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10 Years at the Blue Oyster
1 Old, New, Borrowed, Blue 10 Years at the Blue Oyster 2 3 Contents Proposal (2004) Kah Bee Chow p.1 Introduction Jo Campbell and Erika Wolf p.7 Unstable Institutional Memory: 10 Years at the Blue Oyster Ali Bramwell p.9 Memories of the First Half Douglas Kelaher p.16 “My one and only prayer, is that some day, you’ll care… But it’s only make believe” Melanie Oliver p.24 Tit-bits Anna Muirhead p.28 The Interactive Audience: The Blue Oyster Brings Performance Art to Dunedin Jenna Todd p.32 The Island Experience Caroline McCaw and Rachel Gillies p.40 Pearls Need True Grit: The Origins and Evolution of the Blue Oyster Sarah Wilson p.46 Citizens of the Future (2009) Bekah Carran p.56 Chronology p.59 4 Old, New, Borrowed, Blue: 10 Years at the Blue Oyster 5 Introduction gallery and its early years. The Blue Oyster’s longevity is a direct result of the foresight of those who formed Jo Campbell and Erika Wolf the trust, an organisational model that gave the gallery a life beyond the involvement of its originators. Melanie Oliver, an early manager of the Blue Oyster, offers Established in 1999 by a group of artists seeking to timely insights on the ways in which the desire to create a venue for alternative art, the Blue Oyster Art document and memorialise key moments has informed Project Space is now marking its tenth year of work. gallery projects and exhibitions throughout the past This publication and the accompanying exhibition decade. Anna Muirhead provides personal reflections Unstable Institutional Memory: 10 Years at the Blue on the significance of the relationships and networks Oyster celebrate the decade anniversary of Dunedin’s formed through her involvement with the Blue Oyster only dedicated experimental art space. -
The Story up to Now Architects, President (2014–16) of the by Bill Mckay
FREE Please take one. Issue One An offering of New Zealand Architecture and Design. — 2016 — 10. 14. 26. The diversity of New Class of ’15: the creative Innovative work by design- Zealand’s architecture and inspiring designs oriented companies is is highlighted in Future that received the highest showcased in the hosting Islands, the country’s architectural honours at space at the venue of the exhibition in the Biennale the 2015 New Zealand New Zealand architecture Architeturra 2016. Architecture Awards. exhibition in Venice. Joyful architecture Children playing on the roof of Amritsar, the Wellington house that was a career-long project of Sir Ian Athfield (1940– 2015), an outstanding figure in New Zealand architecture. More village than residence, Amritsar has captivated visitors for 40 years. One new fan is U.S. critic Alexandra Lange (see page 9). Photograph courtesy Athfield Architects. Our archipelago has been discovered by a succession cultural and spiritual importance around which of voyagers and explorers over the centuries but was dwellings were clustered. one of the last significant land masses to be peopled. As the Māori population increased and society The story Around 800 years ago, in the last thrust of human became more tribalised, strategic hillsides were expansion throughout the Pacific Ocean, expert nav- secured during periods of warfare by large-scale igators sailing sophisticated doubled-hulled vessels earthworks and palisades known as pā. The history landed in the southern reach of Polynesia (‘many of New Zealand architecture is not just one of arrival up to now islands’) and adapted their way of life to a colder, and the adaptation and evolution of building forms more temperate land. -
Research Outputs 2011 Research Output 2011 45 45 43 42 42 42 42 41 41 40 40 40 39 39 38 35 34 27 27 26 26 24 24 16 11 7 6 6 6 4 4 4 1 CONTENTS
Research Outputs 2011 CONTENTS 1 SUMMARY 4 BOOKS (Quality Assured) 4 BOOKS (Non-Quality Assured) 4 BOOK CHAPTERS (Quality Assured) 6 BOOK CHAPTERS (Non-Quality Assured) 6 EDITED BOOKS (Quality Assured) 6 EDITED BOOKS (Non-Quality Assured) 7 CONFERENCE PRESENTATIONS (Quality Assured) 11 CONFERENCE PRESENTATIONS (Non-Quality Assured) 16 CONFERENCE PROCEEDINGS (Quality Assured) 24 CONFERENCE PROCEEDINGS (Non-Quality Assured) 24 CONFERENCE ABSTRACTS (Quality Assured) 26 CONFERENCE ABSTRACTS (Non-Quality Assured) 26 CONFERENCE POSTERS (Quality Assured) 27 CONFERENCE POSTERS (Non-Quality Assured) 27 JOURNAL PAPERS (Quality Assured) 34 JOURNAL PAPERS (Non-Quality Assured) 35 EXHIBTIONS - Group (Quality Assured) 38 EXHIBTIONS - Group (Non-Quality Assured) 39 EXHIBTIONS - Solo (Quality Assured) 39 EXHIBTIONS - Solo (Non-Quality Assured) 40 EDUCATIONAL MATERIAL 40 WORKING PAPER 40 REPORTS 41 THESES (Quality Assured) 41 ARTEFACT, OBJECT OR CRAFTWORK 42 COMPOSITION 42 FILM/VIDEO (Quality Assured) 42 PERFORMANCES 2011 42 OTHER OUTPUTS 43 PRESENTATIONS (Non-Conference) 45 GENERAL MEDIA Research Output Research 45 REVIEWS SUMMARY Unitec is responsible for ensuring accurate reporting of research activity, and to this end all research outputs produced by Unitec staff are catalogued centrally by the Research Office and Postgraduate Centre, using Unitec’s Research Output Management System (ROMS). All outputs are recorded as quality assured or non-quality assured in ROMS, however in some instances this information is aggregated for reporting purposes. These research categories approximately conform to the categories utilized by the PBRF. The 2011 collection began in December and was completed in May 2012. In summary, Unitec’s research outputs have grown substantially in 2011. Quality assured research outputs have increased by 44% (the Unitec Annual Report target is 5%) and total research outputs have increased by 48% over 2010. -
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CONTEMPORARY ART AND OBJECTS thursday 3rd april 2008 at 6.30pm 3 abbey street, newton, auckland Cover image: From Left: Garth Chester Curvesse Chair, a feature item in A+O’s May 1st 2008 20th Century Design catalogue Lot 74: Bill Hammond Bird Grip Lot 46: Glen Hayward I am Old enough to be my Own father four thirty two ART AUCTION HIGHLIGHTS FROM 2007 SHANE COTTON’S 4X5(ID). ESSAY BY DAMIAN SKINNER eight fifty six OBJECT AUCTION HIGHLIGHTS FROM 2007 THE GORGEOUS ARTIST... BY JACQUELINE FRASER. ESSAY BY ROB GARRETT. twelve sixty six 20TH CENTURY DESIGN PREVIEW THE OBJECT AUCTION twenty five THE ART AND TEXT AUCTION ninty-four CONDITIONS OF SALE ninty-five ABSENTEE BIDDING FORM ninty-six ARTISTS INDEX contemporary art 3 elcome to ART+OBJECT’s third contemporary art and object catalogue and the first for 2008. In our launch year A+O held two major auctions of these genres and in the process dramatically extended the range of art presented in the auction environment. The art collecting public of New Zealand and internationally responded with such enthusiasm that A+O is proud to have achieved over twenty artist records at auction for both Australian and New Zealand contemporary artists. Works have been acquired from A+O auctions by collectors not just in New Zealand, but also Australia, The United States, Hong Kong, England and Italy. In addition to pioneering the presentation of contemporary art, which we define as being art produced after 1990, ART+OBJECT also achieved repeated success offering major artworks at auction. -
To Be a Forum for the Nation to Present, Explore, and Preserve the Heritage
G.12 ANNUAL REPORT 2008/09 TONGAREWA PAPA TE ZEALAND NEW OF MUSEUM To be a forum for the nation to present, explore, and preserve the heritage of its cultures and knowledge of the natural environment in order to better understand and treasure the past, enrich the present, and meet the challenges of the future… Directory TE RÄRANGI INGOA MUSEUM OF NEW ZEALAND TE PAPA TONGAREWA Cable Street PO Box 467 Wellington 6140 New Zealand TORY STREET RESEARCH AND COLLECTION STORAGE FACILITY 169 Tory Street Wellington 6011 Telephone + 64 4 381 7000 Facsimile + 64 4 381 7070 Email [email protected] Website http://www.tepapa.govt.nz Auditors Audit New Zealand, Wellington, on behalf of the Auditor-General Bankers Westpac Banking Corporation Photography by Te Papa staff photographers, unless otherwise credited ISSN: 1179 – 0024 1 MUSEUM OF NEW OF MUSEUM Museum of New Zealand Te Papa Tongarewa Annual Report 2008/09 Te Pürongo ä-Tau 2008/09 In accordance with section 44 of the Public Finance Act 1989, this annual report of the Museum of TONGAREWA PAPA TE ZEALAND New Zealand Te Papa Tongarewa for 2008/09 is presented to the House of Representatives. Contents Ngä Ihirangi ANNUAL Part one Overview Statements Ngä Tauäki Tirohanga Whänui 3 Chairman’s Statement 4 REPORT Acting Chief Executive/Kaihautü Statement 6 Tribute to the late Dr Seddon Bennington (1947–2009) 7 2008/09 Performance at a Glance He Tirohanga ki ngä Whakatutukitanga 8 Part two Operating Framework Te Anga Whakahaere 12 Concept 12 Corporate Principles 12 Functions and Alignment with Government -
13 1 a R T + O B Je C T 20 18
NEW A RT + O B J E C T COLLECTORS ART + OBJECT 131 ART 2018 TWENTIETH CENTURY DESIGN & STUDIO CERAMICS 24 –25 JULY AO1281FA Cat 131 cover.indd 1 10/07/18 3:01 PM 1 THE LES AND AUCTION MILLY PARIS HIGHLIGHTS COLLECTION 28 JUNE PART 2 Part II of the Paris Collection realised a sale The record price for a Tony Fomison was total of $2 000 000 and witnessed high also bettered by nearly $200 000 when clearance rates and close to 100% sales by Ah South Island, Your Music Remembers value, with strength displayed throughout Me made $321 000 hammer ($385 585) the lower, mid and top end of the market. against an estimate of $180 000 – The previous record price for a Philip $250 000. Illustrated above left: Clairmont was more than quadrupled Tony Fomison Ah South Island, Your Music when his magnificent Scarred Couch II Remembers Me was hammered down for $276 000 oil on hessian laid onto board ($331 530) against an estimate of 760 x 1200mm $160 000 – $240 000. A new record price realised for the artist at auction: $385 585 2 Colin McCahon Philip Clairmont A new record price Scarred Couch II realised for the artist North Shore Landscape at auction: oil on canvas, 1954 mixed media 563 x 462mm and collage on $331 530 unstretched jute Milan Mrkusich Price realised: $156 155 1755 x 2270mm Painting No. II (Trees) oil on board, 1959 857 x 596mm Price realised: $90 090 John Tole Gordon Walters Timber Mill near Rotorua Blue Centre oil on board PVA and acrylic on 445 x 535mm Ralph Hotere canvas, 1970 A new record price realised Black Window: Towards Aramoana 458 x 458mm for the artist at auction: acrylic on board in colonial sash Price realised: $73 270 $37 235 window frame 1130 x 915mm Price realised: $168 165 Peter Peryer A new record price realised Jam Rolls, Neenish Tarts, Doughnuts for the artist at auction: gelatin silver print, three parts, 1983 $21 620 255 x 380mm: each print 3 RARE BOOKS, 22 AUG MANUSCRIPTS, George O’Brien Otago Harbour from Waverley DOCUMENTS A large watercolour of Otago Harbour from Waverley. -
Annual Report 2011-12
G.12 Museum of New Zealand Te Papa Tongarewa Te P ūrongo ā Tau Annual Report 2011/12 In accordance with section 150 of the Crown Entities Act 2004, this annual report of the Museum of New Zealand Te Papa Tongarewa for 2011/12 is presented to the House of Representatives. NG Ā IHIRANGI – CONTENTS Part 1: Ng ā Tau āki Tirohanga Wh ānui: Overview Statements From the Chairman 1 From the Chief Executive and Kaihaut ū 3 Performance at a glance 6 Part 2: Museum Of New Zealand Te Papa Tongarewa Accountability and legislation 10 Governance and management 12 Part 3: Te Tau āki o ng ā Paearu Ratonga : Statement of Service Performance Performance Framework 15 Statement of Service Performance 17 Part Four: Te Āheitanga – ā-Tangata, ā-Tukanga, ā-Hangarau: Capability – People, Process, and Technology People, Process, and Technology 38 Workforce profile and equal employment opportunities 42 Te Papa as a good employer 43 Part 5: Te Tau āki o ng ā Paearu P ūtea : Financial Statements Financial Statements 51 Āpitihanga – Appendices Expert Knowledge Exchanges and Workshops 89 Loans 93 Acquisitions 97 Publications and Conference Presentations 107 Ō m ātou hoa – our partners 123 PART 1: NG Ā TAU ĀKI TIROHANGA WH ĀNUI – OVERVIEW CHAIRMAN’S STATEMENT E te hunga kua ngaro atu, tikapa ana koutou ki te rangi te rau o te Amokura hei whangaia atu i t āku nei titiro. He ao uru pea, e takahi rawa, moe mai r ā koutou ki te uru. Tēnei ka rere a Te Papa Tongarewa whakamua ki ng ā whakawai o te wā. -
2Nd Project Funding Round 2002/2003
Creative New Zealand Funding SECOND PROJECT FUNDING ROUND 2002/2003 This is a complete list of project grants offered in the second funding round for the 2002/2003 year. Grants are listed within artforms under Creative New Zealand funding programmes. In this round, 258 project grants totalling more than $3.3 million were offered to artists and arts organisations. More than $13.7 million was requested from 849 applications. National Dance Archive of New Zealand: Pacific Arts Association: towards the 7th Arts Board: Creative and towards archiving New Zealand dance International Symposium in Christchurch Professional Development $14,230 $11,000 CRAF T/OBJECT ART Guy Ryan: towards attendance at Impulstanz, Lynn Taylor: towards undertaking a printmaking Vienna residency in Korea Steve Fullmer: to research the construction of $3,400 $5,000 paper clay sculpture $12,000 Spinning Sun Ltd: towards research and LITERATURE development of a dance film University of Canterbury: towards a conference Objectspace: towards curatorial research for an $8,310 celebrating creative writing in New Zealand exhibition called “The Secret Life of Things” $10,000 $10,000 Throw - Disposable Choreography: towards research and development into dance MOVING IMAGE Damian Skinner and Moyra Elliot: to improvisation undertake research on New Zealand’s anglo- $7,000 Lissa Mitchell: towards undertaking a film oriental studio pottery history preservation internship in the United States $15,000 Alexa Wilson: towards a choreographic $5,000 development workshop DANCE $12,400 MOVING -
Fine & Applied Arts
FINE & APPLIED ARTS 9 & 10 SEPTEMBER 2020 WE HAVE MOVED 94 FEATHERSON STREET DUNBAR SLOANE SINCE 1919 Our Wellington auction house has shifted to new premises, located in Kiwi Wealth House corner of Featherston & Ballance Street. Our phone number, email address and bank details remain unchanged. We look forward to welcoming you to our new premises. Dunbar Sloane Ltd 94 Featherston Street Wellington CBD www.dunbarsloane.com NEW ZEALAND & INTERNATIONAL FINE & APPLIED ART Wednesday 9 September 2020 6pm start Part One - Evening Sale Lot 1 - 62 Thursday 10 September 2020 12noon start Part Two - Day Sale & Applied Arts Lot 200 - 268, 307 - 361 Studio Ceramics & Applied Arts Lot 269 - 306 VIEWING SCHEDULE LIVE BIDDING PLEASE NOTE NO OPENING FUNCTION Please note we now offer our own live online bidding service. Friday 4th September 9am - 4pm Sunday 6th September 12noon - 3pm For instruction see our website: Monday 7th September 9am - 4pm www.dunbarsloane.co.nz Tuesday 8th September 9am - 4pm Online registrations and absentee bids must be made at least Wednesday 9th September 9am - 4pm 2 hours before the auction commences, or 24 hours if you are an International client ENQUIRIES Helena Walker, Director Fine Arts BUYERS PREMIUM Each lot is subject to 17% + GST buyers premium +64 4 472 1367 / [email protected] PO Box 224, Wellington 6140 NEW ZEALAND & INTERNATIONAL FINE ART PART ONE / EVENING SALE Wednesday 9 September 2020 6pm start Lot 1 - 62 1 2 1 2 Bill Hammond (b 1947) Bill Hammond (b 1947) Singer Songwriter I Bone Eagle B lithograph, edition of 100 etching, PP (limited edition of 25) signed, inscribed with title and dated 2001 signed and dated ‘W D Hammond/2007’ (upper centre within print) (lower right), inscribed with title (lower left) 68 x 82.5cm 38 x 28cm $4,000 - $7,000 $2,000 - $4,000 PROVENANCE PROVENANCE Private collection, Wellington Private collection, Wellington 8 DUNBAR SLOANE 3 4 3 4 Bill Hammond (b 1947) Gordon Walters (1919-95) Seamless, Gutless, Spotless, Useless Painting No. -
IN THIS ISSUE DIARY of an INSTALL Dowse Host Alissa Liu Writes About Her Week Helping with the Install of Liu Jianhua: Transfer
SUPPORTING THE DOWSE FOR OVER 40 YEARS ISSUE 51 / MARCH 2016 IN THIS ISSUE DIARY OF AN INSTALL Dowse Host Alissa Liu writes about her week helping with the install of Liu Jianhua: Transfer. WARWICK FREEMAN: THIS IS THE CUP WHAT’S ON THE FAMILY JEWELS OF YOUR HEART AT THE DOWSE Mackenzie Paton interviews Blumhardt Curatorial Intern All the information you need jeweller Warwick Freeman. Alice Tappenden talks about about the exhibitions and her new show, this is the cup events taking place at The 4 of your heart. 5 Dowse in the coming months. 8 ISSUE 51 / MAR 2016 ON THE COVER Liu Jianhua, Regular Fragile at The Dowse Art Museum, 2016. Photo: John Lake. KEEP UP-TO-DATE WITH FRIENDS NEWS & EVENTS Send us your email so we can keep in touch. Mackenzie Paton Louisa Gommans We’ll send you occasional updates about NOTE FROM THE EDITOR MEMBER PROFILE what’s on at The Dowse, and invitations to events at The Dowse. Kia ora Friends, I joined the Friends of The Dowse committee Email to: [email protected] last year, just in time to be involved with the Welcome to our first issue for 2016. It’s been Student Craft/Design Awards. I was blown FIND US ONLINE sad saying goodbye to a set of much- away by the enthusiasm and talent of this www.dowse.org.nz/friends loved exhibitions (art deco buttons and small group of people, and the wonderful www.facebook.com/Friends-of-The-Dowse pink ladies) but there are some recently things they make happen! Living in the city opened exhibitions I am very excited about. -
The Frances Hodgkins Fellowship 2021
THE FRANCES HODGKINS FELLOWSHIP 2021 The Fellowship was established by the University Council in 1962 and was initiated by the generous interest of anonymous friends of the University. The general purpose of the Frances Hodgkins Fellowship Fund is to aid and encourage painters and sculptors in the practice of their art, to associate them with the life of the University, and at the same time to foster an interest in the Arts within the University. CONDITIONS OF AWARD 1. The Fellowship shall be open to any man or woman normally resident in New Zealand who in the opinion of the Selection Committee: (a) has executed sufficient work as a painter or sculptor to show that they are possessed of some talent as such, and (b) is a serious artist who will be diligent in their endeavours to practice, improve and develop such talent, and (c) will benefit from holding of the Fellowship. 2. Applicants for the Fellowship need not possess a degree or diploma or have attained any particular educational standard or be a member of any art society or group of artists or of any other body. 3. Other qualifications and considerations between applicants for the award of the Fellowship being more or less equal, preference may be given to an applicant under the age of forty years. 4. Full time teachers of art shall not be eligible to apply for the Fellowship except in special circumstances of which the Selection Committee shall be the sole judge. 5. The Fellowship shall normally be awarded for a term of one year, but may be awarded for a shorter period. -
30 June 2006
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯u tahi Tuhi Auaha o te Ao Newsletter – 30 June 2006 This is the 89th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. Writers on Mondays returns............................................................................... 1 2. TV literature ........................................................................................................ 1 3. People are always stealing your stuff, New Zealand .......................................... 2 4. From the whiteboard........................................................................................... 2 5. Poetry month? ..................................................................................................... 2 6. Laureates in Auckland ........................................................................................ 3 7. The expanding bookshelf..................................................................................... 3 8. Copyright licensing awards................................................................................. 4 9. The expanding bookshelf (2) ............................................................................... 4 10. Recent web reading................................................................................................4 11. Great lists of our time.......................................................................................