Descartes's Ontological Argument
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Form Without Matter, Was an Essay in the Philosophy of Perception Written in the Medium of Historiography
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by PhilPapers Sympathy in Perception Mark Eli Kalderon i I focused at intervals as the great dome loomed up through the smoke. Glares of many fires and sweeping clouds of smoke kept hiding the shape. Then a wind sprang up. Suddenly, the shining cross, dome and towers stood out like a symbol in the inferno. The scene was unbelievable. In that moment or two I released my shutter. Herbert Mason Contents Preface iii Acknowledgements ix 1 Grasping 1 1.1 The Dawn of Understanding ...................... 1 1.2 Haptic Perception ............................ 4 1.3 The Protagorean Model ......................... 10 1.4 Assimilation ............................... 13 1.5 Shaping .................................. 21 1.6 Active Wax ................................ 27 1.7 A Puzzle ................................. 30 2 Sympathy 37 2.1 Haptic Metaphysics ........................... 37 2.2 The Dependence upon Bodily Awareness ............... 39 2.3 Against Haptic Indirect Realism .................... 44 2.4 Sympathy ................................. 46 2.5 Sensing Limits .............................. 52 2.6 TheStoics ................................ 58 2.7 Plotinus .................................. 61 2.8 The Principle of Haptic Presentation ................. 69 3 Sound 79 3.1 Moving Forward ............................. 79 3.2 The Berkeley–Heidegger Continuum ................. 82 3.3 The Bearers of Audible Qualities .................... 87 3.4 The Extent of the Audible ....................... 91 3.5 TheWaveTheory ............................ 95 3.6 Auditory Perspective .......................... 101 3.7 Phenomenological Objections ..................... 104 i ii CONTENTS 4 Sources 117 4.1 The Heideggerian Alternative ..................... 117 4.2 The Function of Audition ........................ 118 4.3 Sources and the Discrimination of Sound ............... 121 4.4 Sympathy and Auditory Presentation ................. 125 4.5 Listening ................................ -
Demystifying the Saint
DEMYSTIFYING THE SAINT: JAY L. GARFIELDʼS RATIONAL RECONSTRUCTION OF NĀGĀRJUNAʼS MĀDHYAMAKA AS THE EPITOME OF CONTEMPORARY CROSS-CULTURAL PHILOSOPHY TIINA ROSENQVIST Tampereen yliopisto Yhteiskunta- ja kulttuuritieteiden yksikkö Filosofian pro gradu -tutkielma Tammikuu 2011 ABSTRACT Cross-cultural philosophy approaches philosophical problems by setting into dialogue systems and perspectives from across cultures. I use the term more specifically to refer to the current stage in the history of comparative philosophy marked by the ethos of scholarly self-reflection and the production of rational reconstructions of foreign philosophies. These reconstructions lend a new kind of relevance to cross-cultural perspectives in mainstream philosophical discourses. I view Jay L. Garfieldʼs work as an example of this. I examine Garfieldʼs approach in the context of Nāgārjuna scholarship and cross-cultural hermeneutics. By situating it historically and discussing its background and implications, I wish to highlight its distinctive features. Even though Garfield has worked with Buddhist philosophy, I believe he has a lot to offer to the meta-level discussion of cross-cultural philosophy in general. I argue that the clarity of Garfieldʼs vision of the nature and function of cross-cultural philosophy can help alleviate the identity crisis that has plagued the enterprise: Garfield brings it closer to (mainstream) philosophy and helps it stand apart from Indology, Buddhology, area studies philosophy (etc). I side with Garfield in arguing that cross- cultural philosophy not only brings us better understanding of other philosophical traditions, but may enhance our self-understanding as well. I furthermore hold that his employment of Western conceptual frameworks (post-Wittgensteinian language philosophy, skepticism) and theoretical tools (paraconsistent logic, Wittgensteinian epistemology) together with the influence of Buddhist interpretative lineages creates a coherent, cogent, holistic and analytically precise reading of Nāgārjunaʼs Mādhyamaka philosophy. -