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Stonehenge OCR Spec B: History Around Us
OCR HISTORY AROUND US Site Proposal Form Example from English Heritage The Criteria The study of the selected site must focus on the relationship between the site, other historical sources and the aspects listed in a) to n) below. It is therefore essential that centres choose a site that allows learners to use its physical features, together with other historical sources as appropriate, to understand all of the following: a) The reasons for the location of the site within its surroundings b) When and why people first created the site c) The ways in which the site has changed over time d) How the site has been used throughout its history e) The diversity of activities and people associated with the site f) The reasons for changes to the site and to the way it was used g) Significant times in the site’s past: peak activity, major developments, turning points h) The significance of specific features in the physical remains at the site i) The importance of the whole site either locally or nationally, as appropriate j) The typicality of the site based on a comparison with other similar sites k) What the site reveals about everyday life, attitudes and values in particular periods of history l) How the physical remains may prompt questions about the past and how historians frame these as valid historical enquiries m) How the physical remains can inform artistic reconstructions and other interpretations of the site n) The challenges and benefits of studying the historic environment 1 Copyright © OCR 2018 Site name: STONEHENGE Created by: ENGLISH HERITAGE LEARNING TEAM Please provide an explanation of how your site meets each of the following points and include the most appropriate visual images of your site. -
Researching Stonehenge: Theories Past and Present
Parker Pearson, M 2013 Researching Stonehenge: Theories Past and Present. Archaeology International, No. 16 (2012-2013): 72-83, DOI: http://dx.doi.org/10.5334/ai.1601 ARTICLE Researching Stonehenge: Theories Past and Present Mike Parker Pearson* Over the years archaeologists connected with the Institute of Archaeology and UCL have made substantial contributions to the study of Stonehenge, the most enigmatic of all the prehistoric stone circles in Britain. Two of the early researchers were Petrie and Childe. More recently, colleagues in UCL’s Anthropology department – Barbara Bender and Chris Tilley – have also studied and written about the monument in its landscape. Mike Parker Pearson, who joined the Institute in 2012, has been leading a 10-year-long research programme on Stonehenge and, in this paper, he outlines the history and cur- rent state of research. Petrie and Childe on Stonehenge William Flinders Petrie (Fig. 1) worked on Stonehenge between 1874 and 1880, publishing the first accurate plan of the famous stones as a young man yet to start his career in Egypt. His numbering system of the monument’s many sarsens and blue- stones is still used to this day, and his slim book, Stonehenge: Plans, Descriptions, and Theories, sets out theories and observations that were innovative and insightful. Denied the opportunity of excavating Stonehenge, Petrie had relatively little to go on in terms of excavated evidence – the previous dig- gings had yielded few prehistoric finds other than antler picks – but he suggested that four theories could be considered indi- vidually or in combination for explaining Stonehenge’s purpose: sepulchral, religious, astronomical and monumental. -
A303 Amesbury to Berwick Down
A303 Amesbury to Berwick Down TR010025 6.3 Environmental Statement Appendices Volume 1 6 Appendix 6.1 Annex 8 Influences of the monuments and landscape of the Stonehenge part of the World Heritage Site on literature and popular culture APFP Regulation 5(2)(a) Planning Act 2008 Infrastructure Planning (Applications: Prescribed Forms and Procedure) Regulations 2009 October 2018 HIA Annex 8 – Influences of the monuments and landscape of the Stonehenge part of the WHS on literature and popular culture Introduction Stonehenge, Avebury and Associated Sites was inscribed on the UNESCO World Heritage Site List in 1986, one of the original list of seven sites in the UK to be put forward for inscription. The Statement of Outstanding Universal Value (OUV) was adopted in 2013. The Statement of OUV notes that ‘the monuments and landscape have had an unwavering influence on architects, artists, historians and archaeologists’ (UNESCO 2013). The 2015 Management Plan (Simmonds & Thomas 2015) identifies seven Attributes of OUV for the entirety of the WHS, of which the seventh is: ‘The influence of the remains of the Neolithic and Bronze Age funerary and ceremonial monuments and their landscape setting on architects, artists, historians, archaeologists and others.’ The landscape around Stonehenge, comprising natural and cultural elements, is not just a physical environment, but an abstraction that is perceived by the human observer. Such observers have included literary writers, poets and travel writers, who have used their sense of the place as they experienced it to inspire their creative writing. The unique strength of Stonehenge is that the monument is an instantly recognisable structure which resembles no other and onto which a range of fantasies can be projected (Hutton 2009, 45). -
Stonehenge and Ancient Astronomy Tonehenge Is One of the Most Impressive and Best Known Prehistoric Stone Monuments in the World
Stonehenge and Ancient Astronomy tonehenge is one of the most impressive and best known prehistoric stone monuments in the world. Ever since antiquarians’ accounts began to bring the site to wider attention inS the 17th century, there has been endless speculation about its likely purpose and meaning, and a recurring theme has been its possible connections with astronomy and the skies. was it a Neolithic calendar? A solar temple? A lunar observatory? A calculating device for predicting eclipses? Or perhaps a combination of more than one of these? In recent years Stonehenge has become the very icon of ancient astronomy, featuring in nearly every discussion on the subject. And yet there are those who persist in believing that it actually had little or no connection with astronomy at all. A more informed picture has been obtained in recent years by combining evidence from archaeology and astronomy within the new interdiscipline of archaeoastronomy – the study of beliefs and practices concerning the sky in the past and the uses to which people’s knowledge of the skies were put. This leaflet attempts to summarize the evidence that the Stonehenge monument was constructed by communities with a clear interest in the sky above them. Photograph: Stonehenge in the snow. (Skyscan/english heritagE) This leaflet is one of a series produced by the Royal Astronomical Society (RAS). An electronic version is available for download at www.ras.org.uk. It has been written by the following members of the RAS Astronomical Heritage Committee: Clive Ruggles, Bill Burton, David Hughes, Andrew lawson and Derek McNally. -
THE SINCEREST FORM of FLATTERY: an ANALYSIS of FULL-SCALE, EX SITU REPLICAS of WORLD HERITAGE SITES by REBECCA LEIGH MCMANUS
THE SINCEREST FORM OF FLATTERY: AN ANALYSIS OF FULL-SCALE, EX SITU REPLICAS OF WORLD HERITAGE SITES by REBECCA LEIGH MCMANUS (Under the Direction of WAYDE BROWN) ABSTRACT Full-scale, ex situ replicas of UNESCO World Heritage Sites can be found in five countries and their constructions predate even the World Heritage Convention itself. Clearly, the desire of humans to copy the architectural wonders of the world has a long and enduring history. This thesis will attempt to answer three related questions. First, what is the intent behind constructing these replicas? Second, how do the public and cultural heritage professionals receive these replicas? And third, how do these replicas fit into the ongoing discussions on authenticity and interpretation in historic preservation? INDEX WORDS: Replica, Full-Scale, Ex Situ, World Heritage Convention, World Heritage Sites, Stonehenge, Maryhill Stonehenge, Foamhenge, Parthenon, Nashville Parthenon, Hallstatt Village, Luoyang Hallstatt, Great Sphinx at Giza, Chuzhou Sphinx, Duplitecture, Nara Document, Venice Charter, Postmodernism, Forgeries, Umberto Eco, Jean Baudrillard, Richard Handler, Albert Lessing, Biana Bosker. THE SINCEREST FORM OF FLATTERY: AN ANALYSIS OF FULL-SCALE, EX SITU REPLICAS OF WORLD HERITAGE SITES by REBECCA LEIGH MCMANUS BA, Emory University, 2013 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF HISTORIC PRESERVATION ATHENS, GEORGIA 2016 © 2016 Rebecca Leigh McManus All Rights Reserved THE SINCEREST FORM OF FLATTERY: AN ANALYSIS OF FULL-SCALE, EX SITU REPLICAS OF WORLD HERITAGE SITES by REBECCA LEIGH MCMANUS Major Professor: Wayde Brown Committee: Scott Nesbit Akela Reason Taylor Davis Electronic Version Approved: Suzanne Barbour Dean of the Graduate School The University of Georgia May 2016 iv DEDICATION I dedicate this work to my parents, who encouraged me to keep pursuing knowledge, and to Alex Green, Sophia Latz, and Lesa Miller for their support and editorial advice. -
Ever Increasing Circles: the Sacred Geographies of Stonehenge and Its Landscape
Proceedings of the British Academy, 92, 167-202 Ever Increasing Circles: The Sacred Geographies of Stonehenge and its Landscape TIMOTHY DARVILL Introduction THE GREAT STONE CIRCLE standing on the rolling chalk downland of Salisbury Plain that we know today as Stonehenge, has, in the twentieth century AD, become a potent icon for the ancient world, and the focus of power struggles and contested authority in our own. Its reputation and stature as an archaeological monument are enormous, and sometimes almost threaten to overshadow both its physical proportions and our accumu- lated collective understanding of its construction and use. While considerable attention has recently been directed to the relevance, meaning and use of the site in the twentieth century AD (Chippindale 1983; 1986a; Chippindale et al. 1990; Bender 1992), the matter of its purpose, significance, and operation during Neolithic and Bronze Age times remains obscure. The late Professor Richard Atkinson was characteristically straightforward when he said that for questions about Stonehenge which begin with the word ‘why’: ‘there is one short, simple and perfectly correct answer: We do not know’ (1979, 168). Two of the most widely recognised and enduring interpretations of Stonehenge are, first, that it was a temple of some kind; and, second, that its orientation on the midsummer sunrise gave it some sort of astronomical role in the lives of its builders. Both interpre- tations, which are not mutually exclusive, have of course been taken to absurd lengths on occasion. During the eighteenth century, for example, William Stukeley became obses- sive about the role of the Druids at Stonehenge (Stukeley 1740). -
{FREE} Where Is Stonehenge? Kindle
WHERE IS STONEHENGE? PDF, EPUB, EBOOK True Kelley | 112 pages | 01 Nov 2016 | Penguin Putnam Inc | 9780448486932 | English | New York, United States Stonehenge | History, Location, Map, & Facts | Britannica The ditch was continuous but had been dug in sections, like the ditches of the earlier causewayed enclosures in the area. The chalk dug from the ditch was piled up to form the bank. This first stage is dated to around BC, after which the ditch began to silt up naturally. Within the outer edge of the enclosed area is a circle of 56 pits, each about 3. These pits and the bank and ditch together are known as the Palisade or Gate Ditch. A recent excavation has suggested that the Aubrey Holes may have originally been used to erect a bluestone circle. A small outer bank beyond the ditch could also date to this period. In a team of archaeologists, led by Mike Parker Pearson , excavated more than 50, cremated bone fragments, from 63 individuals, buried at Stonehenge. Evidence of the second phase is no longer visible. The number of postholes dating to the early third millennium BC suggests that some form of timber structure was built within the enclosure during this period. Further standing timbers were placed at the northeast entrance, and a parallel alignment of posts ran inwards from the southern entrance. The postholes are smaller than the Aubrey Holes, being only around 16 inches 0. The bank was purposely reduced in height and the ditch continued to silt up. At least twenty-five of the Aubrey Holes are known to have contained later, intrusive, cremation burials dating to the two centuries after the monument's inception. -
Architecture and Meaning in the Structure of Stonehenge, Wiltshire, UK Timothy Darvill
Houses of the Holy: architecture and meaning in the structure of Stonehenge, Wiltshire, UK Timothy Darvill Timothy Darvill is Professor of Archaeology in the Department of Archaeology, Anthropology and Forensic Science, Bournemouth University, UK. His research interests lie in the Neolithic of Northwest Europe and in archaeological resource management, and he has carried out fieldwork in Germany, Russia, Malta, England, Wales, and the Isle of Man. In 2008, together with Geoff Wainwright, he undertook excavations inside the stone circles at Stonehenge as part of ongoing research into the links between Stonehenge and the sources of the Bluestones in the Preseli Hills of southwest Wales. He is a member of the Editorial Advisory Board of Time & Mind. [email protected]. Abstract Stonehenge in central southern England is internationally known. Recent re-evaluations of its date and construction sequence provides an opportunity to review the meaning and purpose of key structural components. Here it is argued that the central stone structures did not have a single purpose but rather embody a series of symbolic representations. During the early third millennium this included a square-in- circle motif representing a sacred house or ‘big house’ edged by the five Sarsen Trilithons. During the late third millennium BC, as house styles changed, some of the stones were re-arranged to form a central oval setting that perpetuated the idea of the a sacred dwelling. The Sarsen Circle may have embodied a time- reckoning system based on the lunar month. From about 2500 BC more than 80 bluestones were brought to the site from sources in the Preseli Hills of west Wales about 220km distant. -
Stonehenge for the Ancestors, Part the Monograph Is a Hefty 602 Pages, Packed 1: Landscape and Monuments
Early View: Zitierfähige Online-Fassung mit vorläufiger Seitenzählung. Nach Erscheinen des gedruckten Bandes finden Sie den Beitrag mit den endgültigen Seitenzahlen im Open Access dort: http://journals.ub.uni-heidelberg.de/arch-inf Den gedruckten Band erhalten Sie unter http://www.archaeologische-informationen.de. Early View: Quotable online version with preliminary pagination. After the printed volume has appeared you can find this article with its final pagination as open access publication there: http://journals.ub.uni-heidelberg.de/archParker-inf Pearson,The printed volumeM. et al.will (eds) be available (2020). there: Stonehenge http://www.archaeologische-informationen.de for the Ancestors 1 . Review of: Parker Pearson, M., Pollard, J., Rich- mations buried near the Cuckoo Stone are given ards, C., Thomas, J., Tilley, C. & Welham, K. but no further details are provided. (eds) (2020). Stonehenge for the Ancestors, Part The monograph is a hefty 602 pages, packed 1: Landscape and Monuments. Leiden: Side- with in-depth specialist reports and thorough stone Press. 606 pp, 202 illustrations (b/w), 190 excavation descriptions. The publisher Sidestone illustrations (colour), hb/pb/online. ISBN 978-90- Press has used an innovative publishing model, 8890-702-9. https://www.sidestone.com/books/ with the book available at various prices: an ex- stonehenge-for-the-ancestors-part-1 pensive hardback, a less expensive paperback, a very modestly priced downloadable PDF, or a free Susan Greaney version to read online. This aim to provide free public access is admirable; the website informs This is the first of four volumes setting out in full that it has been read online 890 times since pub- the results of the Stonehenge Riverside Project lication in October 2020. -
AA00058808 00001 ( .Pdf )
STONEHENGE: ITS VISUAL FORCE By JOHANN KRISTJAN EYFELLS A THESIS PRESENTED TO THE GIV.DUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS UNIVERSITY OF FLORIDA April, 1964 ACKNOWLEDGEMENT I should like to extend my sincere thanks to Professor E. E. Grissom, Head, Department of Art, for his encouraging support given to me, particularly during the early stages of my somewhat unconventional approach to the chosen subject matter. I am greatly indebted to Professor J. G. Naylor for the excellent photographs, which he took of Stonehenge, while on a visit to his native country, England, last summer. His many helpful suggestions, and his part in supplying the photographic material presented in this thesis were invaluable . Thanks are due to Professors K. A. Kerslake and W. A. Carter for their suggestions and criticisms given as members of the super visory committee. Finally, I should like to thank my wife, Kristin, without whose help and encouragement this work would certainly have been more difficult. ii TABLE OF CONTENTS ACKNOWLEDGEMENT •••••....•............•..•..•.........••.... ii TABLE OF CONTENTS .•..••.....•............•.... ~ . • . • . iii PART I •.••••••.•.•..............•..•••••.•...•............. 1 Introduction •••••.••..••.••.••••••••••.•••...•....••.• 2 PART II 13 meaning ......................................... 15 savage yet refined ••....•••••...•...•••..••.•.••. 17 tradi tional yet original •••••••..••..••••.•...•.. 19 assertive yet frail ••.••••.•.•.•••.•..•......... -
The Dead of Stonehenge
The dead of Stonehenge Christie Willis1, Peter Marshall2, Jacqueline McKinley3, Mike Pitts4, Joshua Pollard5, Colin Richards6, Julian Richards7, Julian Thomas6, Tony Waldron1, Kate Welham8 & Mike Parker Pearson1,∗ Research The assemblage of Neolithic cremated human remains from Stonehenge is the largest in Britain, and demonstrates that the monument was closely associated with the dead. New radiocarbon dates and Bayesian analysis indicate that cremated remains were deposited over a period of around five centuries from c. 3000–2500 BC. Earlier cremations were placed within or beside the Aubrey Holes that had held small bluestone standing stones during the first phase of the Stonehenge monument; later cremations were placed in London the peripheral ditch, perhaps signifying the N 0km400 transition from a link between specific dead individuals and particular stones, to a more diffuse collectivity of increasingly long-dead ancestors. Keywords: Stonehenge, Late Neolithic–Early Bronze Age, cremation, Bayesian dating Introduction Stonehenge, a Late Neolithic–Early Bronze Age monument in Wiltshire, southern England, was constructed in five stages between around 3000 BC and 1500 BC (Darvill et al. 2012). The first stage consisted of a circular ditch enclosing pits thought to have held posts or standing stones, of which the best known are the 56 Aubrey Holes. These are now believed to have held a circle of small standing stones, specifically ‘bluestones’ from Wales (Parker Pearson et al. 2009: 31–33). In its second stage, Stonehenge took on the form in -
Spatial Order, Cosmology, and Patterns of Deposition at Stonehenge
Cambridge Archaeological Journal 11:1 (2001), 69–90 Shifting Perceptions: Spatial Order, Cosmology, and Patterns of Deposition at Stonehenge Joshua Pollard & Clive Ruggles The changing cosmological symbolism incorporated in Phases 1 and 2 at Stonehenge is reviewed in the light of new evidence from patterns of deposition prior to the construction of the bluestone and sarsen stone settings. The early structure of the monument and attendant depositional practices embodied a scheme of radial division, including a sym- bolic quartering primarily demarcated by solstitial rising and setting points. Through sustained ritual practice, however, the motions of the moon came increasingly to be referenced through deposition, particularly of cremations. This evidence seems to contra- dict earlier claims of a sudden shift in and around Wessex during the mid-third millen- nium BC from a predominantly lunar to a predominantly solar cosmology. It suggests instead that interest in solar and lunar events did not necessarily preclude each other and that over the centuries there was a process of subtle change involving the continual reworking of symbolic schemes emphasizing a sense of ‘timelessness’ and the unchanging order of the universe. I went to live on the [Mescalero Apache] reserva- mologies (as well as from the widespread popularity tion to do dissertation fieldwork with children’s of astrology in the modern Western world) that, out- free play . however [my consultant] insisted I side the context of Western science, perceived inter- could not understand play without understanding connections between objects and events in the sky dance, which I could not understand without un- and other aspects of the natural and social world derstanding the girls’ puberty ceremonial, which I could not understand without understanding the commonly form part of people’s understanding of religion, which I could not understand without the overall order of things.