Medici Villas and Gardens
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The Italian High Renaissance (Florence and Rome, 1495-1520)
The Italian High Renaissance (Florence and Rome, 1495-1520) The Artist as Universal Man and Individual Genius By Susan Behrends Frank, Ph.D. Associate Curator for Research The Phillips Collection What are the new ideas behind the Italian High Renaissance? • Commitment to monumental interpretation of form with the human figure at center stage • Integration of form and space; figures actually occupy space • New medium of oil allows for new concept of luminosity as light and shadow (chiaroscuro) in a manner that allows form to be constructed in space in a new way • Physiological aspect of man developed • Psychological aspect of man explored • Forms in action • Dynamic interrelationship of the parts to the whole • New conception of the artist as the universal man and individual genius who is creative in multiple disciplines Michelangelo The Artists of the Italian High Renaissance Considered Universal Men and Individual Geniuses Raphael- Self-Portrait Leonardo da Vinci- Self-Portrait Michelangelo- Pietà- 1498-1500 St. Peter’s, Rome Leonardo da Vinci- Mona Lisa (Lisa Gherardinidi Franceso del Giacondo) Raphael- Sistine Madonna- 1513 begun c. 1503 Gemäldegalerie, Dresden Louvre, Paris Leonardo’s Notebooks Sketches of Plants Sketches of Cats Leonardo’s Notebooks Bird’s Eye View of Chiana Valley, showing Arezzo, Cortona, Perugia, and Siena- c. 1502-1503 Storm Breaking Over a Valley- c. 1500 Sketch over the Arno Valley (Landscape with River/Paesaggio con fiume)- 1473 Leonardo’s Notebooks Studies of Water Drawing of a Man’s Head Deluge- c. 1511-12 Leonardo’s Notebooks Detail of Tank Sketches of Tanks and Chariots Leonardo’s Notebooks Flying Machine/Helicopter Miscellaneous studies of different gears and mechanisms Bat wing with proportions Leonardo’s Notebooks Vitruvian Man- c. -
Ambito N°7 PRATO E VAL DI BISENZIO
QUADRO CONOSCITIVO Ambito n°7 PRATO E VAL DI BISENZIO PROVINCE : Firenze , Prato TERRITORI APPARTENENTI AI COMUNI : Calenzano, Campi Bisenzio, Cantagallo, Carmignano, Montemurlo, Poggio a Caiano, Prato, Signa, Vaiano, Vernio COMUNI INTERESSATI E POPOLAZIONE I comuni sono tutti quelli della provincia di Prato - Cantagallo, Carmignano, Montemurlo, Poggio a Caiano, Prato, Vaiano, Vernio - e parte del territorio dei Comuni di Campi Bisenzio e Calenzano, nella provincia di Firenze. L’incremento della popolazione in 30 anni è poco meno del 26%, il più elevato fra le aree della Toscana. L’unico grande centro urbano è Prato, che era fino al 1991 la terza città della Toscana, e in seguito la seconda, avendo sorpassato Livorno. Gli altri comuni sono tutti in crescita, in vari casi hanno ripreso a crescere dopo fasi più o meno lunghe di calo. Ad esempio, Carmignano: cresce fino al 1911, quando Poggio a Caiano era una sua frazione, e sfiora i 9000 abitanti, e riprende poi una moderata crescita; Poggio a Caiano, formato nel 1962, è da allora in crescita sostenuta (nel 2001 ha il 190% della popolazione legale della frazione esistente nel 1951). Vernio aumenta fino al 1931 (probabilmente in relazione alla costruzione della grande galleria ferroviaria appenninica) sfiorando i 9.000 residenti; poi cala, stabilizzandosi a partire dal 1981. Il numero dei residenti è quasi sestuplicato (570,8%) nei 50 anni dal 1951 al 2001: è senza dubbio il comune toscano che ha avuto un più forte ritmo di crescita. L’insediamento urbano recente è cresciuto occupando il fondovalle anche con insediamenti produttivi, sebbene essi oggi non abbiano il radicamento territoriale di quelli storici rispetto alla disponibilità di acqua, cosicché sono frequenti gli squilibri di scala rispetto alle dimensioni della sezione del fondovalle (Vaiano). -
The Medici Palace, Cosimo the Elder, and Michelozzo: a Historiographical Survey
chapter 11 The Medici Palace, Cosimo the Elder, and Michelozzo: A Historiographical Survey Emanuela Ferretti* The Medici Palace has long been recognized as an architectural icon of the Florentine Quattrocento. This imposing building, commissioned by Cosimo di Giovanni de’ Medici (1389–1464), is a palimpsest that reveals complex layers rooted in the city’s architectural, urban, economic, and social history. A symbol – just like its patron – of a formidable era of Italian art, the palace on the Via Larga represents a key moment in the development of the palace type and and influenced every other Italian centre. Indeed, it is this building that scholars have identified as the prototype for the urban residence of the nobility.1 The aim of this chapter, based on a great wealth of secondary literature, including articles, essays, and monographs, is to touch upon several themes and problems of relevance to the Medici Palace, some of which remain unresolved or are still debated in the current scholarship. After delineating the basic construction chronology, this chapter will turn to questions such as the patron’s role in the building of his family palace, the architecture itself with regards to its spatial, morphological, and linguistic characteristics, and finally the issue of author- ship. We can try to draw the state of the literature: this preliminary historio- graphical survey comes more than twenty years after the monograph edited by Cherubini and Fanelli (1990)2 and follows an extensive period of innovative study of the Florentine early Quattrocento,3 as well as the fundamental works * I would like to thank Nadja Naksamija who checked the English translation, showing many kindnesses. -
Merchants and the Origins of Capitalism
Merchants and the Origins of Capitalism Sophus A. Reinert Robert Fredona Working Paper 18-021 Merchants and the Origins of Capitalism Sophus A. Reinert Harvard Business School Robert Fredona Harvard Business School Working Paper 18-021 Copyright © 2017 by Sophus A. Reinert and Robert Fredona Working papers are in draft form. This working paper is distributed for purposes of comment and discussion only. It may not be reproduced without permission of the copyright holder. Copies of working papers are available from the author. Merchants and the Origins of Capitalism Sophus A. Reinert and Robert Fredona ABSTRACT: N.S.B. Gras, the father of Business History in the United States, argued that the era of mercantile capitalism was defined by the figure of the “sedentary merchant,” who managed his business from home, using correspondence and intermediaries, in contrast to the earlier “traveling merchant,” who accompanied his own goods to trade fairs. Taking this concept as its point of departure, this essay focuses on the predominantly Italian merchants who controlled the long‐distance East‐West trade of the Mediterranean during the Middle Ages and Renaissance. Until the opening of the Atlantic trade, the Mediterranean was Europe’s most important commercial zone and its trade enriched European civilization and its merchants developed the most important premodern mercantile innovations, from maritime insurance contracts and partnership agreements to the bill of exchange and double‐entry bookkeeping. Emerging from literate and numerate cultures, these merchants left behind an abundance of records that allows us to understand how their companies, especially the largest of them, were organized and managed. -
The Flowering of Florence: Botanical Art for the Medici" on View at the National Gallery of Art March 3 - May 27, 2002
Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Release Date: February 26, 2002 Passion for Art and Science Merge in "The Flowering of Florence: Botanical Art for the Medici" on View at the National Gallery of Art March 3 - May 27, 2002 Washington, DC -- The Medici family's passion for the arts and fascination with the natural sciences, from the 15th century to the end of the dynasty in the 18th century, is beautifully illustrated in The Flowering of Florence: Botanical Art for the Medici, at the National Gallery of Art's East Building, March 3 through May 27, 2002. Sixty-eight exquisite examples of botanical art, many never before shown in the United States, include paintings, works on vellum and paper, pietre dure (mosaics of semiprecious stones), manuscripts, printed books, and sumptuous textiles. The exhibition focuses on the work of three remarkable artists in Florence who dedicated themselves to depicting nature--Jacopo Ligozzi (1547-1626), Giovanna Garzoni (1600-1670), and Bartolomeo Bimbi (1648-1729). "The masterly technique of these remarkable artists, combined with freshness and originality of style, has had a lasting influence on the art of naturalistic painting," said Earl A. Powell III, director, National Gallery of Art. "We are indebted to the institutions and collectors, most based in Italy, who generously lent works of art to the exhibition." The Exhibition Early Nature Studies: The exhibition begins with an introductory section on nature studies from the late 1400s and early 1500s. -
Getting to Know Italy
Map Skills: Europe- Italy Name_____________________________________________Date________________ Getting to Know Italy 1. What countries border Italy? _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ 2. With which of those countries does Italy share the largest border? ____________________________________________ 3. With which of those countries does Italy share the smallest border? ____________________________________________ 4. What are some regions within Italy? ____________________________________________ ____________________________________________ ____________________________________________ 5. What is the capital of Italy? ____________________________________________ 6. Name at least two other major cities in Italy. ____________________________________________ ____________________________________________ 7. Name some rivers that flow through Italy. ____________________________________________ ____________________________________________ ____________________________________________ ____________________________________________ ____________________________________________ 8. Name some of the national parks in Italy. ____________________________________________ ____________________________________________ 1 ©2005abcteach.com Map Skills: Europe- Italy Name_____________________________________________Date________________ Getting to -
The Importance of Cosimo De Medici in Library History
THE IMPORTANCE OF COSIMO DE MEDICI IN LIBRARY HISTORY by William F Meehan III osimo de Medici, the aristocratic banker in Gern1any are 'epoch-making" (Holmes, 1969 p. and statesman who enlivened philan 119). thropy in Renaissance Florence might When it came to his personal book collection, have made his greatest contribution to [Q Cosin10 preferred quality over quantity, and he added the arts through his patronage of human to his library wisely. After growing up in a home with ist libraries. Cosima hin1self accumulated a superb only three books, Cosima by the age of 30 had as personal collection, but his three major library initia sembled a library of about 70 exquisite volumes. The tives were charitable activities and included Italy's first collection reflected his literary taste and consisted of public library, which made its way to the magnificent classical texts as well as a mix of secular and sacred library founded generations later by one of his descen works typical of collections at the time. Sening his dants. library, as well as other Florentine humanist libraries, Cosima's patronage of libraries flourished when a apart from others in Italy in the first half of the four small group of Florentine intellectuals leading a revival teenth century was the accession of Greek texts, which of the classical world and litterae humaniores sought were exceedingly scarce at th time but central to the his support. They fostered a milieu that engendered an unifying theme of Cosima's excell nt collection as well appreciation for books and learning in the benefactor as a principal scholarly interest of the humanists. -
Proquest Dissertations
PANORAMA, POWER, AND HISTORY: VASARI AND STRADANO'S CITY VIEWS IN THE PALAZZO VECCHIO Pt.I by Ryan E. Gregg A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland May 2008 © 2008 Ryan E. Gregg AH Rights Reserved UMI Number: 3339721 Copyright 2008 by Gregg, Ryan E. All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3339721 Copyright 2009 by ProQuest LLC. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 E. Eisenhower Parkway PO Box 1346 Ann Arbor, Ml 48106-1346 Abstract Painted topographical views of cities and their environs appear throughout the mid-sixteenth-century fresco decorations of the Palazzo Vecchio. This project focuses primarily on the most extensive series, those in the Quartiere di Leone X. Giorgio Vasari and his assistant Giovanni Stradano painted the five rooms of this apartment between 1556 and 1561. The city views take one of three forms in each painting: as a setting for a historical scene, as the background of an allegory, or as the subject of the view itself. -
Read Ebook {PDF EPUB} O Segredo Dos Medicis by Michael White
Read Ebook {PDF EPUB} O Segredo dos Médicis by Michael White WALTON FORD PANCHA TANTRA. At first glance, Walton Ford’s large-scale, highly-detailed watercolors of animals may recall the prints of 19th century illustrators John James Audubon and Edward Lear, and others of the colonial era. But a closer look reveals a complex and disturbingly anthropomorphic universe, full of symbols, sly jokes, and allusions to the 'operatic' nature of traditional natural history themes. The beasts and birds populating this contemporary artist's life-size paintings are never mere objects, but dynamic actors in allegorical struggles: a wild turkey crushes a small parrot in its claw; a troupe of monkeys wreak havoc on a formal dinner table, an American buffalo is surrounded by bloodied white wolves. The book's title derives from The Pancha Tantra, an ancient Indian book of animal tales considered the precursor to Aesop’s Fables. This large-format edition includes an in-depth exploration of Walton Ford’s oeuvre, a complete biography, and excerpts from his textual inspirations: Vietnamese folktales and the letters of Benjamin Franklin, the Autobiography of Benvenuto Cellini and Audubon’s Ornithological Biography. Book Review: The Medici Secret by Michael White. The story begins with a flood in a Milanese church crypt in the 1960’s. But it’s not just any church crypt. It is the crypt housing the mortal remains of the Medici family. Back in the present, scientists have been given unprecedented access to the Medici burials, but when the lead Professor, Carlin Mackenzie, is found murdered in the pop-up lab within the church, the question is, what had he found? His niece, Edie Granger, is another member of the research term, and she wants to find out. -
IN FOCUS: COUNTRYSIDE of TUSCANY, ITALY Nana Boussia Associate
MAY 2017 | PRICE €400 IN FOCUS: COUNTRYSIDE OF TUSCANY, ITALY Nana Boussia Associate Pavlos Papadimitriou, MRICS Associate Director Ezio Poinelli Senior Director Southern Europe HVS.com HVS ATHENS | 17 Posidonos Ave. 5th Floor, 17455 Alimos, Athens, GREECE HVS MILAN | Piazza 4 Novembre, 7, 20124 Milan, ITALY Introduction 2 Tuscany is a region in central Italy with an area of about 23,000 km and a LOCATION OF TUSCANY population of about 3.8 million (2013). The regional capital and most populated town is Florence with approximately 370,000 inhabitants while it features a Western coastline of 400 kilometers overlooking the Ligurian Sea (in the North) and the Tyrrhenian Sea (in the Center and South). Tuscany is known for its landscapes, traditions, history, artistic legacy and its influence on high culture. It is regarded as the birthplace of the Italian Renaissance, the home of many influential in the history of art and science, and contains well-known museums such as the Uffizi and the Pitti Palace. Tuscany produces several well-known wines, including Chianti, Vino Nobile di Montepulciano, Morellino di Scansano and Brunello di Montalcino. Having a strong linguistic and cultural identity, it is sometimes considered "a nation within a nation". Seven Tuscan localities have been designated World Heritage Sites by UNESCO: the historic centre of Florence (1982); the historical centre of Siena (1995); the square of the Cathedral of Pisa (1987); the historical centre of San Gimignano (1990); the historical centre of Pienza (1996); the Val d'Orcia (2004), and the Medici Villas and Gardens (2013). Tuscany has over 120 protected nature reserves, making Tuscany and its capital Florence popular tourist destinations that attract millions of tourists every year. -
Catalogue-Garden.Pdf
GARDEN TOURS Our Garden Tours are designed by an American garden designer who has been practicing in Italy for almost 15 years. Since these itineraries can be organized either for independent travelers or for groups , and they can also be customized to best meet the client's requirements , prices are on request . Tuscany Garden Tour Day 1 Florence Arrival in Florence airport and private transfer to the 4 star hotel in the historic centre of Florence. Dinner in a renowned restaurant in the historic centre. Day 2 Gardens in Florence In the morning meeting with the guide at the hotel and transfer by bus to our first Garden Villa Medici di Castello .The Castello garden commissioned by Cosimo I de' Medici in 1535, is one of the most magnificent and symbolic of the Medici Villas The garden, with its grottoes, sculptures and water features is meant to be an homage to the good and fair governing of the Medici from the Arno to the Apennines. The many statues, commissioned from famous artists of the time and the numerous citrus trees in pots adorn this garden beautifully. Then we will visit Villa Medici di Petraia. The gardens of Villa Petraia have changed quite significantly since they were commissioned by Ferdinando de' Medici in 1568. The original terraces have remained but many of the beds have been redesigned through the ages creating a more gentle and colorful style. Behind the villa we find the park which is a perfect example of Mittle European landscape design. Time at leisure for lunch, in the afternoon we will visit Giardino di Boboli If one had time to see only one garden in Florence, this should be it. -
Gardens of Genoa, the Italian Riviera & Florence
American Horticultural Society Travel Study Program GARDENS OF GENOA, THE ITALIAN RIVIERA & FLORENCE September 5 – 14, 2017 WITH AHS HOST KATY MOSS WARNER AND TOUR LEADER SUSIE ORSO OF SPECIALTOURS American Horticultural Society Announcing an 7931 East Boulevard Drive Alexandria, VA 22308 American Horticultural www.ahsgardening.org/travel Society Travel Study Program GARDENS OF GENOA, THE ITALIAN RIVIERA & FLORENCE September 5 – 14, 2017 WITH AHS HOST KATY MOSS WARNER AND TOUR LEADER SUSIE ORSO OF SPECIALTOURS Designed with the connoisseur of garden travel in mind, GARDENS OF GENOA, THE ITALIAN RIVIERA & FLORENCE the American Horticultural Society Travel Study Program Join us for unforgettable experiences including: offers exceptional itineraries that include many exclusive • Boboli Gardens, created by Cosimo I de’ Medici experiences and unique insights. Your participation benefits the work of the American Horticultural Society • Museum of the Park – the International Centre and furthers our vision of “Making America a Nation of of Open-Air Sculpture, an open air “botanical art Gardeners, a Land of Gardens.” gallery” • Uffizi Gallery, with work by masters including Botticelli, Michelangelo, da Vinci and Raphael • Villa Gamberaia and many other villas and palaces with wonderfully designed and tended gardens • The Italian city of Genoa, with its restored waterfront; Santa Margherita and Portofino, with their colorful charm; and Florence, the beloved Renaissance city Look inside for more details about this remarkable program… Please refer to the enclosed reservation form for pricing and instructions to reserve your place on this AHS Travel Study Program tour. For more information about AHS Travel Study Program tours, please contact development@ahsgardening.