Being Fred Flintstone
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Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
In This Episode of the Flintstones, the Main Characters Are Shown to Seek Martial Arts Lessons
In this episode of the Flintstones, the main characters are shown to seek martial arts lessons. The judo master in the scene is depicted as a Japanese man who wears a sinister-looking smile throughout the scene. He offers the characters lessons at supposedly good prices. As he rattles off the offers by ensuring them that they could get "silver medal lessons" for "[a] big bargain, big bargain" and "for a few more measly dollars ... gold medals, diamond medals...," his pronunciations are exaggeratedly shown to be wrong by a mix up between r's and l's and by an obvious difference in the emphasis on syllables. The man's speech is set apart from the other characters' by juxtaposing his differently accented words to the others' SAE pronunciation. Also, the Flintstones and their friends bowed while imitating his accent as if attempting to fit that man's mannerisms. However, this can be seen as making light of the man's characteristics and manners as if they are silly. In this scene, the judo master portrays prevalent stereotypes about Asians. The man's inability to enunciate r's and l's reflect the struggle that many people face in differentiating between r's and l's in English because their native tongues do not make the same distinction. More importantly, the judo master's speech is used to indicate a lack of intelligence, as evidence by Fred's comment, "What does 'et cetera, et cetera' mean in Japanese? Sucker?" which is followed by Barney's response in a tone mocking the Japanese man's, "Oh, that's for sure!" Furthermore, prior to that, Fred had thrown in an unintelligible word in an attempt to imitate the man's Japanese accent. -
Retrofuture Hauntings on the Jetsons
City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2020 No Longer, Not Yet: Retrofuture Hauntings on The Jetsons Stefano Morello CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/446 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] de genere Rivista di studi letterari, postcoloniali e di genere Journal of Literary, Postcolonial and Gender Studies http://www.degenere-journal.it/ @ Edizioni Labrys -- all rights reserved ISSN 2465-2415 No Longer, Not Yet: Retrofuture Hauntings on The Jetsons Stefano Morello The Graduate Center, City University of New York [email protected] From Back to the Future to The Wonder Years, from Peggy Sue Got Married to The Stray Cats’ records – 1980s youth culture abounds with what Michael D. Dwyer has called “pop nostalgia,” a set of critical affective responses to representations of previous eras used to remake the present or to imagine corrective alternatives to it. Longings for the Fifties, Dwyer observes, were especially key to America’s self-fashioning during the Reagan era (2015). Moving from these premises, I turn to anachronisms, aesthetic resonances, and intertextual references that point to, as Mark Fisher would have it, both a lost past and lost futures (Fisher 2014, 2-29) in the episodes of the Hanna-Barbera animated series The Jetsons produced for syndication between 1985 and 1987. A product of Cold War discourse and the early days of the Space Age, the series is characterized by a bidirectional rhetoric: if its setting emphasizes the empowering and alienating effects of technological advancement, its characters and its retrofuture aesthetics root the show in a recognizable and desirable all-American past. -
The Flintstones (1960-1966), About a “Modern Stone-Age Family,” Was The
Columbia Pictures) to develop a prime-time animated series. They worked out the concept of parodying current situation comedies, especially The Honeymooners and Father Knows Best, with the twist of setting them in a different historical era. Cartoonists Dan Gordon and Bill Benedict had the idea to use a Stone Age setting (although the Fleischer Studios pro- duced a similar series of Stone Age Cartoons back in 1940). The concept was bought by ABC, and premiered Sept. 30, 1960. Voiced by Alan Reed, Jr. (Fred Flintstone), Mel Blanc (Barney Rubble), Jean VanderPyl (Wilma Flintstone) and veteran actress Bea Benaderet (Betty Rubble), The Flintstones finished the season in the Nielsen ratings’ top 20, and won a number of industry awards, including the Golden Globe, and an [email protected] Emmy nomination for best comedy series of 1960-61. A clear appeal of the series lays in its parody of sitcom for- mula plots, and there are elements of satire in the way modern consumer conveniences are turned into sight gags. One of the show’s favorite gags was to have cameos by Stone Age versions of modern celebrities (Ann Margrock, Stony Curtis, etc.). The most popular gimmick was Wilma’s pregnancy, ending with the February 1963 “birth” of their little girl, Pebbles. The next season the Rubbles adopted Bamm-Bamm, a little boy of incredible strength and a one- word vocabulary. By the fifth and sixth seasons, the show began to use more storylines aimed at kids, with new neighbors the Grue- somes (a spin on The Munsters and The Addams Family), and magical space alien The Great Gazoo (Harvey Korman). -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
Looking Back at the Creative Process
IATSE LOCAL 839 MAGAZINE SPRING 2020 ISSUE NO. 9 THE ANIMATION GUILD QUARTERLY SCOOBY-DOO / TESTING PRACTICES LOOKING BACK AT THE CREATIVE PROCESS SPRING 2020 “HAS ALL THE MAKINGS OF A CLASSIC.” TIME OUT NEW YORK “A GAMECHANGER”. INDIEWIRE NETFLIXGUILDS.COM KEYFRAME QUARTERLY MAGAZINE OF THE ANIMATION GUILD, COVER 2 REVISION 1 NETFLIX: KLAUS PUB DATE: 01/30/20 TRIM: 8.5” X 10.875” BLEED: 8.75” X 11.125” ISSUE 09 CONTENTS 12 FRAME X FRAME 42 TRIBUTE 46 FRAME X FRAME Kickstarting a Honoring those personal project who have passed 6 FROM THE 14 AFTER HOURS 44 CALENDAR FEATURES PRESIDENT Introducing The Blanketeers 46 FINAL NOTE 20 EXPANDING THE Remembering 9 EDITOR’S FIBER UNIVERSE Disney, the man NOTE 16 THE LOCAL In Trolls World Tour, Poppy MPI primer, and her crew leave their felted Staff spotlight 11 ART & CRAFT homes to meet troll tribes Tiffany Ford’s from different regions of the color blocks kingdom in an effort to thwart Queen Barb and King Thrash from destroying all the other 28 styles of music. Hitting the road gave the filmmakers an opportunity to invent worlds from the perspective of new fabrics and fibers. 28 HIRING HUMANELY Supervisors and directors in the LA animation industry discuss hiring practices, testing, and the realities of trying to staff a show ethically. 34 ZOINKS! SCOOBY-DOO TURNS 50 20 The original series has been followed by more than a dozen rebooted series and movies, and through it all, artists and animators made sure that “those meddling kids” and a cowardly canine continued to unmask villains. -
Fred & Wilma Flintstone
Fred & Wilma Flintstone IMPORTANT DOCUMENTS TABLE OF CONTENTS 1. Asset Letter — Dated 2. Living Wills — Dated 3. Powers of Attorney for Health Care — Dated 4. Powers of Attorney for Finances — Dated 5. The Fred Flintstone Revocable Living Trust — Dated 6. The Wilma Flintstone Revocable Living Trust — Dated 7. Wills — Dated 8. Declarations of Trust (Fred) — Dated 9. Declarations of Trust (Wilma) — Dated 10. Transfers of Personal Property — Dated 11. Assignment of Beneficial Interest — Dated 12. Recorded Deed and Declaration of Trust (Bedrock)— Dated 13. Brokerage Accounts 14. Retirement Account Beneficiary Designations 15. Life Insurance Beneficiary Designations Sample Notebook Table of Contents — Married Couple with Revocable Living Trusts Barney & Betty Rubble IMPORTANT DOCUMENTS TABLE OF CONTENTS 1. Asset Letter — Dated 2. Living Wills — Dated 3. Powers of Attorney for Health Care — Dated 4. Powers of Attorney for Finances — Dated 5. The Last Will and Testament of Barney Rubble — Dated 6. The Last Will and Testament of Betty Rubble — Dated 7. Assignment of Beneficial Interest — Dated 8. Recorded Deed and Declaration of Trust (Bedrock)— Dated 9. Brokerage Accounts 10. Retirement Account Beneficiary Designations 11. Life Insurance Beneficiary Designations Sample Notebook Table of Contents — Married Couple with Wills (no Trusts) Pebbles Flintstone IMPORTANT DOCUMENTS TABLE OF CONTENTS 1. Asset Letter — Dated 2. Living Will — Dated 3. Power of Attorney for Health Care — Dated 4. Power of Attorney for Finances — Dated 5. The Pebbles Flintstone Revocable Living Trust — Dated 6. Will — Dated 7. Declarations of Trust — Dated 8. Transfer of Personal Property — Dated 9. Assignment of Beneficial Interest — Dated 10. Recorded Deed and Declaration of Trust (Bedrock)— Dated 11. -
Dual Audio Television; an Experiment in Saturday Morning Broadcast and a Summary Report
el, DOCUMENT RESUME ED 118 123 IR 003 028 AUTHOR Borton, Terry; And Others TITLE Dual Audio Television; an Experiment in Saturday Morning Broadcast and a Summary Report. INSTITUTION Philadelphia School District, Pa. Office of -Curriculum and Instruction. PUB DATE 1 75 NOTE 21p.; For related documents see Ed 094 753 and IR 003 027-030 EDRS PRICE MF -$0.83 HC-$1.67 Plus Postage DESCRIPTORS ' Audiovisual Instruction; *Commercial Television; *Educational Radio; *Educational Research; Elementary 'Education; *Experimental Programs; Instructional, Innovation; Instructional Technology; Programing (Broadcast); Research Methodology; Statistical Analysis; Statistical Data; Television; *Television Research; Television Viewing; Vocabulary; Vocabulary Development IDENTIFIERS *Dual Audio Television; Flintstones; Gilligans Island; Philadelphia City Schools; Scooby Doo ABSTRACT'. The Philadelp hia City Schools engaged in a four-year program to develop and test dual audio television, a way to help' children learn more from the massive amounts of time they spend watching commercial television.Ache format consisted of an instructional radio broadcasthich accompanied popular television shows and attempted to clarify and amplify the vocabu#ry concepts that were presented. Supplsentary audio broadcasts were developed for"Gilligan's Island," "'Me Flintstones," and "Scooby Doo," and studies were conducted to measure their levels of utilization and their effects on vocabulary development': Results shoved that the audience size was insufficient to justify-national -
Imagining the Future Into Reality: an Interdisciplinary Exploration of the Jetsons by Jane Elizabeth Myrick a THESIS Submitted
Imagining the Future into Reality: An Interdisciplinary Exploration of The Jetsons by Jane Elizabeth Myrick A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Arts in English (Honors Scholar) Honors Baccalaureate of Arts in Education (Honors Scholar) Presented April 30, 2019 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Jane Elizabeth Myrick for the degree of Honors Baccalaureate of Arts in English and Honors Baccalaureate of Arts in Education presented on April 30, 2019. Title: Imagining the Future into Reality: An Interdisciplinary Exploration of The Jetsons. Abstract approved: _____________________________________________________ Eric Hill This investigation examines The Jetsons’ vision of the future and tracks to what extent the content of the show is relevant to the modern era, both technologically and socially. Much of the dazzling technology in the show feels familiar, and most of it is either already available or is in development, so the innovations of the present are largely keeping pace with the show’s vision. Culturally, the show reflects the values of the era in which it was created (in the 1960s), and despite the show’s somewhat dated outlook on culture and society, we can still empathize and see our own modern experiences reflected back at us through an animated futuristic lens. Therefore, The Jetsons serves as a touchstone for our hopes for the future as well as the experiences of the past and the values and goals of the -
Meet the Flintstones
Meet the Flintstones Fred and Wilma Flintstone have a joint checking account 1-654-9 at RFB-Rock Branch with Fred as the IRS owner. Fred, a quarry equipment operator, SS# 123-45-6789 came in and deposited 8,500 in cash which was his cash bonus from recent quarterly quarry sales. Later in the day, Wilma SS# 987-65-4321 brought in 2,500.50 in cash from the sale of her rock necklaces from the weekend craft show along with 555.75 in checks. She took $500.15 of the cash to purchase a bank check to pay tuition for Pebbles to attend 4H, Happy Horned Toads, pet camp with her pet, Dino. She then took $75 cash from Pebbles’ account 9-321-7, to pay for vaccinations for Dino so that he is eligible to attend camp. After school that day, Pebbles also came to the bank with some friends to deposit $25.00 in coin to her savings account which was her portion of profit from Shamrock sales by the 4H club as a fundraiser for camp. Pebbles’ SS is 456-98-7321 no DL, her student ID from Bedrock Jr Hi is on file as well as her birth certificate. Fred and Wilma are co-owners with Pebbles on the savings account. As it happened, Fred had written a check to his fellow lodge brother, Barney Rubble, for his share of the recent St Patrick’s Day bowling party they hosted for the lodge. Barney brought the check to be cashed on the same day, 4/1/2013, as the other transactions. -
The Last Word by Mandi Albright
SIGNAL 1998 Features 24 The Last Word By Mandi Albright VITAMIN B FOR BETTY? Michael, who works here at the university, e-mailed me this past week, informing me of an apparent grievous error I'd made in the "Betty's Not A Pregnant Tooth brush" column from Feb. 17. If I re member correctly, I went off for about 700 words on some tangent about my Linguistics class and sentence anomalies — sense goyS j tain? yecJi- eKcepf if toaS less sentences, that is — and a local band, Betty's Not A Vita X toho rf'cJ dJl -ffe min, with what I figured was not only a cool name but a pos sible example of a sentence anomaly. of evil <sTfcr k»ack«J My train of thought ran the express line straight to di/h f lover power kick; the Betty Was A Vitamin station uptown and when one opts for the express rather than the local, one misses a whole heck ijieUj J fW of alot of other stops along the way in their haste. SoI whizzed through a couple of stations I should've stopped at, including " (ZZZ West 4th and Lower Betty Wasn't A Vitamin After All, You Mis ry<>u kfepf sJjoof informed Rushing-To-Beat-Deadline Hack. tae. Me. Hey did 01'yelkr I'm just beating myself up, really; Michael and the other two eagle-eyed regular readers noting my mistake—Dori (an lOMW CrJCr other university employee) and Heather — were kind when X ytss I wotU 3^4 4k? correcting me. -
Saturday Morning Cartoon King William Hanna, at Age 90 Died In
Saturday morning cartoon King afternoons. He’d barbeque, put there’s a cereal bowl with my face William Hanna, at age 90 died in on some jazz. It was nice. North on it for sale on EBay. It’s going his Hollywood home in March of Hollywood was like a small town, for $325. So, you tell me. 2001. What follows are excerpts people didn’t really gossip much, then. It was no big deal to have Snagglepuss: He never once from a never finished British asked me about my private life. television documentary, an oral- cartoon characters over to the house. He never treated us two- He didn’t care. Heavens to history account of the glory days dimensionally. Murgatroyd, why should anyone of Hanna-Barbera animation care? At his parties, up at the studios. Top Cat: He did have his house, I’d bring Sylvester with me favorites. I don’t think I was one. and nobody gave a [expletive]. Jerry: I wasn’t quite sure of the I mean what am I? A yellow cat concept. You have to remember with a vest on. I said, “Bill, I can Boo Boo Bear: The wonderful this was the 1940s, and I’m just do more than scrounge around thing with the cartoons that Bill this mouse from the Midwest, and bebop.” I always wanted and Joe did was that they were right? What did I know: I knew some adventure. about us, the characters. It had to one thing—I didn’t want to work be, because too much action was with cats, I didn’t care how much hard to draw.