LES || VIES Des Hommes || Illustres, Grecs Et

Total Page:16

File Type:pdf, Size:1020Kb

LES || VIES Des Hommes || Illustres, Grecs Et BnF Archives et manuscrits LES || VIES des Hommes || illustres, Grecs et || Romains, comparees l'une || auec l'autre par Plutarque || de Chæronee, || Translatees premierement de Grec en François par mai- || stre Iaques Amyot lors Abbé de Bellozane, & depuis || en ceste troisieme edition reueuës & corrigees en in- || finis passages par le mesme Translateur, maintenant || Abbé de sainct Corneille de Compiegne, Conseiller || du Roy, & grand Aumosnier de France, à l'aide de || plusieurs exemplaires uieux escripts à la main, & aussi || du iugement de quelques personnages excellents en || sçauoir. || A Paris. || Par Vascosan Imprimeur du Roy. || M.D.LXVII [1567]. || Auec Priuilege. 6 vol. in-8. — LES || VIES de Hannibal, || et Scipion l'Afri- || cain, traduittes par Char- || les De-l'Ecluse. || A Paris, || Par Vascosan Imprimeur du Roy. || M.D.LXVII [1567]. In-8 de 150 p. et 1 f. blanc. — LES || OEVVRES || MORALES ET MESLEES || de Plutarque, Translatees de Grec || en François, reueuës & corrigees || en ceste seconde Edition || en plusieurs passages || par le Trans- || lateur. || .... || A Paris, || Par Vascosan Imprimeur du Roy. || M.D.LXXIIII [1574]. || Auec Priuilege. 6 vol. in-8. — TABLE tresample des || Noms et Choses notables, || contenuës en tous les Opuscules de Plu- || tarque. In-8. — Ensemble 14 part, en 13 vol. in-8. Cote : Rothschild 1899 [IV, 8(bis), 7-19] Réserver LES || VIES des Hommes || illustres, Grecs et || Romains, comparees l'une || auec l'autre par Plutarque || de Chæronee, || Translatees premierement de Grec en François par mai- || stre Iaques Amyot lors Abbé de Bellozane, & depuis || en ceste troisieme edition reueuës & corrigees en in- || finis passages par le mesme Translateur, maintenant || Abbé de sainct Corneille de Compiegne, Conseiller || du Roy, & grand Aumosnier de France, à l'aide de || plusieurs exemplaires uieux escripts à la main, & aussi || du iugement de quelques personnages excellents en || sçauoir. || A Paris. || Par Vascosan Imprimeur du Roy. || M.D.LXVII [1567]. || Auec Priuilege. 6 vol. in-8. — LES || VIES de Hannibal, || et Scipion l'Afri- || cain, traduittes par Char- || les De-l'Ecluse. || A Paris, || Par Vascosan Imprimeur du Roy. || M.D.LXVII [1567]. In-8 de 150 p. et 1 f. blanc. — LES || OEVVRES || MORALES ET MESLEES || de Plutarque, Translatees de Grec || en François, reueuës & corrigees || en ceste seconde Edition || en plusieurs passages || par le Trans- || lateur. || .... || A Paris, || Par Vascosan Imprimeur du Roy. || M.D.LXXIIII [1574]. || Auec Priuilege. 6 vol. in-8. — TABLE tresample des || Noms et Choses notables, || contenuës en tous les Opuscules de Plu- || tarque. In-8. — Ensemble 14 part, en 13 vol. in-8. Ouvrage rédigé en français Bibliothèque nationale de France. Département des Manuscrits Conditions d'accès Communication exceptionnelle, soumise à l’autorisation du directeur du département, sur demande motivée. Présentation du contenu Vies des hommes illustres. — [I. Volume. Theseus. Romulus. Lycurgus. Numa Pompilius. Solon. Publicola. Themistocles. Furius Camillus :] Titre ; 19 f. pour une épître « Au trespuissant et treschrestien roy de France, Henry, deuxiéme de ce nom », un sonnet imité d'AGATHIUS SCHOLASTIGUS, le Catalogue des hommes illustres, et la Confirmation du privilége dudit de Vascosan ; ensemble 20 f. lim. et 545 p., plus 1 f. blanc entre les p. 282 et 283. — II. Volume. Pericles. Fab. Max. Alcibiades. Coriolanus. P. Aemylius. Timoleon. Pelopidas. Marcellus : 1 f. blanc ; titre ; 624 p., chiffr. 546-1170, plus 3 p. blanches entre les p. 862 et 863. — III. Volume. Aristides. Marcus Cato. Philopæmen. T. Q. Flaminius. Pyrrus. Caius Marius. Lysander. Sylla : 1 f. blanc ; titre ; 614 p., chiffr. 1171-1784, et 1 f. blanc (la signature Z ne se compose que de 2 f., p. 1427-1430). — IIII. Volume. Cimon. Lucullus. Nicias. M. Crassus. Sertorius. Eumenes. Agesilaus. Pompeius : 1 f. blanc ; titre ; 690 p., chiffr. 1785-2474, non compris le v° de la p. 2119, ni le v° de la p. 2474. — V. Volume. Alexandre le grand. Iulius Cæsar. Phocion. Caton d'Vtique. Agis et Cleomenes. Tib. & G. Gracci. Demosthenes. Cicero : 1 f. blanc ; titre ; 789 p., chiffr. 2475-3263, plus 3 p. blanches. — VI. Volume. Demetrius. Antonius Artoxerces [sic]. Dion. M. Brutus. Aratus. Galba-Othon : 1 f. blanc ; titre ; 669 p., chiffr. 3264-3932, plus une p. blanche au v° de la p. 3580. Le privilège, daté du 12 novembre 1563, confirme pour les Vies des hommes illustres le privilège général que Vascosan avait obtenu pour dix ans en faveur des livres sortis de ses presses. Œuvres morales et meslées. — I. Volume du I. Tome : Titre (portant après le mot Translateur ces 4 lignes : Dont le Premier 29/09/2021 https://archivesetmanuscrits.bnf.fr/ark:/12148/cc36222h Page 1 / 3 BnF Archives et manuscrits Volume de ce Premier Tome || contient xxiii. Traittez, comme || verrez au premier feuillet || apres l'Epistre) ; 7 f. pour une épître « Au roy treschrestien Charles, neuviéme de ce nom », épître signée « JACQUES AMYOT, e[vesque] d'Auxerre, vostre grand aumosnier » ; 3 f. pour la table ; 1 f. blanc ; ensemble 12 f. lim. et 336 f. chiffr. — Le II. Volume du I. Tome, qui contient xii traictez.... : 1 f. blanc ; titre ; 288 f., chiffr. 337-624. — Le III. Volume du I. Tome, qui contient xiii. Traittez.... : 1 f. blanc ; titre ; 300 f., chiffr. 625-924. — Tome Second. Dont le Premier Volume contient cinq Traictez.... : 1 f. blanc ; titre ; 340 f. chiffr. — Le II. Volume du II. Tome, qui contient xv. Traittez.... : 1 f. blanc ; titre ; 284 f., chiffr. 341-624 ; 2 f. blancs. — Le III. Volume du II. Tome, qui contient vii. Traittez.... : 1 f. blanc ; titre ; 210 f., chiffr. 625-834 ; 2 f. pour le Privilége. — On lit au v° du f. 834, au- dessous de 12 lignes de texte : Imprime a Paris par || Michel de Vascosan || et Federic Morel || Imprimeurs || du Roy. || M.D.LXXIIII. — Le privilège, daté de Paris, le 26 août 1572 (deux jours après la Saint-Barthélemi), rappelle : le privilège général accordé à M. de Vascosan et à son gendre F. Morel, le 2 mars 1560, privilège qui n'a pas empêché « un certain libraire estranger, demeurant à Anvers,... d'imprimer le livre des Vies de Plutarque » ; le privilège spécial accordé à Vascosan, le 12 novembre 1563, pour ces mêmes Vies de Plutarque, traduites par Amyot ; les lettres-patentes du 4 mars 1571 conférant à Federic Morel le titre d'imprimeur ordinaire du roi, vacant par la mort de Robert Estienne. Il ajoute ensuite : « Nous, à ces causes, et que [sic] tant la personne d'iceluy Amyot, aucteur de laditte translation, est tresrecommandable, de grandes et inestimables vertus, cognues de nous pendant le long temps qu'il a esté nourry auprès de nostre personne en grands et importans affaires, que pareillement la grandeur et consequence d'une translation si parfaite et si accomplie qu'il ne reste plus à y desirer autre chose qu'une impression qui suyve au plus près qu'il sera possible la dignité et merite d'un tel livre, etc. » Le roi confère, en conséquence, à Vascosan et à Morel le droit exclusif « de imprimer, ou, par leurs gens, faire imprimer, vendre et debiter tous et chacuns les livres d'icelle translation des dites Vies, Œuvres morales et meslées de Plutarque, faitie de leur original grec en nostre langue françoise par iceluy Amyot ». La durée du privilège n'est pas indiquée. Table : 292 f. non chiffr., impr. à 2 col., sign. A-Nn par 8, Oo par 4. Belles-lettres — Polygraphes — Polygraphes grecs, latins et français Agathius Scholasticus • traduits par Amyot (1567) Agis • sa vie par Plutarque (1567) Alcibiade • sa vie par Plutarque (1567) Alexandre, roi de Macédoine • Vic par Plutarque (1567) Amyot (Jacques) • Les Amours pastorales de Daphnis et Chloé (1567) Amyot (Jacques) • &OEelig;uvres morales de Plutarque (1574) Antoine • sa Vie par Plutarque (1567) Aratus • sa Vie par Plutarque (1567) Aristide • sa Vie par Plutarque (1567) Artaxercès • sa Vie par Plutarque (1567) Brutus (M.) • Sa Vie par Plutarque (1567) Camillus (Furius) • sa Vie par Plutarque (1567) Caton (M.) • Vie par Plutarque (1567) Caton d'Utique • Vie par Plutarque (1567) César (Jules) • sa Vie par Plutarque (1567) Cicéron (M. Tullius) • Vie par Plutarque (1567) Cimon • sa vie par Plutarque (1567) Cléomène • sa Vie par Plutarque (1567) Coriolan • sa Vie par Plutarque (1567) Crassus (M.) • sa vie par Plutarque (1567) Démétrius • sa Vie par Plutarque (1567) Démosthène • Sa Vie par Plutarque (1567) Dion de Syracuse • sa Vie par Plutarque (1567) Émile (Paul) • sa vie par Plutarque (1567) Eumène • sa vie par Plutarque (1567) Fabius Maximus • sa vie par Plutarque (1567) Flaminius (T. Q.) • sa vie par Plutarque (1567) Galba • sa Vie par Plutarque (1567) Gracques (Les) • leur Vie par Plutarque (1567) Hannibal • sa vie par Plutarque (1567) Henri II, duc d'Orléans, dauphin, puis roi de France • Jacques Amyot lui dédie la traduction des Vies de Plutarque (1567) L'Escluse (Charles de), dit Clusius • Traduction de deux des vies de Plutarque (1567) Lucullus • sa vie par Plutarque (1567) Lycurgue • sa vie par Plutarque (1567) Lysandre • sa vie par Plutarque (1567) Marcellus • sa Vie par Plutarque (1567) Marius (Caius) • sa vie par Plutarque (1567) Nicias • sa Vie par Plutarque (1567) Numa Pompilius • sa Vie par Plutarque (1567) Othon • sa vie par Plutarque (1567) Pelopidas • sa Vie par Plutarque (1567) Periclès • sa vie par Plutarque (1567) 29/09/2021 https://archivesetmanuscrits.bnf.fr/ark:/12148/cc36222h Page 2 / 3 BnF Archives et manuscrits Philopœmen • sa vie par Plutarque (1567) Phocion • sa vie par Plutarque (1567) Plutarque
Recommended publications
  • Illinois Classical Studies
    i 11 Parallel Lives: Plutarch's Lives, Lapo da Castiglionchio the Younger (1405-1438) and the Art of Italian Renaissance Translation CHRISTOPHER S. CELENZA Before his premature death in 1438 of an outbreak of plague in Ferrara, the Florentine humanist and follower of the papal curia Lapo da Castiglionchio the Younger left behind three main bodies of work in Latin, all still either unedited or incompletely edited: his own self-collected letters, a small number of prose treatises, and a sizeable corpus of Greek-to-Latin translations. This paper concerns primarily the last of these three aspects of his work and has as its evidentiary focus two autograph manuscripts that contain inter alia final versions of Lapo's Latin translations of Plutarch's Lives of Themistocles, Artaxerxes, and Aratus. In addition, however, to studying Lapo's translating techniques, this paper will address chiefly the complexities of motivation surrounding Lapo's choice of dedicatees for these translations. The range of circumstances will demonstrate, I hope, the lengths to which a young, little-known humanist had to go to support himself in an environment where there was as yet no real fixed, institutional place for a newly created discipline. Lapo and Translation: Patronage, Theory, and Practice Of the three areas mentioned, Lapo's translations represent the most voluminous part of his oeuvre and in fact it is to his translations that he owes his modem reputation. But why did this young humanist devote so much energy to translating? And why were Plutarch's Lives such an important part of his effort? An earlier version of this paper was delivered as an Oldfather Lecture at the University of Illinois at Urbana-Champaign on 8 November 1996.
    [Show full text]
  • UC Berkeley UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Atypical Lives: Systems of Meaning in Plutarch's Theseus-Romulus Permalink https://escholarship.org/uc/item/6f213297 Author Street, Joel Martin Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Dylan Sailor Professor Ramona Naddaff Fall 2015 Abstract Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair Tis dissertation takes Plutarch’s paired biographies of Teseus and Romulus as a path to understanding a number of roles that the author assumes: as a biographer, an antiquarian, a Greek author under Roman rule. As the preface to the Teseus-Romulus makes clear, Plutarch himself sees these mythological fgures as qualitatively different from his other biographical sub- jects, with the consequence that this particular pair of Lives serves as a limit case by which it is possible to elucidate the boundaries of Plutarch’s authorial identity. Tey present, moreover, a set of opportunities for him to demonstrate his ability to curate and present familiar material (the founding of Rome, Teseus in the labyrinth) in demonstration of his broad learning. To this end, I regard the Teseus-Romulus as a fundamentally integral text, both of whose parts should be read alongside one another and the rest of Plutarch’s corpus rather than as mere outgrowths of the tra- ditions about the early history of Athens and Rome, respectively.
    [Show full text]
  • Taking Centre Stage: Plutarch and Shakespeare
    chapter 29 Taking Centre Stage: Plutarch and Shakespeare Miryana Dimitrova William Shakespeare (1564–1616) was familiar with various classical sources but it was Plutarch’s Lives of the noble Greeks and Romans that played a de- cisive role in the shaping of his Roman plays. The Elizabethan Julius Caesar (performed probably at the opening of the Globe theatre in 1599), and the Jacobean Antony and Cleopatra (c. 1606–1607) and Coriolanus (c. 1605–1610) are almost exclusively based on the Lives, while numerous other plays have been thematically influenced by the Plutarchan canon or include references to specific works. Although modern scholarship generally recognises Shakespeare’s knowl- edge of Latin (ultimately grounded in the playwright’s grammar school educa- tion, which included canonical texts in its curriculum) as well as French and Italian,1 it is widely accepted that he used Sir Thomas North’s translation of the Plutarch’s Lives. Ubiquitously dubbed “Shakespeare’s Plutarch”, its first edi- tion in the English vernacular appeared in 1579 and was followed by expanded editions in 1595 and 1603. North translated the Lives from the French version of Jacques Amyot, published in 1559 (see Frazier-Guerrier and Lucchesi in this volume). Shakespeare was also acquainted with the Moralia, possibly in its first English translation by Philemon Holland published in 1603, although a version entered in the Stationers Register in 1600 allows for a possible influence on Shakespeare’s earlier works.2 Shakespeare’s borrowings should be seen in the light of the fact that Plutarch’s Lives were admired in early modern England for their profound in- terest in the complexities of the human character and their didactic signifi- cance.
    [Show full text]
  • University Micrœlm S International
    INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right In equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy.
    [Show full text]
  • Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street a Dissertation Submitted in Partial Satisf
    Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Dylan Sailor Professor Ramona Naddaff Fall 2015 Abstract Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair Tis dissertation takes Plutarch’s paired biographies of Teseus and Romulus as a path to understanding a number of roles that the author assumes: as a biographer, an antiquarian, a Greek author under Roman rule. As the preface to the Teseus-Romulus makes clear, Plutarch himself sees these mythological fgures as qualitatively different from his other biographical sub- jects, with the consequence that this particular pair of Lives serves as a limit case by which it is possible to elucidate the boundaries of Plutarch’s authorial identity. Tey present, moreover, a set of opportunities for him to demonstrate his ability to curate and present familiar material (the founding of Rome, Teseus in the labyrinth) in demonstration of his broad learning. To this end, I regard the Teseus-Romulus as a fundamentally integral text, both of whose parts should be read alongside one another and the rest of Plutarch’s corpus rather than as mere outgrowths of the tra- ditions about the early history of Athens and Rome, respectively. Accordingly, I proceed in each of my four chapters to attend closely to a particular thematic cluster that appears in both Lives, thereby bringing to light the complex fgural play by which Plutarch enlivens familiar material and demonstrates his virtuosity as author.
    [Show full text]
  • Plutarch in France Before Amyot
    PLUTARCH'S LIVES Alain Billault Introduction: Plutarch in France before Amyot Jacques Amyot's translation of Plutarch's Lives was the major event in the destiny of Plutarch's Lives in France. It was published in Paris by Michel de Vascosan in 1559, with the tide: Vies des hommes illus­ tres grecs et romains comparées Vune avec Vautre par Plutarque de Chaeronée, Translatées premièrement de Grec en François par maistre Jacques Amyot. Its publication was the main cause of Plutarch's esteem in modern France and exercised a long-lived influence on French literature, but it was not an isolated event. From the beginning of the sixteenth century ancient Greek texts had become mainstream in French intellectual life. They were edited in their original version or translated into Latin or French. The original editions often bore a relation to courses of public lectures but were also used by people who could not attend the lectures but wanted to learn ancient Greek.1 The Latin transla­ tions were read by educated people who could read Latin, but not Greek. They were published before the French translations that appeared later and gradually became prominent. Plutarch's case pro­ vides a good example of this trend.2 Plutarch's works were unknown in the Middle Ages.3 Italy redis­ covered them in the fifteenth century. The first edition of Plutarch in France was published in Paris by Gilles de Gourmont on April 30, 1509. The book included three texts from the Moralia: De uirtute et uitio, Defortuna Romanorum and Quemadmodum oporteat adulescentem poe- mata audire.
    [Show full text]
  • The Shakespeare Library. General Editor Professor I
    THE SHAKESPEARE LIBRARY. GENERAL EDITOR PROFESSOR I. GOLLANCZ, Lxr'r.D. SHAKESPEARE'S PLUTARCH Thts S_ectal Edttton of' SHAXESrZ^xZ'S PLtrr^RCX_ ' ts hmtted to I ooo coptcs, o _'btcb 500 are reser,ved for .dmertca. THE LIVES OF THE NOBLE GRE- --. CLANS AND ROMANES, CO\IPARED t_,_ther b.: that Uaue learned "l>hu_I_.phcrand ] h,tortv_ra- "l'ranPate, domofCrcckcunol-rc_h_, I _.,,. _ A_._',,'_,_b_o_ofl_cllo_ane_ Bu,hopo! Aux.-'rre,om.of lh_.Mr_gl,mU', cotu_:',a_ ,, ,.:._ : Amn_.'r of 1_aualce,andout of l-r_nd, v_tuI.' gh;,,;,,. • ,--- ) lm_la Lon&l_hnn byV.V_"ThomaLV_ma'oulli$ ";_, 'i S HAKESPEAR E'S "_PLUTARCH :EDITED BY C. F. TUCKER BROOKE B.LiTT. : VOL. I. : CONTAI_INO THE MAIN SOURCES OF JULIUS CAESAR t _, I _ , NEW YORK DUFFIELD & COMPANY LONDON: CHATTO & WINDUS :9o9 / / , • f , E INDIANA UN'I_TBS_._I" lIBRARY All ri_t_ reler_¢d INTRODUCTION r_ THE influence of the writings of Plutarch of Chmronea on English literature might well be made the subject of one of the most interesting chapters in the long story of the debt of moderns to ancients. One of the most kindly and young spirited, he is also one of the most versatile of Greek writers, and his influence has worked by devious ways to the most varied results. His treatise on the Education of Children had the honour to be early translated into the gravely charming prose of Sir Thomas Elyot, and to be published in a black- letter quarto 'imprinted,' as the colophon tells us, 'in Fletestrete in the house of Thomas Berthelet.' The same work was drawn upon unreservedly by Lyly in the second part of Euphues, and its teachings reappear a little surprisingly in some of the later chapters of Pamela.
    [Show full text]
  • Introduction, Let Me Read to You a Few Lines from a Recent Article by Pierre Assouline in the Section La Vie Littéraire of Le Monde
    Amyot and Montaigne Margaret McGowan, Research Professor, University of Sussex By way of introduction, let me read to you a few lines from a recent article by Pierre Assouline in the section La Vie Littéraire of Le Monde. It is entitled: “De Montaigne à Twitter, l’art du recyclage”! C’est aussi déspérant que rassurant: on n’invente jamais rien. Ou si peu. En prendre conscience permet de garder la tête froide et de relativiser notre génie. Sober advice, without a doubt; but, Assouline goes on to expose the strange truth that Montaigne’s sudden and extraordinary current popularity in the United States is because a new dimension of readers, users of Facebook, who have adopted the Essais, see the essayist’s style as prefiguring the personal shards of blogging! It is all explained by Sarah Bakewell who gave this title to her book of 400 pages: How to Live or a Life of Montaigne in One Question and Twenty Attempts of an Answer, (London, 2010). In this context, recycling might be an adequate term to describe Montaigne’s relationship to Amyot, I would prefer re-inventing, as will be clear in what follows. Montaigne’s debt to and admiration for Plutarch, for his Parallel Lives and his Moralia, are very well established, thoroughly documented since Isabelle Konstantinovic’s thesis, Montaigne et Plutarque, published by 1 Droz in 1989.(1) Like Pierre Villey, long before her, she identified 89 named references to Plutarch in the Essais and 500 borrowings from his writings. Today, I do not intend to go over that ground, but rather to focus on Montaigne’s reading and interpreting of Jacques Amyot’s French versions of Plutarch, and especially of the Oeuvres morales, and to explore how they helped to supplement his thinking, and – in particular – to modify his style.
    [Show full text]
  • Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street a Dissertation Submitted in Partial Satisf
    Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Dylan Sailor Professor Ramona Naddaff Fall 2015 Abstract Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair Tis dissertation takes Plutarch’s paired biographies of Teseus and Romulus as a path to understanding a number of roles that the author assumes: as a biographer, an antiquarian, a Greek author under Roman rule. As the preface to the Teseus-Romulus makes clear, Plutarch himself sees these mythological fgures as qualitatively different from his other biographical sub- jects, with the consequence that this particular pair of Lives serves as a limit case by which it is possible to elucidate the boundaries of Plutarch’s authorial identity. Tey present, moreover, a set of opportunities for him to demonstrate his ability to curate and present familiar material (the founding of Rome, Teseus in the labyrinth) in demonstration of his broad learning. To this end, I regard the Teseus-Romulus as a fundamentally integral text, both of whose parts should be read alongside one another and the rest of Plutarch’s corpus rather than as mere outgrowths of the tra- ditions about the early history of Athens and Rome, respectively. Accordingly, I proceed in each of my four chapters to attend closely to a particular thematic cluster that appears in both Lives, thereby bringing to light the complex fgural play by which Plutarch enlivens familiar material and demonstrates his virtuosity as author.
    [Show full text]
  • Renaissance and Reformation, 1974
    Translation Theory in Renaissance France: Etienne Dolet and the Rhetorical Tradition Glyn P. Norton The diffusion of vernacularism through translation in late fifteenth and early sixteenth century France is a literary and historical fact well documented in the prefaces of contem- porary works and confirmed by the findings of countless scholars. 1 Well before such ver- nacular apologists as Geoffroy Torv and Joachim Du Bellay, Claude de Seyssel, in a Pro- logue addressed to Louis XII (1509), calls for the founding of a national literature through 2 the medium of translation. By royal decree, Valois monarchs from Francis I to Henry III make glorification of the vernacular a matter of public policy. Translators, as well as gram- marians and poets, are enlisted in a self-conscious national cause, under the "enlightened guidance" of their royal patrons. As theoreticians and apologists begin to seek analogical links between the vernacular idiom and classical languages, translation is seen less and less as a craft of betrayal (conveyed in the Italian proverb "traduttore traditore"). If, indeed, French is capable of the same expressive functions as its classical predecessors, why, people begin to ask, cannot the style and thought of Greece and Rome also be transmitted accu- rately into the vulgar tongue? Not only is translation, then, a means of literary dissemina- tion to the masses, but more vitally, an agent of linguistic illustration. For this reason, translation theory is often inseparably bound to the greater question of how to imitate classical authors in the vernacular idiom. While occasionally taking into account this broader function of translation, scholarly approaches to translation theory in Renaissance France have generally failed to examine these theoretical questions within the framework of cultural change.
    [Show full text]
  • Intermediary Languages and News Translation in Early Modern England
    This is a repository copy of News from Italy (Via France) : intermediary languages and news translation in early modern England. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/166017/ Version: Accepted Version Article: Barker, S orcid.org/0000-0001-6063-3342 (2021) News from Italy (Via France) : intermediary languages and news translation in early modern England. Rivista di Letteratura Storiografica Italiana, 4. pp. 47-60. ISSN 2532-9626 10.19272/202013601002 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ NEWS FROM ITALY (VIA FRANCE) – INTERMEDIARY LANGUAGES AND NEWS TRANSLATION IN EARLY MODERN ENGLAND* * NOTA DI RINGRAZIAMENTO DA METTERE IN FONDO ALLA PAGINA, PRIMA DELLA NOTA 1: * I would like to thank the attendees of the Translating News, Politics and Commerce conference organized by ISI Florence and the “Università di Firenze” (21 February 2020), whose comments and questions – particularly about Italian news production – were particularly helpful as I brought these ideas together.
    [Show full text]
  • Shakespeare's Cassius
    Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Shakespeare’s Cassius: A Critical Re-appraisal A thesis presented in fulfilment of the requirements for the degree of Master of Philosophy in English at Massey University, New Zealand Dean Anthony Alexander 2015 Abstract This thesis examines Shakespeare’s characterisation of Cassius in Julius Caesar. Although a faint figure in the historical tradition that Shakespeare inherited, Cassius emerges as the second most prominent character in the play (at least in terms of words spoken). My aim is to explain how (and why) Cassius comes to enjoy such a primary role in the tragedy. In Chapter One, I examine the historical information Shakespeare may have consulted to fashion his Cassius. As I hope to show, Shakespeare adapts and appropriates Plutarch to provide a far more nuanced portrait than the predominantly one-dimensional foil for Brutus. In Chapter Two, I examine the Caesar plays of several contemporary European dramatists (e.g., Muret, Pescetti, and Kyd) to compare their depictions of Cassius to Shakespeare’s. In Chapter Three, I examine Elizabethan England’s influence on Shakespeare’s depiction of Cassius. Additionally, I will explore whether or not Shakespeare sought to connect Cassius with the contemporary figure Robert Devereux, Earl of Essex. The overarching questions that connect these chapters together are: can Cassius be considered the hero or a villain of the play? Is he neither? Is he a “mixed” character? These questions are important, as critics have long been divided over Cassius since the play was first performed.
    [Show full text]