Plutarch in France Before Amyot
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Scenario Book 1
Here I Stand SCENARIO BOOK 1 SCENARIO BOOK T A B L E O F C O N T E N T S ABOUT THIS BOOK ......................................................... 2 Controlling 2 Powers ........................................................... 6 GETTING STARTED ......................................................... 2 Domination Victory ............................................................. 6 SCENARIOS ....................................................................... 2 PLAY-BY-EMAIL TIPS ...................................................... 6 Setup Guidelines .................................................................. 2 Interruptions to Play ............................................................ 6 1517 Scenario ...................................................................... 3 Response Card Play ............................................................. 7 1532 Scenario ...................................................................... 4 DESIGNER’S NOTES ........................................................ 7 Tournament Scenario ........................................................... 5 EXTENDED EXAMPLE OF PLAY................................... 8 SETTING YOUR OWN TIME LIMIT ............................... 6 THE GAME AS HISTORY................................................. 11 GAMES WITH 3 TO 5 PLAYERS ..................................... 6 CHARACTERS OF THE REFORMATION ...................... 15 Configurations ..................................................................... 6 EVENTS OF THE REFORMATION -
LES || VIES Des Hommes || Illustres, Grecs Et
BnF Archives et manuscrits LES || VIES des Hommes || illustres, Grecs et || Romains, comparees l'une || auec l'autre par Plutarque || de Chæronee, || Translatees premierement de Grec en François par mai- || stre Iaques Amyot lors Abbé de Bellozane, & depuis || en ceste troisieme edition reueuës & corrigees en in- || finis passages par le mesme Translateur, maintenant || Abbé de sainct Corneille de Compiegne, Conseiller || du Roy, & grand Aumosnier de France, à l'aide de || plusieurs exemplaires uieux escripts à la main, & aussi || du iugement de quelques personnages excellents en || sçauoir. || A Paris. || Par Vascosan Imprimeur du Roy. || M.D.LXVII [1567]. || Auec Priuilege. 6 vol. in-8. — LES || VIES de Hannibal, || et Scipion l'Afri- || cain, traduittes par Char- || les De-l'Ecluse. || A Paris, || Par Vascosan Imprimeur du Roy. || M.D.LXVII [1567]. In-8 de 150 p. et 1 f. blanc. — LES || OEVVRES || MORALES ET MESLEES || de Plutarque, Translatees de Grec || en François, reueuës & corrigees || en ceste seconde Edition || en plusieurs passages || par le Trans- || lateur. || .... || A Paris, || Par Vascosan Imprimeur du Roy. || M.D.LXXIIII [1574]. || Auec Priuilege. 6 vol. in-8. — TABLE tresample des || Noms et Choses notables, || contenuës en tous les Opuscules de Plu- || tarque. In-8. — Ensemble 14 part, en 13 vol. in-8. Cote : Rothschild 1899 [IV, 8(bis), 7-19] Réserver LES || VIES des Hommes || illustres, Grecs et || Romains, comparees l'une || auec l'autre par Plutarque || de Chæronee, || Translatees premierement de Grec en François par mai- || stre Iaques Amyot lors Abbé de Bellozane, & depuis || en ceste troisieme edition reueuës & corrigees en in- || finis passages par le mesme Translateur, maintenant || Abbé de sainct Corneille de Compiegne, Conseiller || du Roy, & grand Aumosnier de France, à l'aide de || plusieurs exemplaires uieux escripts à la main, & aussi || du iugement de quelques personnages excellents en || sçauoir. -
Illinois Classical Studies
i 11 Parallel Lives: Plutarch's Lives, Lapo da Castiglionchio the Younger (1405-1438) and the Art of Italian Renaissance Translation CHRISTOPHER S. CELENZA Before his premature death in 1438 of an outbreak of plague in Ferrara, the Florentine humanist and follower of the papal curia Lapo da Castiglionchio the Younger left behind three main bodies of work in Latin, all still either unedited or incompletely edited: his own self-collected letters, a small number of prose treatises, and a sizeable corpus of Greek-to-Latin translations. This paper concerns primarily the last of these three aspects of his work and has as its evidentiary focus two autograph manuscripts that contain inter alia final versions of Lapo's Latin translations of Plutarch's Lives of Themistocles, Artaxerxes, and Aratus. In addition, however, to studying Lapo's translating techniques, this paper will address chiefly the complexities of motivation surrounding Lapo's choice of dedicatees for these translations. The range of circumstances will demonstrate, I hope, the lengths to which a young, little-known humanist had to go to support himself in an environment where there was as yet no real fixed, institutional place for a newly created discipline. Lapo and Translation: Patronage, Theory, and Practice Of the three areas mentioned, Lapo's translations represent the most voluminous part of his oeuvre and in fact it is to his translations that he owes his modem reputation. But why did this young humanist devote so much energy to translating? And why were Plutarch's Lives such an important part of his effort? An earlier version of this paper was delivered as an Oldfather Lecture at the University of Illinois at Urbana-Champaign on 8 November 1996. -
List 3-2016 Accademia Della Crusca – Aldine Device 1) [BARDI, Giovanni (1534-1612)]
LIST 3-2016 ACCADEMIA DELLA CRUSCA – ALDINE DEVICE 1) [BARDI, Giovanni (1534-1612)]. Ristretto delle grandeze di Roma al tempo della Repub. e de gl’Imperadori. Tratto con breve e distinto modo dal Lipsio e altri autori antichi. Dell’Incruscato Academico della Crusca. Trattato utile e dilettevole a tutti li studiosi delle cose antiche de’ Romani. Posto in luce per Gio. Agnolo Ruffinelli. Roma, Bartolomeo Bonfadino [for Giovanni Angelo Ruffinelli], 1600. 8vo (155x98 mm); later cardboards; (16), 124, (2) pp. Lacking the last blank leaf. On the front pastedown and flyleaf engraved bookplates of Francesco Ricciardi de Vernaccia, Baron Landau, and G. Lizzani. On the title-page stamp of the Galletti Library, manuscript ownership’s in- scription (“Fran.co Casti”) at the bottom and manuscript initials “CR” on top. Ruffinelli’s device on the title-page. Some foxing and browning, but a good copy. FIRST AND ONLY EDITION of this guide of ancient Rome, mainly based on Iustus Lispius. The book was edited by Giovanni Angelo Ruffinelli and by him dedicated to Agostino Pallavicino. Ruff- inelli, who commissioned his editions to the main Roman typographers of the time, used as device the Aldine anchor and dolphin without the motto (cf. Il libro italiano del Cinquec- ento: produzione e commercio. Catalogo della mostra Biblioteca Nazionale Centrale, Roma 20 ottobre - 16 dicembre 1989, Rome, 1989, p. 119). Giovanni Maria Bardi, Count of Vernio, here dis- guised under the name of ‘Incruscato’, as he was called in the Accademia della Crusca, was born into a noble and rich family. He undertook the military career, participating to the war of Siena (1553-54), the defense of Malta against the Turks (1565) and the expedition against the Turks in Hun- gary (1594). -
Philip Melanchthon in the Writings of His Polish Contemporaries
ODRODZENIE I REFORMACJA W POLSCE ■ SI 2017 ■ PL ISSN 0029-8514 Janusz Tazbir Philip Melanchthon in the Writings of his Polish Contemporaries Over thirty years ago Oskar Bartel, a distinguished scholar of the history of the Polish Reformation, bemoaned how little was known about the relations between preceptor Germaniae and the movement. In an article about the familiarity with Melanchthon, both as person and his oeuvre, in Poland, Bartel wrote: “wir besitzen einige Werke, meist Broschüren über Luther, Calvin, sogar Hus und Zwingli, aber ich habe keine über Melanchton gefunden”.1 Bartel’s article provided a recapitulation, if somewhat incomplete, of the state of research at the time, and essentially stopped at the death of the Reformer. There- fore, in this study I would like to point to the results of the last thirty years of research, on the one hand, and highlight the post-mortem impact of Melanchthon’s writings and the reflection of his person in the memories of the next generations, on the other. The new information about the contacts Melanchthon had with Poland that has come to light since the 1960s is scattered across a number of articles or monographs; there is to date no separate study devoted to the German Reformer. Only a handful of contributions have been published. No wonder therefore that twenty years after the publication of Bartel’s article, Roman Nir begins his study of corre- spondence between Melanchthon and Krzycki thus: “Relatively little 1 O. Bartel, “Luther und Melanchton in Polen,” in: Luther und Melanchton. Refe rate und Berichte des Zweiten Internationalen Kongress für Lutherforschung, Münster, 8.–13. -
Johann Tetzel in Order to Pay for Expanding His Authority to the Electorate of Mainz
THE IMAGE OF A FRACTURED CHURCH AT 500 YEARS CURATED BY DR. ARMIN SIEDLECKI FEB 24 - JULY 7, 2017 THE IMAGE OF A FRACTURED CHURCH AT 500 YEARS Five hundred years ago, on October 31, 1517, Martin Luther published his Ninety-Five Theses, a series of statements and proposals about the power of indulgences and the nature of repentance, forgiveness and salvation. Originally intended for academic debate, the document quickly gained popularity, garnering praise and condemnation alike, and is generally seen as the beginning of the Protestant Reformation. This exhibit presents the context of Martin Luther’s Theses, the role of indulgences in sixteenth century religious life and the use of disputations in theological education. Shown also are the early responses to Luther’s theses by both his supporters and his opponents, the impact of Luther’s Reformation, including the iconic legacy of Luther’s actions as well as current attempts by Catholics and Protestants to find common ground. Case 1: Indulgences In Catholic teaching, indulgences do not effect the forgiveness of sins but rather serve to reduce the punishment for sins that have already been forgiven. The sale of indulgences was initially intended to defray the cost of building the Basilica of St. Peter in Rome and was understood as a work of charity, because it provided monetary support for the church. Problems arose when Albert of Brandenburg – a cardinal and archbishop of Magdeburg – began selling indulgences aggressively with the help of Johann Tetzel in order to pay for expanding his authority to the Electorate of Mainz. 2 Albert of Brandenburg, Archbishop of Mainz Unused Indulgence (Leipzig: Melchior Lotter, 1515?) 1 sheet ; 30.2 x 21 cm. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Atypical Lives: Systems of Meaning in Plutarch's Theseus-Romulus Permalink https://escholarship.org/uc/item/6f213297 Author Street, Joel Martin Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Dylan Sailor Professor Ramona Naddaff Fall 2015 Abstract Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair Tis dissertation takes Plutarch’s paired biographies of Teseus and Romulus as a path to understanding a number of roles that the author assumes: as a biographer, an antiquarian, a Greek author under Roman rule. As the preface to the Teseus-Romulus makes clear, Plutarch himself sees these mythological fgures as qualitatively different from his other biographical sub- jects, with the consequence that this particular pair of Lives serves as a limit case by which it is possible to elucidate the boundaries of Plutarch’s authorial identity. Tey present, moreover, a set of opportunities for him to demonstrate his ability to curate and present familiar material (the founding of Rome, Teseus in the labyrinth) in demonstration of his broad learning. To this end, I regard the Teseus-Romulus as a fundamentally integral text, both of whose parts should be read alongside one another and the rest of Plutarch’s corpus rather than as mere outgrowths of the tra- ditions about the early history of Athens and Rome, respectively. -
Methods and Masters: Multilingual Teaching in 16Th-Century Louvain
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by idUS. Depósito de Investigación Universidad de Sevilla METHODS AND MASTERS: MULTILINGUAL TEACHING IN 16TH-CENTURY LOUVAIN http://dx.doi.org/10.12795/LA.2017.i40.13 SWIGGERS, PIERRE CENTRO DE HISTORIOGRAFÍA LINGÜÍSTICA, UNIV. DE LOVAINA (BÉLGICA) Profesor ORCID: 0000-0001-9814-2530 VAN ROOY, RAF CENTRO DE HISTORIOGRAFÍA LINGÜÍSTICA, UNIV. DE LOVAINA (BÉLGICA) Investigador ORCID: 0000-0003-3739-8465 Resumen: En el siglo XVI se hablaban y se practicaban varias lenguas en Flandes, especialmente en la ciudad universitaria de Lovaina y en Amberes, centro económico de los Países Bajos españoles. El multilingüismo que se practicaba era por un lado un multilingüismo ‘vertical’, implicando el estudio de las tres lenguas ‘sagradas’ (hebreo, griego, latín); este tipo de estudio se concretizó con la fundación del Collegium Trilingue de Lovaina (1517). Por otro lado, estaba muy difundido un multilingüismo ‘horizontal’, que implicaba las len- guas vernáculas, como el español, el francés y el italiano; este tipo de multilingüismo se explica por el ascenso de la clase comerciante. La presente contribución analiza la documentación disponible (sobre los maestros de lengua y los instrumentos didácticos) y rastrea los factores contextuales que influían en la enseñanza y el aprendizaje de lenguas extranjeras en Flandes, con particular atención a Lovaina. Palabras clave: Historia de la enseñanza de lenguas: Instrumentos didácticos; Multilingüismo (español, francés, italiano); Flandes; Collegi- um Trilingue de Lovaina; siglo XVI Abstract: In 16th-century Flanders, various languages were spoken and practiced, especially in the university town of Louvain and the city of Antwerp, the economic heart of the Southern Low Countries. -
Taking Centre Stage: Plutarch and Shakespeare
chapter 29 Taking Centre Stage: Plutarch and Shakespeare Miryana Dimitrova William Shakespeare (1564–1616) was familiar with various classical sources but it was Plutarch’s Lives of the noble Greeks and Romans that played a de- cisive role in the shaping of his Roman plays. The Elizabethan Julius Caesar (performed probably at the opening of the Globe theatre in 1599), and the Jacobean Antony and Cleopatra (c. 1606–1607) and Coriolanus (c. 1605–1610) are almost exclusively based on the Lives, while numerous other plays have been thematically influenced by the Plutarchan canon or include references to specific works. Although modern scholarship generally recognises Shakespeare’s knowl- edge of Latin (ultimately grounded in the playwright’s grammar school educa- tion, which included canonical texts in its curriculum) as well as French and Italian,1 it is widely accepted that he used Sir Thomas North’s translation of the Plutarch’s Lives. Ubiquitously dubbed “Shakespeare’s Plutarch”, its first edi- tion in the English vernacular appeared in 1579 and was followed by expanded editions in 1595 and 1603. North translated the Lives from the French version of Jacques Amyot, published in 1559 (see Frazier-Guerrier and Lucchesi in this volume). Shakespeare was also acquainted with the Moralia, possibly in its first English translation by Philemon Holland published in 1603, although a version entered in the Stationers Register in 1600 allows for a possible influence on Shakespeare’s earlier works.2 Shakespeare’s borrowings should be seen in the light of the fact that Plutarch’s Lives were admired in early modern England for their profound in- terest in the complexities of the human character and their didactic signifi- cance. -
University Micrœlm S International
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right In equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street a Dissertation Submitted in Partial Satisf
Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Dylan Sailor Professor Ramona Naddaff Fall 2015 Abstract Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair Tis dissertation takes Plutarch’s paired biographies of Teseus and Romulus as a path to understanding a number of roles that the author assumes: as a biographer, an antiquarian, a Greek author under Roman rule. As the preface to the Teseus-Romulus makes clear, Plutarch himself sees these mythological fgures as qualitatively different from his other biographical sub- jects, with the consequence that this particular pair of Lives serves as a limit case by which it is possible to elucidate the boundaries of Plutarch’s authorial identity. Tey present, moreover, a set of opportunities for him to demonstrate his ability to curate and present familiar material (the founding of Rome, Teseus in the labyrinth) in demonstration of his broad learning. To this end, I regard the Teseus-Romulus as a fundamentally integral text, both of whose parts should be read alongside one another and the rest of Plutarch’s corpus rather than as mere outgrowths of the tra- ditions about the early history of Athens and Rome, respectively. Accordingly, I proceed in each of my four chapters to attend closely to a particular thematic cluster that appears in both Lives, thereby bringing to light the complex fgural play by which Plutarch enlivens familiar material and demonstrates his virtuosity as author. -
National All-Star Academic Tournament Round 14 Tossups 1
National All-Star Academic Tournament Round 14 Tossups 1. Late in his life, this artist produced prints like The Knife Thrower and The Snail, known as his "cutouts." He painted a figure with an unnaturally twisted buttock in a work subtitled "Souvenir de Biskra," as well as a portrait of his wife with her face split in two by a "green line." This painter of Blue Nude depicted the title color bleeding from the floor to the wallpaper in his painting The Red Room. He used a half-blue and half-green landscape to display five red figures in a circle in another painting, a scene reimagined in this artist's The Joy of Life. For 10 points, name this painter of The Dance, the leader of Fauvism. ANSWER: Henri Matisse 020-09-12-14102 2. As a result of this event, Henricus Vos and Johannes van den Esschen were executed. A meeting in Speyer temporarily retracted the central result of this event, which resulted in a proclamation authored by Girolamo Aleandro. The Archbishop of Trier, Johann Eck, spoke for the emperor who convened it. Frederick the Wise guaranteed that one man would have safe passage to and from this meeting. It took place the year after Pope Leo X issued the papal bull Exurge Domine, which demanded that a man retract forty-one errors in his writings. Instead of retracting his errors, that man allegedly stated at this meeting "Here I stand; I can do no other." For 10 points, name this 1521 meeting whose namesake edict outlawed Martin Luther as a heretic.