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The Story up to Now Architects, President (2014–16) of the by Bill Mckay
FREE Please take one. Issue One An offering of New Zealand Architecture and Design. — 2016 — 10. 14. 26. The diversity of New Class of ’15: the creative Innovative work by design- Zealand’s architecture and inspiring designs oriented companies is is highlighted in Future that received the highest showcased in the hosting Islands, the country’s architectural honours at space at the venue of the exhibition in the Biennale the 2015 New Zealand New Zealand architecture Architeturra 2016. Architecture Awards. exhibition in Venice. Joyful architecture Children playing on the roof of Amritsar, the Wellington house that was a career-long project of Sir Ian Athfield (1940– 2015), an outstanding figure in New Zealand architecture. More village than residence, Amritsar has captivated visitors for 40 years. One new fan is U.S. critic Alexandra Lange (see page 9). Photograph courtesy Athfield Architects. Our archipelago has been discovered by a succession cultural and spiritual importance around which of voyagers and explorers over the centuries but was dwellings were clustered. one of the last significant land masses to be peopled. As the Māori population increased and society The story Around 800 years ago, in the last thrust of human became more tribalised, strategic hillsides were expansion throughout the Pacific Ocean, expert nav- secured during periods of warfare by large-scale igators sailing sophisticated doubled-hulled vessels earthworks and palisades known as pā. The history landed in the southern reach of Polynesia (‘many of New Zealand architecture is not just one of arrival up to now islands’) and adapted their way of life to a colder, and the adaptation and evolution of building forms more temperate land. -
Research Outputs 2011 Research Output 2011 45 45 43 42 42 42 42 41 41 40 40 40 39 39 38 35 34 27 27 26 26 24 24 16 11 7 6 6 6 4 4 4 1 CONTENTS
Research Outputs 2011 CONTENTS 1 SUMMARY 4 BOOKS (Quality Assured) 4 BOOKS (Non-Quality Assured) 4 BOOK CHAPTERS (Quality Assured) 6 BOOK CHAPTERS (Non-Quality Assured) 6 EDITED BOOKS (Quality Assured) 6 EDITED BOOKS (Non-Quality Assured) 7 CONFERENCE PRESENTATIONS (Quality Assured) 11 CONFERENCE PRESENTATIONS (Non-Quality Assured) 16 CONFERENCE PROCEEDINGS (Quality Assured) 24 CONFERENCE PROCEEDINGS (Non-Quality Assured) 24 CONFERENCE ABSTRACTS (Quality Assured) 26 CONFERENCE ABSTRACTS (Non-Quality Assured) 26 CONFERENCE POSTERS (Quality Assured) 27 CONFERENCE POSTERS (Non-Quality Assured) 27 JOURNAL PAPERS (Quality Assured) 34 JOURNAL PAPERS (Non-Quality Assured) 35 EXHIBTIONS - Group (Quality Assured) 38 EXHIBTIONS - Group (Non-Quality Assured) 39 EXHIBTIONS - Solo (Quality Assured) 39 EXHIBTIONS - Solo (Non-Quality Assured) 40 EDUCATIONAL MATERIAL 40 WORKING PAPER 40 REPORTS 41 THESES (Quality Assured) 41 ARTEFACT, OBJECT OR CRAFTWORK 42 COMPOSITION 42 FILM/VIDEO (Quality Assured) 42 PERFORMANCES 2011 42 OTHER OUTPUTS 43 PRESENTATIONS (Non-Conference) 45 GENERAL MEDIA Research Output Research 45 REVIEWS SUMMARY Unitec is responsible for ensuring accurate reporting of research activity, and to this end all research outputs produced by Unitec staff are catalogued centrally by the Research Office and Postgraduate Centre, using Unitec’s Research Output Management System (ROMS). All outputs are recorded as quality assured or non-quality assured in ROMS, however in some instances this information is aggregated for reporting purposes. These research categories approximately conform to the categories utilized by the PBRF. The 2011 collection began in December and was completed in May 2012. In summary, Unitec’s research outputs have grown substantially in 2011. Quality assured research outputs have increased by 44% (the Unitec Annual Report target is 5%) and total research outputs have increased by 48% over 2010. -
Office for Contemporary Art Norway / Valiz
and Criticism and Indigenous Art, Curation Sovereign Words. Sovereign Words García-Antón Katya by Edited Tripura. Bikash Sontosh Tripura, Prashanta Tamati-Quennell, Megan Garneau, Biung Ismahasan, Kimberley Moulton, Máret Ánne Sara, Venkat Raman Singh Shyam, Irene Snarby, ÁndeDaniel Somby, Browning, Kabita Chakma, Megan Cope, Santosh Kumar Das, Hannah Donnelly, Léuli Māzyār Luna’i Eshrāghi, David Indigenous Art, Curation and Criticism Office for Contemporary Art Norway / Valiz With this publication we pay respect to our peers in Sápmi, as well as to the myriad Indigenous histories, presents and futures harboured in lands and oceans across the world. We acknowledge their Ancestors and the stories of survivance (survival, resistance and presence) in the face of colonial mechanisms that are still ongoing. We also honour the agency possible in the constitution of alliances between Indigenous and non-Indigenous communities within the fields of culture and beyond. Sovereign Words. Indigenous Art, Curation and Criticism Edited by Katya García-Antón Office for Contemporary Art Norway Valiz, Amsterdam – 2018 7 Preface Katya García-Antón Sounding the Global Sovereign Histories Indigenous. Language, of the Visual Contemporaneity and Indigenous Art Writing 15 Can I Get a Witness? 63 Jođi lea buoret go oru. Indigenous Art Criticism Better in Motion than at David Garneau Rest. Iver Jåks 33 What Does or Should (1932–2007) ‘Indigenous Art’ Mean? Irene Snarby Prashanta Tripura 77 Toi te kupu, toi te mana, 47 History and Context of toi te whenua. The Madhubani (Mithila) Art Permanence of Language, Santosh Kumar Das Prestige and Land Megan Tamati-Quennell 97 Sovereignty over Representation. Indigenous Cinema in the Chittagong Hill Tracts of Bangladesh Kabita Chakma Statues, Maps, Stories Sovereign World-Building. -
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Ron Left Axial No. 9 Corner Painting acrylic on shaped board title inscribed, signed and dated 1985 1690 x 1100 x 700mm $2500 – $4000 Covers: Ann Shelton Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Hawera 1949 December – 1950 March to Opunake 1952 August – 1953 February, No. 12 (detail) C type print, edition of 3 1370 x 930mm $3500 – $5000 Important Paintings & Contemporary Art Viewing: Friday 20 November – Thursday 26 November Auction: Thursday 26 November 2009 at 6.30pm Art + Object Telephone: +64 9 354 4646 3 Abbey Street, Newton, Freephone: 0 800 80 60 01 Auckland Facsimile: +64 9 354 4645 PO Box 68 345, Newton, [email protected] Auckland 1145 www.artandobject.co.nz Contents 2 24 74 Catalogue Introduction Photography section Works from the Celia Dunlop commences Collection – lots 84 to 99 6 Objects of Desire – Auction 33 86 Preview Recording artist – a collection This is no Shadowland by Dick of Julian Dashper vinyl records Frizzell – essay by Hamish 10 Coney Twisting the Void – A+O 36 advises NZI on a major Shane Cotton’s Gate (I – XII) sculptural installation to Nga Rangi Tuhaha – essay by celebrate 150 years in New Oliver Stead Zealand 46 15 Sculpture section commences Important Paintings and Contemporary Art (Viewing 56 Times) The Old Sentinel by Charles Goldie – essay by Ben Plumbly 20 Three major works by Peter 70 Robinson from the 1990s – Northland by Colin McCahon – essay by Rebecca Rice essay by Laurence Simmons Welcome to ART+OBJECT’s final major art auction for 2009. This catalogue is the largest and most varied assembled in the company’s history – testimony to the confidence of vendors and collectors in the ongoing performance of the market. -
To Be a Forum for the Nation to Present, Explore, and Preserve the Heritage
G.12 ANNUAL REPORT 2008/09 TONGAREWA PAPA TE ZEALAND NEW OF MUSEUM To be a forum for the nation to present, explore, and preserve the heritage of its cultures and knowledge of the natural environment in order to better understand and treasure the past, enrich the present, and meet the challenges of the future… Directory TE RÄRANGI INGOA MUSEUM OF NEW ZEALAND TE PAPA TONGAREWA Cable Street PO Box 467 Wellington 6140 New Zealand TORY STREET RESEARCH AND COLLECTION STORAGE FACILITY 169 Tory Street Wellington 6011 Telephone + 64 4 381 7000 Facsimile + 64 4 381 7070 Email [email protected] Website http://www.tepapa.govt.nz Auditors Audit New Zealand, Wellington, on behalf of the Auditor-General Bankers Westpac Banking Corporation Photography by Te Papa staff photographers, unless otherwise credited ISSN: 1179 – 0024 1 MUSEUM OF NEW OF MUSEUM Museum of New Zealand Te Papa Tongarewa Annual Report 2008/09 Te Pürongo ä-Tau 2008/09 In accordance with section 44 of the Public Finance Act 1989, this annual report of the Museum of TONGAREWA PAPA TE ZEALAND New Zealand Te Papa Tongarewa for 2008/09 is presented to the House of Representatives. Contents Ngä Ihirangi ANNUAL Part one Overview Statements Ngä Tauäki Tirohanga Whänui 3 Chairman’s Statement 4 REPORT Acting Chief Executive/Kaihautü Statement 6 Tribute to the late Dr Seddon Bennington (1947–2009) 7 2008/09 Performance at a Glance He Tirohanga ki ngä Whakatutukitanga 8 Part two Operating Framework Te Anga Whakahaere 12 Concept 12 Corporate Principles 12 Functions and Alignment with Government -
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COLLECTORS NEW ART ART+OBJECT 151 2020 ART + OBJECT 23.06.20 Front cover: Laurence Aberhart Taranaki, Midhurst, 11 July 1991 Back cover: Ann Verdcourt Untitled – Ladybird Figure Art+Object 3 Abbey Street Newton Auckland PO Box 68345 Wellesley Street Auckland 1141 Tel +64 9 354 4646 Free 0 800 80 60 01 Fax +64 9 354 4645 [email protected] www.artandobject.co.nz instagram: @artandobject facebook: Art+Object youtube: ArtandObject Photography: Sam Hartnett Design: Fount–via Print: Graeme Brazier Welcome to Art+Object’s third post-lockdown auction, an absorbing collection of art and decorative arts. In particular we are proud to offer an excellent collection of New Zealand photography from a private collector together with many other interesting consignments. Since returning to the office in May we have completed two auctions that had been on hold since April. Both of these events were remarkably successful and we would like to warmly thank our vendors who remained patient during the lockdown and all those who supported us at the viewings and attended the auctions, whether on-line at home or in person. It is extremely heartening to see that even in the most tumultuous of times, there is still a desire for art in our lives. During the recent lockdown period, like many I agreed with the slogans that suggested we should send 2020 back to where it came from. If only we could rewind and start again! The effect on businesses and families, the many disappointments of cancelled events and travel, will be felt for some time to come. -
Cimam 2019 Annual Conference the 21St Century Art Museum: Is Context Every Thing ?
CIMAM 2019 Annual Conference Proceedings November 15-17, Sydney, Australia CIMAM 2019 ANNUAL CONFERENCE THE 21 ST CENTURY ART MUSEUM: IS CONTEXT EVERY THING ? 1 CIMAM 2019 Annual Conference Proceedings Day 1, Friday November 15 3 Day 3: Sunday November 17 52 Challenging the Narrative: Indigenous Perspectives Beyond the Walls Keynote 1 4 Keynote 3 53 Wesley Enoch Sally Tallant Artistic Director, Sydney Festival, Director, The Queens Museum, Sydney, Australia New York, USA Perspective 1 10 Perspective 5 57 Wanda Nanibush Anne Loxley and Tony Albert Curator of Indigenous Art, Art Gallery Senior Curator, C3West, Museum of of Ontario (AGO), Toronto, Canada Contemporary Art Australia, Sydney, Australia Kuku Yalanji artist, Sydney, Australia Perspective 2 22 Ngahiraka Mason Perspective 6 64 Independent Indigenous Curator & Visual Lara Strongman Historian, Hira, Honolulu, Hawaii Director, Curatorial and Digital, Museum of Contemporary Art, Sydney, Australia Conclusions Panel Discussion 1 26 Moderated by Stephen Gilchrist Conclusions Panel Discussion 3 69 Associate Lecturer, University of Sydney, Moderated by Lee Weng Choy Sydney, Australia Art critic, writer, president AICA Singapore, Kuala Lumpur, Malaysia Day 2: Saturday November 16 28 Workshop conclusions 71 The Future of Collections Colophon 75 Keynote 2 29 Franklin Sirmans Director, Pérez Art Museum Miami, USA Perspective 3 36 Lisa Reihana Ngāpuhi artist, Tāmaki Makaurau, Aotearoa, New Zealand Perspective 4 41 Hannah Mathews Senior Curator, Monash University Museum of Art, Melbourne, Australia Conclusions Panel Discussion 2 50 Moderated by Suhanya Raffel Director, M+ Museum, Hong Kong, China Note: Click on any of the items above to jump to the corresponding page. Throughout the document, click on any of the page numbers to return to the table of contents. -
New Zealand Potter Volume 30 Number 2 1988
ERY - 3 AUG 1988 PUBLIC , ’ 6 New Zealand Potter ‘We Promise Satisfaction’ % - . , 0.6 $910 EXCL. 3.5 $12528 $1900 )))))))))))))))))))))))))))))»l)l»ll»)i.‘ * 1.0 927 5.0 1 2110 2-0 $1465 G-S-T- 6-0 $2020 $2270 New Zealand Potter 4.0 $2670 7.5 $2220 $2470 5.0 $2830 9.0 $2505 $2755 Volume 30, Number 2, 1988 6 0 $3035 11.0 $2965 $3215 ))»)»)))))l)»))))))))))))))))))1)))1») 1333 3333 $18 ggggg gggg ISSN 0113 — 583X Price $7.50 includes (:51 15.0 $5395 20.0 $4055 $4305 Cover: “A Gift from Betty and Martha”, Raku wall form 91 x 81 cm. Susan and Steven Kemenyffy, USA. 20.0 $6995 22.0 $4157 $4407 3323 $3333 $215338 CONTENTS )))))))))))))»))))»)))»»)l»»»»») Editor: Howard S. Williams 0 A variety of controllers are available. Desigw John Booth 2 Through the Filter Press — Howard s. Williams m 0 Stack bonded fibre on request. Publisher and Distributor: 3 EXhibition Calendar Element Support Systeni 0 Optional LPG Reduction in our Electric Kilns. NZ Potter Publications Ltd 4 Eileen Lewenstein — Peter Gibbs PO Box 881 We go to Australia — John Crawford SLABROLLER 323122333“ 5 NZSP, Waikato, 1989 Christine Harris at Pots of Ponsonby The best available Recommended by Adleitismg‘. 6 Norsewear Art Award Peter Stichbury Siglhgoiafiyson’ 10th Borland Potters School Albany. ’ 7 Canberra Symposium — Merilyn Wiseman MONEY BACK GUARANTEE 11 Chester Nealie School — Barbara Olsen Reid 15 Wellington Potters Annual Exhibition Reasonably Priced At 17 Fletcher Challenge Pottery Award 1988 $800 Excl. G.S.T. Tymt by: 22 Fletcher Challenge — NZSP National —- Peter Gibbs Mills Typeset Ltd 23 National Ceramics, Wellington — Peter Gibbs Easy to fire gleam-250 25 NZSP National Exhibition 1988 hinted by: 29 Nelson Potters Summer Exhibition Consistently Better Imcdia Print Ltd 30 Book Reviews . -
Annual Report 2011-12
G.12 Museum of New Zealand Te Papa Tongarewa Te P ūrongo ā Tau Annual Report 2011/12 In accordance with section 150 of the Crown Entities Act 2004, this annual report of the Museum of New Zealand Te Papa Tongarewa for 2011/12 is presented to the House of Representatives. NG Ā IHIRANGI – CONTENTS Part 1: Ng ā Tau āki Tirohanga Wh ānui: Overview Statements From the Chairman 1 From the Chief Executive and Kaihaut ū 3 Performance at a glance 6 Part 2: Museum Of New Zealand Te Papa Tongarewa Accountability and legislation 10 Governance and management 12 Part 3: Te Tau āki o ng ā Paearu Ratonga : Statement of Service Performance Performance Framework 15 Statement of Service Performance 17 Part Four: Te Āheitanga – ā-Tangata, ā-Tukanga, ā-Hangarau: Capability – People, Process, and Technology People, Process, and Technology 38 Workforce profile and equal employment opportunities 42 Te Papa as a good employer 43 Part 5: Te Tau āki o ng ā Paearu P ūtea : Financial Statements Financial Statements 51 Āpitihanga – Appendices Expert Knowledge Exchanges and Workshops 89 Loans 93 Acquisitions 97 Publications and Conference Presentations 107 Ō m ātou hoa – our partners 123 PART 1: NG Ā TAU ĀKI TIROHANGA WH ĀNUI – OVERVIEW CHAIRMAN’S STATEMENT E te hunga kua ngaro atu, tikapa ana koutou ki te rangi te rau o te Amokura hei whangaia atu i t āku nei titiro. He ao uru pea, e takahi rawa, moe mai r ā koutou ki te uru. Tēnei ka rere a Te Papa Tongarewa whakamua ki ng ā whakawai o te wā. -
2Nd Project Funding Round 2002/2003
Creative New Zealand Funding SECOND PROJECT FUNDING ROUND 2002/2003 This is a complete list of project grants offered in the second funding round for the 2002/2003 year. Grants are listed within artforms under Creative New Zealand funding programmes. In this round, 258 project grants totalling more than $3.3 million were offered to artists and arts organisations. More than $13.7 million was requested from 849 applications. National Dance Archive of New Zealand: Pacific Arts Association: towards the 7th Arts Board: Creative and towards archiving New Zealand dance International Symposium in Christchurch Professional Development $14,230 $11,000 CRAF T/OBJECT ART Guy Ryan: towards attendance at Impulstanz, Lynn Taylor: towards undertaking a printmaking Vienna residency in Korea Steve Fullmer: to research the construction of $3,400 $5,000 paper clay sculpture $12,000 Spinning Sun Ltd: towards research and LITERATURE development of a dance film University of Canterbury: towards a conference Objectspace: towards curatorial research for an $8,310 celebrating creative writing in New Zealand exhibition called “The Secret Life of Things” $10,000 $10,000 Throw - Disposable Choreography: towards research and development into dance MOVING IMAGE Damian Skinner and Moyra Elliot: to improvisation undertake research on New Zealand’s anglo- $7,000 Lissa Mitchell: towards undertaking a film oriental studio pottery history preservation internship in the United States $15,000 Alexa Wilson: towards a choreographic $5,000 development workshop DANCE $12,400 MOVING -
Exhibtion History 1999 – 2009
EXHIBTION HISTORY 1999 – 2009 Manufacturing Meaning: The University of Wellington Art Collection in Context 22 September 1999 31 January 2000 The inaugural exhibition of the Adam Art Gallery showcased ten key works from the university collection, spanning a period from the 1930s to the present. The works of Frances Hodgkins, John Weeks, Gordon Walters, Colin McCahon, Ralph Hotere, Michael Smither, Jacqueline Fahey, Richard Killeen, John Pule and Peter Peryer were each presented in relation to the artist's practice or ideas and issues raised by the work, and each was accompanied by a catalogue. Manufacturing Meaning offered important new insights into the history of New Zealand art, through the research and presentation of selected critical thinkers curators, art historians, writers and artists Elizabeth Eastmond, Linda Tyler, Damian Skinner/ Ngarino Ellis, Ewen McDonald, Jack Body and David Crossan, Stuart McKenzie, Anna Miles, Greg Burke, Lisa Taouma, and David Maskill. Concept Curator Christina Barton Language Matters MaryLouise Browne, Terrence Handscomb, L.Budd et al, Colin McCahon, Joanne Moar & Lucy Harvey, and Michael Parekowhai 11 February 26 March 2000 Language Matters brought together six New Zealand artists who use language in their practice in varied forms and with diverse intentions. The exhibition acknowledged the pervasive presence of spoken and written language in contemporary New Zealand art. Curated by Christina Barton Guests and Foreigners, Rules and Meanings (Te Kore) Joseph Kosuth 2 March 30 April 2000 Joseph Kosuth's installation Guests and Foreigners, Rules and Meanings (Te Kore) was the fifth in a series, situated in disparate locations: Oslo, Dublin, Frankfurt, Istanbul and Chiba City, Japan. -
IN THIS ISSUE DIARY of an INSTALL Dowse Host Alissa Liu Writes About Her Week Helping with the Install of Liu Jianhua: Transfer
SUPPORTING THE DOWSE FOR OVER 40 YEARS ISSUE 51 / MARCH 2016 IN THIS ISSUE DIARY OF AN INSTALL Dowse Host Alissa Liu writes about her week helping with the install of Liu Jianhua: Transfer. WARWICK FREEMAN: THIS IS THE CUP WHAT’S ON THE FAMILY JEWELS OF YOUR HEART AT THE DOWSE Mackenzie Paton interviews Blumhardt Curatorial Intern All the information you need jeweller Warwick Freeman. Alice Tappenden talks about about the exhibitions and her new show, this is the cup events taking place at The 4 of your heart. 5 Dowse in the coming months. 8 ISSUE 51 / MAR 2016 ON THE COVER Liu Jianhua, Regular Fragile at The Dowse Art Museum, 2016. Photo: John Lake. KEEP UP-TO-DATE WITH FRIENDS NEWS & EVENTS Send us your email so we can keep in touch. Mackenzie Paton Louisa Gommans We’ll send you occasional updates about NOTE FROM THE EDITOR MEMBER PROFILE what’s on at The Dowse, and invitations to events at The Dowse. Kia ora Friends, I joined the Friends of The Dowse committee Email to: [email protected] last year, just in time to be involved with the Welcome to our first issue for 2016. It’s been Student Craft/Design Awards. I was blown FIND US ONLINE sad saying goodbye to a set of much- away by the enthusiasm and talent of this www.dowse.org.nz/friends loved exhibitions (art deco buttons and small group of people, and the wonderful www.facebook.com/Friends-of-The-Dowse pink ladies) but there are some recently things they make happen! Living in the city opened exhibitions I am very excited about.