DOCSLIB.ORG

Figures Followed by an Asterisk Rifer to an Auction-Price Paid Jor a Musical Work Or Other Item

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Figures Followed by an Asterisk Rifer to an Auction-Price Paid Jor a Musical Work Or Other Item Cambridge University Press 978-0-521-15743-8 - Some British Collectors of Music c. 1600–1960 A. Hyatt King Index More information INDEX Figures followed by an asterisk rifer to an auction-price paid Jor a musical work or other item. Figures in bold type refer to the location of an auction sale-catalogue or to evidence that a sale took place. Abel, Carl Friedrich, 107 Andre, Johann Anton, 46 Aberdeen University, collection of William Andrews, Hilda, 103 Lawrence Taylor bequeathed to, 87, 146 Angel, Alfred, collection sold, 138 (1876) Aberdeen University Studies, 87 n. Anglebert, Jean Baptiste Henri d' Academy of Ancient Music, 16, 31, 147 performer in Ballet de la naissance de Venus, 65 Additions to the Manuscripts of the British Museum, Pieces de clavecin, 65 1846-1847, 44 n. Anne, Q!!een, 65 Adelaide, Q!!een Consort of William IV, !I2 n. Anselmi, Giorgio, 40 Adlung, Jacob, 81 Anselms, see Anselmi, Giorgio Adolphus Frederick, Duke of Cambridge, 95 Apel, Willi, 21 'catalogue thematique', 48 Apollo, The, 29 collection described, 48; sold, 136 (1850) Araja, Francesco, autographs in Royal Music Adson, John, Courtly masquing Ayres, 95* Library, 108 Agricola, Martin, 8 I Archadelt, Jacob, Primo libro de' madrigali, 56* 'Airiettes', 28, 45 Archbishop Marsh's Library, see Dublin Albert, Prince Consort, 92 n. Ariosti, Attilio, 106 as collector, !I2 Aristoxenus, Harmonicorum elementorum libri III, library stamp, !I3 56 Alcock, John, the elder, 148 Arkwright, Godfrey Edward Pellew, 96, 128 n. Alderson, Montague Frederick, 67 n. collection described, 74, 75; sold, 141 (1939, Aldrich, Henry, 90 1944) collection bequeathed to Christ Church, Oxford, Catalogue ofMusic in the Library of Christ Church, 13, 145; catalogue of, by J. B. Malchair, 14; Oxford, viii, 14, 149 described, 13, 14 and n. Arne, Thomas Augustine Alexandra, Q!!een Consort of Edward VII Artaxerxes, Sir Henry Bishop's accompaniments bookplate, !I4 to, 52 operas by Offenbach purchased, !I4, !I5 autograph letters, 38 Allan, Jean, ix Arnold, Franck Thomas, collection described, 84; Allison, Richard, 40 bequeathed to Cambridge University Psalmes of David in Meter, 25*, 96* Library, 84, 146 Allott, Richard, 95 Arnold, J. T., collection sold, 137 (1869) collection sold, 137 (1858) Arnold, Samuel Alsager, Thomas M., collection ofmusical portraits Cathedral Music, 127 dispersed, 48; sold, 136 (1853) collection sold, 137 (1869) Amerbach, Elias Nikolaus, Orgel- oder Instrument­ edition of Handel's works, 21, 95* Tabulatur, 26, 35* Arthur [Tudor], Prince of Wales, collection of Ammonius, W olfgangus, Libri tres odarum eccle­ chansons made for, 1 I siasticarum, 50 Ashley, collector, 92 Amner, John, 40 collection sold, 133 (1813) Anderson's College, Glasgow, see Glasgow Uni­ Ashwell, Thomas, 40 versity Aston, Hugh, 8 Anderson, George Frederick, II2 and n. Attwood, Thomas, exercises written under Anderson, Lucy, !I2 and n. Mozart's supervision, autograph, 73*, 99* 151 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-15743-8 - Some British Collectors of Music c. 1600–1960 A. Hyatt King Index More information Index Augusta Sophia, Princess of Wales, 107, 120 Banister, John, and Low, Thomas, Ayres and bookplate, 65 Dialogues, 33*, 96* owned Amaryllis, 107 Banks, Sarah Sophia, 148 ownedJ. A. Hiller's Die verwandelten Weiber, 65 Banner, Barbara, ix Augustus Frederick, Duke of Sussex, 51,96 Barber, Stephen Nicholson, collection sold, 139 collection described, 44; sold, 44, 135 (1846) (1883) Ausonius, Decimus Magnus, quoted, 13 Barnard, Sir Andrew, collection sold, 137 (1860) Autograph letters and documents of musicians, Baron, Hermann, ix collected by collections sold Andrew George Kurtz, 68 Henry John Laufer, 76 n., 148 Thomas Mackinlay, 44 Cecil Bernard Oldman, 79, 148 William Westley Manning, 78 Barrett, Francis Ernest James Horace, 73 Harold Reeves, 79 Barrett, William Alexander, collection described, Charles Britiffe Smith, 38 73; sold, 141 (1925) Avison, Charles, 17,48, 80 Barthelemon, Fran,>ois Hippolyte, collection men­ Awbery, John, 24 tioned, 93; sold, 133 (1809) Aylesford, Charles Wightwick Finch, 8th Earl of, Bartleman, John, 23, 31, 35, 56,99, 101 see Finch catalogue, unftnished, of Lord Fitzwilliam's Aylesford, Heneage Finch, 6th Earl of, see Finch music,34 Aylward, Theodore, 82 collection described, 34, 35; sold, 34, 134 (1822) A yrton, William, 70, 99 Bassani, Giovanni Battista, 16 bought a theorbo-lute by Maler, 46* Bates, Edward, 96, 97, 99 collection described, 52,53; sold, 52,137 (1858) collection described, 56; sold, 56, 137 (1867) Bates, Joah, 56 Bach, Carl Philipp Emanuel, 26, 43, 76, 79 Bateson, Thomas, 40 Bach, Cecilia, possible gift of Johann Christian Bath, 2 Gay Street, 91 Bach's autographs to Q£een Charlotte, Bath Chronicle, The, 91 n. 107n. Bath Philharmonic Society, 26 Bach,JohannChristian, 107, 121, 122 Bathe, William, Briife Introduction to the Skill of autographs in the Fitzwilliam Museum, 108 n.; Song, 34 in Royal Music Library, 108 Bay Psalm Book, 100 Orione, MS, 128 Bedford, Francis, bookbindings done for Julian Bach, Johann Sebastian, 22, 26, 35,43, 45, 48, 54, Marshall, 66 61, 74, 76, 83 Beethoven, Ludwig van, 17,28, 51, 79, 83, III autograph music, 80 autograph letters, 38 grand studies for the organ with double-bass autograph music, 57, 61, 68, 76 part by Dragonetti, 45 autograph in album owned by Sterndale Bennett, MSS. in the Royal Music Library, 108 61 Trios, 'believed to be autograph', 47 nine autographs owned by Johann Andreas Bach, Wilhelm Friedrich Ernst, I7 Stumpff, 46 Bach-Gesellschaft Edition, subscribed to by correspondence with Birchall, 63 Q£een Victoria, 113 first and early editions, 74, 76 Bach Society, 92 n. hair in a locket, 46* Bacon, John, collection mentioned, 93 satire on editions of, 62, 63 Baker, Charles Henry Collins, 16 n. Sonata op. 106, four leaves ofautograph sketches, Baker, James, collection mentioned, 95; sold, 136 100* (18 55) 'Battle Symphony' performed at Windsor Baker, Muriel Isabella, 16 n. Castle, 58 Baldwin, John, 105 Pastoral Symphony, autograph sketches, 100* Balfe, Michael William, 47 String trio, op. 3, engraver's MS., 66 Balfour, Arthur James, 1st Earl Balfour, 79 Archduke Trio, corrected proof sheets, 100* Balham, London, 63 Werke, not subscribed to by ~een Victoria, Balham, Mr -, collection sold, 132 (1802) 113 n.; presented to Sir William Sterndale Baltzar, Thomas, MS. solos for violin, 26, 98* Bennett, 61 152 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-15743-8 - Some British Collectors of Music c. 1600–1960 A. Hyatt King Index More information Index Bellerophon, see Pers, Dirck Pieterszon tartan silk, 48 Bellini, Vincenzo, I I I vellum or hogskin, on Thomas Gray's music, 49 Sonnambula, adapted by Sir Henry Bishop, 52 Book-Lover's Library, The, 71 n. Bennet, John, 21, 40 Bookplates, 20 Bennett, James Robert Sterndale, 92 n. Boone, Messrs, 99 Bennett, Sir William Sterndale, 92 and n., 100, 112 Boscawen, George Henry, 3rd Earl of Falmouth, autograph annotated catalogue, 61 95,99 collection described, 61, 62; sold, 138 (1875), collection described, 48; sold, 136 (1853) 139 (1878) instruments mentioned, 48 Benson, George, collection sold, 139 (1884) Bottrigari, Ercole, 81 Berlioz, Louis Hector, 76 Boulogne, 59 autograph letters, 87 Bourne, Thomas William, Handel collection, 79; Besozzi, Antonio, Six Solos for the Flute, 127 bequeathed to the Bodleian, 147 Bever, Thomas, 36, 42, 90, 95, 99, II6 n. Boyce, William, the elder, 19,28,36,80,94,97,98, autograph note of ownership, xv, pI. III IIO, II6, II7, II8 n. bookplate, 22, pI. III Anthems, 127 collection described, 22; sold, 22, 132 (1798) autograph letters, 38 Hercules, MS., 23 collection described, 20; sold, 20, 132 (1778) Bevin, Elway, canons, 23 items purchased for the Royal Music Library, 20; Introduction to the Art of Musicke, 75 priced list of these, 124-7 theoretical MSS., 8 Boyce, William, the younger, collection described, Beyer, F. E., 119 n., 120 n. 28; sold, 28,134 (1824) Bibliophiles, Alfred Edward Housman's opinion of, Brahms, Johannes, 100 78 Breithorn, the, John Bartleman compared to, 34 Bill, John, Book of Common Prayer (1634), inter- Breitkopf, Johann Gottlob Emmanuel, Catalogo leaved with musical settings, 9 delle sinfonie . .. che si trovano in manoscritto Birchall, Robert, 60 nella officina musica di G. G. 1. Breitkopf in Birchall & Andrews, 63 Lipsia, 26, 53, 64* Birchall, Lonsdale & Mills, 63 Breitkopf and Hartel, 'ceuvres complettes' of Bird Fancier's Delight, The, 30*,93 Mozart, 32 Bishop, Sir Henry Rowley, 47, 63 Bremner, Robert, gave Virginal Book to Lord collection described, 51, 52; sold, 51, 136 (1855), Fitzwilliam, 36 140 (1888) Brett, Philip, ix, 9 n. 'concertante', autograph, 84 Bridge, Sir Frederick, collection described, 72, 73 ; lectures, autograph, 71 sold, 141 (1924) Bishop, John, of Cheltenham, collection men- Bridges, James, 1st Duke of Chandos, 147 tioned, 92, 148 collection described, 16 Blockley, John, collection sold, 139 (1883) Brighton Pavilion, concerts at, IIO Blow, John, 29 British Broadcasting Corporation, bought Fox Boccherini, Luigi, 17, 81, 122 Strangways collection, 147 Bodleian Library, see Oxford University British Museum, ix, 2, 41, 62, 82, 90 Bodleian Library Record, The, 10 n. MSS. from the Bever collection, 22 Bonavia, Ferruccio, 77 sale-catalogues, priced, ix, 3, 4, 131 Bond, Capel, 80 sale-catalogues, collected by Sir George Smart, Book Collector, The, viii, 4 n., 20, 83, 103, 119 n. 54 Bookbindings, early, 39 Franks collection of book-plates, 91 Aldrich and Goodson collections, 14 Mozart Bicentenary Exhibition, 1956, 80 armorial, Charles I, King of England, 105 Vincent Novello's plan for improving its musica I fish-skin, 51 collections, So Heather collection, 8 Pepys's copy of Youth's Delight on the Flagelet, jewelled, 26 73 and n. 'Russia extra, gilt', 51 Sir John Stainer's hymn- and psalm-books, 73,74 stated in error to be of Qgeen Mary and King collections bequeathed or given by Philip of Spain, 47 Domenico Dragonetti, 45 153 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-15743-8 - Some British Collectors of Music c.
Load more

Recommended publications
  • St Paul's Cathedral Melbourne
    St Paul’s Cathedral Together transforming our City and Diocese MELBOURNE Services and Music List: 6 – 13 December 2020 All attendances at worship must be booked via our website: cathedral.org.au Thursday 10 Dec Sunday 6 December SECOND SUNDAY OF ADVENT 8am BCP Holy Communion. Hymn: Hark a herald voice Friday 11 December 10am Choral Eucharist. Musicians: HH, BenZ, EW, MikeZ, BO, MS, PN Hymns: Int: On Jordan’s bank; Off: Hail to the Lord’s anointed; Dis: Hark a herald Saturday 12 Dec Setting: Communion Service in F – Herbert Sumsion (1899-1995) Psalm: 85:1-2, 8-13 Chant: Frederick Ouseley (1825–89) Sunday 13 December THIRD SUNDAY OF ADVENT For the powers of heaven shall be shaken, and they shall see the Son of Man Gspl Acc: 8am BCP Holy Communion. Hymn: Christ is the world’s light coming in a cloud with power and great glory: when these things begin to come to pass, then look up, and lift up your heads, for your redemption draws nigh. 10am Choral Eucharist. Musicians: KB, SophieC, NE, TB, TJ, LR Motet: Veni, veni Emmanuel – arr. Zoltán Kodály (1882-1967) Hymns: Grad: The great forerunner of the morn; Off: On Jordan’s bank; Postlude: Introduction and Passacaglia in D minor (1899) – Max Reger (1873-1916): Dis: Christ is the world’s light Mr Mark Slavec, June Nixon Organ Scholar Setting: Gloria, Holy & Blessed: Congregational Mass – 1pm Mandarin Worship 華語崇拜 Michael Leighton Jones (b.1947) Psalm: 126 Chant: read Gspl Acc: Show us your mercy and grant us your salvation: stir up your strength, O Monday 7 December Ambrose of Milan, bishop & teacher (d.397) Lord, and come and help us.
    [Show full text]
  • NUI MAYNOOTH Ûllscôst La Ttéiîéann Mâ Üuad Charles Villiers Stanford’S Preludes for Piano Op.163 and Op.179: a Musicological Retrospective
    NUI MAYNOOTH Ûllscôst la ttÉiîéann Mâ Üuad Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 Volumes) Volume 1 Adèle Commins Thesis Submitted to the National University of Ireland, Maynooth for the degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare 2012 Head of Department: Professor Fiona M. Palmer Supervisors: Dr Lorraine Byrne Bodley & Dr Patrick F. Devine Acknowledgements I would like to express my appreciation to a number of people who have helped me throughout my doctoral studies. Firstly, I would like to express my gratitude and appreciation to my supervisors and mentors, Dr Lorraine Byrne Bodley and Dr Patrick Devine, for their guidance, insight, advice, criticism and commitment over the course of my doctoral studies. They enabled me to develop my ideas and bring the project to completion. I am grateful to Professor Fiona Palmer and to Professor Gerard Gillen who encouraged and supported my studies during both my undergraduate and postgraduate studies in the Music Department at NUI Maynooth. It was Professor Gillen who introduced me to Stanford and his music, and for this, I am very grateful. I am grateful to the staff in many libraries and archives for assisting me with my many queries and furnishing me with research materials. In particular, the Stanford Collection at the Robinson Library, Newcastle University has been an invaluable resource during this research project and I would like to thank Melanie Wood, Elaine Archbold and Alan Callender and all the staff at the Robinson Library, for all of their help and for granting me access to the vast Stanford collection.
    [Show full text]
  • A Eric an Choral Review
    A ERIC AN CHORAL REVIEW JOURNAL OF THE AMERICAN CHORAL FOUNDATION, INC. VOLUME XIX • NUMBER 3 • JULY, 1977 AMERICAN CHORAL REVIEW ALFRED MANN, Editar ALFREDA HAYS, Assistant Editor Associate Editors EDWARD TATNALL CANBY ANDREW C. MINOR RICHARD JACKSON MARTIN PICKER JACK RAMEY The AMERICAN CHORAL REVIEW is published quarterly as the official journal of the Association of Choral Conductors sponsored by The American Choral Foundation, Inc. The FOlmdation also publishes a supplementary Research Memorandum Series and maintains a reference library of current publications of choral works. Membership in the Association of Choral Conductors is available for an annual contribution of $20.00 and includes subscriptions to the AMERICAN CHORAL REVIEW and the Research Memorandum Series and use of the Foundation's Advisory Services Division and reference library. All contributions are tax deductible. Back issues of the AMERICAN CHORAL REVIEW are available to members at $2.25; back issues of the Research Memorandum Series at $1.50. Bulk prices will be quoted on request. THE AMERICAN CHORAL FOUNDATION, INC. SHELDON SOFFER, Administrative Director 130 West 56th Street New York, New York 10019 Editorial Address 215 Kent Place Boulevard Summit, New Jersey 07901 Material submitted for publication should be sent in duplicate to the editorial address. All typescripts should be double-spaced and have ample margins. Footnotes should be placed at the bottom of the pages to which they refer. Music examples should preferably appear on separate sheets. Copyright 1977 by THE AMERICAN CHORAL FOUNDATION, INC. Indexed in MUSIC INDEX and MUSIC ARTICLE GUIDE Second-class Postage Paid- New York, New York AMERICAN CHORAL REVIEW July, 1977 CONTENTS The Madrigals of Thomas Morley A Survey Daniel R Salotti 3 Notes on Renaissance Performance Practice Joel Kramme 7 Choral Performances New York Donal Henahan 13 Allen Hughes 13 Peter G.
    [Show full text]
  • LCOM182 Lent & Eastertide
    LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas
    [Show full text]
  • Maurice-Quentin De La Tour
    Neil Jeffares, Maurice-Quentin de La Tour Saint-Quentin 5.IX.1704–16/17.II.1788 This Essay is central to the La Tour fascicles in the online Dictionary which IV. CRITICAL FORTUNE 38 are indexed and introduced here. The work catalogue is divided into the IV.1 The vogue for pastel 38 following sections: IV.2 Responses to La Tour at the salons 38 • Part I: Autoportraits IV.3 Contemporary reputation 39 • Part II: Named sitters A–D IV.4 Posthumous reputation 39 • Part III: Named sitters E–L IV.5 Prices since 1800 42 • General references etc. 43 Part IV: Named sitters M–Q • Part V: Named sitters R–Z AURICE-QUENTIN DE LA TOUR was the most • Part VI: Unidentified sitters important pastellist of the eighteenth century. Follow the hyperlinks for other parts of this work available online: M Matisse bracketed him with Rembrandt among • Chronological table of documents relating to La Tour portraitists.1 “Célèbre par son talent & par son esprit”2 – • Contemporary biographies of La Tour known as an eccentric and wit as well as a genius, La Tour • Tropes in La Tour biographies had a keen sense of the importance of the great artist in • Besnard & Wildenstein concordance society which would shock no one today. But in terms of • Genealogy sheer technical bravura, it is difficult to envisage anything to match the enormous pastels of the président de Rieux J.46.2722 Contents of this essay or of Mme de Pompadour J.46.2541.3 The former, exhibited in the Salon of 1741, stunned the critics with its achievement: 3 I.
    [Show full text]
  • 'She Enclosed & Decorated This Hall on the Advice of John Ruskin': Pauline
    ‘She enclosed & decorated this hall on the advice of John Ruskin’: Pauline, Lady Trevelyan and the creation of Wallington Hall’s Central Hall Lucy West Introduction On 13 May 1866 in a quiet bedroom in Neuchâtel, Switzerland – far from her home of Wallington Hall, Northumberland – Pauline Jermyn Trevelyan (née Paulina Jermyn Jermyn; 1816-1866) (Fig. 1)* took her last breath. At her bedside were her husband, who was the eminent naturalist and geologist Sir Walter Calverley Trevelyan (1797-1879), and John Ruskin (1819-1900), their trusted travel companion who was ‘with her and Sir Walter to the last’.1 Ruskin had been a continual presence in Pauline’s life from their first meeting around 1843, becoming her drawing teacher from 1847 and whom she referred to as her ‘Master’.2 Their relationship was one characterized by mutual respect afforded by Pauline’s privileged aristocratic and intellectual status. Indeed, their correspondence even reveals a certain level of dependency on Ruskin’s part. He would frequently ask Pauline’s trusted advice on subjects such as the names of flowers, a gap in his knowledge of which Ruskin was conscious: ‘I am making some studies of plants for architectural purposes in which I again want some help from you for I have no one of whom I can ask the name of the commonest plants – or rather, I am ashamed to ask their names … ’.3 This article examines afresh how the intellectual and artistic association between Pauline and Ruskin affected the enclosing and decoration of the central hall (Fig. 2) at the Trevelyan residence of Wallington Hall.
    [Show full text]
  • French Travellers to Scotland, 1780-1830
    French Travellers to Scotland, 1780-1830: An Analysis of Some Travel Journals. Elizabeth Anne McFarlane Submitted according to regulations of University of Stirling January 2015 Abstract. This study examines the value of travellers’ written records of their trips with specific reference to the journals of five French travellers who visited Scotland between 1780 and 1830. The thesis argues that they contain material which demonstrates the merit of journals as historical documents. The themes chosen for scrutiny, life in the rural areas, agriculture, industry, transport and towns, are examined and assessed across the journals and against the social, economic and literary scene in France and Scotland. Through the evidence presented in the journals, the thesis explores aspects of the tourist experience of the Enlightenment and post - Enlightenment periods. The viewpoint of knowledgeable French Anglophiles and their receptiveness to Scottish influences, grants a perspective of the position of France in the economic, social and power structure of Europe and the New World vis-à-vis Scotland. The thesis adopts a narrow, focussed analysis of the journals which is compared and contrasted to a broad brush approach adopted in other studies. ii Dedication. For Angus, Mhairi and Brent, who are all scientists. iii Acknowledgements. I would like to thank my husband, Angus, and my daughter, Mhairi, for all the support over the many years it has taken to complete this thesis. I would like to mention in particular the help Angus gave me in the layout of the maps and the table. I would like to express my appreciation for the patience and perseverance of my supervisors and second supervisors over the years.
    [Show full text]
  • Musica Britannica
    T69 (2021) MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Vauxhall Pleasure Gardens c.1750 Stainer & Bell Ltd, Victoria House, 23 Gruneisen Road, London N3 ILS England Telephone : +44 (0) 20 8343 3303 email: [email protected] www.stainer.co.uk MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Musica Britannica, founded in 1951 as a national record of the British contribution to music, is today recognised as one of the world’s outstanding library collections, with an unrivalled range and authority making it an indispensable resource both for performers and scholars. This catalogue provides a full listing of volumes with a brief description of contents. Full lists of contents can be obtained by quoting the CON or ASK sheet number given. Where performing material is shown as available for rental full details are given in our Rental Catalogue (T66) which may be obtained by contacting our Hire Library Manager. This catalogue is also available online at www.stainer.co.uk. Many of the Chamber Music volumes have performing parts available separately and you will find these listed in the section at the end of this catalogue. This section also lists other offprints and popular performing editions available for sale. If you do not see what you require listed in this section we can also offer authorised photocopies of any individual items published in the series through our ‘Made- to-Order’ service. Our Archive Department will be pleased to help with enquiries and requests. In addition, choirs now have the opportunity to purchase individual choral titles from selected volumes of the series as Adobe Acrobat PDF files via the Stainer & Bell website.
    [Show full text]
  • Antiquaries in the Age of Romanticism: 1789-1851
    Antiquaries in the Age of Romanticism: 1789-1851 Rosemary Hill Queen Mary, University of London Submitted for the degree of PhD March 2011 1 I confirm that the work presented in this thesis and submitted for the degree of PhD is my own. Rosemary Hill 2 Abstract The thesis concentrates on the work of fourteen antiquaries active in the period from the French Revolution to the Great Exhibition in England, Scotland and France. I have used a combination of the antiquaries’ published works, which cover, among other subjects, architecture, topography, costume history, Shakespeare and the history of furniture, alongside their private papers to develop an account of that lived engagement with the past which characterised the romantic period. It ends with the growing professionalistion and specialisation of historical studies in the mid-nineteenth century which left little room for the self-generating, essentially romantic antiquarian enterprise. In so far as this subject has been considered at all it has been in the context of what has come to be called ‘the invention of tradition’. It is true that the romantic engagement with history as narrative led to some elaboration of the facts, while the newness of the enterprise laid it open to mistakes. I have not ignored this. The restoration of the Bayeux Tapestry, the forged tartans of the Sobieski Stuarts and the creation of Shakespeare’s Birthplace are all considered. Overall, however, I have been concerned not to debunk but as it were to ‘rebunk’, to see the antiquaries in their historical context and, as far as possible, in their own terms.
    [Show full text]
  • Handel's Last Prima Donna
    SUPER AUDIO CD HANDEL’s LAST PRIMA DONNA GIULIA FRASI IN LONDON RUBY HUGHES Orchestra of the Age of Enlightenment LAURENCE CUMMINGS CHANDOS early music John Christopher Smith, c.1763 Smith, Christopher John Etching, published 1799, by Edward Harding (1755 – 1840), after portrait by Johan Joseph Zoffany (1733 – 1810) © Lebrecht Music & Arts Photo Library Handel’s last prima donna: Giulia Frasi in London George Frideric Handel (1685 – 1759) 1 Susanna: Crystal streams in murmurs flowing 8:14 Air from Act II, Scene 2 of the three-act oratorio Susanna, HWV 66 (1749) Andante larghetto e mezzo piano Vincenzo Ciampi (?1719 – 1762) premiere recording 2 Emirena: O Dio! Mancar mi sento 8:35 Aria from Act III, Scene 7 of the three-act ‘dramma per musica’ Adriano in Siria (1750) Edited by David Vickers Cantabile – Allegretto premiere recording 3 Camilla: Là per l’ombrosa sponda 4:39 Aria from Act II, Scene 1 of the ‘dramma per musica’ Il trionfo di Camilla (1750) Edited by David Vickers [ ] 3 Thomas Augustine Arne (1710 – 1778) 4 Arbaces: Why is death for ever late 2:21 Air from Act III, Scene 1 of the three-act serious opera Artaxerxes (1762) Sung by Giulia Frasi in the 1769 revival Edited by David Vickers [Larghetto] John Christopher Smith (1712 – 1795) 5 Eve: Oh! do not, Adam, exercise on me thy hatred – 1:02 6 It comes! it comes! it must be death! 5:45 Accompanied recitative and song from Act III of the three-act oratorio Paradise Lost (1760) Edited by David Vickers Largo – Largo premiere recording 7 Rebecca: But see, the night with silent pace
    [Show full text]
  • English Lute Manuscripts and Scribes 1530-1630
    ENGLISH LUTE MANUSCRIPTS AND SCRIBES 1530-1630 An examination of the place of the lute in 16th- and 17th-century English Society through a study of the English Lute Manuscripts of the so-called 'Golden Age', including a comprehensive catalogue of the sources. JULIA CRAIG-MCFEELY Oxford, 2000 A major part of this book was originally submitted to the University of Oxford in 1993 as a Doctoral thesis ENGLISH LUTE MANUSCRIPTS AND SCRIBES 1530-1630 All text reproduced under this title is © 2000 JULIA CRAIG-McFEELY The following chapters are available as downloadable pdf files. Click in the link boxes to access the files. README......................................................................................................................i EDITORIAL POLICY.......................................................................................................iii ABBREVIATIONS: ........................................................................................................iv General...................................................................................iv Library sigla.............................................................................v Manuscripts ............................................................................vi Sixteenth- and seventeenth-century printed sources............................ix GLOSSARY OF TERMS: ................................................................................................XII Palaeographical: letters..............................................................xii
    [Show full text]
  • Mary Lago Collection Scope and Content Note
    Special Collections 401 Ellis Library Columbia, MO 65201 (573) 882-0076 & Rare Books [email protected] University of Missouri Libraries http://library.missouri.edu/specialcollections/ Mary Lago Collection Scope and Content Note The massive correspondence of E. M. Forster, which Professor Lago gathered from archives all over the world, is one of the prominent features of the collection, with over 15,000 letters. It was assembled in preparation for an edition of selected letters that she edited in collaboration with P. N. Furbank, Forster’s authorized biographer. A similar archive of Forster letters has been deposited in King’s College. The collection also includes copies of the correspondence of William Rothenstein, Edward John Thompson, Max Beerbohm, Rabindranath Tagore, Edward Burne-Jones, D.S. MacColl, Christiana Herringham, and Arthur Henry Fox-Strangways. These materials were also gathered by her in preparation for subsequent books. In addition, the collection contains Lago’s extensive personal and professional correspondence, including correspondence with Buddhadeva Bose, Penelope Fitzgerald, P.N. Furbank, Dilys Hamlett, Krishna Kripalani, Celia Rooke, Stella Rhys, Satyajit Ray, Amitendranath Tagore, E.P. Thompson, Lance Thirkell, Pratima Tagore, John Rothenstein and his family, Eric and Nancy Crozier, Michael Holroyd, Margaret Drabble, Santha Rama Rau, Hsiao Ch’ien, Ted Uppmann, Edith Weiss-Mann, Arthur Mendel, Zia Moyheddin and numerous others. The collection is supplemented by extensive files related to each of her books, proof copies of these books, and files related to her academic career, honors, awards, and memorabilia. Personal material includes her journals and diaries that depict the tenuous position of a woman in the male-dominated profession of the early seventies.
    [Show full text]