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Francis Poulenc
CHAN 3134(2) CCHANHAN 33134134 WWideide bbookook ccover.inddover.indd 1 330/7/060/7/06 112:43:332:43:33 Francis Poulenc © Lebrecht Music & Arts Library Photo Music © Lebrecht The Carmelites Francis Poulenc © Stephen Vaughan © Stephen CCHANHAN 33134(2)134(2) BBook.inddook.indd 22-3-3 330/7/060/7/06 112:44:212:44:21 Francis Poulenc (1899 – 1963) The Carmelites Opera in three acts Libretto by the composer after Georges Bernanos’ play Dialogues des Carmélites, revised English version by Joseph Machlis Marquis de la Force ................................................................................ Ashley Holland baritone First Commissioner ......................................................................................James Edwards tenor Blanche de la Force, his daughter ....................................................... Catrin Wyn-Davies soprano Second Commissioner ...............................................................................Roland Wood baritone Chevalier de la Force, his son ............................................................................. Peter Wedd tenor First Offi cer ......................................................................................Toby Stafford-Allen baritone Thierry, a valet ........................................................................................... Gary Coward baritone Gaoler .................................................................................................David Stephenson baritone Off-stage voice ....................................................................................... -
Mendelssohn's Elijah
Boston University College of Fine Arts School of Music presents Boston University Symphony Orchestra and Symphonic Chorus Mendelssohn’s Elijah Ann Howard Jones conductor Monday, April 11 Symphony Hall Founded in 1872, the School of Music combines the intimacy and intensity of conservatory training with a broadly based, traditional liberal arts education at the undergraduate level and intense coursework at the graduate level. The school offers degrees in performance, composition and theory, musicology, music education, collaborative piano, historical performance, as well as a certificate program in its Opera Institute, and artist and performance diplomas. Founded in 1839, Boston University is an internationally recognized private research university with more than 32,000 students participating in undergraduate, graduate, and professional programs. BU consists of 17 colleges and schools along with a number of multidisciplinary centers and institutes which are central to the school’s research and teaching mission. The Boston University College of Fine Arts was created in 1954 to bring together the School of Music, the School of Theatre, and the School of Visual Arts. The University’s vision was to create a community of artists in a conservatory-style school offering professional training in the arts to both undergraduate and graduate students, complemented by a liberal arts curriculum for undergraduate students. Since those early days, education at the College of Fine Arts has begun on the BU campus and extended into the city of Boston, a rich center of cultural, artistic and intellectual activity. Boston University College of Fine Arts School of Music Boston University Symphonic Chorus April 11, 2011 Boston University Symphony Orchestra Symphony Hall Ann Howard Jones, conductor The 229th concert in the 2010–11 season Elijah, op. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
Adventures Adventures
THEADVENTURESADVENTURES COUNTCOUNT ORYORY Music by Gioachino Rossini CAST: PRODUCTION: Count Ory: Nicholas Sharratt Musical Director: Nicholas Jenkins Raimbaud, a friend of Ory: Benedict Nelson Director: Harry Fehr Ory’s Tutor: Steven Page Designer: Max Dorey Isolier, Ory’s brother: Kate Howden Lighting Designer: Christopher Nairne Two cavaliers, friends of Ory: Benjamin Ellis* Assistant Director: Jack Furness and Guy Elliott* Assistant Musical Director: Jeremy Cooke Countess Adele: Anna Devin Production Manager: Rene (Freddy) Marchal Ragonde , a friend of the Countess: Louise Winter Costume Supervisor: Felicity Langthorne A lady, another friend of the Countess: Costume Assistant: Jo Ray Claire Barton* Hair and Make-Up: Maisie Palmer Alice, a villager: Zoe Freedman* Production Assistant: Sophie Horan *Vocal student at Trinity Laban Conservatoire of Music and Dance Senior Stage Manager: Sasja Ekenberg Deputy Stage Manager: Marian Sharkey Blackheath Halls Opera Chorus Assistant Stage Managers: Mimi Palmer-Johnston Blackheath Halls Orchestra and Rosanna Grimes Pupils from Greenvale School Community Stage Manager: Sarah Southerton Pupils from Charlton Park Academy Technical Assistant Stage Manager: Pupils from Year 5 at St Margaret’s Primary School Oliver Ballantyne Pupils from Year 4 at Lee Manor Primary School Project Manager: Rose Ballantyne Assistant Project Manager: Alice Murray BLACKHEATH HALLS TEAM: General Manager: Keith Murray Publicity and Programme Designer: Community Engagement Manager: Rose Ballantyne Colin Dunlop Operations Manager: Hannah Benton TRINITY LABAN PROJECT TEAM: Technical Manager: Malcolm Richards Programme Manager: Anna Wyatt and Marketing and Box Office Co-ordinator:Kyle Jarvis Helen Hendry Development Officer:Helma Zebregs Project Leader: Joe Townsend Bookkeeper: Debra Skeet Administrator: Caroline Foulkes Running time: 2hrs and 30mins We have been staging community operas at Blackheath WELCOME Halls since July 2007. -
Contents Price Code an Introduction to Chandos
CONTENTS AN INTRODUCTION TO CHANDOS RECORDS An Introduction to Chandos Records ... ...2 Harpsichord ... ......................................................... .269 A-Z CD listing by composer ... .5 Guitar ... ..........................................................................271 Chandos Records was founded in 1979 and quickly established itself as one of the world’s leading independent classical labels. The company records all over Collections: Woodwind ... ............................................................ .273 the world and markets its recordings from offices and studios in Colchester, Military ... ...208 Violin ... ...........................................................................277 England. It is distributed worldwide to over forty countries as well as online from Brass ... ..212 Christmas... ........................................................ ..279 its own website and other online suppliers. Concert Band... ..229 Light Music... ..................................................... ...281 Opera in English ... ...231 Various Popular Light... ......................................... ..283 The company has championed rare and neglected repertoire, filling in many Orchestral ... .239 Compilations ... ...................................................... ...287 gaps in the record catalogues. Initially focussing on British composers (Alwyn, Bax, Bliss, Dyson, Moeran, Rubbra et al.), it subsequently embraced a much Chamber ... ...245 Conductor Index ... ............................................... .296 -
The Elixir of Love”
(L'elisird 'amore) KEEP CALM AND BUY CAKES Enjoy platefuls of yummies, at our WI-style bake-sale-in-the-bar during the break, and support our vital efforts. Thank you! www.thegivingmachine.co.uk Please use this site to access your online stores. Click on Midland Opera as the chosen charity. This earns us money, but costs you nothing! eBAY, Tesco, Amazon, Sainsburys, M&S... and 1000s of other big name stores ... Welcome! www.midlandopera.com It is with pleasure that we welcome back Director/Producer, Sarah Helsby Hughes of Heritage Opera, and Musical Director James Longstaffe. Again they’ve worked tirelessly and with great fun. James, who also MD’d us through our successful 2013 Spring concerts, has made a commitment to stay with Midland Opera for as long as he is able. Long may he reign! WHAT DOES THE FUTURE HOLD? Life is never boring at M.O! Our leap into opera is undertaken with passion each year, overcoming odds with positivity and enthusiasm, and 2014 is no exception. On finding our regular slot unavailable at the Crescent, we were thrown into an exciting rethink. So - with the support of you and our members - we are delighted to announce the following 2014 programme. And if you like what you see, why not sing with us? ~~~~~~~~~~~~~~~~~~~~~~~~ FEBRUARY/MARCH 2014 - First Concert Series: ‘FILM MUSIC’ featuring Bond themes, Disney & more.. - Regional Tour JUNE 2014 - Main opera presentation: Mozart’s ‘THE MAGIC FLUTE’ - The Crescent Theatre. NOVEMBER 2014 - Second concert series: A semi-staged opera or complete work. Regional tour. -
October 11Th 2005
Classic Songs in the City Charity Concert and Reception Raising Funds for Cancer Research October 11, 2005. Programme Highlights from the worlds of Musical Theatre and Opera Performed by Kim Sheehan soprano Caryl Hughes mezzo-soprano Edwin Hawkes bass-baritone Kirsten Simpson piano Keith Beresford piano Concert 6:00 - 7:30 p.m. at the City Temple Church, Holborn Viaduct, London EC1A 2DE (a few yards East of Holborn Circus). Reception 7:30 - 9:30 p.m. Wine and nibbles in The Atrium, RBS NatWest Holborn Bars Building, 138-142 Holborn (old Prudential building a few yards West of Holborn Circus). Auction/Raffle At the reception (see inside programme for details of items) The Music Trio Mozart Soave Sia Il Vento Cosi Fan Tutte Caryl Hughes Mozart La Chi Darem La Mano Don Giovanni Edwin Hawkes Kim Sheehan Donizetti Quel `Guardo Cavaliere Don Pasquale Caryl Hughes Rossini Una Voce Poco Fa Il Barbiere Di Siviglia Edwin Hawkes Verdi Ella Giammai M’Amo Don Carlo Kim Sheehan Puccini Quando M’En Vo Soletta La Boheme Kim Sheehan Delibes The Flower Duet Lakme Caryl Hughes Caryl Hughes Bizet Habanera Carmen Kim Sheehan Strauss The Laughing Song Die Fledermaus Kim Sheehan Gershwin Bess You Is My Woman Porgy and Bess Edwin Hawkes Interval (10 minutes) Edwin Hawkes Gilbert/Sullivan Policeman’s Song Pirates of Penzance Caryl Hughes Bernstein Somewhere West Side Story Kim Sheehan Rodgers Climb Every Mountain The Sound of Music Caryl Hughes Kern Smoke Gets in Your Eyes Roberta Kim Sheehan Lloyd Webber Think of Me Phantom of the Opera Trio Rodgers You’ll Never Walk Alone Carousel Edwin Hawkes Schoenberg Stars Les Miserables Kim Sheehan Rodgers If I Loved You Carousel Caryl Hughes Arlen Somewhere over the Rainbow Wizard Of Oz Edwin Hawkes Bock If I Were a Rich Man Fiddler on the Roof Kim Sheehan Gershwin Someone to Watch over Me Oh, Kay! Trio Gershwin I Got Rhythm Girl Crazy (Arr. -
Don Giovanni 2007
www.englishchamberopera.com | [email protected] www.englishchamberopera.com [email protected] English Chamber Opera was established in 2006 following a critically acclaimed, sell-out English tour of Don Giovanni, directed by Caroline Sharman and conducted by Igor Kennaway. “You really don’t need to be an opera buff, nor even know anything of Mozart’s naughty Don, to thoroughly enjoy this.” The Stage English Chamber Opera’s stylish productions will appeal to opera connoisseurs and first-timers alike. The company takes the highest quality performances, with superlative production values, to unusual, unconventional, and utterly unique venues in the UK and Europe. “There is a unity, a camaraderie…that is infectious…fine, heart-rending soliloquies that raise the hairs on your neck. And there are many times with the entire cast in full throat that bring tears of joy and admiration to the eyes.” The Stage With forthcoming performances in the UK and mainland Europe, the company’s 2007 calendar will also include a revival tour in Ireland of Caroline Sharman’s magnificent production of Don Giovanni (designed by Simon Higlett). Other plans include brand new productions of Cosi fan Tutte, and Handel’s cruel, treacherous masterpiece, Ariodante. “Gripping stuff… for anyone looking for an evening of compelling entertainment, an absolute treat.” The Oxford Times www.englishchamberopera.com [email protected] Don Giovanni 2007 English Chamber Opera's 2007 revival of Don Giovanni is fully staged with lavish period costumes, a stunning set and a seven-piece chamber orchestra. Director - Caroline Sharman Conductor - (tbc) Design - Simon Higlett Cast Don Giovanni - David Durham Leporello - Giles Davies Donna Elvira - Rebecca Cooper Donna Anna - Sarah Moule Zerlina - Beverley Worboys Masetto - Ian Jervis Don Ottavio - Peter Wilman Commendatore - (tbc) www.englishchamberopera.com [email protected] Don Giovanni 2007 Biographies David Durham – Don Giovanni David studied at the Guildhall school of Music and Drama as a violinist. -
Elgar's the Dream of Gerontius
Elgar’s The Dream of Gerontius - Some personal observations on recordings of the work by John Quinn Updated 2020 This article originally appeared on MusicWeb in 2007 in connection with the 150th anniversary of the birth of Elgar and I updated it in 2014 when we marked the 80th anniversary of the death of the composer in 1934. The release in 2018 of a newly-issued 1961 live recording conducted by Sir Malcolm Sargent caused me to refer to our Masterworks Index for Gerontius whereupon I discovered, slightly to my surprise, that since my 2014 update this was the fifth recording of the work to be issued – although only two of them were brand new. In addition, I’d caught up with two earlier recordings – conducted by Sir Alexander Gibson and by Yevgeny Svetlanov – to which I’d referred in the survey though I’d not heard them. Time, then, to refresh the survey in order to include these seven recordings. For this latest 2020 revision I toyed with the idea of a fundamental re-write, considering all the recordings in chronological order. However, on reflection it seems to make more sense to retain the layout of the 2014 text and to add comments about the seven recordings not previously covered by the survey in a new section just before the summary. I have made as few changes as possible to my original 2007 text because that included detailed comments on several versions that hadn’t, at least then, been reviewed on MusicWeb International whereas the more recently released recordings have generally received full reviews at the time of issue. -
Europadisc September 2007 List
New CBSO recording - Gramophone Editor's Choice Elgar: The Dream of Gerontius, op.38, Variations on an Original Theme (Enigma), op.36. The Holly and the Ivy Jane Irwin (mezzo soprano), Justin Lavender (tenor), Peter Rose (bass), City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra; Oramo CBSOCD003 2CD £19.95 www.europadisc.co.uk If you haven’t logged on to our new website yet, why not take a look? You will find thousands of back catalogue titles and even more reduced price offers than we have space for in this listing. You will now also be able to view all the new releases in this listing on the website. We have applied identical pricing across both the mail order listing and the website. Whether you order from this list or the website, the pricing and terms will be consistent. To save wasting paper and resources, please let us know if you no longer require this listing. We will continue to mail you unless you tell us otherwise. GIFT VOUCHERS AVAILABLE We can supply Gift Vouchers to any value for use with EUROPADISC. We are also happy to send them to any address you specify. Simply let us know the amount along with despatch address and payment details. We will do the rest. Dear Customer Difficult to believe we know, but Autumn is just around the corner (in the Northern Hemisphere anyway) so we have prepared a mammoth list to provide some serious browsing now that the nights SEPTEMBER 2007 LIST are drawing in. See inside for valid dates You will see that EMI have been very busy devising two new re-issue series on pages 4 & 5 as well as releasing a great new batch of re- mastered 'Great Recordings of the Century' and an amazing 70CD Maria Callas box. -
Der Ring Des Nibelungen the Ring of the Nibelung
1 2 Der Ring des Nibelungen The Ring of the Nibelung Ein Bühnesfestspiel für drei Tage und einen Vorabend A Festival Stage Play for Three Days and a Preliminary Evening 1. Das Rheingold 9th & 23rd February 2014 2. Die Walküre 11th & 25th February 2014 3. Siegfried 12th & 28th February 2014 4. Götterdämmerung 16th February & 2nd March 2014 WELCOME TO THE FULHAM RING Good evening. Thank you for coming and supporting perhaps the maddest and most complicated theatrical production ever undertaken by a tiny fringe opera company! The idea was never to do a complete Ring Cycle. After a production of Amahl and the Night Visitors in December 2010, our dear departed friend Robert Presley said to me “Let’s do Rheingold. I wanna be Alberich”. He should have already known at that point not to put such a silly idea in my head! That Rheingold was a remarkable success, to our great surprise, and rather laid down a gauntlet. The idea to revive the shows for full Cycles was that of Fiona Williams a year ago. Between the two of them, along with the support of Zoë South’s wonderfully colourful Brünnhilde, they have caused something wonderful – not to say unlikely – to occur. The productions and the company have grown over the last three years, and I am personally incredibly grateful to every singer, director, board member, crew member, donor and of course, you, the audience for coming and supporting these crazy endeavours. These two week-long productions are the culmination of six weeks rehearsal, as well as 3 years belief on the part of everyone, and they’re all doing it predominantly for love, as they will each only make a share of the ticket sales. -
February 2013 List Blu-Ray New Releases
tel 0115 982 7500 fax 0115 982 7020 FEBRUARY 2013 LIST See inside for valid dates Dear Customer As has been well publicised, 2013 marks the centenary of the birth of Benjamin Britten, alongside the bi-centenaries of the births of Richard Wagner and Giuseppe Verdi. All clearly made significant contributions to classical music history, so we are celebrating the anniversaries this month by offering great reductions on relevant issues from DG, Decca and EMI. There are several landmark recordings featured from the likes of Britten himself, Karajan, Solti, Muti, Abbado and more. See pp.12-14 for titles from DG and Decca, and p.18 for titles from EMI. New releases also feature the celebratory composers: titles worth pointing out are the limited edition Complete Verdi box set from DG that promises to be a popular collector’s item, two new Britten box sets from EMI, the recent recording of Die Walkure from Gergiev and the Mariinsky forces, plus a recital of Wagner from tenor Jonas Kaufmann. One of our new special offers this month features a label that has not been seen on our lists for some time: Symposium. Many of you are fans of historical issues and Symposium have a fascinating catalogue that largely covers recordings from the late 19th and early 20th centuries. This may prove too early even for keen historical collectors, but we have managed to secure some very special prices and hope that they might spark a bit of interest. Other new offers this month include selected box sets from Chandos, the Onyx, Somm, CRD and Heritage labels, and a fantastic range of DVDs from DG, Decca and EMI.