Graphic Design Focus on New Media

Total Page:16

File Type:pdf, Size:1020Kb

Graphic Design Focus on New Media FIND YOUR DIFFERENCE Firenze Master course Master Diploma IED GRAPHIC DESIGN FOCUS ON NEW MEDIA FIRENZE | MILANO | BARCELONA | CAGLIARI | COMO | MADRID | RIO DE JANEIRO | ROMA | SÃO PAULO | TORINO | VENEZIA th EDITION 10 “BEAUTY WILL SAVE Make it happen by M. Pirsky Project THE WORLD.” DOSTOEVSKIJ - THE IDIOT, 1869 Title Master Diploma IED in Graphic Design - Focus on New Media Coordinator Isabella Ahmadzadeh Starting date February Duration 10 months, full-time Location Florence Language English Students from the previous editions of the Master course collaborated with: MASTER COURSE IN GRAPHIC DESIGN FOCUS ON NEW MEDIA THE 5 STEPS OF GRAPHIC DESIGNER’S WORKOUT: ENHANCING SIGHT AND HEARING EXPLORING YOUR HEART ENDURANCE On the one hand, an effective and The complete mastery of aesthetic comprehensive graphic design satisfies the and balance rules brings the freedom communicative needs of the brands, while of breaking those rules and following on the other hand it moves users’ attention the instinct. with expressive personality. Graphic Designers who manage the creative The Master provides a strong cultural background, process at its best walk on the safest way towards paying particular attention to graphic design’s the achievement of top-level results. social implications and to communication ethics. FIND YOUR BALANCE WARMING UP YOUR HANDS Cultural roots make a Graphic Designer’s A Graphic Designer never stops looking professional identity and work unique. for new trends and improving in the use IED design method allows student to express of the job’s tools. their creativity by opening projects to their This is why the Master course pushes students to personal touch. constantly practice with the most used and advanced software thanks to the development of many projects, especially those regarding new technologies of dynamic communication. GET READY TO JUMP HIGHER A continuous updating and dynamic creative workout is essential for Graphic Designers in order to be ready to jump into the market challenges. Students gradually put their acquired skills into practice and exploit their creativity by working side by side with Italian and international companies involved in different fields. Focusing on all these aspects, our students reached important achievements such as: Forbes 30 Under 30 Europe List 2017 - Ghada Wali and Max Pirsky Awda Aiap Women in Design Award - Stephanie Richa and Ghada Wali Carnevale di Viareggio 2015 official poster - Anna Bulycheva OVERVIEW IED Master constitute an experience that allows students to explore concepts and develop projects aimed at the definition of their own professional identity. Project Bookcovers Naguib Mahfouz by G. Whali by G. Naguib Mahfouz Bookcovers Project What does it mean to be a Graphic Designer in the Digital Era? With the developing of digital technologies, graphic design has become deliciously intricate and exciting. GIFs, motion graphic, video mapping and even the sound design are becoming commonplace within interactive environments. New communication tools make the new media market more challenging and engaging. Therefore, a Graphic Designer needs to be particularly dynamic, being not only an expert in visual languages, but also a director of communication strategies which are based on the idea of expressing concepts in both real locations or virtual environments. He/she must be able to work within different fields, thanks to his versatility, and must be always updated on the latest digital tools, in order to anticipate the time and to offer innovative solutions to the market. This is an exciting time to be a Graphic Designer, and the Master course trains a new generation of creatives ready to face this challenge. The Master course is aimed at graduates in Graphic Design,Industrial Design, Fine Arts, Architecture and candidates with professional experiences in graphic design, in creative project management, CGA and multimedia scenography. In order to tell you about this course at the best, we would like to provide you an insight into the activities carried out by the students. Take a look at the projects realised by the former classes: ied.edu/master-in-graphic-design WHAT’S NEXT SOME OF OUR ALUMNI Working with internationally renowned professionals, becoming aware of the real market’s dynamics, acquiring new contacts and getting into a network: these are a IED Master student’s main achievements. Max Pirsky Ghada Wali Job title | Art Director and Visual Designer Job title | Creative Director, Conceptual Company | The Adventures Of, Berlin Designer and Visual Artist. Awards | Forbes Europe List 2017 Company | Ghada Wali Studio Internship | Goldworld.it Awards | Forbes Europe List 2017, TED Global Speaker 2017 IED Master courses offer several occasions The Graphic Designer specialised in new for personal and professional growth that media communication is a figure capable everyone is meant to catch according to the of interacting with multiple clients own specific inclinations. Career Service in different fields thanks to a developed works together with the faculty to support versatility. He/she is an expert in visual participants in the achievement and languages, can become responsible for Jennifer El Hage Federigo Gabellieri Dariusz Jasak Stephanie Richa maximization of their results. Moreover, the developement of online and off-line Job title | Founder and Creative Job title | Art Director Job title | Photographer Job title | Senior Designer every year IED Firenze plans a Career Day: communication strategies and produce Art Director Company | Condè Nast, Italia and Graphic Designer and Branding Specialist in this occasion, students have the branding and corporate identity projects Company | Jennifer El Hage, Internship | M&C Saatchi, Italia Company | Freelance Company | Daydream, Beirut opportunity to meet and interview with HRs working on informational materials, Ad and Creative Studio Internship | Almagreal Internship | Braccialini - Branding & Communication and Top Managers from partner companies brochure, catalogues, advertisement of IED network’s, in order to actually start campaigns, packaging, environmental dealing with the job market and initiate graphics and multimedia. their pprofessional career with an internship. This professional figure may hold different positions, e.g. Multimedia Designer, Brand Identity Designer, Layout Artist and Creative/Art Director in advertising and communication companies, web agencies, publishing houses or as freelance. Danielle Abbon Anna Bulycheva Francesca Fanfani João Celio Caneschi Job title | Lead Visual Designer Job title | Visual Designer Job title | PR Assistant Job title | Graphic and Media Company | Tyde, Sydney Company | GoEuro, Berlin Company | Louis Vuitton, Designer Internship | Peggy Internship | Nana Bianca Dubai Company | Mediacross, Firenze Guggenheim Collection, Venice Internship | Emirates Woman Internship | Mediacross, Firenze - Fashion Luxury Magazine, Dubai METHODOLOGY AND STRUCTURE The course allows to build and share practical experiences and projects thanks to a strong laboratory approach to classes. Project Superheroes by M. Pirsky Superheroes Project The Master course interprets graphic design with a wider perspective incorporating creative design, art direction, communication dynamics and creativity-developing techniques. Emphasis is given to strategic communication, to facilitate project integrity within the guidelines given by the client. The study path adopts an effective dynamic method that includes theoretical lessons, practice exercises - both individual and group work - design laboratories and technical classes. Topics aim at an indepth analysis of all the possible applications of graphic languages, from the traditional ones to the most recent ones, including their contents and market potential. The Master course has a complete and articulate programme thanks to a balanced didactic structure, organized in three main areas: Cultural, Tools and Techniques and Project. Main objectives of the Cultural area include the acquisition of notions and an effective communication methodology for several types of projects. The Tools and Techniques area aims at the application of graphic design to different contexts focusing on emerging topics. The Project area is mainly strategic and enables participants to deal with the management of a communication project. Having these two latter areas a strong practical approach, students work in collaboration with partner companies which provide real briefings for concrete projects. They are also equipped with the Adobe Suite, WGSN and Material Connexion tools. PROGRAMME CULTURAL AREA PROJECT AREA History of Design and Communication Account Management Illustration Packaging and Display Design This lecture-based course explores the & Professional Development The use of illustration to visually In this course, students look at packaging fascinating evolution of visual communication The course presents seminars dealing communicate information through as consumer’s initial experience of the from the invention of printing to the present with topics such as customer relationship drawings, paintings, and photography. product and of brand corporate identity. time. The presentations showcase design management, time management, They study names, logos, sketches, history milestones and the work of leading and the legislative framework affecting Creative Process mock-ups and final products. The methods, Designers, while stressing the relationship communication. Students also acquire
Recommended publications
  • Fashion Design
    FIND YOUR DIFFERENCE Milano Master course Master Diploma IED FASHION DESIGN MILANO | BARCELONA | CAGLIARI | COMO | FIRENZE | MADRID | RIO DE JANEIRO | ROMA | SÃO PAULO | TORINO | VENEZIA th EDITION 19 “ELEGANT IS NOT WHAT Visiting Pitti Uomo at Florence YOU WEAR, AND IT’S NOT ABOUT HOW YOU WEAR IT, BUT IT’S MORE ABOUT WHO YOU ARE.” ALBER ELBAZ Title Master Diploma IED in Fashion Design Coordinator Fabio Di Nicola Starting date January Duration 1 year, full-time Location Milan Language English Students from the previous editions of the Master course collaborated with: MASTER COURSE IN FASHION DESIGN Photo by M. Siracusano “Fashion is changing and developing faster nowadays. Everything is on the move and needs to be refreshed constantly. The Master in Fashion Design aims at post graduate students who already have skills in fashion but need to upgrade their vision and enhance their abilities. A fashion designer today has to bring new ideas, new perspectives but also has to know how to create the fashion idea and make it real. The Master in Fashion Design ambitions are: create young professionals, aware of the fashion industry and ready to face the fashion world. Through different workshops, with real professionals, students will approach different experiences and various themes, going into deep every subject. Also the Master wants to develop the designers’ personality, the unique taste and the personal perspectives of the students to better define their personality both as creators and artists.” Fabio Di Nicola OVERVIEW IED Masters constitute an experience that allows students to explore concepts and develop projects aimed at the definition of their own professional identity.
    [Show full text]
  • EU Brochure Digital EN.Indd
    WHERE ITALIAN FIDENZA VILLAGE CONNECT STYLE REIGNS Add style to your holiday with a day of shopping at Fidenza Village. Located in the heart of Italy in the beautiful Emilia Download the free Village app. Romagna region just one hour drive from Milan, Bologna and the Lake Garda, Fidenza Village is home to more than Connect with us on Facebook, Twitter and Instagram. 100 boutiques of Italian and international brands offering savings of up to 70% on the recommended retail price. Free Wi-Fi. THE BOUTIQUES Alviero Martini 1A Classe · Angelico · Armani Asics · Aspesi · Baldinini · Barlumeria · Belstaff Beretta · Blumarine · Boggi · Braccialini Brooks Brothers · Ca’ Puccino · Calef · Calvin Klein Calvin Klein Collection · Calvin Klein Underwear Camper · Carlo Pazolini · Cesare Paciotti Class Roberto Cavalli · Coach · Coccinelle · Columbia Colombo · Corso Roma · Desigual · Diesel Dirk Bikkembergs · Dolce & Gabbana · Duvetica Elena Mirò · Elisabetta Franchi · Ermenegildo Zegna SHOP & EARN Etro · Facis · Ferrari Store · Fossil · Fratelli Rossetti Frette · Furla · Gallo · Guess · Gutteridge · Hackett Earn miles whenever you shop at Fidenza Village with our airline Lagostina - Home & Cook · Hostaria Delle Terre Verdiane partners. Ask the Fidenza Village Tourist Information Centre for more information and to convert your shopping into miles. Hugo Boss · Illy · Hour Passion · Ixos Malloni · Jeckerson La Perla · Lacoste · Les Copains · Levi’s · Lindt · Loewe For every Euro you spend while shopping Malìparmi · Marni · Massimo Rebecchi · Michael Kors in Fidenza Village, one award mile will Missoni · Modus Profumerie · Napapijri · Ottica Avanzi be credited to your Miles & More mileage account. You can also spend your Miles & More award miles on the Fidenza Village O bag · Pal Zileri · Patrizia Pepe · Paul Smith · Pinko Gift Card.
    [Show full text]
  • Brands We Love
    Brands We Love # D I N T DENIM 3.1 PHILLIP LIM DANSKO IRO NICOLE MILLER THEORY AG 360 CASHMERE DAVID YURMAN ISABEL MARANT NILI LOTAN THE GREAT AGOLDE We Do Not Accept: DEREK LAM ISSEY MIYAKE NO 6 STORE THE ROW AMO DL1961 NORTH FACE TIBI CITIZENS OF HUMANITY ABERCROMBIE & FITCH H&M A DOLCE & GABBANA TIFFANY & CO CURRENT/ELLIOTT AMERICAN APPAREL HOLLISTER ACNE STUDIOS AMERICAN EAGLE HOT TOPIC DONNA KARAN J TOCCA DL1961 ANN TAYLOR AG INC DOSA J BRAND O TOD’S FRAME ANGIE JACLYN SMITH AGL DRIES VAN NOTEN J CREW OBAKKI TOM FORD GOLDSIGN APT 9 JOE BOXER AGOLDE DVF JAMES PERSE OFFICINE CREATIVE TOP SHOP HUDSON ATTENTION JUICY COUTURE ALAIA JEAN PAUL GAULTIER OPENING CEREMONY AX PARIS LAND’S END TORY BURCH J BRAND BANANA REPUBLIC ALC OSCAR DE LA RENTA LOVE 21 JIL SANDER TRINA TURK JOES BDG LUX ALEXANDER MCQUEEN E JIMMY CHOO LEVIS BEBE MAX STUDIO ALEXANDER WANG EILEEN FISHER JOIE MOTHER BLUES METAPHOR BONGO ALICE & OLIVIA EMANUEL UNGARO P U MOUSSY MISS ME PAIGE CANDIE’S MISS TINA ANNA SUI ELIZABETH & JAMES UGG PAIGE CANYON RIVER PARKER MOSSIMO ANN DEMEULEMEESTER EMILIO PUCCI K ULLA JOHNSON R13 CATALINA NICKI MINAJ ANTHROPOLOGIE BRANDS ENZA COSTA KATE SPADE PATAGONIA RE/DONE CATHY DANIELS OLD NAVY ATM ERDEM PIERRE HARDY CHAPS ROCK & REPUBLIC SIMON MILLER CHARLOTTE RUSSE AUTUMN CASHMERE EVERLANE PRADA ROUTE 66 V CHIC ROXY AVANT TOI L PROENZA SCHOULER VALENTINO CHICOS L’AGENCE SAG HARBOR VANESSA BRUNO ATHLETIC CHRISTINALOVE SIMPLY VERA WANG F LANVIN VELVET ALO COVINGTON SO... CROFT & BARROW FENDI LEM LEM R VERONICA BEARD ATHLETA SONOMA LEVIS RACHEL COMEY DAISY FUENTES SOFIA VERGARA B FIORENTINI + BAKER VERSACE LULULEMON DANSKIN LOEFFLER RANDALL RAG & BONE STUDIO TAHARI BABATON FREE PEOPLE VICTORIA BECKHAM OUTDOOR VOICES ECOTE TARGET BALENCIAGA FRYE LOEWE RAILS VINCE NORTH FACE ELLE URBAN OUTFITTERS ETC..
    [Show full text]
  • 2019 Financial Results Confirm Good Momentum for the Group
    2019 FINANCIAL RESULTS CONFIRM GOOD MOMENTUM FOR THE GROUP Breganze (Italy), March 10, 2020. The 2019 financial results proved particularly positive for OTB, the Italian fashion group and parent company of Diesel, Maison Margiela, Marni, Viktor&Rolf, Amiri, Staff International and Brave Kid. The group’s turnover exceeded 1.5 billion euro, coming in at 1,530 million, up 6,4% compared to 2018, and growing in all businesses, channels (retail grew by 9%), and regions. Consolidated EBITDA landed at 190 million euro, while EBIT was positive at 18 million, with a significant change in trend compared to the previous year. The group’s net financial position improved further reaching 124 million euro (excluding any IFRS16 effect), confirming the strong capitalization of the group, and its ability to support future growth. 2019 saw important investments such as the acquisition of a stake in Amiri, an increased stake in Viktor&Rolf (from 51% to 70%), and the opening of over 70 single brand stores around the world. DIESEL returned to growth, recording a 2.6% increase in turnover and intensifying the reorganization of its distribution network. It opened 45 single brand stores with a new interior design concept, moving many existing stores to locations more consistent with the brand positioning, and closing those no longer in line with strategy and expected results. In the wholesale channel, the company continued its work of selecting strategic partners, while e-commerce recorded growth of 24.3% for the direct channel which, added to the indirect e-commerce business, made the total online business account for over 11% of the brand’s turnover.
    [Show full text]
  • Who's Pulling the Strings?
    UNITED STATE DUNHILL REVS UP OF MIND THE LABEL’S A BUOYANT NEW SCENT, AMERICAN MARKET WAS ICON, IS SET A KEY TOPIC AT THE PITTI THE DRESS RACE IS ON TO LAUNCH IMMAGINE UOMO TRADE WITH THE OSCAR NOMINEES SET, THE FOCUS MONDAY. SHOW. PAGES 4 AND 5 TURNS TO WHO WILL WEAR WHAT. PAGE 11 PAGE 7 WWDFRIDAY, JANUARY 16, 2015 ■ $3.00 ■ WOMEN’S WEAR DAILY END OF AN ERROR Target Exiting Canada, Court OKs Liquidation “I came hoping to fi nd a path By SHARON EDELSON that would allow us to continue operations in Canada,” Cornell BRIAN CORNELL CONTINUES said during a conference call with to shake things up at Target. retail analysts on Thursday. “My The retailer on Thursday de- strong preference was to develop a cided to end its money-losing plan to fulfi ll that vision. I realized business in Canada and received the solution would not be easy.” permission from a Canadian Cornell said that when he realized court to begin the liquidation the extent to which Target had process, including the appoint- disappointed Canadian consum- ment of Alvarez & Marsal Canada, ers, he decided the problems were under the Companies’ Creditors insurmountable. Target will close Arrangement Act. 133 stores, which will result in a When Cornell joined Target loss of about 17,600 jobs. Corp. as chairman and chief execu- Target’s entry into Canada tive offi cer in August, he promised began in 2011, when it acquired employees and shareholders that 220 Zellers leases from Hudson’s he would take a “good, hard look at Bay Co.
    [Show full text]
  • The Elegance of the Past
    Editor in chief Giuliano Deidda Issue #2 - Dicembre 2017 STYLE STYLE Q.&A. DIGITAL FASHION WHO READS You Love, It Lies GIULIANO GIOVANNI ITALIAN LINDA CALZA ALLEGRI THEY GO MESSERKLINGER Creative director of GCDS The debut of Major at Pitti The top influencers Fashion as expression of personality Page 14 Uomo Page 26 Page 62 Page 16 THE ELEGANCE OF THE PAST Total Look Prada An eclectic mix of cult pieces and contrasting prints and patterns. Page 44 TREND Ballet Rossorame Cloudlike dresses with showy tulles and crinolines Page 22 ACCESSORIES Luxury Athleisure Kate Winslet and Justin Timberlake in Wonder Wheel (Photo Courtesy of Lucky Red) Brimarts A selection of the most innovative sneakers, both for Woody Allen surprises us thought it would be a stimulating setting for a The same thing has been happening for years her and for him. once again. He uses the dramatic film.” It is no coincidence that most of in fashion, which continues season after season Page 52 Wpast to talk about contemporary neurosis and the films screened in the latter part of the year to bring past references up to date again. Thus, sets his latest film, Wonder Wheel, in Coney are set in the past. Nowadays, to turn to a past on the runway, the impeccable elegance of the Island in the fifties. “It always had a great effect which is more or less remote and more or less fifties meets the anti-fashion transgressions on me. There are a lot of colourful, quirky mythologized seeking that inspiration which our of the sixties and the excesses of the eighties people there and so much hustle and bustle digital reality is perhaps ever less able to give, is in a megamix which perfectly represents our that the atmosphere was particularly vibrant.
    [Show full text]
  • Looking Back on Milan Fashion Week Published on Iitaly.Org (
    Looking Back on Milan Fashion Week Published on iItaly.org (http://www.iitaly.org) Looking Back on Milan Fashion Week Kayla Pantano (September 27, 2016) A recap of the six-day event, where Italian designers paid homage to heritage while heralding innovation. Milan Fashion Week [2] commenced with a lunch hosted by Prime Minister Matteo Renzi [3], which instilled a further sense of purpose into the leading Italian designers, who were already eager to reveal their cherished designs. Manifesting that same energy, the six-day event closed with a spotlight on emerging designers, whose looks emanated youth and adventure. Overall, key collections debuted in Milan embodied heritage and zeitgeist. A blend of timelessness and trendy vibes, this season was filled with jaw-breaking innovation that drew on history and imagination. The highlights include an abundance of couture performance gear, heaps of floral, and glitter, of course. Day 1 Page 1 of 4 Looking Back on Milan Fashion Week Published on iItaly.org (http://www.iitaly.org) Gucci [4] kicked things off with a fantasy-filled collection rich in colors, fabrics, and prints, featuring embroidery reminiscent of a fairytale and accessories just as whimsical as the clothes, from floppy hats to square and sequined eyewear. Creative director Alessandro Michele [5]’s bohemian aesthetic shifted to favor a more punk look that veered through the eras, which included inspirations from the beloved 1970s, evident in the denim bell-bottoms and slim jackets. Needless to say, the reference point of Peter Dundas [6] at Roberto Cavalli [7] was also the ‘70s. But with a pioneering spirit in mind his mélange of influences, from Buffalo Soldier to Victoriana, takes you all around the globe.
    [Show full text]
  • Floral Arts Improve Their Attitude Toward Italy’S Fashion Capital
    CHOO FRESH START SONIA RYKIEL’S NEW CHOO ARTISTIC DIRECTOR, PHARRELL WILLIAMS JULIE DE LIBRAN, LINKS WITH MOYNAT TALKS ABOUT TO CREATE A CAPSULE MIAMI VIBE HER VISION FOR LINE OF BAGS INSPIRED LE BON MARCHÉ IS TO COLLABORATE WITH THE BRAND AND BY VINTAGE STEAM THE WEBSTER MIAMI ON A LIMITED-EDITION HER FIRST SHOW LOCOMOTIVES. PAGE 7 COLLECTION OF ALL-WHITE ITEMS. PAGE 2 SEPT. 29. PAGE 7 PRAISE FEMININE STYLES Milan’s Seventies Vibe Leaves Buyers High By WWD STAFF MILAN — There’s nothing like a touch of the Seventies and the Age of Aquarius to let the sunshine into retailers’ moods. The Seventies vibe all over the Milan runways this season was a hit with retailers, who praised the easy TUESDAY, SEPTEMBER 23, 2014 ■ $3.00 ■ WOMEN’S WEAR DAILY yet feminine designs — pants were a rarity — and a WWD heightened play on Italian craftsmanship. Colorful maxidresses, hip-hugging fl ared trousers, patchworks, fl oral and geometric prints, transparency, organza, lots of suede — often embellished — and fringe trims were some of the main trends this season. The tinge of retro and the continued development of up-and-coming designers left retailers more upbeat about the Milan collections than they have been in several seasons. A shorter show calendar also helped Floral Arts improve their attitude toward Italy’s fashion capital. “I strongly feel that Milan is on the up-and-up,” Consuelo Castiglioni’s artful ways swing from said Averyl Oates, fashion director at Galeries plain to intensely decorative. Her spring Marni Lafayette. “Luxury houses and newer designers delivered positive, fresh collections.
    [Show full text]
  • FASHION STUDIES Milano, Firenze, Paris, London, Mumbai, Shanghai, Shenzhen and Miami
    I MISSION & DNA To teach new skills and grow new talent: this has been Istituto Marangoni’s mission for over 80 years now. The school combines advanced teaching methods with the latest developments in fashion, design and art to impart all the knowledge that participants need to fully express their creative self at Istituto Marangoni Milano*, Firenze, Paris, London, Mumbai, Shanghai, Shenzhen and Miami. This unique blend of academic learning and creative and practical activities is part of Istituto Marangoni’s DNA and is reflected in its four pillars: prestigious locations, highly-qualified teachers, international ethos and Italian style, further supporting the students in finding their place among the stars of the future. Not only are Istituto Marangoni schools located in the world’s major cities of fashion, design and art, but they are also nestled at the very heart of their respective fashion, business and creative districts. The schools themselves feature seductive interiors, visually communicating their prestige. This international presence ensures that Istituto Marangoni has its finger on the global pulse, and can offer participants specialist programmes at its various locations, as well as the ability to internationalise their skillset by moving between schools. Alongside this international dimension, Istituto Marangoni’s distinctive approach to teaching fashion, design and art is characterised by a strong focus on Italian style, a key part of the school’s identity, deeply rooted in the country’s legacy and traditions. Synonymous with luxury, excellence and the concepts of quality, beauty, and craftsmanship, Italy is famous worldwide for its unique way of combining creative flair and commercial acumen.
    [Show full text]
  • MILAN FASHION WEEK 24-29 Febbraio 2016 / 24Th-29Th February
    MILAN FASHION WEEK SFILATE/FASHION SHOWS 24-29 febbraio 2016 / 24th-29th February 2016 CALENDARIO DEFINITIVO - Milano, 18 febbraio 2016 MERCOLEDÌ 24 FEBBRAIO GIOVEDÌ 25 FEBBRAIO VENERDÌ 26 FEBBRAIO SABATO 27 FEBBRAIO DOMENICA 28 FEBBRAIO LUNEDÌ 29 FEBBRAIO 09,00 GRINKO 09,30 MAX MARA 09,30 DIESEL BLACK GOLD 09,30 BOTTEGA VENETA 09,30 ALBERTO ZAMBELLI 09,30 DSQUARED2 CORSO COMO, 5 CORSO VENEZIA, 16 VIA VALTELLINA, 7 VIA PRIV. ERCOLE MARELLI, 6 PIAZZA DUOMO - ARENGARIO VIA SAN LUCA, 3 10,00 BLUGIRL 10,30 COSTUME NATIONAL 10,30 EMPORIO ARMANI * 10,30 UJOH 10,30 MARNI * 10,30 GIORGIO ARMANI * VIA SAN BARNABA, 48 PIAZZA LINA BO BARDI, 1 VIA BERGOGNONE, 59 VIA BERGOGNONE, 59 VIALE UMBRIA, 42 VIA BERGOGNONE, 59 11,00 GENNY 11,30 LUISA BECCARIA 11,30 UMA WANG 11,30 ANTONIO MARRAS 11,15 RICHMOND 11,30 ANGELO MARANI CORSO VENEZIA, 16 CORSO VENEZIA, 51 PIAZZA DUOMO - ARENGARIO VIA COMPAGNONI, 12 VIA SENATO, 10 VIA FORCELLA, 6 12,00 SIMONETTA RAVIZZA 12,30 FENDI 12,30 SPORTMAX 12,30 BLUMARINE 12,00 LAURA BIAGIOTTI 12,30 ARTHUR ARBESSER PIAZZA LINA BO BARDI, 1 VIA SOLARI, 35 VIA SAN GREGORIO, 29 CORSO VENEZIA, 16 VIA RIVOLI, 6 VIA VOGHERA, 8 13,15 I'M ISOLA MARRAS 13,15 LEITMOTIV 12,45 STELLA JEAN 13,30 MILA SCHÖN VIA BERGOGNONE, 26 PIAZZA DUOMO - ARENGARIO PIAZZA DUOMO - ARENGARIO VIA BERGOGNONE, 26 14,30 GUCCI 14,00 ANTEPRIMA 14,00 ETRO 14,00 ERMANNO SCERVINO 14,30 VIVETTA VIA VALTELLINA, 7 VIA SENATO, 10 VIA PIRANESI, 14 VIA SAN LUCA, 3 15,00 MSGM PIAZZA DUOMO - ARENGARIO 15,30 FAY 15,00 EMILIO PUCCI 15,00 ICEBERG 15,00 JIL SANDER * VIA COMPAGNONI, 12 15,30 SAN ANDRES MILANO VIA G.
    [Show full text]
  • Marni Con Risso
    MF fashion II il primo quotidiano della moda e del lussoMF Anno fashion XXXII n. 253 mercoledì 23 dicembre 2020 ONLINE SU MFFASHION.COM LE GALLERY FOTOGRAFICHE DELLE COLLEZIONI S-S 2021 UN LOOK MARNI SPRING-SUMMER 2021 MMarniarni rrinnovainnova cconon RRissoisso IInn eesclusivasclusiva MMFFFF aanticipanticipa llaa cconfermaonferma ddelloello sstilistatilista aall ttimoneimone ddellaella mmaisonaison ddii OOtb.tb. ««FrancescoFrancesco hhaa fforgiatoorgiato uunana nnuovauova ddirezione,irezione, ssonoono ffeliceelice ddii aandarendare aavantivanti cconon llui»,ui», hhaa sspiegatopiegato iill ppresidenteresidente ddelel ggruppo,ruppo, RRenzoenzo RRosso.osso. NNell’ultimoell’ultimo aannonno iill bbrandrand hhaa ssfioratofiorato 220000 mmilioniilioni ((+8%)+8%) rancesco Risso non lascia. Anzi, raddoppia. Il primo direttore cre- ativo del brand succeduto, quattro anni fa (vedere MFF del 22 ottobre 2016) alla fondatrice Consuelo Castiglioni , che aveva crea- Fto la label nel 1994, si vede riconfermato al timone del marchio che ha contribuito notevolmente a far crescere, sviluppandone una visione al confine con l’arte, molto amata dai giovani di tutto il mondo. «Quattro an- ni fa fui onorato dell’opportunità che mi veniva offerta e, oggi, sono ancora più grato per questa rinnovata fiducia», ha anticipato in esclusiva a MFF lo stesso Risso. «Francesco ha forgiato una nuova direzione per il marchio, ringiovanendolo e appropriandosene. Sono felice di poter continuare a lavorare insieme per gli anni a venire», gli ha fatto eco Renzo Rosso, che ha acquisito il brand nel 2012. La maison è oggi di uno dei gioielli della corona del gruppo Otb, assieme a Maison Margiela e subito dopo Diesel. Marni (+8% nel 2019) ha sfiorato i 200 milioni nell’ultimo esercizio, secon- do quanto raccontato dal ceo Ubaldo Minelli a MFF lo scorso 10 marzo.
    [Show full text]
  • Global Powers of Luxury Goods 2020 the New Age of Fashion and Luxury Contents
    Global Powers of Luxury Goods 2020 The new age of fashion and luxury Contents Foreword 3 Quick statistics 4 The new age of fashion and luxury 5 Top 10 highlights 17 Top 100 24 Geographic analysis 31 Product sector analysis 37 New entrants 42 Fastest 20 43 Study methodology and data sources 45 Endnotes 47 Contacts 50 Foreword Welcome to the seventh edition of Global Powers of Luxury Goods. At the time of writing, the COVID-19 pandemic has inflicted many losses: human, social and economic. What we are now experiencing is an unprecedented moment of crisis in modern history. However, it is during uncertain times that companies often come up with new ideas, converting the crisis into an opportunity, and adopting a long-term vision of future challenges. This prolonged disruptive situation is creating profound changes in consumer behavior and how companies are responding to these changes—prompting a debate about the future of the fashion and luxury industry. There is a general feeling of rethinking luxury and driving it in new directions, considering which business models will be feasible and more relevant in the new normal. Tradition and responsiveness, two elements that have always characterized luxury companies, will both be required to face great challenges in the post-COVID environment. We see the pandemic acting as a divider between the old way of doing business and the new scenario that is taking shape, characterized by changing consumer behavior. Hence, in this report, we talk about a new age for fashion and luxury and will explore the main trends that will drive the industry in the coming months.
    [Show full text]