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"Code Und Zeit", Vortrag Im Rahmen Der Öffentlichen Ringvorlesu

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["NOTIZBUCH CHRONOTECHNIKEN"] Vom Archiv als Arretierung temporaler Prozesse zu zeitkritischen Medien Kodierung und Zeit Timing: Codierung von Zeit als Information Echtzeit, zeitkritisch Zeit im (akustik/ver)rechnenden Raum Entzeitlichung des Codes Entzeitlichung der Übertragung: Sampling Die A/D-Differenz, zeitkritisch betrachtet Kulturtechnische versus prozesskritische Zeit Zeit jenseits von Medien als Prothesen des Menschen Zeitkodierung der Sinne (Hermann von Helmholtz) Ton - Zahl - Zeit Zeit, Zahl und Maß Jenseits der ontologischen Zeit Zeit und Kybernetik (Wiener) Zeit, Physik, Entropie Zeit mit Fourier <...> [Farben] Zeit mit Kant Uhren: Medien der Kodierung von Zeit Zeit und Code: Morsen Signalzeit Maschinenzeit Computerzeit Ton und Gewalt Zeit, nachrichtentheoretisch Pendel, Bildtelegraphie Streaming data: Archive auf Zeit Verzögerungsspeicher Zeitverzug Streaming, zeitkritisch: Zeit als medialer Kanal (das Zwischenarchiv) Logikanalysator Digitaler Geld- als Datentransfer Hochfrequenzhandel(n) "Just in time"-Produktion Diskrete Zeit-Zustände Diskrete (Speicher-)Zustände versus Zeitfluß Jenseits des Archivs: Vom Speichern zum Übertragen Hyperkult / Hypertext / WWW / Archiv Das digitale Jahr-2000-Problem Kurzschluß 2000 / 1900: Ein Zeit-Bild (Kino, Grab) Zuständlich denken: Annalistik Zeitreihen mit Markov Erinnerung an die Hardware Jenseits der Ökonomie des Archivs: Vom Speichern zum Übertragen Stochastische Ereignisfolgen Archäographie: seriell schreiben Nachrichtenlagen Geschichte formal schreiben Er/zählen Videobilder Medienbasierte audiovisuelle Performances versus "Liveness" der Medien selbst "His Master's Voice": (A)Live oder dead? Vom Umgang mit Zeitobjekten Die "liveness" von Photographie Filmisches versus elektronisches Bild Elektronisch aufgezeichnete Zeit und die Zeitgestalt des "live" Das Gegenwartsfenster als extrem gestauchter Zwischenspeicher "Live" ist nicht live Phänomenologie versus Medienarchäologie des Live-Klangereignisses Ein Oxymoron: "live on tape" Live versus delay: Wie echt ist "liveness"? "Live" ungleich online? Operative Gegenwart als Verschränkung von Live und Echtzeit: Live coding Operative Gegenwart: Live coding Audio/visuelle Asymmetrien in technischen und Sinnes-Kanälen Synästhesie und Kinematik unter dem Aspekt des Zeitkritischen Ton-Bild-Transformationen "Zeit-Ton-Bild: Temporalität des Films" Begriff und Kritik des "Audiovisuellen" "Live" ist nicht live Argumente aus dem Zentralnervensystem Kinästhetik des elektronischen Bilds (mit Viola) Über/Abtastung Medien der Audio/vision: Tonfilm und Musikvideo Stumm-/Tonfilm Asynchronismen im Tonfilm Asymmetrien von Bild und Klang auf Videoband Das Scheitern von Synchronisation Ein elektronisches Zeug zur willentlichen (technologischen) Synästhesie: das Optophon Gibt es zeinen spezifischen Zeit-Sinn? Zeiträumliche Synästhesie: Lessings Laokoon-Theorem Die differente Physiologie von Auge und Ohr Audiovisuelle Schwingungen Resonanzen: Liveness mit Schwartz Das elektronische Bild: auditive Muster Resonanzen als makrotemporales Modell Zeitbasierte (Speicher-)Medien Zahl und Zeit: Schrittfolgen Prozeßorientierte Medien(analyse) "Operative Verbindungen zwischen Klang und Ton" live coding: Programmieren im Zeitfenster namens Echtzeit Analogien des Digitalen zum Analogen Echtzeit-Poesie Stochatische Erzeugung von Zeitreihen Shannon-Zeit vs. Wiener-Zeit Zeitbasierte Medien und zeitkritische Medienprozesse Zeit als Medium. Zur Epistemologie zeitkritischer Prozesse Medieninduzierte Zeitereignisse Medien, zeitbasierte Zeitigungen von Gnaden technischer Medien Abstracts der Redner (chronologisch geordnet) Experimentelle Medienarchäologie von "Geschichte" "Zeitreisen" mit Digital Humanities Logarithmische Zeit von Geschichte als Datenserie Experimentelle Medien(un)geschichte Mit uns zieht die neue (Medien-)Zeit - oder verkappter Hegelianismus? Tilman Baumgärtel: Loops als Figur der Medienzeit Kittler als Geschichtsphilosoph Verkappter Hegelianismus / Benjamins Messianismus Medienhistorie, der die Stunde schlägt Zwischen Medienarchäologie und Medienhistoriographie Chronophotographische Montage statt historische Erzählung Signalzeit statt symbolischer Ordnung: Die neuen Archive Echtzeit und/oder Geschichte: Ästhetik des post-histoire Technologische Invarianzen? Rekursion statt Historie Kittlers Geschichtskritik Signalzeit und Zeit der Symbole an den Grenzen der Historiographie Eine Schreibmaschine Archivwerdung ungleich Musealisierung Bruder im Geiste: Kurenniemi Der aristotelische Zeitbegriff Zeit, vermessen Verfließt die Zeit? Die Uhr ahnt das Ende Pendel, Schwingung Frequenzkontrolle durch Quarz (Shaul Katzir) "Spontane Synchronisation": Huygens' Doppel-Pendeluhr Korrelation Räderuhr / Buchdruck Vom Ritual und von der Liturgie zur Räderuhr Musik und Zeit im Takt Zahl und Zeit Analoge Zeitzeige: der Gnomon Die Uhrzeit und andere Medien der Zeitmessung Zwischen Astrolab und Räderuhr: die kosmische Uhr Oresme / Räderuhr Ostertafeln: Geburt der Geschichtsschreibung aus der Berechnung Chronologie, Uhr, Takt Das Ende(n) des Mittelalters im Medium Rhythmen, Taktungen und Uhren Die (zyklische) Uhrzeit Kontinuierliche vs. gequantelte Zeit Flüchtiger vs. diskreter Zeiger Mechanische Uhren Die Räderuhr Akustische Zeitsignale: Glocken Abstraktion der Zeit: Klosterwelten Geschichtliches über Turmuhren Kernelemente der Räderuhr Vorschrift und Programm: Alphabet und Sukzessivität Uhr, Takt, Alphabet, Buchdruck Der Anachronismus der Räderuhr Periodizität und Zeitung Makrozeitkritik: die Langzeituhr (LongNow) Die Stimmgabeluhr Atomzeit: Die Loslösung der Zeit vom astronomischen Maßstab der natürlichen Zeit Dilatorische Zeit (Einsteins Uhren) Ultrapräzise Uhren (Ultrakurzzeitmessung) Zeit aus Strom "The Speaking Clock" (Cayley) Metrum, Takt und Rhythmus Rhythmen im eigentlichen Sinn Rhythmogramme (Heinrich Heidersberger / Benjamin Heidersberger) Rhythmen im eigentlichen Sinn Algorithmen im mathematischen Sinn Indizien des Begriffs: Algorhythmen Zeitmaße Liturgie und Maschine Von der Kulturtechnik zur Medientechnologie Abstraktion der Zeit: Klosterwelten Chronologie, Uhr, Takt: Monastische Zeitplanung Ostertafeln: Zeit aus Berechnung Uhren und Oszillationen Zwischen Astrolab und Räderuhr: die kosmische Uhr Takt und Taktilität Die Hemmung an der Räderuhr Das epistemogene Artefakt Anonyme Geschichten der Hemmung Schlüsselelemente der Räderuhr Glockenklänge, -schläge Von der antiken Proportion zur Identifizierung der Tonhöhe mit der Schwingungsfrequenz Oszillation und Schwingkreis Disharmonia Zeit und Zahl Zeit, Takt und Alphabet Vorschrift und Programm: Alphabet und Sukzessivität (Aristoteles, Augustin) Uhr, Takt, Alphabet, Buchdruck Computer- und Klosterzeit Die Dekonstruktion der planetarischen Zeit Zeitreihen mit Norbert Wiener Zeit-Automaten Chronokinematographie Chronophotographisches sampling Medienarchäologische, aber nicht -historische Differenz Marey / Muybridge Chronophotographie: diskrete Bildzeit Geschoßophotographie (Ernst Mach) Dauerbelichtung (Hiroshi Sugimoto) Tx-Transform "Chronophotograpische Zeit" Bewegungsmessung (Weber) Blade Runner und Claerbout Bild und / oder Animation: "Historische Gemälde zum Leben erweckt" Zeit-Tunnel (Fotofilm Seil) Bierce / Baer: Langzeit und Dauer, Tanz und Zeit Zeitsensible Meßmedien Zur Zeit wird hier der Raum: tx-transform und time warping Tachystokopie der Zeit "Goethe von Tag zu Tag": Das Zeitmaß 24 "Lichtgeschwind" Photodynamismus Frequency Photo-Dynamismus des Elektronischen "Kino" im Mittelalter? Kinästhetische Effekte der Beschleunigung: Eisenbahn Kinematographische Zeitintegration Zahl und Bewegung, Typographie und Kinästhetik Analysis der Bewegung Zahl und Zeit: Drehzahlmessung mit Leibniz Stroboskopeffekt, Malteserkreuz Kinematographie und das Lebendige Kunst und Künstlichkeit der Montage Kunst der Bewegung. Kinästhetische Wahrnehmung und Probehandeln in virtuellen Welten Entlaufende Bilder: Gedanken über Daidalos, die Daidala und die Erzeugung virtueller Welten im altgriechischen Kult Ein zeitbasiertes Medium: Kino mit Lessing und Arnheim (Statement Potsdam) Mit Vertov Kinästhetik und Animation Vom Funken zum Pixel: Bewegtbildarchäologie und Zeitmedienkunst Bewegungsgedächtnis oder archivische Feststellung? Film mit Atomen Filmwissenschaft zwischen Philologie (Hermeneutik) und Medienwissenschaft Film und Realität Film und Zeit Die filmische Apparatur Das (filmische) "Dispositiv" Museen von / in Bewegung Das neue Dispositiv: Kino digital Stimmbilder – Sound und Stimme im Film Filmmusik – Das subjektive Erleben von Musik als innerer Ausdruck eines zu sehende Äusseren Filmsound / -musik Von Piranesi / zu Eisenstein Kinoeinschlag Erzählung vs. time code Medienarchäologische Erinnerung: das ErZählwerk Polyskopischer Blick und scratch Time Code "Pixelfilm" Bewegungsschriften, -täuschungen Archäologie des Films Zeit-als-Schnitt Daumenkino Die "retinale Verführung" (Nachbildeffekt) Kinematographische Resurrektion Filmhistori(ographi)e: eine Funktion von Zensur, Archiv und Überlieferung (Reichs-)Filmarchiv Recycling: Rückkopplungen des (Ufa-)Archivs Die Sammlung Albert Kahn (Film-)Archive des Lebens Plädoyer für ein bildbasiertes Archiv filmischer topoi (Projekt Farocki) Probleme der Filmarchivierung Filmrestaurierung und –rekonstruktion BilderReiseDeutschland Nachbildeffekt, Stroboskop Was vermag automatisierte Filmanalyse Revolution im Ton (Thomas Tode + Martin Reinhart) Vom Archiv als Arretierung temporaler Prozesse zu zeitkritischen Medien - "Drama" definiert als beherrschter, übersehbar gemachter Zeitstrom = Hans-Thies
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