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6013 Missa Solemnis
(LYRCD 6013) MISSA SOLEMNIS & Egmont Overture Ludwig van Beethoven AMA DEUS ENSEMBLE Valentin Radu, Artistic Director and Conductor Sarah Davis, Soprano Jody Kidwell, Mezzo-Soprano Timothy Bentch, Tenor Ed Bara, Bass PROGRAM NOTES: EGMONT, OP. 84, is a set of incidental music pieces for the 1787 play of the same name by Goethe. It consists of an overture and nine separate subsequent pieces for soprano and full orchestra. Beethoven wrote it between October 1809 and June 1810, and it was premiered on 15 June 1810. The overture, powerful and expressive, is one of the last works of his middle period; it has become as famous a composition as the Coriolan Overture, and is in a similar style to the Fifth Symphony which he completed two years earlier. When in 1809 the Burgtheater of Vienna asked Beethoven, a great admirer of Goethe, to compose incidental music for a revival of the play, he accepted with enthusiasm. It recalled themes close to his own political preoccupations, already expressed in his opera Leonore (renamed Fidelio, in the definitive 1814 version) and in his overture Coriolan (in 1807). 1 MISSA SOLEMNIS, OP. 123 “The Missa Solemnis is the greatest work I have composed so far.” Even allowing for the facts that Beethoven was telling this to a publisher and that in1822 he had not yet composed the Ninth Symphony and the last string quartets, his declaration must be taken seriously nevertheless. The Mass is Beethoven’s largest and longest composition (not counting the opera Fidelio), and yet at times also one of his most intimate and personal. -
Francis Poulenc
CHAN 3134(2) CCHANHAN 33134134 WWideide bbookook ccover.inddover.indd 1 330/7/060/7/06 112:43:332:43:33 Francis Poulenc © Lebrecht Music & Arts Library Photo Music © Lebrecht The Carmelites Francis Poulenc © Stephen Vaughan © Stephen CCHANHAN 33134(2)134(2) BBook.inddook.indd 22-3-3 330/7/060/7/06 112:44:212:44:21 Francis Poulenc (1899 – 1963) The Carmelites Opera in three acts Libretto by the composer after Georges Bernanos’ play Dialogues des Carmélites, revised English version by Joseph Machlis Marquis de la Force ................................................................................ Ashley Holland baritone First Commissioner ......................................................................................James Edwards tenor Blanche de la Force, his daughter ....................................................... Catrin Wyn-Davies soprano Second Commissioner ...............................................................................Roland Wood baritone Chevalier de la Force, his son ............................................................................. Peter Wedd tenor First Offi cer ......................................................................................Toby Stafford-Allen baritone Thierry, a valet ........................................................................................... Gary Coward baritone Gaoler .................................................................................................David Stephenson baritone Off-stage voice ....................................................................................... -
Mendelssohn's Elijah
Boston University College of Fine Arts School of Music presents Boston University Symphony Orchestra and Symphonic Chorus Mendelssohn’s Elijah Ann Howard Jones conductor Monday, April 11 Symphony Hall Founded in 1872, the School of Music combines the intimacy and intensity of conservatory training with a broadly based, traditional liberal arts education at the undergraduate level and intense coursework at the graduate level. The school offers degrees in performance, composition and theory, musicology, music education, collaborative piano, historical performance, as well as a certificate program in its Opera Institute, and artist and performance diplomas. Founded in 1839, Boston University is an internationally recognized private research university with more than 32,000 students participating in undergraduate, graduate, and professional programs. BU consists of 17 colleges and schools along with a number of multidisciplinary centers and institutes which are central to the school’s research and teaching mission. The Boston University College of Fine Arts was created in 1954 to bring together the School of Music, the School of Theatre, and the School of Visual Arts. The University’s vision was to create a community of artists in a conservatory-style school offering professional training in the arts to both undergraduate and graduate students, complemented by a liberal arts curriculum for undergraduate students. Since those early days, education at the College of Fine Arts has begun on the BU campus and extended into the city of Boston, a rich center of cultural, artistic and intellectual activity. Boston University College of Fine Arts School of Music Boston University Symphonic Chorus April 11, 2011 Boston University Symphony Orchestra Symphony Hall Ann Howard Jones, conductor The 229th concert in the 2010–11 season Elijah, op. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
Adventures Adventures
THEADVENTURESADVENTURES COUNTCOUNT ORYORY Music by Gioachino Rossini CAST: PRODUCTION: Count Ory: Nicholas Sharratt Musical Director: Nicholas Jenkins Raimbaud, a friend of Ory: Benedict Nelson Director: Harry Fehr Ory’s Tutor: Steven Page Designer: Max Dorey Isolier, Ory’s brother: Kate Howden Lighting Designer: Christopher Nairne Two cavaliers, friends of Ory: Benjamin Ellis* Assistant Director: Jack Furness and Guy Elliott* Assistant Musical Director: Jeremy Cooke Countess Adele: Anna Devin Production Manager: Rene (Freddy) Marchal Ragonde , a friend of the Countess: Louise Winter Costume Supervisor: Felicity Langthorne A lady, another friend of the Countess: Costume Assistant: Jo Ray Claire Barton* Hair and Make-Up: Maisie Palmer Alice, a villager: Zoe Freedman* Production Assistant: Sophie Horan *Vocal student at Trinity Laban Conservatoire of Music and Dance Senior Stage Manager: Sasja Ekenberg Deputy Stage Manager: Marian Sharkey Blackheath Halls Opera Chorus Assistant Stage Managers: Mimi Palmer-Johnston Blackheath Halls Orchestra and Rosanna Grimes Pupils from Greenvale School Community Stage Manager: Sarah Southerton Pupils from Charlton Park Academy Technical Assistant Stage Manager: Pupils from Year 5 at St Margaret’s Primary School Oliver Ballantyne Pupils from Year 4 at Lee Manor Primary School Project Manager: Rose Ballantyne Assistant Project Manager: Alice Murray BLACKHEATH HALLS TEAM: General Manager: Keith Murray Publicity and Programme Designer: Community Engagement Manager: Rose Ballantyne Colin Dunlop Operations Manager: Hannah Benton TRINITY LABAN PROJECT TEAM: Technical Manager: Malcolm Richards Programme Manager: Anna Wyatt and Marketing and Box Office Co-ordinator:Kyle Jarvis Helen Hendry Development Officer:Helma Zebregs Project Leader: Joe Townsend Bookkeeper: Debra Skeet Administrator: Caroline Foulkes Running time: 2hrs and 30mins We have been staging community operas at Blackheath WELCOME Halls since July 2007. -
DIMITRIS PAKSOGLOU – Tenor Born in Greece. Dimitris Paksoglou First Embarked on a Career As an Actor and Studied at the National Superior School of Drama
DIMITRIS PAKSOGLOU – Tenor Born in Greece. Dimitris Paksoglou first embarked on a career as an actor and studied at the National Superior School of Drama. As an actor he went on to appear in important Greek theatres, including the ancient theatre of Epidaurus, the Greek National Theatre and the Athens Megaron. He then decided to make a career change and studied singing at the Athens National Conservatory under the guidance of the famous baritone Kostas Paskalis and Marina Krilovici, graduating with distinction. He moved to France where he appeared with several opera companies and his success lead Greek National Opera to offer him a contract as a principal tenor. He continues to appear in leading roles with the company, which he combines with guest appearances abroad. Greek Dimitris Paksoglou does not sing Cavaradossi with the usual slightly emotional Mediterranean glow. His tenor is more powerfully virile, but also with beautiful splashes of tenderness. He makes his famous song for life with considerable intensity. AFTONBLADET – Lennart Bromander - Monday 10th February 2020 Dimitris Paksoglou who sang Cavaradossi is a real Italian tenor (although he is Greek) with plenty of power and clear tone up to the highest register. Capriccio - Lars-Erik Larsson – 23rd December 2019 Roles: AIDA: Radames ~ Stade de France UN BALLO IN MASCHERA: Gustavo III ~ Greek National Opera CARMEN: Don José ~ Odeon of Herodes Atticus CAVALLERIA RUSTICANA: Turiddu ~ Opéra de Saint-Étienne; Greek National Opera EDIPO RE: Creonte ~ Opera of Thessaloniki DIE FLEDERMAUS: Eisenstein ~ Greek National Opera INNO DELLE NAZIONE VERDI: Tenor Solo ~ Opera of Thessaloniki JENUFA: Števa ~ Greek National Opera APA Artists’ Management / Alexandra Mercer Mobile: +44 (0)7710 378719 - Tel: +44 (0)189 686 0276 Email: [email protected] - www.apaartistsmanagement.com Hillslap Tower - Langshaw - By Galashiels - Scotland TD1 2PA, United Kingdom Vat Registration No. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
La Bohème Cast 2020 Biography
La Bohème Cast 2020 Biography (Vallo della Lucania, Italy) Italian Soprano Maria Agresta began her vocal studies at the Salerno Conservatory as a mezzo-soprano, later switching to soprano and studying with Raina Kabaivanska. After winning several international competitions she made her professional operatic debut in 2007. Engagements include Mimì and Micaëla (Carmen) for the Metropolitan Opera, New York, Suor Angelica for Liceu, Barcelona, Marguerite (Faust) for Salzburg Festival, Leonora (Il trovatore), Liù (Turandot), Donna Elvira (Don Giovanni) and Leonora (Oberto) for La Scala, Milan, Norma for Théâtre des Champs- Élysées and in Madrid, Turin and Tel Aviv, Mimì for Arena di Verona, Paris Opéra, Bavarian State Opera, Teatro Regio, Teatro di San Carlo, Naples, and Torre del Lago Festival, Elvira (I puritani) for Paris Opéra, Violetta (La traviata) for Berlin State Opera and Bavarian State Opera, Elena (I vespri siciliani) in Turin, Leonora (Il trovatore) for Palau de les Arts Reina Sofía, Valencia, Amelia (Simon Boccanegra) for Rome Opera, La Fenice, Venice, Dresden Semperoper and Berlin State Opera with Daniel Barenboim, Amalia (I masnadieri) for La Fenice and Julia (La Vestale) for Dresden Semperoper. Agresta performs widely in concert with such conductors as Barenboim, Nicola Luisotti, Michele Mariotti, Zubin Mehta, Carlo Montanaro, Riccardo Muti, Noseda and Christian Thielemann. Source: Royal Opera House (Brașov, Romania) Aurelia Florian was born in Romania where she has completed her musical studies (singing and piano), she studied at the Music faculty of the university of Transylvania in Brasov and specialized herself in belcanto singing in master classes with the Romanian soprano Mariana Nicolesco. At the Romanian Atheneum Bucharest (with the George Enescu Philharmonic Orchestra) she was highly acclaimed for singing the soprano part in Mahler’s IV symphony (under M° David Gimenez Carreras), and in 2009 she had a big success with the contemporary opera “Celan” written and conducted by Peter Ruzicka. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN SEPTEM BER-OCTOBER, 1967 COS NATIONAL CONFERENCE—APRIL 11-12, 1968, SAN ANTONIO, TEXAS Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plan • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 CENTRAL OPERA SERVICE COMMITTEE R. L. B. TOBIN, National Chairman The National Council JULIUS RUDEL, Co-Chairman New York City Opera National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN GEORGE HOWERTON E. H. CORRIGAN, JR. ELIHU M. HYNDMAN MRS. NORRIS DARRELL MRS. JOHN R. SAVAGE HOWARD J. HOOK, JR. JAMES SCHWABACHER, JR. Professional Committee MAURICE ABRAVANEL RICHARD KARP Salt Lake City Symphony Pittsburgh Opera KURT HERBERT ADLER PAUL KNOWLES San Francisco Opera University of Minnesota VICTOR ALESSANDRO GLADYS MATHEW San Antonio Symphony Community Opera ROBERT G. ANDERSON MRS. LOUDON MELLEN Tulsa Opera Opera Soc. of Wash., D.C. WILFRED C. BAIN ELEMER NAGY Indiana University Hartt College of Music ROBERT BAUSTIAN MME. ROSE PALMAI-TENSER Santa Fe Opera Mobile Opera Guild MORITZ BOMHARD RUSSELL D. PATTERSON Kentucky Opera Kansas City Lyric Theatre JOHN BROWNLEE MRS. JOHN DEWITT PELTZ Manhattan School of Music Metropolitan Opera PAUL CALLAWAY GEORGE SCHICK Opera Soc. of Wash., D.C. Metropolitan Opera STANLEY CHAPPLE MARK SCHUBART University of Washington Lincoln Center EUGENE CONLEY MRS. L. S. STEMMONS No. Texas State Univ. Dallas Civic Opera WALTER DUCLOUX LEONARD TREASH University of S. California Eastman School of Music PETER PAUL FUCHS LUCAS UNDERWOOD Louisiana State University College of the Pacific ROBERT GAY GID WALDROP Northwestern University Juilliard School of Music BORIS GOLDOVSKY MRS. J. P. WALLACE Goldovsky Opera Theatre Shreveport Civic Opera WALTER HERBERT MRS. -
Inventario Generale Delle Direzioni D'orchestra Di Bruno Amaducci
Inventario dell'attività operistica e sinfonica di BA (di Matteo Notari) – 19.02.1940; Lugano, Teatro Kursaal. Concerto della Piccola Accademia della Scuola di violino; Sonatina n.2 op.10 di M. Hauptmann, dir. Cesare Bertoni, violino Bruno Amaducci. – 3.03.1946; Lugano, auditorio Campo Marzio. Stagione d'opera alla RSI; La bella Elena di Jacques Offenbach, dir. Edwin Loehrer, tenore Simon Bermanis, tenore comico Bruno Amaducci, baritono Carlo Borioli, basso Fernando Corena, soprano Annelies Gamper e Annette Brun; Coro e Orchestra della RSI. [A-RTSI, CM 1690; FN, HR2573] – 20.02.1949; Lugano, auditorio Campo Marzio. Stagione d'opera alla RSI; Don Pasquale di Gaetano Donizetti; dir. Leopoldo Casella, basso buffo Vito De Taranto, baritono Gino Vanelli, tenore Amilcare Blaffard e Bruno Amaducci, soprano Tatjana Menotti; Orchestra e Coro della RSI; regista del suono C.F. Semini. – Aprile 1947; Lugano (?), Festival Arturo Honegger; operetta Le Roi Pausole di A. Honegger; dir. Edwin Loehrer e Arthur Honegger, solisti vocali Annelies Gamper, Margherita De Landi, Fernando Corena, Schlegel e Bruno Amaducci. – 10.04.1944, Bellinzona, Teatro Sociale. Società studentesca Adelfia. Romanticismo e Dinamismo, parata musicale in 4 tempi e 2 intermezzi; complesso artistico diretto da Bruno Amaducci; soprano Bruno Beretta, tenore Emilio Monza, canzonettisti Jolanda Ghezzi, Walter Scanavino e Adriano Beccarelli, pianista Gina Pasquini, violinista Eugenio Haupt e Francesco Antognini. Data Luogo/occasione Orchestra Opera / sinfonia / Eventuale compositore/... Registrazione Archivio RTSI (A- RTSI); no. commerciale (COMM.); Fonoteca nazionale svizzera (FN) 16.03.1951 Lugano, concerto Solisti, Coro e Requiem di W. A. Mozart. alla radio su invito Orchestra RSI. di E. -
October 11Th 2005
Classic Songs in the City Charity Concert and Reception Raising Funds for Cancer Research October 11, 2005. Programme Highlights from the worlds of Musical Theatre and Opera Performed by Kim Sheehan soprano Caryl Hughes mezzo-soprano Edwin Hawkes bass-baritone Kirsten Simpson piano Keith Beresford piano Concert 6:00 - 7:30 p.m. at the City Temple Church, Holborn Viaduct, London EC1A 2DE (a few yards East of Holborn Circus). Reception 7:30 - 9:30 p.m. Wine and nibbles in The Atrium, RBS NatWest Holborn Bars Building, 138-142 Holborn (old Prudential building a few yards West of Holborn Circus). Auction/Raffle At the reception (see inside programme for details of items) The Music Trio Mozart Soave Sia Il Vento Cosi Fan Tutte Caryl Hughes Mozart La Chi Darem La Mano Don Giovanni Edwin Hawkes Kim Sheehan Donizetti Quel `Guardo Cavaliere Don Pasquale Caryl Hughes Rossini Una Voce Poco Fa Il Barbiere Di Siviglia Edwin Hawkes Verdi Ella Giammai M’Amo Don Carlo Kim Sheehan Puccini Quando M’En Vo Soletta La Boheme Kim Sheehan Delibes The Flower Duet Lakme Caryl Hughes Caryl Hughes Bizet Habanera Carmen Kim Sheehan Strauss The Laughing Song Die Fledermaus Kim Sheehan Gershwin Bess You Is My Woman Porgy and Bess Edwin Hawkes Interval (10 minutes) Edwin Hawkes Gilbert/Sullivan Policeman’s Song Pirates of Penzance Caryl Hughes Bernstein Somewhere West Side Story Kim Sheehan Rodgers Climb Every Mountain The Sound of Music Caryl Hughes Kern Smoke Gets in Your Eyes Roberta Kim Sheehan Lloyd Webber Think of Me Phantom of the Opera Trio Rodgers You’ll Never Walk Alone Carousel Edwin Hawkes Schoenberg Stars Les Miserables Kim Sheehan Rodgers If I Loved You Carousel Caryl Hughes Arlen Somewhere over the Rainbow Wizard Of Oz Edwin Hawkes Bock If I Were a Rich Man Fiddler on the Roof Kim Sheehan Gershwin Someone to Watch over Me Oh, Kay! Trio Gershwin I Got Rhythm Girl Crazy (Arr. -
La Traviata Libretto V1.Indd
La Traviata Melodrama in Three Acts Music: Giuseppe Verdi Libretto: Francesco Maria Piave World Premiere: Teatro La Fenice, Venice, 6 March 1853 First performance in Malta: Teatro Manoel, Valletta, 1 October 1855 Violetta Valéry, a courtesan Miriam Cauchi Alfredo Germont Giulio Pelligra Giorgio Germont, his father Maxim Aniskin Flora Bervoix Oana Andra Annina, Violetta’s maid Dorienne Portelli Gastone, Alfredo’ friend Frans Mangion Barone Douphol Louis Andrew Cassar Marchese d’Obigny Alberto Munafò Siracusa Dottore Grenvil Riccardo Bosco Giuseppe, Violetta’s servant Federico Parisi Servo di Flora Mario Portelli Commissioner Marco Tinnirello Friends of Violetta and Flora; picadors and gypsies; servants of Violetta and Flora; maskers. Beginning of the 18th century. Paris and its vicinity. Malta Philharmonic Orchestra Teatru Astra Opera Chorus in collaboration with Coro Lirico Siciliano Conductor: Philip Walsh Artistic Director: Enrico Stinchelli Orchestra Leader Maria Conrad Scenography Joseph Cauchi Chorus Instructors Maria Frendo Assistant Scenographer Andrew Portelli Francesco Costa Costumes Arrigo Costumi Stage Managers Carmel Zammit Sartoria Pipi Johnny Micallef Manuel Grima Bradley Xuereb George Farrugia Andrew Portelli Lights George Zammit Assistant Directors Angie Bizimoska Nexos Maria Selene Farinelli Juan Vella Production Assistants George Camilleri Projections MAV Multimedia George P Cassar Ismael Portelli Giulia Mandruzzato Choreography Felix Busuttil Rehearsal Pianist Christian Maggio Mediterranea 2018 Enrico Stinchelli Artistic Director Rome-born Enrico Stinchelli is the author and conductor of what has become the most established and respected programme on RAI Radio-Tre, La Barcaccia, dealing with anything that has got to do with the opera world. The much sought-after programme, on air without fail since 1983, has attained ‘cult’ status in Italy and beyond.