). a reserve has been placed. forthcoming sales as to any of the matters 8. Dunbar Sloane Ltd have the right specified in (b) above are statements On failure of a Buyer to take away to withdraw or divide any Lot or of opinion, and are not to be relied upon and pay for any Lot in accordance to combine any two or more Lots as statements of representations of fact, with Condition 7, Dunbar Sloane Ltd at their sole discretion. and intending purchasers must satisfy themselves by inspection or otherwise reserves any other right or remedies. 4. as to all of the matters specified in (b) To resell the Lot or cause it to be resold The Buyer shall forthwith upon the above, as to the physical description by public sale, any money paid in part purchase give in his/her name and of any Lot, and as to whether or not payment being forfeited, any deficiency permanent address. any Lot has been repaired. attending such resale after deducting all The Buyer may be required to pay The Seller and Dunbar Sloane Ltd do costs incurred in connection with the Lot down forthwith the whole or any part not make or give, nor has any person to be made good by the defaulting of the Purchase Money, and if he/she in the employment of Dunbar Sloane Buyer, and any surplus to be the Seller's fails to do so,the Lot may at the Ltd any authority to make or give, or: To store the Lot or cause it to be Auctioneers absolute discretion any representation or warranty. stored whether at their own premises or be put up again and resold. elsewhere at the sole expense of the In any event neither the Seller nor Buyer, and to release the Lot only after Dunbar Sloane Ltd are responsible payment in full of the purchase price for any representation or warranty, together with interest there on of 5% or for any statement in the Catalogues, above Bank minimum lending rate, the The Buyer shall pay to Dunbar Advertisements or Brochures of accrued cost of removal, storage and Sloane Ltd a premium of 18% on forthcoming sales. insurance (if any) and all other costs the hammer price together with 6. incurred in connection with the Lot. GST at the standard rate on the premium, and agrees that Not withstanding any other terms If the Lot has been in store pursuant Dunbar Sloane, when acting as of these conditions, if within 7 days to (ii) for more than 6 months, to remove agent for the Seller, may also after the sale Dunbar Sloane Ltd have the Lot from store and to exercise the receive commission from the received from the Buyer of any Lot notice right set out in (i). Seller. in writing that in his view the Lot is deliberate forgery and within 9 days after such notification, the Buyer returns the same to Dunbar Sloane Ltd in the same condition as at the time of sale and

130 DUNBAR SLOANE ENTRIESENTRIES CURRENTLYCURRENTLY INVITEDINVITED

Affordable Art

February 2021

Enquiries

Helena Walker +64 4 472 1367 0274 713 662 [email protected]

ENTRIES CURRENTLY INVITED

Studio Ceramics & Applied Arts

March/April 2021

Enquiries

Helena Walker +64 4 472 1367 0274 713 662 [email protected]

FINE ART 131 BUYERS GUIDE If you have not bought from Dunbar Sloane before, please read the following notes. Staff will be pleased to answer any questions you may have.

BEFORE AUCTION 2. Absentee Bidding AFTER THE AUCTION The terms and conditions under which If you are unable to attend the auction, the buyer acts at a sale are detailed Dunbar Sloane Ltd can bid on your Payment at the back of this catalogue. We behalf according to your written Payment for purchase is due in New recommend that you read and instructions. This is a free service for Zealand dollars within 48 hours from the understand these conditions of business intended buyers. Please complete clearly date of sale by cash, cheque, eftpos or before registering to bid at an auction. the form at the back of this catalogue electronic transfer. Bank details as This sale is subject to the conditions and submit it to Dunbar Sloane Ltd at follows: of business printed in this catalogue least 24 hours before the sale to ensure it Dunbar Sloane Ltd and to the reserves. is safely received. Lots will be purchased 06 0501 0524945 0 for you as reasonably as possible, subject Swift Code ANZBNZ22 to other bids in the room and to Viewing Please include details of sale date reserves. All lots are available for inspection and lot numbers with all payments. prior to the sale. Although staff will 3. Telephone Bidding International clients will need to add an endeavour to answer your enquiries, If you are unable to attend the auction, additional $25NZD to cover bank transfer and give advice, the final decision you can elect to bid by telephone fees. to bid, is at your discretion and liability. (subject to availability). Telephone bidding must be arranged with Dunbar Collection of Purchases Pre-Sale Estimates Sloane Ltd prior to the sale and is subject Property purchased can be collected as The estimated prices printed below to a minimum lot estimate of $500 or soon as full payment has been received. the catalogue descriptions are in greater. Please note that the auctioneer Any items not collected within seven New Zealand dollars and are the determines the increments in bidding, days of the auction may be subject to a approximate prices expected to be not the telephone bidder. We accept no storage and fee. Insurance (subject to realised, excluding buyers premium. responsibility if for whatever reason we terms and conditions) applies for up to They are not definitive, they are are unable to contact you and as such two working days from the date of the prepared well in advance of the sale recommend leaving a covering bid. sale whilst items are in our care. and they are subject to revision. 4. Live Online Bidding Items must be paid for straight away and Condition Reports We offer live online bidding on our a second account for courier/freight Dunbar Sloane Ltd will provide a verbal website: www.dunbarsloane.co.nz charges will follow as soon as possible when we have confirmed courier charges. condition report if you would like an Registering online does not opinion on any particular lot prior to automatically register to bid, and further purchasing. These must be requested at identification maybe required, especially least 24 hours before the Packaging and Transportation if you are an International client. commencement of auction. All goods We advise buyers to arrange transport and are sold “as is” and it is up to the buyer Selling Rate insurance with their preferred provider/s. to satisfy themselves as to the condition We accept no responsibility Fine Art auctions are generally of an item before the auction. for loss or damage in transit. For smaller conducted at the rate of about 60 lots items able to be couriered, Dunbar Sloane per hour. However, this can vary. THE AUCTION Ltd can pack and courier for a fee. This is to be paid before the goods leave our Buying at Auction premises. We pack with care, however we You are able to bid using the following BUYERS PREMIUM take no responsibility for damage once four methods: The buyer shall pay to Dunbar your goods leave our premises. It is up to Sloane Ltd a premium of 18% of the buyer to arrange insurance to cover 1. Bidding in the Room the hammer price plus GST on any damage or loss in transit. To bid at the auction you will need to the premium only–effectively register for a bidding number at the front adding 20.70% to the hammer desk either during the viewing or prior to price. the auction. Please bid clearly and promptly using your bidding number.

132 DUNBAR SLOANE ABSENTEE BIDDING FORM 94 Featherston Street, Wellington PO Box 224, Wellington 6140, New Zealand P +64 4 472 1367 F +64 475 7389 E [email protected]

Type of Auction Auction Date

Please bid on my behalf at the above sale for the following lots. These bids are to be executed as low as permitted by other bids or reserves. I agree to comply with the Conditions of Sale as printed in the Catalogue.

Full name

Address

Phone Email

SIGNED DATE

Lot Title / Description Maximum Bid Price Number (use block letters) (excluding premium)

International Bidders Are required to provide photographic proof of ID – passport or drivers licence together with proof of address – utility bill, bank or credit card statement etc. Failure to provide this will result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference. NOTE Individual bids registered by overseas bidders must be over $500 in individual value.

Please double check your bids and read terms below Please submit your bid as early as possible. In the event of identical bids, the earliest will take precedence. 'Buy' bids are not accepted. The limit you leave should be the amount to which you would bid if you were to attend the Sale. Buyers are reminded that there is a 18% buyer’s premium on the hammer price plus GST on the premium. See conditions of sale.

FINE ART 133 134 DUNBAR SLOANE