We're Not 100 Years Old 20Th Century Until 1901, We Just Got "We've Used up All of Our Good Party from the A

Total Page:16

File Type:pdf, Size:1020Kb

We're Not 100 Years Old 20Th Century Until 1901, We Just Got The Trail Volume 11 The Associated Students of the United Parcel Services April 1, 1988 Number 25 1500 North Warner, Tacoma, WA 98416 © 1988, ASUPS Trail staffers screw up .4- ..., . , -...;......e- zt., 3"'k"9.: , -`,.. f,,,•.i-k,..-7. Notice the studly scecurity dude with his radio in this police rendering How a Trail staff member saw the incident From the A. F. Wire Members of the staff seemed less like a lot less trouble there." and given the option of being disciplined concerned. "I didn't think it was any big deal. I by either the Dean of Students or the As if The Trail had not created enough "What the hell? The Trustees do it all just do things like this to get attention Student Honor Court. problems on campus this year. Now, the time! I mean, we were going to get from Sadler and Badham over at Security. "In the end, I guess it's the lesser of those slimebags were caught drinking IN a permit, but there wasn't time. We had I really like those 'bare bulb' discussions two evils," said Harlan. "I can't decide THE SUB. Some of 'em are even an issue to get out, students to serve," in Todd's office after I screw up. It's just which is lesser. We'll probably go with under 21. And all of 'em were said Rob Huff, The Trail's News Editor. like work," said Editor and former the Court, because they're students and schnockered. "Everybody knows about that certain Security Shift Supervisor Dave Harlan. they probably realize we were just The intoxicated staff was discovered at incident up in the ASUPS office earlier Harlan's former bosses at Security having fun. Besides, you know, we have approximately 1:23 a.m. Thursday by this year," said Features Editor Caitlin J. seemed to think it was a "big deal." a lot of connections on the court. But Security Services staff member Steve Moughon, after she had sobered up. "I Chuck Joy, Shift Supervisor at the time that's off the record. Hey, quit writing Lambert. The office was in similar don't see what's so different. It's not like of the alleged debauchery, said "I called ..., and turn off that tape recor ..." disarray, with bottles strewn all over and it would affect the outcome of the paper Todd [Assistant Director of Security "No question. We'll go with the a stench worse than normal. anyway. And when I'm working, I'd Todd Badham] because I didn't know Court," said Moughon. "Hell [wait, can "We were originally called because rather have a bottle in front of me than a exactly what to do. He said, 'Close up we print that?], a couple of them stopped students at Gamma Phi Beta heard a little frontal lobotomy." the office, go to Channel two, call by during the party. One even picked up bit of noise. We traced it to the SUB, "You have to be twenty-one to drink?" T.P.D., and get everybody down there. a case of Regal for us. But I can't say figuring it was some of those skate rats asked Co-Production Manager Jim We want those dudes. We want 'em who, mats oui." who hang around here all the time. Webster. "I didn't know that. If I had, I bad.- Whatever happens, some people are "But that was not the case. What we never would have done it." Patrolman John Cooke said, "I always steamed around campus. found was just disgusting," Lambert "Well I didn't do any of it," said Ad knew Harlan and Huff were skoads." "Boy, Todd and Bruce [Security said. "I've never seen it worse anywhere, Manager Charley "Varsity" Whiton. A major question at this point is how Directors] sure were peeved," Harlan even on Union Avenue. And on school "I'm in training, you know." the case will be handled. As with any said. "I guess we should have invited property. I can hardly wait until the "I wish I were back in Canada," said students, the staff will be charged with a them." Honor Court hearing on this one." Graphics Editor Peng Hsiao. "Seemed violation of the University's Honor Code We're not 100 years old 20th century until 1901, we just got "We've used up all of our good party From the A. F. Wire kind of mixed up." ideas for this year. But then, I guess it's After careful examination this week, Asked to comment on the mistake, the a goof that could only happen once." the mathematics department has Trustees called a meeting which lasted Princess Lisa South restated discovered that this year is not the over five hours. At the close of the Stephenson's concerns. University's Centennial--because of a gathering, they issued a statement which "We're so bummed. I've lived for the miscalculation, the university is really read: Centennial for the last year and a half. only 99 years old. "OOPS. Sorry. Come back next I've lost my family and my friends, my Apparently, once all of the funds had year, okay?" grades have dropped, I haven't slept since been raised for Centennial celebrations, The recent discovery left Centennial October 1986, and I've become a heavy the administration got a little too excited organizers extremely frustrated and drinker. To find this out now is kind of and made an assumption, as well as an feeling their work was all in vain. a drag." ass out of you and me. "After all the shouting, we're really Fibbs said that he sympathized with • "We just naturally assumed it would shocked to see that the university is only the students. be 100 years from 1888 to 1988," said 99," said Amy Stephenson, Centennial "Really, it's hardest on them. All we Puget Sound President Fil Fibbs. "But "Princess". "It's kind of embarrassing, in Jones Hall really did was get those with all that weird century changing really. After we invited all of those page 2 stuff, you know, where it's not really the people and all." See Centennial April 1, 1988 2 0, Jacuzzis on way The proposed site of these edifices will A $29 million athletic complex be the parcels of land currently housing proposal was announced yesterday by the Baker Stadium, Wallace Pool, and Publicity Office of the University of Warner Gym. Puget Sound with the new facilities to At $29 million, the complex will be r be completed in June of 1990. quite a serious undertaking. Fortunately, In this surprise announcement, the the fundraising campaign is already speaker for the university proclaimed, pointed in the right direction. "The university has an urgent need to "An anonymous donor has put the balance its high academic achievements drive in motion with a gift of $20 with superior athletic performance. To million for a new sporting complex," accomplish this objective, the university announced the publicity spokesman."We will need state-of-the-art equipment in are planning to also put in a bid to host order to facilitate this shift in priorities. the swimming events at the 1991 The proposed center would include an Goodwill Games which will be held in indoor football field which will be the Tacoma area. encompassed by a standard sized track. The Goodwill Games committee has Other new facilities include additional been searching for months for a place to basketball courts, a 50-meter swimming hold its swimming competition, and the pool, six bubbly jacuzzi spas, saunas, university's bid will probably be accepted and a Nautilus weightroom. as a qualified site. Centennial in my last year. Now that's all messed up, and I wish I had gone to Centennial from front page PLU," one said. Mariners get studs "Well shoot, if I had known it was the cool banners made and get the banquet Centennial, I would have been mad to 111.23 mph fastball on May 3, 1977. permits for all the alumnae cocktail find out it wasn't," another commented. From the A. F. Wire Still, there remains some question as to parties in the SUB. It was nothing. But the speed of his current pitches, but the Princesses and the students really put Alumnae were pissed and confused Pulling off something of a coup one was clocked at 105+ mph during their hearts into this. I feel terrible. I too. today, the Seattle Mariners put 1986. guess it's just part of their education for themselves in a position to challenge for Quality pitching is not a cheap and a lifetime, though. Everything doesn't "The thing that really makes me mad the pennant by signing two Japanese abundant resource. Sasaki's contract always work out as planned, you know." is that I sent $2000 to the Centennial heroes to bolster their pitching and hasn't been made public but is believed fund. I don't like to pay for screw-ups power hitting. to be in the range of $2.5 million per "Well, maybe everything doesn't like this. And my bonus from Boeing Pitcher Kito "Ironarm" Sasaki was season. Sasaki is also seeking a ten year always work out as planned," an doesn't come until December." obtained in a trade with the Tokyo Tigers guaranteed contract which may be too anonoymous student commented, "but involving two Mariner farm prospects. long a time span for a 38 year old you'd think the administration of the "What do you mean it's only 99?" The 38-year-old Sasaki has played pitcher.
Recommended publications
  • Here Comes Television
    September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business.
    [Show full text]
  • In This Episode of the Flintstones, the Main Characters Are Shown to Seek Martial Arts Lessons
    In this episode of the Flintstones, the main characters are shown to seek martial arts lessons. The judo master in the scene is depicted as a Japanese man who wears a sinister-looking smile throughout the scene. He offers the characters lessons at supposedly good prices. As he rattles off the offers by ensuring them that they could get "silver medal lessons" for "[a] big bargain, big bargain" and "for a few more measly dollars ... gold medals, diamond medals...," his pronunciations are exaggeratedly shown to be wrong by a mix up between r's and l's and by an obvious difference in the emphasis on syllables. The man's speech is set apart from the other characters' by juxtaposing his differently accented words to the others' SAE pronunciation. Also, the Flintstones and their friends bowed while imitating his accent as if attempting to fit that man's mannerisms. However, this can be seen as making light of the man's characteristics and manners as if they are silly. In this scene, the judo master portrays prevalent stereotypes about Asians. The man's inability to enunciate r's and l's reflect the struggle that many people face in differentiating between r's and l's in English because their native tongues do not make the same distinction. More importantly, the judo master's speech is used to indicate a lack of intelligence, as evidence by Fred's comment, "What does 'et cetera, et cetera' mean in Japanese? Sucker?" which is followed by Barney's response in a tone mocking the Japanese man's, "Oh, that's for sure!" Furthermore, prior to that, Fred had thrown in an unintelligible word in an attempt to imitate the man's Japanese accent.
    [Show full text]
  • Retrofuture Hauntings on the Jetsons
    City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2020 No Longer, Not Yet: Retrofuture Hauntings on The Jetsons Stefano Morello CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/446 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] de genere Rivista di studi letterari, postcoloniali e di genere Journal of Literary, Postcolonial and Gender Studies http://www.degenere-journal.it/ @ Edizioni Labrys -- all rights reserved ISSN 2465-2415 No Longer, Not Yet: Retrofuture Hauntings on The Jetsons Stefano Morello The Graduate Center, City University of New York [email protected] From Back to the Future to The Wonder Years, from Peggy Sue Got Married to The Stray Cats’ records – 1980s youth culture abounds with what Michael D. Dwyer has called “pop nostalgia,” a set of critical affective responses to representations of previous eras used to remake the present or to imagine corrective alternatives to it. Longings for the Fifties, Dwyer observes, were especially key to America’s self-fashioning during the Reagan era (2015). Moving from these premises, I turn to anachronisms, aesthetic resonances, and intertextual references that point to, as Mark Fisher would have it, both a lost past and lost futures (Fisher 2014, 2-29) in the episodes of the Hanna-Barbera animated series The Jetsons produced for syndication between 1985 and 1987. A product of Cold War discourse and the early days of the Space Age, the series is characterized by a bidirectional rhetoric: if its setting emphasizes the empowering and alienating effects of technological advancement, its characters and its retrofuture aesthetics root the show in a recognizable and desirable all-American past.
    [Show full text]
  • The Flintstones (1960-1966), About a “Modern Stone-Age Family,” Was The
    Columbia Pictures) to develop a prime-time animated series. They worked out the concept of parodying current situation comedies, especially The Honeymooners and Father Knows Best, with the twist of setting them in a different historical era. Cartoonists Dan Gordon and Bill Benedict had the idea to use a Stone Age setting (although the Fleischer Studios pro- duced a similar series of Stone Age Cartoons back in 1940). The concept was bought by ABC, and premiered Sept. 30, 1960. Voiced by Alan Reed, Jr. (Fred Flintstone), Mel Blanc (Barney Rubble), Jean VanderPyl (Wilma Flintstone) and veteran actress Bea Benaderet (Betty Rubble), The Flintstones finished the season in the Nielsen ratings’ top 20, and won a number of industry awards, including the Golden Globe, and an [email protected] Emmy nomination for best comedy series of 1960-61. A clear appeal of the series lays in its parody of sitcom for- mula plots, and there are elements of satire in the way modern consumer conveniences are turned into sight gags. One of the show’s favorite gags was to have cameos by Stone Age versions of modern celebrities (Ann Margrock, Stony Curtis, etc.). The most popular gimmick was Wilma’s pregnancy, ending with the February 1963 “birth” of their little girl, Pebbles. The next season the Rubbles adopted Bamm-Bamm, a little boy of incredible strength and a one- word vocabulary. By the fifth and sixth seasons, the show began to use more storylines aimed at kids, with new neighbors the Grue- somes (a spin on The Munsters and The Addams Family), and magical space alien The Great Gazoo (Harvey Korman).
    [Show full text]
  • Looking Back at the Creative Process
    IATSE LOCAL 839 MAGAZINE SPRING 2020 ISSUE NO. 9 THE ANIMATION GUILD QUARTERLY SCOOBY-DOO / TESTING PRACTICES LOOKING BACK AT THE CREATIVE PROCESS SPRING 2020 “HAS ALL THE MAKINGS OF A CLASSIC.” TIME OUT NEW YORK “A GAMECHANGER”. INDIEWIRE NETFLIXGUILDS.COM KEYFRAME QUARTERLY MAGAZINE OF THE ANIMATION GUILD, COVER 2 REVISION 1 NETFLIX: KLAUS PUB DATE: 01/30/20 TRIM: 8.5” X 10.875” BLEED: 8.75” X 11.125” ISSUE 09 CONTENTS 12 FRAME X FRAME 42 TRIBUTE 46 FRAME X FRAME Kickstarting a Honoring those personal project who have passed 6 FROM THE 14 AFTER HOURS 44 CALENDAR FEATURES PRESIDENT Introducing The Blanketeers 46 FINAL NOTE 20 EXPANDING THE Remembering 9 EDITOR’S FIBER UNIVERSE Disney, the man NOTE 16 THE LOCAL In Trolls World Tour, Poppy MPI primer, and her crew leave their felted Staff spotlight 11 ART & CRAFT homes to meet troll tribes Tiffany Ford’s from different regions of the color blocks kingdom in an effort to thwart Queen Barb and King Thrash from destroying all the other 28 styles of music. Hitting the road gave the filmmakers an opportunity to invent worlds from the perspective of new fabrics and fibers. 28 HIRING HUMANELY Supervisors and directors in the LA animation industry discuss hiring practices, testing, and the realities of trying to staff a show ethically. 34 ZOINKS! SCOOBY-DOO TURNS 50 20 The original series has been followed by more than a dozen rebooted series and movies, and through it all, artists and animators made sure that “those meddling kids” and a cowardly canine continued to unmask villains.
    [Show full text]
  • Dual Audio Television; an Experiment in Saturday Morning Broadcast and a Summary Report
    el, DOCUMENT RESUME ED 118 123 IR 003 028 AUTHOR Borton, Terry; And Others TITLE Dual Audio Television; an Experiment in Saturday Morning Broadcast and a Summary Report. INSTITUTION Philadelphia School District, Pa. Office of -Curriculum and Instruction. PUB DATE 1 75 NOTE 21p.; For related documents see Ed 094 753 and IR 003 027-030 EDRS PRICE MF -$0.83 HC-$1.67 Plus Postage DESCRIPTORS ' Audiovisual Instruction; *Commercial Television; *Educational Radio; *Educational Research; Elementary 'Education; *Experimental Programs; Instructional, Innovation; Instructional Technology; Programing (Broadcast); Research Methodology; Statistical Analysis; Statistical Data; Television; *Television Research; Television Viewing; Vocabulary; Vocabulary Development IDENTIFIERS *Dual Audio Television; Flintstones; Gilligans Island; Philadelphia City Schools; Scooby Doo ABSTRACT'. The Philadelp hia City Schools engaged in a four-year program to develop and test dual audio television, a way to help' children learn more from the massive amounts of time they spend watching commercial television.Ache format consisted of an instructional radio broadcasthich accompanied popular television shows and attempted to clarify and amplify the vocabu#ry concepts that were presented. Supplsentary audio broadcasts were developed for"Gilligan's Island," "'Me Flintstones," and "Scooby Doo," and studies were conducted to measure their levels of utilization and their effects on vocabulary development': Results shoved that the audience size was insufficient to justify-national
    [Show full text]
  • Imagining the Future Into Reality: an Interdisciplinary Exploration of the Jetsons by Jane Elizabeth Myrick a THESIS Submitted
    Imagining the Future into Reality: An Interdisciplinary Exploration of The Jetsons by Jane Elizabeth Myrick A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Arts in English (Honors Scholar) Honors Baccalaureate of Arts in Education (Honors Scholar) Presented April 30, 2019 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Jane Elizabeth Myrick for the degree of Honors Baccalaureate of Arts in English and Honors Baccalaureate of Arts in Education presented on April 30, 2019. Title: Imagining the Future into Reality: An Interdisciplinary Exploration of The Jetsons. Abstract approved: _____________________________________________________ Eric Hill This investigation examines The Jetsons’ vision of the future and tracks to what extent the content of the show is relevant to the modern era, both technologically and socially. Much of the dazzling technology in the show feels familiar, and most of it is either already available or is in development, so the innovations of the present are largely keeping pace with the show’s vision. Culturally, the show reflects the values of the era in which it was created (in the 1960s), and despite the show’s somewhat dated outlook on culture and society, we can still empathize and see our own modern experiences reflected back at us through an animated futuristic lens. Therefore, The Jetsons serves as a touchstone for our hopes for the future as well as the experiences of the past and the values and goals of the
    [Show full text]
  • Meet the Flintstones
    Meet the Flintstones Fred and Wilma Flintstone have a joint checking account 1-654-9 at RFB-Rock Branch with Fred as the IRS owner. Fred, a quarry equipment operator, SS# 123-45-6789 came in and deposited 8,500 in cash which was his cash bonus from recent quarterly quarry sales. Later in the day, Wilma SS# 987-65-4321 brought in 2,500.50 in cash from the sale of her rock necklaces from the weekend craft show along with 555.75 in checks. She took $500.15 of the cash to purchase a bank check to pay tuition for Pebbles to attend 4H, Happy Horned Toads, pet camp with her pet, Dino. She then took $75 cash from Pebbles’ account 9-321-7, to pay for vaccinations for Dino so that he is eligible to attend camp. After school that day, Pebbles also came to the bank with some friends to deposit $25.00 in coin to her savings account which was her portion of profit from Shamrock sales by the 4H club as a fundraiser for camp. Pebbles’ SS is 456-98-7321 no DL, her student ID from Bedrock Jr Hi is on file as well as her birth certificate. Fred and Wilma are co-owners with Pebbles on the savings account. As it happened, Fred had written a check to his fellow lodge brother, Barney Rubble, for his share of the recent St Patrick’s Day bowling party they hosted for the lodge. Barney brought the check to be cashed on the same day, 4/1/2013, as the other transactions.
    [Show full text]
  • Being Fred Flintstone
    Being Fred Flintstone Stephen Balzac Remember the classic kid’s TV show, the Flintstones? Fred and Wilma Flintstone are a stone age couple who live in something that looks oddly like the 1950s with rocks. Lots and lots of rocks. Despite this, the show had nothing to do with either rock music or getting stoned. It did, however, have an episode which predicted that the Beatles were a passing fad. So much for prognostication! Fortunately, that episode is not the point of this article. In one episode, Fred complains to Wilma that he can’t understand what she does all day. How hard can it be to take care of a house? Of course, as Fred swiftly learns, after he and Wilma make a bet, the answer is very hard. Fred, of course, makes a total mess of the whole thing. Now, obviously, the cartoon was playing off of social issues of the time and was intended to make people laugh. The obvious lesson, that a “non-working mother” is a contradiction in terms, is hopefully one that most people have figured out by now. The less obvious lesson is the much more interesting one: it is often impossible to gauge from the results, or from watching someone work, just how difficult a job actually is or even how hard they are working! Conversely, how people feel about the results has little bearing on how hard you worked to get them. At one company, a manager told an employee that he wasn’t going to get a raise because he made the work “look too easy.” Of course, one might argue that most people who develop their skill in a field eventually become good enough that they manage to make the job look easy.
    [Show full text]
  • CARTOON NETWORK March 2012
    CARTOON NETWORK March 2012 MON. TUE. WED. THU. FRI. SAT. SUN. 4:00 Princess Knight Angela Anaconda 4:00 4:30 Kimba The White Lion Camp Lazlo 4:30 5:00 The Garfield Show Princess Knight 5:00 5:30 BEN 10 3/6~Generator Rex Kimba The White Lion 5:30 6:00 BEN10: ULTIMATE ALIEN 3/6~BEN 10: ALIEN FORCE My Gym Partner's A Monkey 6:00 6:30 Popeye 3/5~Mini Moo Moo The Pink Panther & Pals 6:30 7:00 Thomas and Friends The Mr. Men Show, Series 1 7:00 7:20 PINGU、MIO&MAO SERIES,Symfollies BEN 10: ULTIMATE 7:40 Capelito 2,MuMuHug season 1&2,Nouky & Friends Generator Rex 7:30 ALIEN 8:00 Tom & Jerry Kids Generator Rex Teen Titans 8:00 8:30 Madeline BEN10 8:30 Moomin The Bugs Bunny 9:00 9:00 Tom & Jerry 9:30 Charlie Brown and Snoopy Show 9:30 Thomas and Friends 10:00 10:00 Meet the Boneheads Aesop's Theater 10:15 10:30 The Mr. Men Show, Series 2 Mini Moo Moo 3/11~Little Moonlight Rider 10:30 11:00 Ruby Gloom 11:00 11:30 Baby Looney Tunes POPCORN 11:30 12:00 Thomas and Friends 12:00 12:20 Clifford the Big Red Dog,saari Wacky Races 12:30 12:40 Pinky Dinky Doo,Gazoon Thomas and Friends 13:00 13:00 The Powerpuff Girls PINGU,KIPPER,MuMuHug season 3&4 13:15 13:30 The Grim Adventures of Billy & Mandy Snailympics,Hilltop Hospital 13:40 14:00 Courage the Cowardly Dog A Collection of Fables 14:00 14:30 Johnny Bravo The Mr.
    [Show full text]
  • FRIDAY NIGHT at the 2012/13 Season Movies
    FRIDAY NIGHT AT THE 2012/13 Season Movies HITCHCOCK AT THE MOVIES: A Symphonic Celebration CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI Music Director Global Sponsor of the CSO CSO.ORG / 312-294-3000 2 RICCARDO MUTI Music Director WORLD’S BEST. CHICAGO’S OWN. 312-294-3000 cso.org 3 SUBSCRIBE TODAY! SUBSCRIBERS SAVE UP TO 47% OFF THE PRICE THE MOVIES YOU OF REGULAR SINGLE TICKETS, FEE-FREE EXCHANGES* AND MORE! *Excludes day-of-concert KNOW, 3–CONCERT PACKAGE PRICES ($10 fee) Gallery ....................................$69–$75 Main Floor ........................... $96–$198 THE MUSIC YOU Upper Balcony ...............................$126 Lower Balcony .................... $129–$222 LOVE. Box Seats ......................................$267 3 FRIDAYS AT 8:00 ADD THIS CONCERT TO YOUR SUBSCRIPTION for the best seats and subscriber-preferred prices! HITCHCOCK AT THE MOVIES: A Symphonic Celebration November 23 March 8 May 17 Saturday, January 26, 3:00 & 7:00 DISNEY FANTASIA–LIVE IN CONCERT HITCHCOCK AT THE MOVIES: SINGIN’ IN THE RAIN Warner Bros. Presents Chicago Symphony Orchestra A Symphonic Celebration Chicago Symphony Orchestra BUGS BUNNY AT THE SYMPHONY TM Ludwig Wicki conductor Chicago Symphony Orchestra Richard Kaufman conductor Conducted and created by George Daugherty Richard Kaufman conductor Warner Bros. Symphony Orchestra Join us for a thrilling performance of Disney’s Alfred Hitchcock’s films feature some of the most Experience the American Film Institute’s No. 1 Celebrating 20 years of Bugs Bunny on the concert groundbreaking marriage of symphonic music and mesmerizing movie scores of all time, and his use Greatest Movie Musical with live accompaniment stage, this brand new edition of Looney Tunes animation, Fantasia.
    [Show full text]
  • Race, Class, and Rosey the Robot: Critical Study of the Jetsons
    Race, Class, and Rosey the Robot: Critical Study of The Jetsons ERIN BURRELL The Jetsons is an animated sitcom representing a middle-class patriarchal family set in space in the year 2062. Following in the footsteps of family-friendly viewing such as Leave it to Beaver (1957-1963) and Hanna-Barbera’s own The Flintstones (1960-1966), The Jetsons offered a futuristic take on a near-perfect nuclear family. The Jetsons centers on a family headed by a “male breadwinner” and “Happy housewife heroine” that Betty Friedan credits to creators of women’s media in the 1950s and 60s (23). Packed with conservative white American perspectives and values, the show is set in the suburbs of intergalactic Orbit City and features husband George, wife Jane, teenage daughter Judy, and prodigy son Elroy (Coyle and Mesker 15). The cast is complemented by secondary characters that include George’s boss Cosmo Spacely, the owner of Spacely Sprockets, and Rosey the robot maid. The only element that seemed to be missing from the earliest episodes was a family pet, which was rectified with the addition of Astro the dog early in the first season (“The coming of Astro”). The first season (S1) aired on Sunday nights September 1962 - March 1963, (Coyle and Mesker) and was one of the first shows to debut in color on ABC (Jay). Despite early cancellation the show landed deeply in the pop culture cannon through syndication and experienced renewed interest when it was brought back in the 1980s for two additional seasons (S2-3). Today, The Jetsons continues to reach new audiences with video and digital releases serving to revitalize the program.
    [Show full text]