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RETORYKA I MANIPULACJA RHETORIC and MANIPULATION
FORUM ARTIS RHETORICAE Redaktor Editor-in-Chief Jakub Z. Lichański Tom recenzowany Volume reviewed RETORYKA i MANIPULACJA RHETORIC and MANIPULATION Tom I Volume I Nr 1 (60) styczeń–marzec, 2020 No. 1 (60) January–March, 2020 Warszawa 2020 Publikacja dofi nansowana przez Ministerstwo Kultury i Dziedzictwa Narodowego; afi liowana przy Uniwersytecie Warszawskim Copyright by Wydawnictwo DiG, 2020 ISSN 1733–1986 ISBN 978-83-286-0114-7 Forum Artis Rhetoricae, ISSN 1733–1986, nr 1/2020, s. 3–5 Retoryka i Manipulacja Rhetoric and Manipulation Redaktor numeru / Volume Editor: Jakub Z. Lichański EDITORIAL * Lector Benevole! W roku 2020 Redakcja zdecydowała, iż cały rocznik, podzielony na cztery tomy, zostanie poświęcony tematowi RETORYKA I MANIPULACJA. Retoryka rozu- miana jest zgodnie z tradycją Marka Fabiusza Kwintyliana [QUINT., V.10.54]; gorzej jest z drugim terminem. Może on być pojmowany, jak sugeruje Bernd Wirkus2, dwojako: „neutralnie” bądź „pejoratywnie”. Kwestie te będą dookreślane i w poszczególnych tomach, i w poszczególnych rozprawach. Redaktorzy tomów starali się, aby szczególnie drugie z pojęć zostało precy- zyjnie dookreślone. Jest to niezwykle istotne, bowiem z manipulacją mamy do czynienia w zasadzie wszędzie. Jak pokazał choćby Harry G. Frankfurt w studium On bullshit (O wciskaniu kitu), pewna specyfi czna odmiana manipulacji rozple- niła się we wszystkich dziedzinach naszego życia, acz głównie dotknęła sfery publicznej (media, polityka, dziennikarstwo). Chodzi o sytuację, gdy dla efektu pominięta zostaje w dyskursie kwestia prawdy (lub kłamstwa). Tom pierwszy zawiera studia, które są poświęcone różnym aspektom tegoż zjawiska. Studium Jakuba Z. Lichańskiego Nieintencjonalne manipulowanie przeka- zem naukowym. Cz. I: Jak powstaje manipulowanie przekazem. Na przykładzie tzw. narracji tożsamościowych, gdy nie rozpoznajemy porównań jako elementów rozumowań retorycznych. -
Financial Crime in the Operational Work of the State Security Service Until 1956 – Lower Silesian Perspective
STUdIA HISTORIAE OECONOMICAE UAM Vol. 34 Poznań 2016 zhg.amu.edu.pl/sho Robert K l e m e n t o w s k i (Institute of National Remembrance/University of Wrocław, Wrocław) FINANCIAL CRIME IN THE OPERATIONAL WORK OF THE STATE SECURITY SERVICE UNTIL 1956 – LOWER SILESIAN PERSPECTIVE Nationalization and the introduction of state-controlled economy led to the emergence of abnormal social phenomena, including system-specific crimes. Economic transformations were the foundation of the systemic revolution carried out in the first decade after the Second World War, therefore they were the subject of interest for the Ministry of Public Security. That is why financial crimes were treated just like political crimes, which was also justified by legal provisions, as no specific definition of this type of crime existed. This allowed the authorities (secret police, prosecutor’s office, courts, media) to interpret the events according to their will and current political needs, and, as a result, to administer various overt or covert repressions (death penalty, imprisonment, forced cooperation with the secret police). Keywords: financial crime, security services, Lower Silesia. doi:10.1515/sho-2016-0008 INTRODUCTION The problem of financial crime in the first years following the end of the Second World War was not a particularly interesting subject for his- torians. To some extent this is understandable, as political issues were of prime concern, including the creation of the Polish Workers Party/Polish United Worker’s Party administration or the elimination of both real and sham opposition. The longer the research on this subject is conducted, the clearer it becomes that the bedrocks of the new system were not actually its repressive nature or single-party rule, but the permanent transforma- tion of the economic system. -
Confiction U.S
Third Class ConFiction U.S. Postage PAID c/o Massachusetts Convention Fandom, Inc. Permit # 228 P. O. Box 46, MIT Branch P. O. Framingham, Mass. Cambridge, MA 02139 United States of America AT 1008 - PR2 George Flynn Po Box 1069, Kendall Sq Stn CAMBRIDGE, MA 02142 VERENIGDE STATEN VAN AMERIKA ADDRESS CORRECTION REQUESTED FORWARDING AND RETURN POSTAGE GUARANTEED Nominated for a Hugo! Nominated for a Hugo Award after its first full year of The Best of Hugo Award Nominee publication, Aboriginal Science Fiction is the successful new, full-color, full-slick magazine that’s changing the way SF is done. ABO's first twelve issues are already collectors’s o Aboriginal r* items, selling for a premium. ABO-featured authors and ar tists include Harlan Ellison, Orson Scott Card, Frederik Science Fiction Pohl, Connie Willis, Brian W. Aldiss, Ben Bova, Charles L. Tales of the Human Kind J 1988 Annual Anthology/$4.50 Grant, Ian Watson, Carl Lundgren, Bob Eggleton and many talented newcomers. Because we have nearly run out of back issues, we have Stories by: published a special full-color anthology. The 80-page anthol ogy includes 12 stories and 19 pages of full-color art from our Orson Scott Card first seven issues and regularly retails for $4.50. But if you subscribe for 12 or 18 issues we’ll give you a FREE copy of the anthology along with your subscription. How good is Aboriginal SF? Here is what people are say ing about it: “Aboriginal is unique even in the science fiction field, a labor of love with a very special, individual character, and always a treat to read." — Poul Anderson “ — the most daring, innovative sf magazine the U.S. -
SF Commentary 83
SSFF CCoommmmeennttaarryy 8833 October 2012 GUY SALVIDGE ON THE NOVELS OF PHILIP K. DICK ALSO IN THIS ISSUE: Brian ALDISS Eric MAYER John BAXTER Cath ORTLIEB Greg BENFORD Rog PEYTON Helena BINNS Mark PLUMMER Damien BRODERICK Franz ROTTENSTEINER Ned BROOKS Yvonne ROUSSEAU Ian COVELL David RUSSELL Bruce GILLESPIE Darrell SCHWEITZER Fenna HOGG Steve SNEYD John-Henri HOLMBERG Ian WATSON Carol KEWLEY Taral WAYNE Robert LICHTMAN Frank WEISSENBORN Patrick MCGUIRE Ray WOOD Murray MACLACHLAN Martin Morse WOOSTER Tim MARION Cover: Fenna Hogg S F Commentary 83 SF Commentary No 83, October 2012, 107 pages, is edited and published by Bruce Gillespie ([email protected]), 5 Howard St., Greensborough VIC 3088, Australia, and http://efanzines.com/SFC/SFC83.pdf. All correspondence: [email protected]. Member fwa. First edition and primary publication is electronic. All material in this publication was contributed for one-time use only, and copyrights belong to the contributors. Alternate editions: * A very limited number of print copies are available. Enquiries to the editor. * The alternate PDF version is portrait-shaped, i.e. it looks the same as the print edition, but with colour graphics. Front cover: Melbourne graphic artist Fenna Hogg’s cover does not in fact portray Philip K. Dick wearing a scramble suit. That’s what it looks like to me. It is actually based on a photograph of Melbourne writer and teacher Steve Cameron, who arranged with Fenna for its use as a cover. Graphic: Carol Kewley (p. 105). Photographs: Damien Broderick (p. 5); Guy Salvidge (p. 10); Jim Sakland/Dick Eney (p. 67); Jerry Bauer (p. -
Sfera 30. JUBILARNI SFERAKON 2008
SFera Društvo za znanstvenu fantastiku ZA TRENUTNU OBJAVU 22. travanj 2008 30. JUBILARNI SFERAKON 2008 U petak, 25. 04. 2008., počinje najveća i najstarija konvencija znanstvene-fantastike u Hrvatskoj. Ovogodišnji 30. Dani znanstvene fantastike u Zagrebu održat će se od 25. do 27. travnja 2008. na Fakultetu elektrotehnike i računarstva, Unska 3, Zagreb ZAGREB, 22.04.2007. – U Zagrebu na Fakultetu elektrotehnike i računarstva će se od petka 25.04. do nedjelje 27.04. održati SFerakon 2008 (www.sferakon.org). SFeraKon je najstarija i najuglednija znanstveno-fantastična konvencija u ovom dijelu Europe, a ove se godine održava 30. puta za redom. Konvenciju organizira SFera, društvo za znanstvenu fantastiku. Ove godine očekuje se oko 900 posjetitelja, mahom vjernih zaljubljenika u znanstvenu fantastiku i srodne žanrove. Jubilarni SFeraKon 2008 stoga ima dva počasna gosta (Guest of Honour): Predraga Raosa i Richarda Morgana te jednog počasnog duha (Ghost of Honour), Jacka Williamsona. Trideseti je rođendan veliki trenutak u svačijem životu, trenutak u kojem se ljudi obično po prvi puta ozbiljno okrenu da vide što su učinili. Tako se i SFera okrenula i sagledala svoje počasne goste kroz godine te se prisjetila kako je u Zagrebu gostovao i ovaj američki pisac koji je drugi ponio titulu Grand Master of Science Fiction . (Prvi je bio Robert Heinlein.) U sjećanje na zagrebačko gostovanje ovog autora koji bi, da nije preminuo prije dvije godine, samo dva dana nakon ovogodišnjeg SFeraKona slavio 100. rođendan, SFera je odlučila da će upravo Jack Williamson biti Ghost of Honour SFeraKona 2008. Predrag Raos , hrvatski književni enfant terrible i vrsan pisac, te jedan od najboljih autora domaće znanstvene fantastike, koji je ove godina osvojio i nagradu SFERA za najbolji roman, hrvatski je počasni gost SferaKona 2008. -
Janusza Zajdla
RAFAŁ SZCZERBAKIEWICZ (Uniwersytet Marii Curie-Skłodowskiej) Metonimie PRL-u w fantastyce lat 80. Przypadek Paradyzji (1984) Janusza Zajdla Fenomen fantastyki socjologicznej jako dominującej odmiany polskiej fantastyki lat 70. i 80. XX wieku ma swoje ścisłe uwarunkowania po- lityczne, ale zarazem determinujący go kontekst literacki. Nie sposób nie zauważyć, że w nowoczesnej epoce samoświadomość społecz- na i polityczna obfitowała w literackie konteksty związane ściśle ze społeczną autorefleksyjnością. Tam, gdzie literatura aspirowała ku krytycznej intelektualnej niezawisłości (a więc także w państwach autorytarnych i totalitarnych, na zasadzie kontestacji oficjalnie gło- szonej ideologii), malało znaczenie wyobraźni klasycznie utopijnej, a rosła świadomość antyutopijna czy wręcz dystopijna. Dlatego kiedy mówimy o źródle literackim polskiej odmiany fantastyki socjologicz- nej, nie sposób nie wymienić nazwisk George’a Orwella i Aldousa Huxleya jako klasyków antyutopii, pytając jednocześnie o odniesie- nia społeczne. Sytuacja kultury PRL-u uniemożliwiała bezpośrednią kontestację politycznego systemu, otwierając możliwości metonimiczne, bogacące tradycyjny od XIX wieku repertuar ezopowych sposobów uprawiania literatury społecznie zaangażowanej i krytycznej zarazem. Tak było w ramach kultury wysokiej na przykład z gatunkiem tzw. paraboli historycznej, wykorzystującej kostium przeszłości do problematyzo- wania współczesnych tematów społecznych oficjalnie zakazanych. I tak też było w ramach kultury popularnej na przeciwległym krańcu osi czasu, -
Spaces for Beauty: Designed a Calendar of the European Capital of Culture 2016 in Wrocław
Spaces for Beauty: Designed A Calendar of the European Capital of Culture 2016 in Wrocław City Council decides to enter the competition for the European Capital of Culture title Work on the first application October – Wrocław qualifies to the finals of the competition Works on the second application June – Wrocław wins the competition May – Wrocław is officially nominated the European Capital of Culture 2016 July – new cultural institution Impart 2016 Festival Centre is established, responsible for preparation and implementation of the title year programme 2016 2008 2009 2010 2011 2012 2013 2014 2015 2017 June – a board of curators is established, responsible for final shaping of the artistic programme January – June – the European Capital of Culture Forum – open discussions on the programme with the curators June – the programme is unveiled for the first time November – a full calendar of the events of the title-year is unveiled The European Capital of Culture year Evaluation and continuation of long-term activities Spaces for Beauty: Designed This book presents the programme of the European Capital of Culture Wrocław 2016, a programme continually undergoing metamorphosis. It began in 2008, with first preparations for the award title and was presented in two books bidding for the title: Spaces for Beauty and Spaces for Beauty Revisited. This third presentation of the programme, Spaces for Beauty: Designed, is a summary of our work, and includes concepts of curators and the entire team and a preview of specific events of the title year. Each of these books complements and counterpoints the previous one, and announces the next. -
Dünyada Ve Ülkemizde Bilimkurgu Türünün Doğuşu Ve Gelişimi
TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ FELSEFE ANABİLİM DALI BİLİM TARİHİ BİLİM DALI DÜNYADA VE ÜLKEMİZDE BİLİMKURGU TÜRÜNÜN DOĞUŞU VE GELİŞİMİ Tezli Yüksek Lisans Tezi SÜLEYMAN ERHARAT Ankara, 2020 TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ FELSEFE ANABİLİM DALI BİLİM TARİHİ BİLİM DALI DÜNYADA VE ÜLKEMİZDE BİLİMKURGU TÜRÜNÜN DOĞUŞU VE GELİŞİMİ Tezli Yüksek Lisans Tezi SÜLEYMAN ERHARAT DOÇ. DR. İNAN KALAYCIOĞULLARI Ankara, 2020 TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ FELSEFE ANABİLİM DALI BİLİM TARİHİ BİLİM DALI DÜNYADA VE ÜLKEMİZDE BİLİMKURGU TÜRÜNÜN DOĞUŞU VE GELİŞİMİ YÜKSEK LİSANS TEZİ SÜLEYMAN ERHARAT Tez Danışmanı DOÇ. DR. İNAN KALAYCIOĞULLARI TEZ JÜRİSİ ÜYELERİ Adı ve Soyadı İmzası 1. Prof. Dr. Remzi Demir 2. Prof. Dr. Ergi Deniz Özsoy 3. Doç. Dr. İnan Kalaycıoğulları Tez Savunması Tarihi 23 Haziran 2020 T.C. ANKARA ÜNİVERSİTESİ Sosyal Bilimler Enstitüsü Müdürlüğü’ne, Doç. Dr. İnan KALAYCIOĞULLARI danışmanlığında hazırladığım “Dünyada Ve Ülkemizde Bilimkurgu Türünün Doğuşu Ve Gelişimi (Ankara.2020)” adlı yüksek lisans tezimdeki bütün bilgilerin akademik kurallara ve etik davranış ilkelerine uygun olarak toplanıp sunulduğunu, başka kaynaklardan aldığım bilgileri metinde ve kaynakçada eksiksiz olarak gösterdiğimi, çalışma sürecinde bilimsel araştırma ve etik kurallarına uygun olarak davrandığımı ve aksinin ortaya çıkması durumunda her türlü yasal sonucu kabul edeceğimi beyan ederim. 01 Haziran 2020 Süleyman ERHARAT İÇİNDEKİLER İÇİNDEKİLER ................................................................................................... -
Anna Kańtoch Is Known Primarily Atmosphere of Faith Tis So Overwhelming), and Above Week Before the Murder
//crime fiction // crime fiction Faith he captain made his way along this section captain said. “Send him a summons.” of the track. Amidst the brush on the right, “If we send it by mail, it’ll take three days to arrive.” there was a flash of reflected sunlight from a “Well, then notify him some other way,” Witczak’s piece of metal. Witczak shielded his eyes. At irritation was returning. Tthe bottom of the embankment stood a cross, adorned The girl hesitated for perhaps half a second and then ran with a wreath of fresh flowers. Swearing like a sailor, back down the embankment, shouting, “Franek, wait!” the captain slid down the slope, pulled his shirt sleeve The captain closed his eyes in despair. over his hand, and carefully parted the nettles. At first, he thought that the cross was erected after the Excerpt translated by Megan Thomas murder, but no – the rusted metal was decidedly old- looking. And under the fresh wreath was a second one, withered with age. Witczak called to Hanka. “What’s this cross?” he asked, as the girl struggled toward him through the brush. “I don’t know,” she replied, disconcerted. “I’m not from here. I spent my vacations here with my aunt, and I © Sławomir Okrzesik © Sławomir know a lot of people from Rokitnica, but no one ever said anything to me about a cross. Probably some accident with a train or something like that.” “And these flowers?” ANNA “Maybe someone wanted to memorialize that girl?” “The murder victim? Fine. And these? He lifted KAŃTOCH the fresh flowers to reveal the flowers underneath Born 1976 – withered, brown, and so shrunken that it was impossible to identify what kind they were. -
Spaces for Beauty: Designed a Calendar of the European Capital of Culture 2016 in Wrocław
Spaces for Beauty: Designed A calendar of the European Capital of Culture 2016 in Wrocław City Council decides to enter the competition for the European Capital of Culture title Work on the first application October – Wrocław qualifies to the finals of the competition Works on the second application June – Wrocław wins the competition May – Wrocław is officially nominated the European Capital of Culture 2016 Lipiec – powstanie instytucji kultury Biuro Festiwalowe Impart 2016 odpowiedzialnej za przygotowanie i realizację programu roku obchodów 2016 2008 2009 2010 2011 2012 2013 2014 2015 2017 June – a board of curators is established, responsible for final shaping of the artistic programme January – June – the European Capital of Culture Forum – open discussions on the programme with the curators June – the programme is unveiled for the first time Listopad – prezentacja pełnego kalendarium wydarzeń roku obchodów The European Capital of Culture year Evaluation and continuation of long-term activities Spaces for Beauty: Designed Spaces for Beauty: Designed Version 06.2015 Wrocław 2015 Photography credits: p. 13 Jakub Kamiński, www.jakubkaminski.com; p. 17 IMPART 2016 Festival Centre archives; p. 24 Maciej Lulko; other photographs from pp. 22, 23, 25–27 courtesy of The Museum of Architecture in Wrocław and Biuro Nowe Żerniki; p. 32, p. 34 no. 1, 2, p. 35 courtesy of New Horizons Association; p. 33 Marcin Rosiński; p. 34 no. 3 Lech Basel; p. 36 © Filip Basara; pp. 42, 45, 46 no. 2, 51 Jakub Kamiński www.jakubkaminski.com; p. 46 no. 1 © The National Ossoliński Institute; pp. 48, 53 Max Pflegel; p. 60 no. 1 Adam Rajczyba; p. -
SF Commentary 96
112211 ppaaggeess AApprriill 22001188 SSFF CCoommmmeennttaarryy 9966 TRIBUTES TO URSULA LE GUIN, KATE WILHELM, PETER NICHOLLS, BRIAN ALDISS 49th Anniversary Edition PETER YOUNG on THE INTERNATIONAL SF DATABASE ANDREW MILNER on GEORGE TURNER RON DRUMMOND on STEVE ERICKSON RAY SINCLAIR-WOOD on SF POETRY COLIN STEELE on THE SF/FANTASY FIELD ANDERS BELLIS GREG BENFORD RANDY BYERS STEPHEN CAMPBELL ELAINE COCHRANE PAUL COLLINS AGNES COSSATO GIAMPAOLO COSSATO ROBERT DAY LEIGH EDMONDS ROB GERRAND BRUCE GILLESPIE TERRY GREEN STEVE JEFFERY CAROL KEWLEY JOHN LITCHEN PATRICK MCGUIRE DENNY MARSHALL MURRAY MOORE GERALD MURNANE TONY PEACEY ANDY ROBSON FRANZ ROTTENSTEINER YVONNE ROUSSEAU SANJAR SIRCAR PAUL SKELTON MARTIN MORSE WOOSTER and many others Cover: Carol Kewley: ‘Utopian Cat’. S F Commentary 96 April 2018 121 pages SF COMMENTARY No. 96, April 2018, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Phone: 61-3-9435 7786. Available only from eFanzines.com: Portrait edition (print page equivalent) at http://efanzines.com/SFC/SFC96P.PDF or Landscape edition (widescreen): at http://efanzines.com/SFC/SFC96L.PDF or from my email address: [email protected] All correspondence: [email protected]. Member fwa. Front cover: Carol Kewley: ‘Utopian Cat’. Back cover: Elaine Cochrane: ‘Untitled (2014).’ Cotton embroidery on linen. Artwork: Irene Pagram (p. 8); Anders Sandberg (pp. 19–20); Denny Marshall (pp. 83, 98, 102, 119); Agnes Cossatto (p. 113). Photographs: Fay Godwin (p. 8); Richard Wilhelm (p. 10); Andrew Porter (p. 12); George Turner Collection (p. 32); Randy Byers (‘King-sized Pine Cones’) (p. 42); Ray Sinclair-Wood (pp. 52, 54, 55, 57, 58, 95); John Litchen (pp. -
Eurocon 2010 2 Editorial
No. 112 EUROCON 2010 2 EDITORIAL Dear reader, "Parsek" is the oldest Croatian fanzine, first published in 1977 and still running. It is also the bulletin of Science Table of content: Fiction Club SFera from Zagreb. Today, Aleksandar Žiljak SFera consists of some two hundred Sex and Deep-Sea Anglerfish 3 members and is a literary society, as well as Milena Benini a fan club. The annual SFeraKon A Child is Born 9 convention, organized by SFera, attracts Zoran Vlahović nearly a thousand fans each year, and the Tax Case 14 SFERA Award (I know, the spelling bothers Ivana Delač Horvatinčić me, too) is awarded in several categories. Post Mortem 23 Now, let me introduce you to the Croatian Irena Rašeta SF, with the little help of SFera's cute (oh, Let It Be Green 25 well) official mascot, Bemmet. SFeraKon GoHs They Said on Croatia 29 Enjoy! Aleksandar Žiljak UBIQ - The New Croatian Boris Švel Science Fiction Magazine 32 Dalibor Perković and Boris Švel In Zagreb, 10th August 2010 SF Conventions in Croatia 38 "Parsek" on net: NOTE: all materials are translated by the authors http://parsek.sfera.hr/ themselves, unless stated otherwise. and: http://parsek.blog.hr/ PARSEK is bulletin of SFera, Društvo za znanstvenu fantastiku, IV. Podbrežje 5, 10000 Zagreb, Croatia. Editor and designer: Boris Švel. Proof-reader: Aleksandar Žiljak. Cover: SFERA award (“The Ashtray”) on its pedestal. All rights reserved. 3 One of the foremost Croatian SF authors, Aleksandar Žiljak was born in 1963 and resides in Zagreb. He won SFERA Award six times, equally excelling in illustration and prose, as well as the editorial work, being the co-editor of the new Croatian SF literary magazine UBIQ.