Joseph Haydn - Heute Mit Vorangehendem Symposion "Der Historische Haydn- Heute"
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bruno Walter (Ca
[To view this image, refer to the print version of this title.] Erik Ryding and Rebecca Pechefsky Yale University Press New Haven and London Frontispiece: Bruno Walter (ca. ). Courtesy of Österreichisches Theatermuseum. Copyright © by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Sonia L. Shannon Set in Bulmer type by The Composing Room of Michigan, Grand Rapids, Mich. Printed in the United States of America by R. R. Donnelley,Harrisonburg, Va. Library of Congress Cataloging-in-Publication Data Ryding, Erik S., – Bruno Walter : a world elsewhere / by Erik Ryding and Rebecca Pechefsky. p. cm. Includes bibliographical references, filmography,and indexes. ISBN --- (cloth : alk. paper) . Walter, Bruno, ‒. Conductors (Music)— Biography. I. Pechefsky,Rebecca. II. Title. ML.W R .Ј—dc [B] - A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. For Emily, Mary, and William In memoriam Rachel Kemper and Howard Pechefsky Contents Illustrations follow pages and Preface xi Acknowledgments xv Bruno Schlesinger Berlin, Cologne, Hamburg,– Kapellmeister Walter Breslau, Pressburg, Riga, Berlin,‒ -
LBW: Public-2
Chav compositor composicao Ano Detalhes duração Intérpretes ? Cembalo nach A. Vivaldi * Abel, Carl Fried Sonate für Viola da Gamb 1723-1 5'10 Veronika Hampe - Gambe Abel, K.F. Sonate für Viola da Gamb 1723-1 Abel, K.F. Sonate K 176 für Gitarren 1723-1 Moderato; 6'50 D.E. Lovell - Synth. Cantabile; Vivace Abel, K.F. Sonate K 176 für Gitarren 1723-1 Moderato; 6'50 D.E. Lovell - Synth. Cantabile; Vivace Adson, J. Aria für Flöte und BC 2'00 (P) 1969 Discos beverly LTDA conjunto musikantiga de são paulo Adson, J. Courtly masquino ayres 3 1590-1 5'06 (P) 1968 rozenblit conjunto musikantiga de são paulo Alain, Jehan 2 Stücke für Orgel 1911-1 Marie-Claire Alain Albéniz, I. Danzas españolas Op.37 1860-1 2-Tango; 2' Nr. ?? Tango 3-Malagueña Nr. 2: Pepe und Celin Romero - Gitarre Nr. 3: Pepe und Celin Romero - Gitarre Albéniz, I. Estudio sem luz 1860-1 3' Albéniz, I. Suite Española Op. 47 1860-1 Für Orchester 37'16 5. Asturias gesetzt von Rafael Frühbeck de Burgos 1. Granada (Serenata); 2. Cataluna (Curranda); 3. Sevilla; 4. Cádiz (Saeta); 5. Astúrias (arr. A. Segovia) (Leyenda); 6.Aragon (Fantasia); 7.Castilla (Sequidillas); 8. Cuba (Nocturno) Chav compositor composicao Ano Detalhes duração Intérpretes Orchesterzusatz: 8. Cordoba Nr. 1 Granada: Pepe und Celin Romero - Gitarre Nr. 1 Granada (5'20) : Julien Bream - Gitarre (P) 1968 DECCA Reihenfolge: 7, 5, 6, 4, 3, 1, 2, 8 New Philharmonia Rafael Frühbeck de Burgos Albicastro, H. Concerto Op. 7 Nr. 6 F-Du 1659-1 9'20 Süsdwestdeutsches Kammerorchester Pforzheim Leitung: Paul Angerer Albinoni, T. -
The Olympic Art Competitions Were Performed
he Olympic Art competitions were performed THOMAS, GENZMER and TUUKANEN. And in two Tseven times between 1912 and 1948. From cases even the 'Olympic' compositions are said to 153 possible medals altogether only 124 (i.e. 81%) be available on record: were distributed. The percentages in the differ- ent categories are: Architecture 84%, Literature 1. Rudolf SIMONSEN (1889-1947), ,,Sinfonien 69%, Painting 84%, and Sculpture 84%. In Music - Nr. 2 a-moll, (1921) Hellas, Grondal/Dan. 39 were possible, but there were only 17 medals, ISA DA CORD 3701371" 5 gold, 6 silver and 6 bronze. The percentage in 2. Josef ŠUK "Ins Neue Leben op. 35c Marsch music is 43.5%, by far the worst result within the z.T. Sokolfest": In this case the catalogue five art categories. offers three recordings, two Czech Su- Altogether five medals (two gold, two sil- praphon (Kubelik/Tschech.Philh. Prag ver and one bronze) were distributed in the five KoSup 01911-2/Neumann/Tschech. music competitions in Stockholm 1912, Antwerp Philh. Prag KoSup 00624-4) and one 1920, Paris 1924, Amsterdam 1928 and Los Ange- American (Kunzel/Cincinnati Pops Orch les 1932. Then the situation seemed to improve. InaTe 80122). In Berlin and London 1948 twelve music medals were awarded (three gold, four silver and five The catalogue does, however, not mention the bronze). names of BARTHÉLEMY, MONIER, RIVA, HÖFFER, However, none of these works has left a trace KRICKA, BIANCHI, WEINZWEIG, LAURICELLA, TURSKI in the history of music; none has gained any repu- or BRENE. But there are. available recordings of tation, because their quality was not at all Olym- compositions by Kurt THOMAS (e.g. -
Concerts Conducted by Carl Schuricht Including Music of Anton Bruckner (1912-1965) Original Source
Concerts conducted by Carl Schuricht including music of Anton Bruckner (1912-1965) Original source : http://carlschuricht.com/concert.htm Important Dates 3 July 1880 : Carl Adolph Schuricht was born at Danzig (Gdansk) into a family of organ-builders. His father, Carl Conrad Schuricht was born on 27 January 1856. He was an organ-builder and worked at his father's factory. He died on 9 June 1880 (3 weeks before his son was born !) when he tried to help an employee fallen into the sea, in the bay of Danzig. His mother, Amanda Ludowika Alwine Wusinowska was a well-known Polish Oratorio singer (1847-1935) . She didn't re-marry after her husband's death. 1886 : Began piano and violin lessons at the age of 6. Studied at the « Friedrichs Realgymnasium » in Berlin. 1891 : Began to compose at the age of 11. 1892 : Studied at the « Königliches Realgymnasium » in Wiesbaden. Written the music and the librettos for 2 Operas. 1895 : Started conducting at the age of 15. 1901-1902 : 1st professional job as « Korrepetitor » at the « Stadttheater » of Mainz. 1902 : Won a composition prize from the Kuszynski Foundation, and awarded a scholarship by Franz von Mendelssohn. Allowed him to continue his studies at the « Berliner Musikhochschule » (« der Königlichten Hochschule für Musik ») under Ernst Rudorff, piano ; Heinrich van Eyken (and not Engelbert Humperdink) , composition ; and, later, Max Reger in Leipzig. His musical compositions were published mostly by Drei-Lilien-Verlag, Berlin. Opus 1 : Piano Sonata in F minor. Opus 2 : « Herbst-Stücke » (Opuscules for autumn) for piano and orchestra. Opus 3 : « Fünf Lieder » (5 Songs) . -
Cantata BWV 74
C. Role. Février 2012 CANTATE BWV 74 WER MICH LIEBET, DER WIRD MEIN WORT HALTEN (II) Celui qui m’aime gardera ma parole… KANTATE ZUM 1. PFINGSTTAG Cantate pour la Pentecôte Leipzig, 20 mai 1725 AVERTISSEMENT Cette notice dédiée à une cantate de Bach tend à rassembler des textes (essentiellement de langue française), des notes et des critiques discographiques souvent peu accessibles (2011). Le but est de donner à lire un ensemble cohérent d’informations et de proposer aux amateurs et mélomanes francophones un panorama « espéré » parfois inédit de cette partie de l’œuvre vocale de Bach. Outre les quelques interventions « CR » identifiées par des crochets [...] le rédacteur précise qu’il a toujours pris le soin jaloux de signaler sans ambiguïté le nom des auteurs sélectionnés. A cet effet il a indiqué très clairement, entre guillemets «…» toutes les citations fragmentaires tirées de leurs travaux. Rendons à César... ABRÉVIATIONS (A) = La majeur → (a moll) = la mineur (B) = Si bémol majeur BB / SPK = Berlin / Staatsbibliothek Preussicher Kulturbesitz B.c. = Basse continue ou continuo BCW = Bach Cantatas Website BD = Bach-Dokumente (4 volumes, 1975) BGA = Bach-Gesellschaft Ausgabe = Édition par la Société Bach (Leipzig, 1851-1899). J. S. Bach Werke. Gesamtausgabe (édition d’ensemble) der Bachgesellschaft BJ = Bach-Jahrbuch (C) = Ut majeur → (c moll) = ut mineur D = Deutschland (D) = Ré majeur → (d moll) = ré mineur (E) = Mi → (Es) = mi bémol majeur EKG = Evangelisches Kirchen-Gesangbuch. (F) = Fa (G) = Sol majeur→ (g moll) = sol mineur GB = Grande-Bretagne = Angleterre (H) = Si → (h moll) = si mineur NBA = Neue Bach Ausgabe (nouvelle publication de l’œuvre de Bach à partir des années 1954-1955) NBG = Neue Bach Gesellschatf = Nouvelle société Bach (fondée en 1900) OP = Original Partitur = Partition originale autographe OSt. -
Toccata Classics TOCC 0122 Notes
GÜNTERRAPHAELMusicforViolin Sonatina in B minor, Op. 52, for violin and piano (1944) 11:38 1 I. Mässig 5:06 2 II. Breit und gesangvoll 3:18 3 III. Tänzerisch belebt, dabei etwas schwerfällig und derb 3:14 Sonata in E major, Op. 46, No. 2, for solo violin (1940) 11:50 4 I. Sehr langsam 3:40 5 II. Scherzo: Ganze Takte 2:14 6 III. Gemessen 5:56 Duo in G minor, Op. 47, No. 1, for two violins (1940) 10:42 7 I. Mit lebhafter Energie 3:42 8 II. Langsam gehend (in fliessender Bewegung) 2:37 9 III. Nicht zu lebhaft, ein wenig gemächlich 4:23 Sonata in A minor, Op. 46, No. 1, for solo violin (1940)* 8:48 10 I. In Form einer freien Fantasie 3:23 11 II. Ruhig und gesangvoll 3:56 12 III. Äusserst schnell 1:29 Sonata No. 3 in C major, Op. 43, for violin and piano (1936) 17:01 13 I. Vivace 6:51 14 II. Allegretto grazioso 4:47 15 III. Con fuoco 5:23 TT60:12 Pauline Reguig, violin Darius Kaunas, violin [7]–[9]7 9 Emilio Peroni, piano [1]–[3],1 3 [3]–[5]13 15 ����� ������� ����������; *����� ��������� 12 TOCC0122Raphael.indd1 08/06/201014:42:15 GÜNTERRAPHAEL:MUSICFORVIOLIN byMalcolmMacDonald Günter Raphael was born on 30 April 1903 in Berlin, to a family that was Jewish on his father’s side: he was the son of the composer and church musician Georg Raphael (1865–1904), who Recorded in the Kammermusiksaal der Hochschule für Musik und Theater, Rostock, had converted to Protestantism and was director of music at the Matthai Kirche in Berlin. -
The Recorded Heritage of Willem Mengelberg and Its Aesthetic Relevance
Copyright 2014 Samir Ghiocel Golescu THE RECORDED HERITAGE OF WILLEM MENGELBERG AND ITS AESTHETIC RELEVANCE BY SAMIR GHIOCEL GOLESCU DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Professor William Kinderman, Chair Professor Ian Hobson Associate Professor Sherban Lupu Assistant Professor Katherine Syer ABSTRACT This dissertation explores the art and interpretative aesthetics of the Dutch conductor Willem Mengelberg (1871-1951), as preserved in his sound recordings and, subsidiarily, in his writings. Emphasis is given to issues pertaining to 19th century performance practice, as well as to historical connections between Mengelberg and compositional/interpretative trends in Europe at the time. Mengelberg’s impact on musical life in Amsterdam, New York, and beyond will be considered. The relevance of Mengelberg’s recordings is assessed from both a documentary and aesthetic point of view. The quasi-entirety of Mengelberg’s rich body of recordings has been consulted, yet a few dozens of them have been chosen for an in-depth study meant to illuminate both their historical context and their contemporary relevance. ii ACKNOWLEDGMENTS It is with gratitude that I acknowledge the help and support of the committee members, particularly long-time University of Illinois mentors Ian Hobson and William Kinderman, as well as previous mentors and close musical friends such as Florica Nitzulescu, Ioan Welt, Elena Andriescu, Isabelle Belance-Zank, Hubert Wendel, and Sergei Pavlov. I am indebted to Ingrid Ilinca for her help and support. -
Konzertchronik 1950 Bis Oktober 2016
Heinrich - Schütz - Chor Heilbronn Konzertchronik (erstellt von: Friedrich Steinle (bis 2002) bearbeitet von: Bernd Hartmann ab 2015 von Renate Hessel) 08.10.2016 Bad Wimpfen, Evangelische Stadtkirche im Rahmen des 11. Orgelfestes vom 8. - 9.10.2016 Thomas Morley Balletto Orlando Gibbons Madrigal Giovanni Giacomo Castoldi Balletto Hohenlohe-Brass Heinrich Schütz Vater unser (aus „Das Benedicite vor dem Essen“ SWV 429) Deutsches Magnificat SWV 426 Cantate Domino canticum novum SWV 81 Wir danken dir (aus: Das Deo gratias nach dem Essen SWV 430/3) Heinrich-Schütz-Chor Heilbronn Giles Farnaby Fancies, Toys and Dreams The Old Spagnioletta His Rest Tell mee Daphne A Tore His Dreamz The New Sah-hoo Hohenlohe-Brass Johann Ludwig Krebs Erforsche mich Gott Giovanni Pierluigi da Palestrina Cantabo Domine Fritz Werner Mein sind die Jahre nicht, die mir die Zeit genommen Heinrich-Schütz-Chor Heilbronn John Rutter The Lord bless You and keep You Maurice Ravel Bolero Georg Friedrich Händel Praeludium und Fuge C-Dur Arturo Marquez Danzón No. 2 Hohenlohe-Brass Josef Rheinberger Abendlied Heinrich-Schütz-Chor Heilbronn Heinrich Schütz Psalm 100 SWV 36 Heinrich-Schütz-Chor Heilbronn Hohenlohe-Brass Hohenlohe-Brass Johannes Stürmer, Trompete Martin Jacob, Trompete Christof Schmidt, Posaune Michael Böttcher, Posaune Rüdiger Senghaas, Posaune An der Johann-Adam-Ehrlich-Orgel: Margareta Hürholz Roland Dopfer Heinrich-Schütz-Chor Heilbronn Leitung: Michael Böttcher 02.10.2016 Plön, Nikolaikirche Musikalische Umrahmung des Erntedankgottesdienstes Heinrich Schütz -
Ulrich Schiel
Base de Músicas de / Musikaufnahmen von / Recordings of ULRICH SCHIEL ([email protected]) Versão / Stand / Version: 16.10.2009 Chave compositor composição Intérpretes Rumänische Volksmusik für Panflöte ? Cembalo Abel, Carl Friedrich Sonate für Viola da Gamba Veronika Hampe - Gambe G-Dur Abel, K.F. Sonate für Viola da Gamba und BC Abel, K.F. Sonate K 176 für D.E. Lovell - Synth. Gitarrenduett Abel, K.F. Sonate K 176 für D.E. Lovell - Synth. Gitarrenduett Adson, J. Aria für Flöte und BC (P) 1969 Discos beverly LTDA conjunto musikantiga de são paulo Adson, J. Courtly masquino ayres 3 (P) 1968 rozenblit Tänze conjunto musikantiga de são paulo Alain, Jehan 2 Stücke für Orgel Marie-Claire Alain Albéniz, I. Estudio sem luz Alb Op.37 Albéniz, I. Danzas españolas Nr. ?? Tango Nr. 2: Pepe und Celin Romero - Gitarre Nr. 3: Pepe und Celin Romero - Gitarre Alb Op.47 Albéniz, I. Suite Española 5. Asturias Nr. 1 Granada: Pepe und Celin Romero - Git Nr. 1 Granada (5'20) : Julien Bream - Gitarre Albicastro, H. Concerto Op. 7 Nr. 6 F-Dur Süsdwestdeutsches Kammerorchester Pforzh Leitung: Paul Angerer Albinoni, T. Concerto a cinque Nr. 3 D- I Solisti Veneti Dur Albinoni, T. Concerto Grosso g-moll I Solisti Veneti Albinoni, T. Konzert für Oboe, Streicher Evald van Crift - Oboe und GB d-moll Op. 9 Nr.2 I Musici Albinoni, T. Konzert füt Trompete und Streichorchester Op. 7 Nr. 3 B-Dur Albinoni, T. Konzert füt Trompete und Wolfgang Basch - Trompete Streichorchester Op. 7 Nr. Wolfgang Rübsam - Orgel 6 AlbOp.2/3 Albinoni, T. -
Proquest Dissertations
RICE UNIVERSITY Redefining the Boundaries: Three Twentieth Century Canadian Works for Cello by Valdine Ritchie Mishkin A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE Doctorate of Musical Arts APPROVED, THESIS COMMITTEE: sociate Professor of Composition ancTTheory < Walter Bailey, Associate Professor of / Musicology HOUSTON, TEXAS MAY 2009 UMI Number: 3362364 Copyright 2009 by Mishkin, Valdine Ritchie INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform 3362364 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Copyright Valdine Ritchie Mishkin 2009 ABSTRACT Redefining the Boundaries: Three Twentieth Century Canadian Works for Cello By Valdine Ritchie Mishkin Canadian music has come into its own and flourished in the twentieth century, but is largely unrecognized on an international level. This document examines three important cello works by Canadian composers that are deserving of international recognition: Jean Coulthard's Sonata for Cello and Piano (1947), Sophie-Carmen Eckhardt-Gramatte's Duo Concertante (1959), and Andre Prevost's Sonate No. 2pour Violoncelle et Piano (1985). -
GERMAN & AUSTRIAN SYMPHONIES from the 19Th
GERMAN & AUSTRIAN SYMPHONIES From The 19th Century To The Present Composers other than Beethoven, Brahms, Bruckner, Mahler, Mendelssohn, Schubert & Schumann A Discography of CDs and LPs Prepared by Michael Herman Composers A-L JOHANN JOSEPH ABERT (1832-1915) A Sudeten German, he was born in Kochowitz, Bohemia (now Kochovice, Czech Republic). He studied double bass at the Prague Conservatory with Josef Hrabe and also received lessons in theory from Johann Friedrich Kittl and August Wilhelm Ambros. He became a double bassist for the Court Orchestra at Stuttgart and later was appointed Kapellmeister. He composed orchestral and chamber works as well as lieder and several successful operas. His unrecorded Symphonies are: Nos. 1 in B minor (1852), 2 in C minor (1854), 3 in A major (1856), 5 in C minor (1870), 6 in D minor "Lyric Symphony" (1890) and 7 in C major "Spring Symphony" (1894). Symphony No. 4 in D major, Op. 31 "Columbus, A Musical Portrait of the Sea in the Form of a Symphony" (1863) Werner Stiefel/Bohuslav Martinu Philharmonic Orchestra ( + Concerto for Double Bass and Variations for Double Bass and Orchestra) BAYER RECORDS 100160 (1996) AUGUST RITTER VON ADELBURG (1830-1873) Born in Pera, Turkey. The son of a diplomat, he spent his early years in Istanbul before going to Vienna to study music with Joseph Mayseder for violin and with Hoffmann for composition. He then toured Europe as a violinist. He later returned to Istanbul where he played the violin before the Sultan to whom he dedicated this Symphony. He mostly composed operas, chamber, instrumental and vocal works. -
Bach-DVD Complete Details
]É{tÇÇ fxutáà|tÇ Utv{ Sämtliche Werke im / C o m plete works in MP3-Format Johann Sebastian Bach (1685-1750) - Sämtliche Werke als MP3 / Complete works in MP3-Format - Gesamtspielzeit / Total time 217:58:47 Die Struktur dieses Verzeichnisses gleicht der Ordner-Struktur der DVD. / The structure of this directory is similar to the folder structure of the DVD. Alle hier aufgeführten Merkmale sind in den ID3-Tags der MP3-Dateien enthalten. (Im Windows Explorer: die 'Eigenschaften' der MP3-Datei mit rechter Maustaste anklicken und unter Register 'Details' anzeigen) - ID3-Tag 'Titel' enthält den Titel des Musikstücks - ID3-Tag 'Untertitel' enthält (,wenn nötig,) die Übersetzung Deutsch / Englisch - ID3-Tag 'Kommentare' enthält eventuell weitere Angaben zu den Interpreten - ID3-Tag 'Mitwirkende Interpreten' und 'Albuminterpreten' enthält Angaben zu den Interpreten - Der ID3-Tag 'Album' enthält weitere Sortier-Merkmale. All features listed here are included in the ID3 tags of MP3 files. (In Windows Explorer: click on the 'Properties' of the MP3 file with the right mouse button and tab 'Details' to view) - ID3 tag 'title' contains the title of the piece - ID3 tag 'subtitles' contains (if necessary) translation German / English - ID3 tag 'Comments' may contain additional information on the artist - ID3 tag 'featured artist' and 'album artist' contains information about the artists - The ID3 tag 'Album' contains additional sorting features. Titel/Title Zeit/Time Titel/Title Zeit/Time 1.Cantata 79:13:33 BWV 1 Wie schön leuchtet der Morgenstern /