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Friedrich Schiller - Poems
Classic Poetry Series Friedrich Schiller - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Friedrich Schiller(10 November 1759 – 9 May 1805) Johann Christoph Friedrich von Schiller was a German poet, philosopher, historian, and playwright. During the last seventeen years of his life, Schiller struck up a productive, if complicated, friendship with already famous and influential <a href="http://www.poemhunter.com/johann-wolfgang-von- goethe/">Johann Wolfgang Von Goethe</a>. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works he left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on Xenien, a collection of short satirical poems in which both Schiller and Goethe challenge opponents to their philosophical vision. <b>Life</b> Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg as the only son of military doctor Johann Kaspar Schiller (1733–96), and Elisabeth Dorothea Kodweiß (1732–1802). They also had five daughters. His father was away in the Seven Years' War when Friedrich was born. He was named after king Frederick the Great, but he was called Fritz by nearly everyone. Kaspar Schiller was rarely home during the war, but he did manage to visit the family once in a while. His wife and children also visited him occasionally wherever he happened to be stationed. When the war ended in 1763, Schiller's father became a recruiting officer and was stationed in Schwäbisch Gmünd. The family moved with him. Due to the high cost of living—especially the rent—the family moved to nearby Lorch. -
Philosophy Sunday, July 8, 2018 12:01 PM
Philosophy Sunday, July 8, 2018 12:01 PM Western Pre-Socratics Fanon Heraclitus- Greek 535-475 Bayle Panta rhei Marshall Mcluhan • "Everything flows" Roman Jakobson • "No man ever steps in the same river twice" Saussure • Doctrine of flux Butler Logos Harris • "Reason" or "Argument" • "All entities come to be in accordance with the Logos" Dike eris • "Strife is justice" • Oppositional process of dissolving and generating known as strife "The Obscure" and "The Weeping Philosopher" "The path up and down are one and the same" • Theory about unity of opposites • Bow and lyre Native of Ephesus "Follow the common" "Character is fate" "Lighting steers the universe" Neitzshce said he was "eternally right" for "declaring that Being was an empty illusion" and embracing "becoming" Subject of Heideggar and Eugen Fink's lecture Fire was the origin of everything Influenced the Stoics Protagoras- Greek 490-420 BCE Most influential of the Sophists • Derided by Plato and Socrates for being mere rhetoricians "Man is the measure of all things" • Found many things to be unknowable • What is true for one person is not for another Could "make the worse case better" • Focused on persuasiveness of an argument Names a Socratic dialogue about whether virtue can be taught Pythagoras of Samos- Greek 570-495 BCE Metempsychosis • "Transmigration of souls" • Every soul is immortal and upon death enters a new body Pythagorean Theorem Pythagorean Tuning • System of musical tuning where frequency rations are on intervals based on ration 3:2 • "Pure" perfect fifth • Inspired -
1 Schiller and the Young Coleridge
Notes 1 Schiller and the Young Coleridge 1. For the details of Schiller’s career and thought I am drawing on a number of works including Lesley Sharpe, Friedrich Schiller: Drama, Thought and Politics (Cambridge: Cambridge University Press, 1991); Walter Schafarschik, Friedrich Schiller (Stuttgart: Philipp Reclam, 1999); F. J. Lamport, German Classical Drama: Theatre, Humanity, and Nation, 1750–1870 (Cambridge: Cambridge University Press, 1990); and T. J. Reed, The Classical Centre: Goethe and Weimar, 1775–1832 (Oxford: Oxford University Press, 1986), and Schiller- Handbuch, ed. Helmut Koopmann (Stuttgart: Alfred Kröner, 1998). 2. Schiller later revised the essay and published it in his Shorter Works in Prose under the title ‘The Stage Considered as a Moral Institution’ (‘Die Schaubühne als eine moralische Anstalt betrachtet’). 3. See David Pugh, ‘“Die Künstler”: Schiller’s Philosophical Programme’, Oxford German Studies, 18/19 (1989–90), 13–22. 4. See J. M. Ellis, Schiller’s ‘Kalliasbriefe’ and the Study of his Aesthetic Theory (The Hague and Paris: Mouton, 1969). 5. See Paul Robinson Sweet, Wilhelm von Humboldt: a Biography, 2 vols (Columbus: Ohio State University Press, 1978–80) and W. H. Bruford, The Ger- man Tradition of Self-Cultivation: ‘Bildung’ from Humboldt to Thomas Mann (Cambridge: Cambridge University Press, 1975), ch. 1; also E. S. Shaffer, ‘Romantic Philosophy and the Organization of the Disciplines: the Found- ing of the Humboldt University of Berlin’, in Romanticism and the Sciences, ed. Andrew Cunningham and Nicholas Jardine (Cambridge: Cambridge University Press, 1990), 38–54. 6. Norbert Oellers, Schiller: Geschichte seiner Wirkung bis zu Goethes Tod, 1805– 1832 (Bonn: Bouvier, 1967). -
THE PHILOSOPHY of GENERAL EDUCATION and ITS CONTRADICTIONS: the INFLUENCE of HUTCHINS Anne H. Stevens in February 1999, Universi
THE PHILOSOPHY OF GENERAL EDUCATION AND ITS CONTRADICTIONS: THE INFLUENCE OF HUTCHINS Anne H. Stevens In February 1999, University of Chicago president Hugo Sonnen- schein held a meeting to discuss his proposals for changes in un- dergraduate enrollment and course requirements. Hundreds of faculty, graduate students, and undergraduates assembled in pro- test. An alumni organization declared a boycott on contributions until the changes were rescinded. The most frequently cited com- plaint of the protesters was the proposed reduction of the “com- mon core” curriculum. The other major complaint was the proposed increase in the size of the undergraduate population from 3,800 to 4,500 students. Protesters argued that a reduction in re- quired courses would alter the unique character of a Chicago edu- cation: “such changes may spell a dumbing down of undergraduate education, critics say” (Grossman & Jones, 1999). At the meet- ing, a protestor reportedly yelled out, “Long live Hutchins! (Grossman, 1999). Robert Maynard Hutchins, president of the University from 1929–1950, is credited with establishing Chicago’s celebrated core curriculum. In Chicago lore, the name Hutchins symbolizes a “golden age” when requirements were strin- gent, administrators benevolent, and students diligent. Before the proposed changes, the required courses at Chicago amounted to one half of the undergraduate degree. Sonnenschein’s plan, even- tually accepted, would have reduced requirements from twenty- one to eighteen quarter credits by eliminating a one-quarter art or music requirement and by combining the two-quarter calculus re- quirement with the six quarter physical and biological sciences requirement. Even with these reductions, a degree from Chicago would still have involved as much or more general education courses than most schools in the country. -
Great Books, Poetry and Mathematics
Bridges 2017 Conference Proceedings Great Books, Poetry and Mathematics Emily Grosholz Department of Philosophy Sparks Building The Pennsylvania State University University Park PA 16801 [email protected] Abstract I have just finished writing a book on poetry and mathematics, entitled Great Circles: The Transits of Mathematics and Poetry. When it is published in early 2018, it will help launch a new series of books published by Springer, “Mathematics, Culture and the Arts,” edited by Marjorie Senechal (Editor of the Mathematical Intelligencer), Jed Buchwald at the California Institute of Technology, and Jeremy Gray at the Open University. The first part of the book is autobiographical, and this excerpt explains how the Great Books Program at the University of Chicago encouraged me to think and write about poetry and mathematics in tandem, over half a century. Although I am a philosopher, and teach in the Philosophy Department at the Pennsylvania State University, when I applied to university fifty years ago, I didn’t say I wanted to study philosophy, but rather that I wanted to study poetry and mathematics. This odd conjunction made sense at the University of Chicago because undergraduate education there was still steered by the star of Robert Maynard Hutchins’ College, a pedagogical structure built on the Great Books program. Because of a scholarship, during my freshman year I was enrolled in ‘Liberal Arts I,’ a special series of lectures organized by the classicist James Redfield. These lectures were also a conduit to my undergraduate major, ‘Ideas and Methods,’ created by Richard McKeon. (He was terrifying, by the way; to see why, re-read Robert Pirsig’s Zen and the Art of Motorcycle Maintenance, where he is depicted as The Chairman [10].) There I first discovered Scott Buchanan’s Poetry and Mathematics [3]. -
Schiller's Jungfrau, Euripides's Iphigenia Plays, and Joan of Arc on the Stage
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2015 Sisters in Sublime Sanctity: Schiller's Jungfrau, Euripides's Iphigenia Plays, and Joan of Arc on the Stage John Martin Pendergast Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1090 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SISTERS IN SUBLIME SANCTITY: Schiller’s Jungfrau, Euripides’s Iphigenia Plays, and Joan of Arc on the Stage by John Pendergast A Dissertation Submitted to the Graduate Faculty in Comparative Literature in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The City University of New York 2015 ii © 2015 JOHN PENDERGAST All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature to satisfy the dissertation requirement for the degree of Doctor of Philosophy 21 May 2015 Dr. Paul Oppenheimer________________________ Date Chair of the Examining Committee 21 May 2015______________ Dr. Giancarlo Lombardi ______________________ Date Executive Officer Dr. Paul Oppenheimer Dr. Elizabeth Beaujour Dr. André Aciman Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract Sisters in Sublime Sanctity: Schiller’s Jungfrau, Euripides’s Iphigenia Plays, and Joan of Arc on the Stage by John Pendergast Adviser: Professor Paul Oppenheimer At the dawn of the nineteenth century, Friedrich Schiller reinvented the image of Joan of Arc in his play, Die Jungfrau von Orleans, with consequences that affected theatrical representations of Joan for the rest of that century and well into the twentieth. -
Beauty and Instability in Eighteenth
Transformations of the Beautiful: Beauty and Instability in Eighteenth- and Early Nineteenth-Century German Literature Arthur K. Salvo Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Arthur K. Salvo All rights reserved ABSTRACT Transformations of the Beautiful: Beauty and Instability in Eighteenth- and Early Nineteenth-Century German Literature Arthur K. Salvo Transformations of the Beautiful reexamines a problem that emerges during the mid- eighteenth century: the devaluation of the aesthetic category of the beautiful. In opposition to accounts that identify this problem with the rediscovery of the sublime, this dissertation emphasizes the crucial yet underexamined role that historicization played in the destabilization of beauty’s normative status in German aesthetic discourse. Additionally, I demonstrate that literary discourse became a key mode through which the beautiful’s problematic status was negotiated. Assembling literary texts from 1759-1817 that thematize beautiful objects or phenomena in terms of their historicity or instability, and transform them, I argue that these moments constitute discrete instances in which literature responds to the precarious position of beauty in modernity. With recourse to texts by Winckelmann, Schiller, Jean Paul, Ernst August Friedrich Klingemann and Eichendorff, I focus on the specific literary techniques employed by different genres— description, elegy, and narrative fiction—and how they reconfigure the relationship between the modern subject and the beautiful. In so doing I demonstrate how literary texts intervene in aesthetic discourse to reevaluate and generate alternative conceptions of the beautiful. Table of Contents Introduction 1 Chapter 1. -
The Paideia of Freedom: Beauty and the Politics of Sensually Recognized Freedom in the Works of Friedrich Schiller
The Paideia of Freedom: Beauty and the Politics of Sensually Recognized Freedom in the Works of Friedrich Schiller Joshua Johnson for Canadian Political Science Association Annual General Meeting, Calgary, 2016 (Rough Draft) Introduction Before he murders his fiancé, and before he kills his father, and still before he levels an entire city in a blaze of fire, before all of this, Karl of Schiller’s the Robbers is a romantic. He is, one is entitled to say, the consummate romantic. He is physically beautiful. He is charismatic. He ignites the passions of petty criminals and the virtuous alike, as he effortlessly evokes love from the both. He nourishes himself on the ballads of ancient heroes while lamenting the loss of an era of grandeur. He is adventurous, dynamic, and passionate. He speaks in high flown rhetoric for justice, freedom, and fraternity. And Karl, the consummate romantic, is a murderer of monstrous proportions. By treating Schiller’s play the Robbers as a companion piece to his “Letters on the Aesthetic Education of Man,” (herein referred to as the “Aesthetic Letters,”) this paper seeks to clarify the sometimes frustratingly ambiguous function of aesthetics by suggesting a perennial problem facing the pursuit of freedom on the stage of modernity: the emergence of a character doubly capable of extraordinary moral dignity and extraordinary evil. Seeking a philosophic and psychological account of this problem in the “Aesthetic Letters,” this paper highlights Schiller’s treatment of human reason as tragically complicit in a crisis wherein the promising emergence of Kantian humanism finds an unexpected doppelganger in the political impulse towards self-actualization through self- negation. -
THE NEW PROGRAM at ST
THE NEW PROGRAM at ST. JOHN'S COLLEGE IN ANNAPOLIS Supplement to the Bulletin ANNAPOLIS, MARYLAND JULY, 1937 Founded as King William's School, 1696 Chartered as St. John's College, 1784 Staff of the New Program, 1937-1938 STRINGFELLOW BARR, President and Fellow of St. John's College B. A. and M. A., University of Virginia M. A. Oxon. Formerly Professor of History at the University of Virginia. Editor of the Virginia Quarterly Review. Member of the Committee on the Liberal Arts at the University of Chicago. SCOTT BUCHANAN, Dean and Fellow of St. John's College B. A., Amherst College Ph. D., Harvard University Formerly Assistant Director of the People's Institute of New York. Professor of Philosophy at the University of Virginia. Chairman of the Committee on the Liberal Arts at the University of Chicago. OWEN E. HOLLOWAY, Tutor of St. John's College M. A. and J3. Lt'rr., Oxon. Formerly Procter Visiting Fellow at Princeton University. Assistant Lecturer at the Royal University of Egypt. R. CATESBY TALIAFERRO, Tutor of St. John's College B. A. and Ph. D., University of Virginia Formerly Student at the University of Lyons and the Sorbonne, Paris. Member of the Committee on the Liberal Arts at the University of Chicago. CHARLES GLENN WALLIS, Tutor of St. John's College B. A., University of Virginia Formerly Member pf the Committee on the Liberal Arts at the University of Chicago. Appointments of Fellows in Mathematics and Laboratory Science will be announced in the near future. SUPPLEMENT TO THE BULLETIN SUPPLEMENT TO THE BULLETIN 5 basic training with which they may enter and successfully pursue study in law schools, medical schools, engineering, theology, Foreword schools of business administration, library schools, schools of by education, schools of journalism, post-graduate work in univer- sities, or with which they can enter directly the fields of business, STRINGFELLOW BARR of social, and of public service. -
|||GET||| on the Aesthetic Education of Man 1St Edition
ON THE AESTHETIC EDUCATION OF MAN 1ST EDITION DOWNLOAD FREE Friedrich Schiller | 9780141396965 | | | | | First Edition Books Some Freemasons speculate that Schiller was a Freemasonbut this On the Aesthetic Education of Man 1st edition not been proven. The lower class was too overworked to have time to appreciate aesthetics and beauty, and instead opted for cheap and simple entertainment, such as long nights of binge drinking at taverns and going to low quality shows that were exciting and entertaining but provided no sense of beauty or value. Portrait of Schiller by Ludovike Simanowiz Views Read Edit View history. But evaluated on its own terms as a work of philosophical argument, it stands poorly. See how many words from the week of Oct 12—18, you get right! Signed Books. Aesthetics topics. View 2 comments. Most professional booksellers have all of these at their disposal and are able to accurately identify first printings. Are they true firsts? Welcome back. Friedrich Schiller. What is all this about points of issue and first state? He uses Kant as his starting point and positions himself as Kantian but actually On the Aesthetic Education of Man 1st edition a vehement critic of Kant, whose ideas he believed justified political oppression. Signed Books. Noah Webster —was a lexicographer and a language reformer. Apr 27, Christine Cordula Dantas rated it it was amazing Shelves: philosophy. Each time a publisher releases a new instance of the same title, or when a book is released in a new format, these may also be considered first edition books. Taste can therefore be seen as the first weapon used by an aesthetic soul in its struggle against raw nature, driving back the assault before it becomes necessary for reason to intervene as a legislator, and pronounce judgement. -
The Pride and Prejudice of the Western World: the Iconicity of the Great Books
Syracuse University SURFACE Languages, Literatures, and Linguistics College of Arts and Sciences January 2010 The Pride and Prejudice of the Western World: The Iconicity of the Great Books Solibakke Ivan Karl Syracuse University Follow this and additional works at: https://surface.syr.edu/lll Part of the German Literature Commons Recommended Citation Karl, Solibakke Ivan, "The Pride and Prejudice of the Western World: The Iconicity of the Great Books" (2010). Languages, Literatures, and Linguistics. 11. https://surface.syr.edu/lll/11 This Article is brought to you for free and open access by the College of Arts and Sciences at SURFACE. It has been accepted for inclusion in Languages, Literatures, and Linguistics by an authorized administrator of SURFACE. For more information, please contact [email protected]. Postscripts 6.1–3 (2010) 261–275 Postscripts ISSN (print) 1743-887x doi: 10.1558/post.v6.1–3.261 Postscripts ISSN (online) 1743-8888 The Pride and Prejudice of the Western World: Canonic Memory, Great Books and Archive Fever KARL IVAN SOL I BA kk E SYRACU S E UNIVERsiTY [email protected] AB S TRACT This article examines controversies arising from the perception of the instru- ments of cultural memory and the logic of their transmissibility. On the one hand, we have a carefully selected, temporally and geographically orches- trated body of texts, the Great Books, which are an enduring testament to the authority of Western intellectual artifacts. On the other hand, Jacques Der- rida’s Archive Fever locates a furtive transformation of collective memory in the informal practices exemplified by oral narrative and public discourse. -
1 1 “Ich Bin Und Bleibe Bloȕ Poet Und Als Poet Werde Ich
“Ich bin ud bleibe bloß Poet und als Poet werde ich auch sterben.” Friedrich Schiller’s Sense of Poetic Calling and the Role of the Poetic Idea in his Emerging Professional Identity as a Dramaturge Item Type text; Electronic Dissertation Authors Cser, Agnes Judit Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 13:31:04 Link to Item http://hdl.handle.net/10150/627671 1 “ICH BIN UND BLEIBE BLOȕ POET UND ALS POET WERDE ICH AUCH STERBEN.“ FRIEDRICH SCHILLER’S SENSE OF POETIC CALLING AND THE ROLE OF THE POETIC IDEA IN HIS EMERGING PROFESSIONAL IDENTITY AS A DRAMATURGE By Agnes J. Cser __________________________ Copyright © Agnes J. Cser 2018 Dissertation Submitted to the Faculty of the DEPARTMENT OF GERMAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2018 1 3 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of the requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this dissertation are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder.