Interpretation: a Journal of Political Philosophy
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Judges in the Classroom the Republic of Rome V. Marcus Brutus
Judges In The Classroom The Republic of Rome v. Marcus Brutus Mock Trial Source: Written by Margaret Fisher. Staff at the Washington State Administrative Office of the Courts (AOC) edited the lesson. For more information, contact AOC Court Services, 1206 Quince Street SE, PO Box 41170, Olympia, WA 98504-1170. For an electronic copy of this lesson, or to view other lesson plans, visit Educational Resources on the Washington Courts Web site at: www.courts.wa.gov/education/. Objectives: 1. Students will conduct a mock trial, follow the sequence of steps in a trial, and employ good techniques for each role. 2. Students will make complex, prepared oral presentations as attorneys and witnesses. 3. Students will demonstrate skills in listening, rapid critical analysis, and extemporaneous speech. 4. Students will gain an understanding of the rules of evidence and procedure. 5. Students will demonstrate knowledge of the law applicable to the case. Grade Level: Grades 6-8 Time: One class period (approximately 50 minutes) Materials: Mock trial packet for the judge (mock trial agenda, stipulated facts, sworn statements, and evidentiary information as included in this lesson). The teacher will prepare all other materials for students ahead of the trial date. Note: This lesson assumes the class completed a multi-disciplinary unit on mock trial preparation. They studied legal concepts and procedures, analyzed the trial process, reviewed historical issues, and prepared for this specific case. Now, the parties are ready to proceed to trial, with you as the judge. Judges in the Classroom Brutus Mock Trial Mock Trial Agenda Procedures: 1. Begin the class by introducing yourself and setting the students at ease. -
A BRIEF HISTORY of ANCIENT ROME a Timeline from 753 BC to 337 AD, Looking at the Successive Kings, Politicians, and Emperors Who Ruled Rome’S Expanding Empire
Rome: A Virtual Tour of the Ancient City A BRIEF HISTORY OF ANCIENT ROME A timeline from 753 BC to 337 AD, looking at the successive kings, politicians, and emperors who ruled Rome’s expanding empire. 21st April, Rome's Romulus and Remus featured in legends of Rome's foundation; 753 BC mythological surviving accounts, differing in details, were left by Dionysius of foundation Halicarnassus, Livy, and Plutarch. Romulus and Remus were twin sons of the war god Mars, suckled and looked-after by a she-wolf after being thrown in the river Tiber by their great-uncle Amulius, the usurping king of Alba Longa, and drifting ashore. Raised after that by the shepherd Faustulus and his wife, the boys grew strong and were leaders of many daring adventures. Together they rose against Amulius, killed him, and founded their own city. They quarrelled over its site: Romulus killed Remus (who had preferred the Aventine) and founded his city, Rome, on the Palatine Hill. 753 – Reign of Kings From the reign of Romulus there were six subsequent kings from the 509 BC 8th until the mid-6th century BC. These kings are almost certainly legendary, but accounts of their reigns might contain broad historical truths. Roman monarchs were served by an advisory senate, but held supreme judicial, military, executive, and priestly power. The last king, Lucius Tarquinius Superbus, was overthrown and a republican constitution installed in his place. Ever afterwards Romans were suspicious of kingly authority - a fact that the later emperors had to bear in mind. 509 BC Formation of Tarquinius Superbus, the last king was expelled in 509 BC. -
Shame and Betrayal in Shakespeare's Antony and Cleopatra
Kawasaki Journal of Medical Welfare Vol. 26, No. 1, 2020 41-48 Original Paper Shame and Betrayal in Shakespeare’s Antony and Cleopatra Michael KREMENIK*1 (Accepted July 17, 2020) Key words: betrayal, suicide, negotiation, shame Abstract The aim of this paper is to look at how William Shakespeare took the historical information available to him in the story of Mark Antony, Triumvir of Rome, and Cleopatra, Queen of Egypt, and turned it into his tragic play Antony and Cleopatra. Four parts of the play are analyzed: The Battle of Actium, negotiations with Caesar Octavian, the Alexandrian War and Cleopatra’s Suicide. Did Antony know beforehand that Cleopatra and her navy would abandon the Battle of Actium and return to Egypt? In the aftermath of Actium both Cleopatra and Antony negotiated separately with Octavian. What is known about Cleopatra’s willingness to give up on Antony and defect to Octavian’s side? Was Antony really so surprised to see Cleopatra’s navy defect to Octavian? Or was he blindsided and right to feel betrayed by Cleopatra? And why did Cleopatra have a messenger inform Antony that she was dead? Was she afraid of Antony after her navy’s defection? Was she looking for sympathy? Trying to curtail his anger? Or was she hoping that Antony would kill himself and thus give her free reign to negotiate with Octavian as Queen of Egypt and not as Antony’s mistress? All of these questions will be looked at from the point of view of Shakespeare’s tragedy and how he manipulated the historical sources to write his own version of this world famous tragic love story. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
Caesar the Unexpected N.B
1 Caesar the Unexpected N.B. some of this presentation comes from my book, Julius Caesar, Master of Surprise. The quotations from Plutarch and Suetonius can be found on the LacusCurtius website. Slide 1. Section I Early Career Section II The Cursus Honorum Section III Proconsul and commander in Gaul and Illyricum Section IV After Gaul Julius Caesar is one of the most famous men of all time; he is also one of the most controversial. Everyone has an opinion of him, and few are favorable. We cannot pretend to fathom his motives, so this workshop will consider some of the ancient writings about what he did while we build our concept of him. Examining these will help teachers develop Caesar presentations for classes. De Bello Gallico will give us his picture of the situation. I like, before entering it, to make this short study of ancient writings about him and then ask students to comment when the qualities mentioned surface in their reading of De Bello Gallico. An important element in Caesar study is the unexpected and sometimes unique approach he took to problems. His deeds and attitudes, which took friend and foe by surprise, contributed much to his success and also to his death. Here we want to examine brief excerpts from writings of Caesar's contemporaries such as Sallust, Cicero, and Nepos, and of other ancient writers such as Suetonius, Cassius Dio, and Plutarch. These reflect the reactions of those around him to Caesar's moves. These moves may be well known to us but were astounding at the time. -
Examples of Superstition in Julius Caesar
Examples Of Superstition In Julius Caesar indecorouslyTrent cloud her while isoetes Claudio pillion, always millenary feed hisand saccharase modern. Is heightenAntin defunct downstairs, when Ignaz he inshrined pellets unthinkably? so grotesquely. Sublimate Thatch fees Gaul, unnoticed by Pompey, he was alternately subduing the enemy with the arms of the citizens, or capturing and subduing the citizens with the money which he got from the enemy. His birthday was made a public holiday and the month Quinctilis renamed as July in his honor. This scene between Calpurnia and Caesar and the similar one between Portia and Brutus should be compared with reference to differences of character in the actors which the dialogue brings to light. Whilst the various omens and beliefs of fate for the duration of the time of the Elizabethan Era and the Roman Empire had been intriguing, why are they important to the play or to the reader? Feel free to send suggestions. Furthermore, he was defending the cause of the Senate and the established order at Rome. Antony also appears and joins the group of men who then escort Caesar out of his house. Caesar followed Pompey to Egypt and became involved in the struggle for power in the house of Ptolemy, a family in Egypt that ruled for generations. Use the standard lessons in the textbook to enable the students to identify the literary elements of plot, setting, characters, theme, conflict, figurative language, and point of view. This will help you to better connect with them. My ancestors did from the streets of Rome The Tarquin drive, when he was called a king. -
Seutonius: Lives of the Twelve Caesars 1
Seutonius: Lives of the Twelve Caesars 1 application on behalf of his friend to the emperor THE LIVES OF THE TWELVE CAESARS Trajan, for a mark of favor, he speaks of him as "a By C. Suetonius Tranquillus most excellent, honorable, and learned man, whom he had the pleasure of entertaining under The Translation of Alexander Thomson, M.D. his own roof, and with whom the nearer he was brought into communion, the more he loved Revised and corrected by T. Forester, Esq., A.M. 1 him." CAIUS JULIUS CAESAR. ................................................. 2 The plan adopted by Suetonius in his Lives of the Twelve Caesars, led him to be more diffuse on OCTAVIUS CAESAR AUGUSTUS. .................................. 38 their personal conduct and habits than on public TIBERIUS NERO CAESAR. ............................................ 98 events. He writes Memoirs rather than History. CAIUS CAESAR CALIGULA. ........................................ 126 He neither dwells on the civil wars which sealed TIBERIUS CLAUDIUS DRUSUS CAESAR. ..................... 146 the fall of the Republic, nor on the military NERO CLAUDIUS CAESAR. ........................................ 165 expeditions which extended the frontiers of the SERGIUS SULPICIUS GALBA. ..................................... 194 empire; nor does he attempt to develop the causes of the great political changes which A. SALVIUS OTHO. .................................................... 201 marked the period of which he treats. AULUS VITELLIUS. ..................................................... 206 When we stop to gaze in a museum or gallery on T. FLAVIUS VESPASIANUS AUGUSTUS. ..................... 212 the antique busts of the Caesars, we perhaps TITUS FLAVIUS VESPASIANUS AUGUSTUS. ............... 222 endeavor to trace in their sculptured TITUS FLAVIUS DOMITIANUS. .................................. 229 physiognomy the characteristics of those princes, who, for good or evil, were in their times masters of the destinies of a large portion of the PREFACE human race. -
{PDF} Caesar Ebook Free Download
CAESAR PDF, EPUB, EBOOK Colleen McCullough | 864 pages | 07 Aug 2003 | Cornerstone | 9780099460435 | English | London, United Kingdom Caesar (title) - Wikipedia A series of successful military and political maneuvers, along with the support of Pompey and Marcus Licinius Crassus known as the richest man in Rome , helped Caesar get elected as senior Roman consul in 59 B. The union terrified the Roman Senate who knew that a partnership between three such powerful men would prove unstoppable. They were right, and the triumvirate soon controlled Rome. Caesar was appointed governor of the vast region of Gaul north-central Europe in 58 B. During the subsequent Gallic Wars, Caesar conducted a series of brilliant campaigns to conquer and stabilize the region, earning a reputation as a formidable and ruthless military leader. But his great successes in the region caused Pompey to resent him and complicated the already-strained relationship between Pompey and Crassus. As Caesar conquered Gaul, the political situation in Rome became increasingly volatile, with Pompey its lone consul. Caesar refused and, in a bold and decisive maneuver, directed his army to cross the Rubicon River into Italy, triggering a civil war between his supporters and those of Pompey. Caesar and his armies pursued Pompey to Spain, Greece and, finally, Egypt. Caesar became her lover and partnered with her to overthrow Ptolemy and make her ruler of Egypt. The pair never married but their long-term affair produced a son, Ptolemy XV Caesar, known as Caesarion. In 46 B. Many people still consider Caesar a great leader with keen insights into human nature. -
Julius Caesar
Working Paper CEsA CSG 168/2018 ANCIENT ROMAN POLITICS – JULIUS CAESAR Maria SOUSA GALITO Abstract Julius Caesar (JC) survived two civil wars: first, leaded by Cornelius Sulla and Gaius Marius; and second by himself and Pompeius Magnus. Until he was stabbed to death, at a senate session, in the Ides of March of 44 BC. JC has always been loved or hated, since he was alive and throughout History. He was a war hero, as many others. He was a patrician, among many. He was a roman Dictator, but not the only one. So what did he do exactly to get all this attention? Why did he stand out so much from the crowd? What did he represent? JC was a front-runner of his time, not a modern leader of the XXI century; and there are things not accepted today that were considered courageous or even extraordinary achievements back then. This text tries to explain why it’s important to focus on the man; on his life achievements before becoming the most powerful man in Rome; and why he stood out from every other man. Keywords Caesar, Politics, Military, Religion, Assassination. Sumário Júlio César (JC) sobreviveu a duas guerras civis: primeiro, lideradas por Cornélio Sula e Caio Mário; e depois por ele e Pompeius Magnus. Até ser esfaqueado numa sessão do senado nos Idos de Março de 44 AC. JC foi sempre amado ou odiado, quando ainda era vivo e ao longo da História. Ele foi um herói de guerra, como outros. Ele era um patrício, entre muitos. Ele foi um ditador romano, mas não o único. -
YOUNG CAESAR, California Maverick Lou Harrison's
YOUNG CAESAR, California maverick Lou Harrison’s sublime and sinuous depiction of Caesar’s love for another man, was performed and recorded live at Walt Disney Concert Hall on June 13, 2017. The Industry’s new performance edition fuses Harrison’s original gamelan-inspired orchestration with his lush orchestral writing from later on. This performance and recording is presented in collaboration with the Los Angeles Philharmonic. Track Listing 3 Synopsis 4 Artistic & Production Credits 5 Yuval Sharon • Lou Harrison’s Capital Cs 7 Robert Gordon • Me and Lou and Gaius Julius Caesar 8 John Rockwell • Lou Harrison and His Young Caesar 11 Marc Lowenstein • A Legacy of Beauty, of Joy, of Integrity 13 Biographies 16 Recording Credits 21 About The Industry 22 About the LA Phil 23 Photo Credits 24 1 Prelude 2 Act I: Overture 3 Scene 1a: “The Day of the Ceremony” 4 Aria: “What Is So Fine About Becoming a Man” 5 Scene 1b: “Ceremony and Processional” 6 Scene 2: “Death of Caesar’s Father” 7 Aria: “Yesterday His Eyes Were Bright” 8 Scene 3: Introduction 9 Aria: “The Living Must Live” 10 Scene 3: “Campus Martius” 11 Scene 4: “Cossutia’s Despair” 12 Scene 5: “Gaius and Cornelia” 13 Aria and Lullaby: “Now Grasp Your Daughter” 14 Scene 6: “Caesar Wandering” 15 Scene 7a: “In Mitylene” 16 Scene 7b: “Caesar and Dionysus” 17 Act II: Overture 18 Scene 8a: “Procession” 19 Scene 8b: “The Throne Room” 20 Scene 9: “Caesar in the Royal Chamber” 21 Aria: “And That Crown of His” 22 Scene 10: “Banquet” 23 Aria: “Entertainment and Eroticon” 24 Scene 11: “Bed Scene” 25 Aria: “Take Your Chances, Gaius” 26 Scene 12: “Fuming Romans” 27 Scene 13: “The Voyage” 28 Aria: “One Year We Lose in Battle” 29 Air “It Is Very Strange” 30 Sailor’s Chorus: “Good Priapus of the Harbour” 31 Scene 14: “Caesar’s Departure” 32 Barcarolle: “Hail Gaius, and Pity Nicomedes” ACT II Scene 8: In Bithynia, King Nicomedes receives the ambassador of Rome—but because he was expecting someone more experienced, he mistakenly welcomes Caesar’s physician. -
The Roman World • Lecture 6 • the End of the Republic: Julius Caesar
• MDS1TRW: The Roman World • Lecture 6 • The End of the Republic: Julius Caesar CRICOS Provider 00115M latrobe.edu.au CRICOS Provider 00115M The end of the Republic: 133-27 BCE 1. Poli=cal and civil conflict of late Republic 2. Julius Caesar http://www.clas.ufl.edu/users/jmarks/Caesar/Caesar.html 133 BCE • AEalus III of PerGamum • Tiberius Gracchus = Tribune of the People (plebs) • veto power • T. Gracchus’ Land Bill http://sightseeingrome.blogspot.com.au/2010/10/portrait-of-gracchi-according-to.html 123 BCE • Gaius Gracchus = Tribune of the People (plebs) – Grain price – Extor=on Courts • equites – Ci=zenship Bill http://sightseeingrome.blogspot.com.au/2010/10/portrait-of-gracchi-according-to.html Op=mates and Populares • Op=mates: senatorial • Populares: people • Lucius Cornelius Sulla http://commons.wikimedia.org/wiki/File:Sulla_Glyptothek_Munich_309_white_bkg.jpg • Gaius Marius http://en.wikipedia.org/wiki/Gaius_Marius GAIUS MARIUS • 105: Gauls • Army reform • Consul 107, 104-100, 86 http://en.wikipedia.org/wiki/Gaius_Marius Rome vs. ItalY • Ci=zenship Bill • 91 Drusus murdered • 91-88 Social War • vs. socii http://www.britishmuseum.org/explore/highlights/highlight_image.aspx?image=ps297454.jpg&retpage=17508 Rome vs. Pontus • Mithridates VI • Sulla… • Sulpicius: Marius Sulla vs. Marius • Proscrip=ons • Cinna consul 87 • Cinna & Marius 86 • Sulla dictator 82 • New cons=tu=on 81 Sulla dictator • New cons=tu=on 81 – Tribunes of the People lose veto – Council of People lose leGislave riGhts – doubles Senate – Extor=on court -> senate – -
Beware the Ides of March - the Maine Edge 8/4/14 10:45 AM
Beware the Ides of March - The Maine Edge 8/4/14 10:45 AM Posted by Beware the Ides of March Allen Adams Email Author July 23, 2014 edge staff writer font size Print Be the first to comment! Rate this item (1 Vote) share Ten Bucks Julius Caesar Caesar and his train: Willow Yerxa as Portia, Moria Beale as Calpurnia, Nathan Roach as Caesar, Julie Arnold Lisnet as Mark Antony, Andrea Herson Littlefield as Publius, and Greg Littlefield as Popillius Lena Ten Bucks Theatre presents ‘Julius Caesar’ BREWER – The dogs of war are being set loose at Brewer’s Indian Trail Park. Ten Bucks Theatre Company is back with their annual presentation of Shakespeare Under the Stars. This year’s production is “Julius Caesar,” directed by Ben Layman. The show runs for one more weekend at the park – July 24-27 – before moving to Fort Knox for performances on July 31 and Aug. 1-3. All tickets are $10. Julius Caesar (Nathan Roach) has made his triumphant return from the battlefield alongside his trusted lieutenant Marc Antony (Julie Arnold Lisnet). The citizens of Rome aim to celebrate their victorious leader by crowning him king – an honor he conspicuously refuses. Caesar is issued a portentous warning by a soothsayer (John Danico), who counsels that Caesar should beware the Ides of March. Said warning largely falls on deaf ears. Meanwhile, there is a contingent that is less enthusiastic about their nation’s newfound hero. Senators Brutus (Adam Cousins) and Cassius (Katie Toole) harbor suspicions about Caesar’s ambition – suspicions that prompt them to start seeking out fellow travelers in a plot to thwart Caesar’s ascension.