University Micrœlm S International

Total Page:16

File Type:pdf, Size:1020Kb

University Micrœlm S International INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right In equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. Requests can be made to our Dissertations Customer Services Department. 5. Some pages in any document may have indistinct print. In all cases we have filmed the best available copy. University M icrœlm s International Lu t o n , Susan Joyce CONCEPTS OF HISTORY IN MONTAIGNE’S "ESSAIS" The Ohio State University University Microfiims i ntern&tionai 300 N. a e b Road. Ann Arbor, MI 48106 CONCEPTS OF HISTORY IN MONTAIGNE'S ESSAIS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan J. Litton, M.A. ******** The Ohio State University 1980 Reading Committee; Approved By Robert D. Cottrell Micheline Besnard-Coursodon Adviser ^ Charles G. S. Williams Department of Romance Languages and Literatures ACKNO^ÆEDGMENTS It is a pleasure to thank my adviser. Professor Robert Cottrell, for all the assistance he gave me and all the patience he demonstrated during the preparation of this study. I would also like to thank Professor Charles Williams for his most helpful and sympathetic reading of this work while it was still in draft form. My thanks also go to Professor Micheline Besnard-Coursodon for the many useful comments and suggestions she made upon reading the draft. I owe a special debt of gratitude to two other friends and colleagues; to Cregg Friedberg for his careful and detailed readings of Chapters I, II and IV; and to Claire Carpenter for her stern but bracing and encouraging commentary on early versions of Chapters I and II. 1972 ..................... M.A. in French Literature, The Ohio State University 1973-76 Graduate Teaching Associate, Romance Language Department, The Ohio State University 1976-77 Graduate Research Associate, Center for Medieval and Renaissance Studies, The Ohio State University Fall 1977 ............... Lecturer in French, Newark Branch Campus of The Ohio State University TABLE OF CONTENTS Page ACKNOWLEDGMENTS ............................................ il VITA ..................................................... ill INTRODUCTION .............................................. 1 Chapter I. REVIEW OF SCHOLARSHIP.............................. 13 II. MONTAIGNE AND THE DEVELOPMENT OF HISTORICAL CRITICISM . 54 The First Stage: Cornelius Agrippa and Francesco Patrizzi ............................. 58 The Second Stage: Melchor Cano and François Baudouin .............................. 71 The Third Stage: Jean B o d i n ....................... 80 III. MONTAIGNE AND THE BEGINNINGS OF MODERN.HISTORIOGRAPHY . 97 Montaigne and Secular History ..................... 100 Montaigne and Historical Process ................... 118 IV. MONTAIGNE'S HISTORICAL DISCOURSE..................... 137 The Early Essays (1572-74) ......................... 141 The Essays of 1578-80 161 V. MONTAIGNE'S HISTORICAL DISCOURSE .................... 185 The 1588 Edition.................................. 185 The Final Additions to the E s s a i s ................. 205 CONCLUSION................................................ 221 BIBLIOGRAPHY .............................................. 237 INTRODUCTION It is well known that history figured prominently in Montaigne's favorite reading-matter. Twice in the Essais he says so himself,^ and of the 271 books which can be assumed to have been in his posses­ sion, 87, or just less than one third, are histories.^ Moreover, his views on the usefulness of history are to be found in two of the most widely-read chapters of the Essais, "De l'institution des enfans" and "Des livres." In perhaps the best-known chapter of all, "De l'institution des enfans," Montaigne gives the study of history great importance in the young nobleman's intellectual formation. Although a practical education is stressed and the pupil is to leam by observing how people act in real life, nevertheless, en cette practique des hommes, j'entends y comprendre, et principalement, ceux qui ne vivent qu'en la mémoire des livres. [L'élève] practiquera, par le moyen des histoires, ces grandes ames des meilleurs siècles. C'est un vain estude, qui veut; mais qui veut aussi, c'est un estude de fruit inestimable (emphasis is mine).^ Biographies are seen as particularly valuable: "Quel profit ne fera-il History can, Montaigne admits, be dry: "A d'aucuns c'est un pur estude grammairien."^ But for those who know better it is essential reading, the source of our knowledge of man's psychological make-up. For these readers history is "1'anatomie de la philosophie, en laquelle well as psychological insights can be found in history if it is well presented to the pupil: que mon guide se souvienne où vise sa charge; et qu'il n'imprime pas tant à son disciple la date de la ruine de Carthage que les meurs de Hannibal et de Scipion, ny tant où mourut Marcellus, que pourquoi il fut indigne de son devoir qu'il mourut là. In keeping with the rest of Montaigne's educational philosophy, then, history is not to be seen as a source of facts for the young nobleman to leam, but as an area for the training of his judgment: "qu'[on] ne lui apprenne pas tant les histoires qu'à en juger. If this is Montaigne's stated theory of the use of history, how does he describe his personal practice? Except for the last element, the training of judgment, the two are very similar. In the chapter "Des livres," begun at approximately the same time as "De 1'institution droitte bale";^^ no longer envisaging the unwilling scholar learning his dates, he claims that "ils sont plaisans et aysez."^^ Again history is seen as a source of psychological and moral knowledge: 1'homme en general, de qui je cherche la cognoissance, y paroist plus vif et plus entier qu'en nul autre lieu, la diversité et vérité de ses conditions en gros et en destail, la variété des moyens de son assemblage et des accidens qui le menacent.12 As before, biographies are preferred: Or ceux qui escrivent les vies, d'autant qu'ils s'amusent plus aux conseils qu'aux evenemens, plus à ce qui part du dedans qu'à ce qui arrive au dehors, ceux là me sont propres 13 3 If the parallel between the two sections is not complete and the value of history for the formation of judgment is not stressed here, it is because Montaigne presents himself in this chapter as the curious but capricious and forgetful reader. He adopts the same tonality at the beginning of "De 1'institution des enfans" in a passage that remains separate from the serious matter of discussing another person's education. With fairly gentle irony history is presented here as the light reading enjoyed by the dilettante who is incapable of more sus­ tained study: de m'estre ronge les ongles à 1'estude d'Aristote, monarque de la doctrine moderne, ou opiniastrê après quelque science, je ne l'ay jamais faict. l'histoire c'est plus mon gibier, ou la poesie . History is thus presented as fascinating reading which provides useful— even inspiring— insights into human behaviour. The same views are evi­ dent when we consider the works Montaigne wishes had been left to us by the past. He wishes that the words of the dying Seneca had been recorded,that there had been more biographers like Diogenes Laertius,and that there were memoirs of Plutarch's life.^^ He wishes that someone of the intellectual stature of the great German humanist Justus Lipsius (with whom he corresponded) would write a history of the ancient philosophies.^® There is also a sharp sense that much of the past has been lost. He regrets the zeal of the early Christians who destroyed many non- Christian works: "J'estime que ce desordre ait plus porte de nuysance aux lettres que tout les feux des barbares.In fact, most human actions are soon forgotten: "Les fortunes de plus de la moitié du monde, à faute de registre, ne bougent de leur place, et s'évanouissent sans d u r é e . This sense of loss exists on the personal level also. as assiduous in keeping
Recommended publications
  • LES || VIES Des Hommes || Illustres, Grecs Et
    BnF Archives et manuscrits LES || VIES des Hommes || illustres, Grecs et || Romains, comparees l'une || auec l'autre par Plutarque || de Chæronee, || Translatees premierement de Grec en François par mai- || stre Iaques Amyot lors Abbé de Bellozane, & depuis || en ceste troisieme edition reueuës & corrigees en in- || finis passages par le mesme Translateur, maintenant || Abbé de sainct Corneille de Compiegne, Conseiller || du Roy, & grand Aumosnier de France, à l'aide de || plusieurs exemplaires uieux escripts à la main, & aussi || du iugement de quelques personnages excellents en || sçauoir. || A Paris. || Par Vascosan Imprimeur du Roy. || M.D.LXVII [1567]. || Auec Priuilege. 6 vol. in-8. — LES || VIES de Hannibal, || et Scipion l'Afri- || cain, traduittes par Char- || les De-l'Ecluse. || A Paris, || Par Vascosan Imprimeur du Roy. || M.D.LXVII [1567]. In-8 de 150 p. et 1 f. blanc. — LES || OEVVRES || MORALES ET MESLEES || de Plutarque, Translatees de Grec || en François, reueuës & corrigees || en ceste seconde Edition || en plusieurs passages || par le Trans- || lateur. || .... || A Paris, || Par Vascosan Imprimeur du Roy. || M.D.LXXIIII [1574]. || Auec Priuilege. 6 vol. in-8. — TABLE tresample des || Noms et Choses notables, || contenuës en tous les Opuscules de Plu- || tarque. In-8. — Ensemble 14 part, en 13 vol. in-8. Cote : Rothschild 1899 [IV, 8(bis), 7-19] Réserver LES || VIES des Hommes || illustres, Grecs et || Romains, comparees l'une || auec l'autre par Plutarque || de Chæronee, || Translatees premierement de Grec en François par mai- || stre Iaques Amyot lors Abbé de Bellozane, & depuis || en ceste troisieme edition reueuës & corrigees en in- || finis passages par le mesme Translateur, maintenant || Abbé de sainct Corneille de Compiegne, Conseiller || du Roy, & grand Aumosnier de France, à l'aide de || plusieurs exemplaires uieux escripts à la main, & aussi || du iugement de quelques personnages excellents en || sçauoir.
    [Show full text]
  • Illinois Classical Studies
    i 11 Parallel Lives: Plutarch's Lives, Lapo da Castiglionchio the Younger (1405-1438) and the Art of Italian Renaissance Translation CHRISTOPHER S. CELENZA Before his premature death in 1438 of an outbreak of plague in Ferrara, the Florentine humanist and follower of the papal curia Lapo da Castiglionchio the Younger left behind three main bodies of work in Latin, all still either unedited or incompletely edited: his own self-collected letters, a small number of prose treatises, and a sizeable corpus of Greek-to-Latin translations. This paper concerns primarily the last of these three aspects of his work and has as its evidentiary focus two autograph manuscripts that contain inter alia final versions of Lapo's Latin translations of Plutarch's Lives of Themistocles, Artaxerxes, and Aratus. In addition, however, to studying Lapo's translating techniques, this paper will address chiefly the complexities of motivation surrounding Lapo's choice of dedicatees for these translations. The range of circumstances will demonstrate, I hope, the lengths to which a young, little-known humanist had to go to support himself in an environment where there was as yet no real fixed, institutional place for a newly created discipline. Lapo and Translation: Patronage, Theory, and Practice Of the three areas mentioned, Lapo's translations represent the most voluminous part of his oeuvre and in fact it is to his translations that he owes his modem reputation. But why did this young humanist devote so much energy to translating? And why were Plutarch's Lives such an important part of his effort? An earlier version of this paper was delivered as an Oldfather Lecture at the University of Illinois at Urbana-Champaign on 8 November 1996.
    [Show full text]
  • UC Berkeley UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Atypical Lives: Systems of Meaning in Plutarch's Theseus-Romulus Permalink https://escholarship.org/uc/item/6f213297 Author Street, Joel Martin Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Dylan Sailor Professor Ramona Naddaff Fall 2015 Abstract Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair Tis dissertation takes Plutarch’s paired biographies of Teseus and Romulus as a path to understanding a number of roles that the author assumes: as a biographer, an antiquarian, a Greek author under Roman rule. As the preface to the Teseus-Romulus makes clear, Plutarch himself sees these mythological fgures as qualitatively different from his other biographical sub- jects, with the consequence that this particular pair of Lives serves as a limit case by which it is possible to elucidate the boundaries of Plutarch’s authorial identity. Tey present, moreover, a set of opportunities for him to demonstrate his ability to curate and present familiar material (the founding of Rome, Teseus in the labyrinth) in demonstration of his broad learning. To this end, I regard the Teseus-Romulus as a fundamentally integral text, both of whose parts should be read alongside one another and the rest of Plutarch’s corpus rather than as mere outgrowths of the tra- ditions about the early history of Athens and Rome, respectively.
    [Show full text]
  • Taking Centre Stage: Plutarch and Shakespeare
    chapter 29 Taking Centre Stage: Plutarch and Shakespeare Miryana Dimitrova William Shakespeare (1564–1616) was familiar with various classical sources but it was Plutarch’s Lives of the noble Greeks and Romans that played a de- cisive role in the shaping of his Roman plays. The Elizabethan Julius Caesar (performed probably at the opening of the Globe theatre in 1599), and the Jacobean Antony and Cleopatra (c. 1606–1607) and Coriolanus (c. 1605–1610) are almost exclusively based on the Lives, while numerous other plays have been thematically influenced by the Plutarchan canon or include references to specific works. Although modern scholarship generally recognises Shakespeare’s knowl- edge of Latin (ultimately grounded in the playwright’s grammar school educa- tion, which included canonical texts in its curriculum) as well as French and Italian,1 it is widely accepted that he used Sir Thomas North’s translation of the Plutarch’s Lives. Ubiquitously dubbed “Shakespeare’s Plutarch”, its first edi- tion in the English vernacular appeared in 1579 and was followed by expanded editions in 1595 and 1603. North translated the Lives from the French version of Jacques Amyot, published in 1559 (see Frazier-Guerrier and Lucchesi in this volume). Shakespeare was also acquainted with the Moralia, possibly in its first English translation by Philemon Holland published in 1603, although a version entered in the Stationers Register in 1600 allows for a possible influence on Shakespeare’s earlier works.2 Shakespeare’s borrowings should be seen in the light of the fact that Plutarch’s Lives were admired in early modern England for their profound in- terest in the complexities of the human character and their didactic signifi- cance.
    [Show full text]
  • Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street a Dissertation Submitted in Partial Satisf
    Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Dylan Sailor Professor Ramona Naddaff Fall 2015 Abstract Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair Tis dissertation takes Plutarch’s paired biographies of Teseus and Romulus as a path to understanding a number of roles that the author assumes: as a biographer, an antiquarian, a Greek author under Roman rule. As the preface to the Teseus-Romulus makes clear, Plutarch himself sees these mythological fgures as qualitatively different from his other biographical sub- jects, with the consequence that this particular pair of Lives serves as a limit case by which it is possible to elucidate the boundaries of Plutarch’s authorial identity. Tey present, moreover, a set of opportunities for him to demonstrate his ability to curate and present familiar material (the founding of Rome, Teseus in the labyrinth) in demonstration of his broad learning. To this end, I regard the Teseus-Romulus as a fundamentally integral text, both of whose parts should be read alongside one another and the rest of Plutarch’s corpus rather than as mere outgrowths of the tra- ditions about the early history of Athens and Rome, respectively. Accordingly, I proceed in each of my four chapters to attend closely to a particular thematic cluster that appears in both Lives, thereby bringing to light the complex fgural play by which Plutarch enlivens familiar material and demonstrates his virtuosity as author.
    [Show full text]
  • Plutarch in France Before Amyot
    PLUTARCH'S LIVES Alain Billault Introduction: Plutarch in France before Amyot Jacques Amyot's translation of Plutarch's Lives was the major event in the destiny of Plutarch's Lives in France. It was published in Paris by Michel de Vascosan in 1559, with the tide: Vies des hommes illus­ tres grecs et romains comparées Vune avec Vautre par Plutarque de Chaeronée, Translatées premièrement de Grec en François par maistre Jacques Amyot. Its publication was the main cause of Plutarch's esteem in modern France and exercised a long-lived influence on French literature, but it was not an isolated event. From the beginning of the sixteenth century ancient Greek texts had become mainstream in French intellectual life. They were edited in their original version or translated into Latin or French. The original editions often bore a relation to courses of public lectures but were also used by people who could not attend the lectures but wanted to learn ancient Greek.1 The Latin transla­ tions were read by educated people who could read Latin, but not Greek. They were published before the French translations that appeared later and gradually became prominent. Plutarch's case pro­ vides a good example of this trend.2 Plutarch's works were unknown in the Middle Ages.3 Italy redis­ covered them in the fifteenth century. The first edition of Plutarch in France was published in Paris by Gilles de Gourmont on April 30, 1509. The book included three texts from the Moralia: De uirtute et uitio, Defortuna Romanorum and Quemadmodum oporteat adulescentem poe- mata audire.
    [Show full text]
  • The Shakespeare Library. General Editor Professor I
    THE SHAKESPEARE LIBRARY. GENERAL EDITOR PROFESSOR I. GOLLANCZ, Lxr'r.D. SHAKESPEARE'S PLUTARCH Thts S_ectal Edttton of' SHAXESrZ^xZ'S PLtrr^RCX_ ' ts hmtted to I ooo coptcs, o _'btcb 500 are reser,ved for .dmertca. THE LIVES OF THE NOBLE GRE- --. CLANS AND ROMANES, CO\IPARED t_,_ther b.: that Uaue learned "l>hu_I_.phcrand ] h,tortv_ra- "l'ranPate, domofCrcckcunol-rc_h_, I _.,,. _ A_._',,'_,_b_o_ofl_cllo_ane_ Bu,hopo! Aux.-'rre,om.of lh_.Mr_gl,mU', cotu_:',a_ ,, ,.:._ : Amn_.'r of 1_aualce,andout of l-r_nd, v_tuI.' gh;,,;,,. • ,--- ) lm_la Lon&l_hnn byV.V_"ThomaLV_ma'oulli$ ";_, 'i S HAKESPEAR E'S "_PLUTARCH :EDITED BY C. F. TUCKER BROOKE B.LiTT. : VOL. I. : CONTAI_INO THE MAIN SOURCES OF JULIUS CAESAR t _, I _ , NEW YORK DUFFIELD & COMPANY LONDON: CHATTO & WINDUS :9o9 / / , • f , E INDIANA UN'I_TBS_._I" lIBRARY All ri_t_ reler_¢d INTRODUCTION r_ THE influence of the writings of Plutarch of Chmronea on English literature might well be made the subject of one of the most interesting chapters in the long story of the debt of moderns to ancients. One of the most kindly and young spirited, he is also one of the most versatile of Greek writers, and his influence has worked by devious ways to the most varied results. His treatise on the Education of Children had the honour to be early translated into the gravely charming prose of Sir Thomas Elyot, and to be published in a black- letter quarto 'imprinted,' as the colophon tells us, 'in Fletestrete in the house of Thomas Berthelet.' The same work was drawn upon unreservedly by Lyly in the second part of Euphues, and its teachings reappear a little surprisingly in some of the later chapters of Pamela.
    [Show full text]
  • Introduction, Let Me Read to You a Few Lines from a Recent Article by Pierre Assouline in the Section La Vie Littéraire of Le Monde
    Amyot and Montaigne Margaret McGowan, Research Professor, University of Sussex By way of introduction, let me read to you a few lines from a recent article by Pierre Assouline in the section La Vie Littéraire of Le Monde. It is entitled: “De Montaigne à Twitter, l’art du recyclage”! C’est aussi déspérant que rassurant: on n’invente jamais rien. Ou si peu. En prendre conscience permet de garder la tête froide et de relativiser notre génie. Sober advice, without a doubt; but, Assouline goes on to expose the strange truth that Montaigne’s sudden and extraordinary current popularity in the United States is because a new dimension of readers, users of Facebook, who have adopted the Essais, see the essayist’s style as prefiguring the personal shards of blogging! It is all explained by Sarah Bakewell who gave this title to her book of 400 pages: How to Live or a Life of Montaigne in One Question and Twenty Attempts of an Answer, (London, 2010). In this context, recycling might be an adequate term to describe Montaigne’s relationship to Amyot, I would prefer re-inventing, as will be clear in what follows. Montaigne’s debt to and admiration for Plutarch, for his Parallel Lives and his Moralia, are very well established, thoroughly documented since Isabelle Konstantinovic’s thesis, Montaigne et Plutarque, published by 1 Droz in 1989.(1) Like Pierre Villey, long before her, she identified 89 named references to Plutarch in the Essais and 500 borrowings from his writings. Today, I do not intend to go over that ground, but rather to focus on Montaigne’s reading and interpreting of Jacques Amyot’s French versions of Plutarch, and especially of the Oeuvres morales, and to explore how they helped to supplement his thinking, and – in particular – to modify his style.
    [Show full text]
  • Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street a Dissertation Submitted in Partial Satisf
    Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Dylan Sailor Professor Ramona Naddaff Fall 2015 Abstract Atypical Lives: Systems of Meaning in Plutarch's Teseus-Romulus by Joel Martin Street Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair Tis dissertation takes Plutarch’s paired biographies of Teseus and Romulus as a path to understanding a number of roles that the author assumes: as a biographer, an antiquarian, a Greek author under Roman rule. As the preface to the Teseus-Romulus makes clear, Plutarch himself sees these mythological fgures as qualitatively different from his other biographical sub- jects, with the consequence that this particular pair of Lives serves as a limit case by which it is possible to elucidate the boundaries of Plutarch’s authorial identity. Tey present, moreover, a set of opportunities for him to demonstrate his ability to curate and present familiar material (the founding of Rome, Teseus in the labyrinth) in demonstration of his broad learning. To this end, I regard the Teseus-Romulus as a fundamentally integral text, both of whose parts should be read alongside one another and the rest of Plutarch’s corpus rather than as mere outgrowths of the tra- ditions about the early history of Athens and Rome, respectively. Accordingly, I proceed in each of my four chapters to attend closely to a particular thematic cluster that appears in both Lives, thereby bringing to light the complex fgural play by which Plutarch enlivens familiar material and demonstrates his virtuosity as author.
    [Show full text]
  • Renaissance and Reformation, 1974
    Translation Theory in Renaissance France: Etienne Dolet and the Rhetorical Tradition Glyn P. Norton The diffusion of vernacularism through translation in late fifteenth and early sixteenth century France is a literary and historical fact well documented in the prefaces of contem- porary works and confirmed by the findings of countless scholars. 1 Well before such ver- nacular apologists as Geoffroy Torv and Joachim Du Bellay, Claude de Seyssel, in a Pro- logue addressed to Louis XII (1509), calls for the founding of a national literature through 2 the medium of translation. By royal decree, Valois monarchs from Francis I to Henry III make glorification of the vernacular a matter of public policy. Translators, as well as gram- marians and poets, are enlisted in a self-conscious national cause, under the "enlightened guidance" of their royal patrons. As theoreticians and apologists begin to seek analogical links between the vernacular idiom and classical languages, translation is seen less and less as a craft of betrayal (conveyed in the Italian proverb "traduttore traditore"). If, indeed, French is capable of the same expressive functions as its classical predecessors, why, people begin to ask, cannot the style and thought of Greece and Rome also be transmitted accu- rately into the vulgar tongue? Not only is translation, then, a means of literary dissemina- tion to the masses, but more vitally, an agent of linguistic illustration. For this reason, translation theory is often inseparably bound to the greater question of how to imitate classical authors in the vernacular idiom. While occasionally taking into account this broader function of translation, scholarly approaches to translation theory in Renaissance France have generally failed to examine these theoretical questions within the framework of cultural change.
    [Show full text]
  • Intermediary Languages and News Translation in Early Modern England
    This is a repository copy of News from Italy (Via France) : intermediary languages and news translation in early modern England. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/166017/ Version: Accepted Version Article: Barker, S orcid.org/0000-0001-6063-3342 (2021) News from Italy (Via France) : intermediary languages and news translation in early modern England. Rivista di Letteratura Storiografica Italiana, 4. pp. 47-60. ISSN 2532-9626 10.19272/202013601002 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ NEWS FROM ITALY (VIA FRANCE) – INTERMEDIARY LANGUAGES AND NEWS TRANSLATION IN EARLY MODERN ENGLAND* * NOTA DI RINGRAZIAMENTO DA METTERE IN FONDO ALLA PAGINA, PRIMA DELLA NOTA 1: * I would like to thank the attendees of the Translating News, Politics and Commerce conference organized by ISI Florence and the “Università di Firenze” (21 February 2020), whose comments and questions – particularly about Italian news production – were particularly helpful as I brought these ideas together.
    [Show full text]
  • Shakespeare's Cassius
    Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Shakespeare’s Cassius: A Critical Re-appraisal A thesis presented in fulfilment of the requirements for the degree of Master of Philosophy in English at Massey University, New Zealand Dean Anthony Alexander 2015 Abstract This thesis examines Shakespeare’s characterisation of Cassius in Julius Caesar. Although a faint figure in the historical tradition that Shakespeare inherited, Cassius emerges as the second most prominent character in the play (at least in terms of words spoken). My aim is to explain how (and why) Cassius comes to enjoy such a primary role in the tragedy. In Chapter One, I examine the historical information Shakespeare may have consulted to fashion his Cassius. As I hope to show, Shakespeare adapts and appropriates Plutarch to provide a far more nuanced portrait than the predominantly one-dimensional foil for Brutus. In Chapter Two, I examine the Caesar plays of several contemporary European dramatists (e.g., Muret, Pescetti, and Kyd) to compare their depictions of Cassius to Shakespeare’s. In Chapter Three, I examine Elizabethan England’s influence on Shakespeare’s depiction of Cassius. Additionally, I will explore whether or not Shakespeare sought to connect Cassius with the contemporary figure Robert Devereux, Earl of Essex. The overarching questions that connect these chapters together are: can Cassius be considered the hero or a villain of the play? Is he neither? Is he a “mixed” character? These questions are important, as critics have long been divided over Cassius since the play was first performed.
    [Show full text]