Ainu Ancestors and Prehistoric Asian Agriculture
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Pictures of an Island Kingdom Depictions of Ryūkyū in Early Modern Japan
PICTURES OF AN ISLAND KINGDOM DEPICTIONS OF RYŪKYŪ IN EARLY MODERN JAPAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Travis Seifman Thesis Committee: John Szostak, Chairperson Kate Lingley Paul Lavy Gregory Smits Table of Contents Introduction……………………………………………………………………………………… 1 Chapter I: Handscroll Paintings as Visual Record………………………………. 18 Chapter II: Illustrated Books and Popular Discourse…………………………. 33 Chapter III: Hokusai Ryūkyū Hakkei: A Case Study……………………………. 55 Conclusion………………………………………………………………………………………. 78 Appendix: Figures …………………………………………………………………………… 81 Works Cited ……………………………………………………………………………………. 106 ii Abstract This paper seeks to uncover early modern Japanese understandings of the Ryūkyū Kingdom through examination of popular publications, including illustrated books and woodblock prints, as well as handscroll paintings depicting Ryukyuan embassy processions within Japan. The objects examined include one such handscroll painting, several illustrated books from the Sakamaki-Hawley Collection, University of Hawaiʻi at Mānoa Library, and Hokusai Ryūkyū Hakkei, an 1832 series of eight landscape prints depicting sites in Okinawa. Drawing upon previous scholarship on the role of popular publishing in forming conceptions of “Japan” or of “national identity” at this time, a media discourse approach is employed to argue that such publications can serve as reliable indicators of understandings -
A Brief Summary of Japanese-Ainu Relations and the Depiction of The
The road from Ainu barbarian to Japanese primitive: A brief summary of Japanese-ainu relations in a historical perspective Noémi GODEFROY Centre d’Etudes Japonaises (CEJ) “Populations Japonaises” Research Group Proceedings from the 3rd Consortium for Asian and African Studies (CAAS) “Making a difference: representing/constructing the other in Asian/African Media, Cinema and languages”, 16-18 February 2012, published by OFIAS at the Tokyo University of Foreign Studies, p.201-212 Edward Saïd, in his ground-breaking work Orientalism, underlines that to represent the “Other” is to manipulate him. This has been an instrument of submission towards Asia during the age of European expansion, but the use of such a process is not confined to European domination. For centuries, the relationship between Japan and its northern neighbors, the Ainu, is based on economical domination and dependency. In this regard, the Ainu’s foreignness, impurity and “barbaric appearance” - their qualities as inferior “Others” - are emphasized in descriptive texts or by the regular staging of such diplomatic practices as “barbarian audiences”, thus highlighting the Japanese cultural and territorial superiority. But from 1868, the construction of the Meiji nation-state requires the assimilation and acculturation of the Ainu people. As Japan undergoes what Fukuzawa Yukichi refers to as the “opening to civilization” (文明開化 bunmei kaika) by learning from the West, it also plays the role of the civilizer towards the Ainu. The historical case study of the relationship between Japanese and Ainu from up to Meiji highlights the evolution of Japan’s own self-image and identity, from an emerging state, subduing barbarians, to newly unified state - whose ultramarine relations are inspired by a Chinese-inspired ethnocentrism and rejection of outside influence- during the Edo period, and finally to an aspiring nation-state, seeking to assert itself while avoiding colonization at Meiji. -
May 2020 1(4)
What’s in this issue Welcome Message Eye on Japan Tokyo Days – report by Nadine Willems Piece of Japan Upcoming Events General Links Editor: Oliver Moxham, CJS Project Coordinator CJS Director: Professor Simon Kaner Contact Us Header photo by editor Welcome Message CJS ニュースレターへようこそ! Welcome to the first May edition of the CJS e-newsletter. This week we are happy to bring you positive news from Japan on handling of the pandemic as infection rates continue to slow after a thankfully quiet Golden Week and the government finally accepts that the virus may not simply disappear by the end of May. We have inspiring stories of human kindness in Japan to keep spirits up, a brand new article from Nadine Willems on the trials of acquiring masks in lockdown Tokyo and a raft of cultural goodies on the theme of humanity versus nature in our Piece of Japan segment. You can find a message from CJS Director Professor Simon Kaner on the Sainsbury Institute for the Study of Japanese Arts and Cultures website and hear more from our SISJAC colleagues on their monthly e-bulletin. We hope you enjoy reading and as ever look forward to hearing from you on what you would like to see in future issues. Written by Oliver Moxham, CJS Project Coordinator and editor Editor’s note: Japanese names are given in the Japanese form of family name first i.e. Matsumoto Mariko Eye on Japan: Quiet Golden Week|Flattening the Curve|Castles in the Spotlight 日本の最新情報 As Golden Week passes by with World Heritage Sites on high alert for daring sightseers, it would seem that most heeded the calls to at least not travel, if not stay indoors. -
Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Fall 1-7-2020 Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities Jeffrey Braytenbah Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Asian History Commons, and the Asian Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Braytenbah, Jeffrey, "Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the ashioningF of Ainu/Japanese Colonial Identities" (2020). Dissertations and Theses. Paper 5356. https://doi.org/10.15760/etd.7229 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities by Jeff Braytenbah A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Thesis Committee: Kenneth J. Ruoff, Chair Laura Robson Jennifer Tappan Portland State University 2019 © 2019 Jeff Braytenbah Abstract Japan’s colonial activities on the island of Hokkaido were instrumental to the creation of modern Japanese national identity. Within this construction, the indigenous Ainu people came to be seen in dialectical opposition to the 'modern' and 'civilized' identity that Japanese colonial actors fashioned for themselves. This process was articulated through travel literature, ethnographic portraiture, and discourse in scientific racism which racialized perceived divisions between the Ainu and Japanese and contributed to the unmaking of the Ainu homeland: Ainu Mosir. -
The Moon Bear As a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan
Catherine Knight Independent Scholar The Moon Bear as a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan The Asiatic black bear, or “moon bear,” has inhabited Japan since pre- historic times, and is the largest animal to have roamed Honshū, Shikoku, and Kyūshū since mega-fauna became extinct on the Japanese archipelago after the last glacial period. Even so, it features only rarely in the folklore, literature, and arts of Japan’s mainstream culture. Its relative invisibility in the dominant lowland agrarian-based culture of Japan contrasts markedly with its cultural significance in many upland regions where subsistence lifestyles based on hunting, gathering, and beliefs centered on the mountain deity (yama no kami) have persisted until recently. This article explores the significance of the bear in the upland regions of Japan, particularly as it is manifested in the folklore of communities centered on hunting, such as those of the matagi, and attempts to explain why the bear, and folklore focused on the bear, is largely ignored in mainstream Japanese culture. keywords: Tsukinowaguma—moon bear—matagi hunters—yama no kami—upland communities—folklore Asian Ethnology Volume 67, Number 1 • 2008, 79–101 © Nanzan Institute for Religion and Culture nimals are common motifs in Japanese folklore and folk religion. Of the Amammals, there is a wealth of folklore concerning the fox, raccoon dog (tanuki), and wolf, for example. The fox is regarded as sacred, and is inextricably associated with inari, originally one of the deities of cereals and a central deity in Japanese folk religion. It has therefore become closely connected with rice agri- culture and thus is an animal symbol central to Japan’s agrarian culture. -
Origins of the Japanese Languages. a Multidisciplinary Approach”
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master’s Thesis “Origins of the Japanese languages. A multidisciplinary approach” verfasst von / submitted by Patrick Elmer, BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2019 / Vienna 2019 Studienkennzahl lt. Studienblatt / A 066 843 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Japanologie UG2002 degree programme as it appears on the student record sheet: Betreut von / Supervisor: Mag. Dr. Bernhard Seidl Mitbetreut von / Co-Supervisor: Dr. Bernhard Scheid Table of contents List of figures .......................................................................................................................... v List of tables ........................................................................................................................... v Note to the reader..................................................................................................................vi Abbreviations ....................................................................................................................... vii 1. Introduction ................................................................................................................. 1 1.1. Research question ................................................................................................. 1 1.2. Methodology ........................................................................................................ -
An Ethnographic Study of Tattooing in Downtown Tokyo
一橋大学審査学位論文 Doctoral Dissertation NEEDLING BETWEEN SOCIAL SKIN AND LIVED EXPERIENCE: AN ETHNOGRAPHIC STUDY OF TATTOOING IN DOWNTOWN TOKYO McLAREN, Hayley Graduate School of Social Sciences Hitotsubashi University SD091024 社会的皮膚と生きられた経験の間に針を刺す - 東京の下町における彫り物の民族誌的研究- ヘィリー・マクラーレン 一橋大学審査学位論文 博士論文 一橋大学大学院社会学研究科博士後期課程 i CONTENTS CONTENTS ................................................................................................................................... I ACKNOWLEDGEMENTS ........................................................................................................ III NOTES ........................................................................................................................................ IV Notes on Language .......................................................................................................... iv Notes on Names .............................................................................................................. iv Notes on Textuality ......................................................................................................... iv Notes on Terminology ..................................................................................................... iv LIST OF FIGURES ..................................................................................................................... VI LIST OF WORDS .................................................................................................................... VIII INTRODUCTION ........................................................................................................................ -
The Representation of Ainu Culture in the Japanese
Ainu Culture in the Japanese Museum System 331 THE REPRESENTAAATION OF AINU CULTURE IN THE JAPANESE MUSEUM SYSTEM Naohiro Nakamura Department of Geography, Queen’s University Mackintosh-Corry Hall, D308 Kingston Ontario Canada, K7L 3N6 [email protected] Abstract / Résumé Ainu culture was once considered to be useless or represented as the relic of the past. In the 1990s, however, there were some events regard- ing Ainu cultural promotion and they increased opportunities for the wider society to become aware of the Ainu. Despite these events, there are conflicts over the way the Ainu are represented culturally. The lack of contemporary culture from permanent exhibitions is another problem. This article reviews Ainu cultural representation in the Japanese mu- seum system and discusses what the conflicts are, why the lack of con- temporary culture is a problem, and why this problem remains unsolved. La culture des Aïnous a déjà été considérée inutile ou représentée comme une relique du passé. Toutefois, dans les années 1990, on a organisé des événements de promotion de la culture ainoue qui ont accru les possibilités de sensibilisation de l’ensemble de la société aux Aïnous. Malgré ces événements, la représentation culturelle des Aïnous fait l’objet de conflits. Le manque de représentations culturelles contemporaines dans les expositions permanentes est également un problème. L’article traite de la représentation culturelle des Aïnous dans le système muséal japonais et présente les conflits en cours en expliquant pourquoi le manque de représentations culturelles contemporaines est un problème et pourquoi il n’est toujours pas résolu. The Canadian Journal of Native Studies XXVII, 2(2007):331-365. -
The Protruding Nail Gets Hammered Down: Discrimination of Foreign Workers in Japan
Washington University Global Studies Law Review Volume 2 Issue 2 January 2003 The Protruding Nail Gets Hammered Down: Discrimination of Foreign Workers in Japan Kenneth C. Wu Washington University School of Law Follow this and additional works at: https://openscholarship.wustl.edu/law_globalstudies Part of the Comparative and Foreign Law Commons, and the Labor and Employment Law Commons Recommended Citation Kenneth C. Wu, The Protruding Nail Gets Hammered Down: Discrimination of Foreign Workers in Japan, 2 WASH. U. GLOBAL STUD. L. REV. 469 (2003), https://openscholarship.wustl.edu/law_globalstudies/vol2/iss2/8 This Note is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Global Studies Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. THE PROTRUDING NAIL GETS HAMMERED DOWN: DISCRIMINATION OF FOREIGN WORKERS IN JAPAN I understand discrimination is wrong in practice, but when shaking hands with black people, I get the feeling that my hands are turning black. —Masao Kokubo, assemblyman in Hyogo prefecture1 I. INTRODUCTION At a time when American sports fans are proving to be more cosmopolitan than ever, new seeds of doubt concerning the spirit of openness to outsiders and fair play have arisen in Japanese baseball. While Japanese baseball fans celebrated the record breaking2 and award winning3 performance of home-grown star Ichiro Suzuki in the United States, teams in the Japanese Pacific League went out of their way to sabotage American Tuffy Rhodes’s attempt to break the Japanese single season home run record set by the legendary Sadaharu Oh.4 Stuck at fifty-five home runs for the remaining two weeks of the season as pitchers deliberately walked him time and again, Rhodes could only tie Oh’s thirty-seven year old record. -
The Treatment of Natives in the Nihon Shoki: the Case of Western Japan
The Treatment of Natives in the Nihon Shoki: the case of western Japan One of the first things that strikes the reader of the ancient compilation known as the Nihon shoki is that native peoples were treated with great contempt. The accuracy of the account is of course questionable, and to what extent we can even rely on the earlier sections before the 7th century may have happened. What is recorded cannot have been entirely made up, and even the severest critic of the compilation would not say that it is all fabrication. It is obvious though that the chronology of events depicted by the work could not be accurate. For example, it places Yamato Takeru as the conqueror of the Hitakami region (thought of as present day Miyagi prefecture) way before the Yamato state had pushed into the Kanto. It also depicts the conquest of certain Korean kingdoms such as Shiragi way before it could have been possible. The accuracy of whether naval expeditions of this sort could have taken place at that time has come under suspicion. Whatever the issues regarding its accuracy I want to examine the book from the standpoint of what it says about the native peoples, most definitely the Jomon inhabitants. The original inhabitants are called tsuchigumo, translated as "dirt spiders," and are killed by the Yamato indiscriminately whenever they are encountered. No attempt is made to bring them into alliance. This is straight genocide as we would call it. There is no sugar coating this. In every instance of early contact between Yamato and the natives who are called "dirt spiders", the latter are killed. -
Ainu Ethnogenesis アイヌ民族起源
Ainu ethnogenesis アイヌ民族起源 Tokyo, August 2018 Juha Janhunen What makes an Ainu? • Linguistic heritage: Language • Cultural heritage: Culture • Biological heritage: “Race” and genes • Geographical environment: Territory • Neighbours: Negative identity Components of ethnicity • Language • Contains a unique socially transmitted lineage • Contains also features transitional towards neighbours • Creates a speech community • But allows parallel memberships (multilingualism) • Genes and culture • Do not contain a unique inherited lineage • Always transitional towards neighbours • Statistically relevant at the community level • Can create boundaries also at the individual level Territory and neighbours • NE Honshu: Sisam = Wajin 和人 • Hokkaido: historically Repun kur = Okhotsk • C Sakhalin: Orok = Urakata = Uryangkhai • N Sakhalin: Nivkh = Ghilyak • Amur basin: Ulcha + Ghilyak + Neghidal • Sikhote Alin coast: Oroch-Udeghe • Kurile Islands: none known • Kamchatka: Southern Kamchadal Ainu culture • Northern features • Bear cult • Shamanism? • Cult of inau? • Southern features • Types of dwelling • Methods of subsistance? • Technology? Ainu genes • Palaeo-Japanese heritage • Concentration on Hokkaido • Shared with Ryukyuans • Inherited from Jomon population • Transitions towards neighbours • Jomon heritage in the ethnic Japanese • Receding towards the N and NW Ainu language • Unique features: inherited lineage • Unique basic vocabulary • Structural idiosyncracies • “Oceanic” parallels: substrata • Simple segmental structure • Southern parallels: adstrata -
Anime and Historical Inversion in Miyazaki Hayao's Princess
Anime and Historical Inversion in Miyazaki Hayao’s Princess Mononoke John A. Tucker East Carolina University Introduction If box office receipts are any indication of cultural significance, then Miyazaki Hayao’s Princess Mononoke (Mononokehime, 1997) surely stands as one of the most important works of late-twentieth-century Japanese popular culture: currently it remains the highest-grossing (¥16.65 billion, approximately $150 million) domestic film in Japanese history. Prior to the release of The Titanic, Princess Mononoke eclipsed E.T. and reigned as the biggest box-office hit ever, domestic or foreign, in Japan. While The Titanic has since surpassed Princess Mononoke in overall ticket sales, over 13.53 million Japanese, or more than one-tenth of the population, have watched Princess Mononoke in theatres, and over five million copies of the video have been sold domestically (Yoneda, 204). Princess Mononoke also stands as the most expensive animated movie ever made in Japan, with a 3 billion yen (approximately $30 million) production cost (Wakita et al., 168). Critics have lauded it in literally hundreds of media reviews, especially in Japanese film and popular culture publications such as Kinema junpō, SAPIO, Nyūmedeia, AERA, uirumumeekaazu, Bessatsu Comicbox, Bessatsu Takarajima, Tech Win, Shunkan Kinyōbi, Video Doo!, Yurika, Cinema Talk, and SPA!, as well as in the major newspapers, periodicals, and regional media. Additionally, Princess Mononoke has been awarded numerous prizes, most notably the 21st Japan Academy Award for Best Film (Kuji, 3-4; Schilling, 3). Not surprisingly the film has been released internationally, with an English language version, featuring numerous familiar American voices, including that of Gillian Anderson and Billy Bob Thornton, thus making it exceptionally accessible in the United States for anime fans, and those interested in Japanese history and culture.