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Holidays in WA the World a Recipe to Try! 2 We Will Show You Some Places to Visit in WA
Perth InternationalEnglish College of Issue 5, 2011 October 2011 Inside this issue: Students sPICE of Perth International College of English Drinks from around 2 Holidays in WA the world A Recipe to try! 2 We will show you some places to visit in WA. There is Rottnest Island, Penguin Island, The Pinnacles, Fremantle, and Cottesloe Beach. Saving Money in 3 Rottnest island is one of the most famous places Perth in Australia. There are some Quokkas which are small and similar to rats. They are cute but you Finding a Job 3 shouldn't touch them because they are dirty. The views are absolutely beautiful. You can hire Students and 3 a bicycle and ride around the island, yet there Technology are a lot of hills, so it makes you exhausted. Be Some great Music 4 careful about snakes on the beaches. It costs Festivals in Australia around $100 including bicycle hire. You can catch a ferry to get there at Barrack St Jetty near Girls Generation 4 the bell tower or Fremantle Jetty. Penguin island is in Rockingham. You can go there by train at platform 2, it takes around 30 minutes. It costs about $30 for a return ticket to the island. If you want to see sealions, there are extra tours. I recommend you bring your own food and Special points of water, for it is interest: expensive there. Christmas is Fremantle and Cottesloe are the most famous and visited places in WA because many tour- coming! ists go to Fremantle to buy souvenirs and to eat Classes finish fish and chips. -
PREVIEW the 2013 OFF the COUCH TRAINING PROGRAM BARRIO SITE VISIT | WEEK 1 with Barrio Team from Adelaide Festival of the Arts P
PREVIEW THE 2013 OFF THE COUCH TRAINING PROGRAM BARRIO SITE VISIT | WEEK 1 with Barrio team from Adelaide Festival of the Arts Thursday 14 March at Barrio, 6pm - 8pm www.adelaidefestival.com.au/2013/club/barrio PUBLICITY | WEEK 2 with journalists, bloggers, promoters and venue bookers Thursday 21 March at Carclew, 6-8pm Sose Fuamoli | The AU Review www.theaureview.com/users/sosefina-fuamoli Sose’s career in the arts began in 2006, when she toured and performed with Darwin-based dance company, Sunameke. Relocating to Adelaide in 2009, Sose graduated with a Bachelor of Arts in English and classics from Adelaide University. Sose has been working as a music journalist and editor for a variety of online and press publications for the past four years. She is currently the South Australian Manager and Head News Editor of Sydney- based music and arts publication, The AU Review. Having worked with a variety of Australian and international artists, showcasing Adelaide’s talent has always remained a priority for Sose. Her work has been published Australia-wide and has more recently been featured by CMJ in New York. Luke Penman | play/pause/play www.playpauseplay.com A few years ago Luke came to the realisation that, despite living in Adelaide, he didn't know any bands from Adelaide. He also realised how much he hated working in dead-end office jobs and vowed to break into the music industry. Fast-forward a few years and Luke has dabbled in artist management and promotions while also running an Adelaide music blog and podcast and hosting Local Noise on Radio Adelaide. -
Booking-Guide-2015 Final.Pdf
04_Welcomes Unsound Adelaide 50_Lawrence English, Container, THEATRE 20_Azimut Vatican Shadow, Fushitsusha BOLD, INNOVATIVE FESTIVAL 26_riverrun 51_Atom™ and Robin Fox, Forest Swords, 28_Nufonia Must Fall The Bug, Shackleton SEEKS LIKE-MINDED FRIENDS 30_Black Diggers 51_Model 500, Mika Vainio, Evian Christ, 36_Beauty and the Beast Hieroglyphic Being 38_La Merda 52_Mogwai Become a Friend to receive: 40_The Cardinals 53_The Pop Group 15% discount 41_Dylan Thomas—Return Journey 54_Vampillia 42_Beckett Triptych 55_65daysofstatic Priority seating 43_SmallWaR 56_Soundpond.net Late Sessions And much more 44_Jack and the Beanstalk 57_The Experiment 58_Late Night in the Cathedral: Passio DANCE Cedar Lake Contemporary Ballet 59_Remember Tomorrow DISCOVER THE DETAILS 16_Mixed Rep 60_House of Dreams PAGE 70 OR VISIT ADELAIDEFESTIVAL.COM.AU 18_Orbo Novo 61_WOMADelaide VISUAL 06_Blinc ADELAIDE 62_Adelaide Writers’ Week ARTS 10_Bill Viola: Selected Works WRITERS’ 66_The Third Plate: Dan Barber 68_Trent Parke: The Black Rose WEEK 67_Kids’ Weekend MUSIC 14_Danny Elfman’s Music from the MORE 70_Bookings Films of Tim Burton 71_Schools 72_Access Gavin Bryars in Residence 73_Map 23_Marilyn Forever 74_Staff 24_Gavin Bryars Ensemble 75_Supporters and Philanthropy 24_Gavin Bryars Ensemble with guests 84_Corporate Hospitality 25_Jesus’ Blood Never Failed Me Yet and selected orchestral works FOLD OUT 84_Calendar 32_Fela! The Concert 34_Tommy 46_Blow the Bloody Doors Off!! Join us online 48_Abdullah Ibrahim 49_Richard Thompson Electric Trio #ADLFEST #ADLWW ADELAIDEFESTIVAL.COM.AU −03 Jay Weatherill Jack Snelling David Sefton PREMIER OF SOUTH AUSTRALIA MINISTER FOR THE ARTS ARTISTIC DIRECTOR Welcome to the 30th Adelaide Festival of Arts. The 2015 Adelaide Festival of Arts will please Greetings! It is my privilege and pleasure to In the performance program there is a huge range arts lovers everywhere with its broad program present to you the 2015 Adelaide Festival of Arts. -
System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera. -
Events 2010 January
EVENTS 2010 JANUARY Hyundai Hopman Cup XXII 2 - 9 January, Burswood Dome, Perth See Lleyton Hewitt, Samantha Stosur, and Britain’s Andy Murray at one of the biggest tennis events on the international circuit. This prestigious invitational mixed team’s tennis tournament is unique in format and attracts the world’s top players. Lancelin Ocean Classic 7 - 10 January, Lancelin The Lancelin Ocean Classic is Australia’s four day premier windsurfing event attracting the world’s best athletes to the beautiful coastal town of Lancelin that offers some of the best windsurfing conditions in the world. The Doctor – Surf Ski World Cup 16 - 17 January, Perth Witness Australia’s greatest ocean paddling event, incorporating the Surf Ski World Cup, a 23km downwind race from Rottnest Island to Hillary’s Marina and a State of Origin and International Teams Challenge from Fremantle to City Beach. Lancelin Ocean Classic FEBRUARY Busselton Jetty Swim 6 - 7 February, Busselton Take part in the entertainment, activities and family-friendly fun on Saturday and watch over 1,000 swimmers compete in the 3.6km ocean swim along the iconic Busselton Jetty on Sunday. Boyup Brook Country Music Festival 18 - 21 February, Boyup Brook Experience Western Australia’s premier Country Music Festival, featuring live music, WA’s biggest bush poet’s breakfast, street carnival, WA Country Music Awards, workshops and the Boyup Ute and Truck Muster. Geographe Bay Race Week 19 - 26 February, Geographe Bay, Busselton Busselton Jetty Swim Head to Busselton for Western Australia’s largest annual yachting regatta. Over 100 yachts compete in this week long event that also features live entertainment, twilight sailing, a picnic race day and big band performances. -
The Australian Songwriter
The Australian Songwriter Issue 90, November 2012 First published 1979 The Magazine of The Australian Songwriters Association Inc. In this edition: Chairman’s Message Editor’s Message Top 25 Category Winners in the 2012 Australian Songwriting Contest 2012 Australian Songwriters Hall of Fame Inductee: Don Walker (Cold Chisel) ASA Member Profile: Alec Raymer ASA Member Profile: Kaitlyn Thomas Ten Keys To Unlock Creative Songwriting: Final Members News Sponsors Profiles ASA Member Profile: Kylie Stephens ASA Member Profile: Kathy Prosser New ASA Regional Co-Ordinator for Western Australia: Mike Cardy Festivals Roundup The Load Out Official Sponsors of the 2012 Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators Chairman’s Message All ASA Members, Here we go! November will be the most hectic month on the ASA Calendar as we build to our 2012 National Songwriting Awards Night. Pretty soon our Finals Judges will come up with the Top Ten place getters in every Category of the ASA 2012 Song Contest. They will of course be announced and feted on our special evening in December. It will be huge. Between now and then there is just enough time to check out the ASA November 2012 e-mag. Our Vice Chairman/Financial Officer/Editor Alan Gilmour has been slaving away as usual to bring you lots of interviews and stories about Members, along with helpful hints from some of Australia’s best Songwriters. The 2012 Song Contest Finalists are also listed. -
Live Performance Industry in Australia 2013 Ticket Attendance and Revenue Survey Live Performance Australia
Live Performance Industry in Australia 2013 Ticket Attendance and Revenue Survey Live Performance Australia 29 July 2014 Ernst & Young Tel: +61 3 9288 8000 8 Exhibition Street Fax: +61 3 8650 7777 Melbourne VIC 3000 Australia ey.com/au GPO Box 67 Melbourne VIC 3001 Mrs Evelyn Richardson 29 July 2014 Chief Executive Live Performance Australia Level 1, 15-17 Queen Street Melbourne, Victoria 3000 Private and confidential Dear Evelyn Live Performance Industry in Australia: Ticket attendance and revenue survey Further to the agreement between Ernst & Young (EY) and Live Performance Australia, we are pleased to present you with the final report for the 2013 Ticket Attendance and Revenue Survey Report (the “report”). We understand that the information contained within the report is to be used by Live Performance Australia as part of its own annual publication. Restrictions on the report use The report may be relied upon by Live Performance Australia for the purpose of publishing the Ticket Attendance and Revenue Survey Report only. It should not be relied upon for any other purpose. EY disclaims all liability to any party for all costs, loss, damage and liability that the third party may suffer or incur arising from or relating to or in any way connected with the provision of the deliverables to the third party without our prior written consent. Any commercial decisions taken by Live Performance Australia are not within the scope of our duty of care and in making such decisions you should take into account the limitations of the scope of our work and other factors, commercial and otherwise, of which you should be aware of from the sources other than our work. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
It Was Back in 2004 When Miss Connie and Black Angus Started Making Beautiful Music Together
It was back in 2004 when Miss Connie and Black Angus started making beautiful music together. A series of singles at first then, in 2006, their self‐titled, 3 x platinum debut album. Spearheaded by a spectacular salvo of chart topping hits – UFO, Pictures and I Love It – Sneaky Sound System won ARIA Awards for Breakthrough Artist and Best Dance Release, the first of 14 nominations to‐date. Second long‐player and #1 album 2 arrived in 2008 with yet more dancefloor slayers in the form of Kansas City, When We Were Young and the #1 UK club smash It’s Not My Problem. In 2009 I Will Be Here, a collaboration with Dutch superstar DJ Tiesto, took Sneaky to the top of both the US dance airplay and UK club charts. In late 2011 album number three, From Here To Anywhere, arrived, the title referencing its creation in hotel suites, planes, and studios around the world from here (Sydney) to just about everywhere (London, Paris, Ibiza, Moscow). Accolades from critics around the world flowed: MTV called it “an incredible effort”, Rave magazine Brisbane deemed it “a minor pop masterpiece”, and Sydney’s Daily Telegraph said it’s “a delicious feast of world class dance‐pop songs”. A nomination in the prestigious 2012 International DJ Awards in the Live Performance category underscored their escalating international reputation. In the swirling midst of albums and tours, Connie lent her vocals and lyrics to albums from superstars Jay‐Z, Kanye West and Snoop Dogg, and in 2013 she was a guest mentor on Australia’s biggest TV show, The Voice. -
Australian Illicit Drug Policy Timeline
The Australian (illicit) drug policy timeline: 1985-2019 The Australian (illicit) drug policy timeline provides a list of key events, policy and legislative changes that have occurred in Australia between 1985 and 31 December 2019. Events are listed by jurisdiction, at the federal and state/ territory level. The first table includes events at the federal level. Events in the state and territories are split into two parts. The second table includes events from the Australian Capital Territory, Queensland, New South Wales and the Northern Territory. Events from South Australia, Tasmania, Victoria and Western Australia are listed in the third table. The timeline will continue to be updated bi-annually. Please email through comments or suggested inclusions. Suggested citation: Hughes, Caitlin. (2020). The Australian (illicit) drug policy timeline: 1985-2019, Drug Policy Modelling Program, UNSW and Centre for Crime Policy and Research, Flinders University. Last updated 15 January 2020. Retrieved from: https://www.arts.unsw.edu.au/sprc/research/drug-policy-modelling-program/drug-policy-timeline Year Federal 2019 Large increase in peak bodies – including the Australian Medical Association, the Royal Australian College of General Practitioners, the Royal Australasian College of Physicians, the Australasian College for Emergency Medicine and the Ambulance Union State Council - formally endorsing a pill testing trial (Jan-Feb). QandA host a special episode on pill testing, drug law reform and drug policy. Panelists included Dr Marianne Jauncey, Dr David Caldicott, Acting Assistant Commissioner Stuart Smith, Former AFP Police Commissioner Mick Palmer and Kerryn Redpath (Feb 18). New report released: “Alcohol and other drug use in regional and remote Australia: consumption, harms and access to treatment” in the aim of identifying trends in alcohol and other drug use in Regional and remote Australia. -
Fire, Poison, and Black Tears : Metaphors of Emotion in Rebétiko
Fire, Poison, and Black Tears : Metaphors of Emotion in Rebétiko Smaragdi, Marianna 2012 Link to publication Citation for published version (APA): Smaragdi, M. (2012). Fire, Poison, and Black Tears : Metaphors of Emotion in Rebétiko. Centre for Languages and Literature, Lund University. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Studia Graeca et Latina Lundensia 18 Fire, poison, and black tears Metaphors of Emotion in Rebétiko Marianna Smaragdi Centre for Languages and Literature 2012 © 2012 Marianna Smaragdi Distributed by: Centre for Languages and Literature Lund University P.O. Box 201 SE-211 00 Lund ISBN 978-91-7473-363-1 ISSN 1100-7931 Photography: Fredrik Schoug Printed in Sweden by Media-Tryck in Lund 2012 To my parents Ulla Johnsson-Smaragdi, med stor beundran och oändlig saknad Φώτη Σµαραγδή , µε απέραντη αγάπη κι ευγνωµοσύνη Acknowledgements There is a great number of people to whom I would like to express my gratitude for support of various kinds, and without whom this dissertation would not have been possible. -
Doctor of Philosophy
A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy School of Social Sciences University of Western Sydney March 2007 ii CONTENTS LIST OF TABLES........................................................................................ VIII LIST OF FIGURES ...................................................................................... VIII LIST OF PHOTOGRAPHS ............................................................................ IX ACKNOWLEDGMENTS................................................................................. X STATEMENT OF AUTHORSHIP .................................................................. XI PRESENTATION OF RESEARCH............................................................... XII SUMMARY ..................................................................................................XIV CHAPTER 1 INTRODUCING MUSIC FESTIVALS AS POSTMODERN SITES OF CONSUMPTION.............................................................................1 1.1 The Aim of the Research ................................................................................................................. 6 1.2 Consumer Society............................................................................................................................. 8 1.3 Consuming ‘Youth’........................................................................................................................ 10 1.4 Defining Youth ..............................................................................................................................