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Vocalic Phonology in New Testament Manuscripts
VOCALIC PHONOLOGY IN NEW TESTAMENT MANUSCRIPTS by DOUGLAS LLOYD ANDERSON (Under the direction of Jared Klein) ABSTRACT This thesis investigates the development of iotacism and the merger of ! and " in Roman and Byzantine manuscripts of the New Testament. Chapter two uses onomastic variation in the manuscripts of Luke to demonstrate that the confusion of # and $ did not become prevalent until the seventh or eighth century. Furthermore, the variations % ~ # and % ~ $ did not manifest themselves until the ninth century, and then only adjacent to resonants. Chapter three treats the unexpected rarity of the confusion of o and " in certain second through fifth century New Testament manuscripts, postulating a merger of o and " in the second century CE in the communities producing the New Testament. Finally, chapter four discusses the chronology of these vocalic mergers to show that the Greek of the New Testament more closely parallels Attic inscriptions than Egyptian papyri. INDEX WORDS: Phonology, New Testament, Luke, Greek language, Bilingual interference, Iotacism, Vowel quantity, Koine, Dialect VOCALIC PHONOLOGY IN NEW TESTAMENT MANUSCRIPTS by DOUGLAS LLOYD ANDERSON B.A., Emory University, 2003 A Thesis Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2007 © 2007 Douglas Anderson All Rights Reserved VOCALIC PHONOLOGY IN NEW TESTAMENT MANUSCRIPTS by DOUGLAS LLOYD ANDERSON Major Professor: Jared Klein Committee: Erika Hermanowicz Richard -
Archaic Eretria
ARCHAIC ERETRIA This book presents for the first time a history of Eretria during the Archaic Era, the city’s most notable period of political importance. Keith Walker examines all the major elements of the city’s success. One of the key factors explored is Eretria’s role as a pioneer coloniser in both the Levant and the West— its early Aegean ‘island empire’ anticipates that of Athens by more than a century, and Eretrian shipping and trade was similarly widespread. We are shown how the strength of the navy conferred thalassocratic status on the city between 506 and 490 BC, and that the importance of its rowers (Eretria means ‘the rowing city’) probably explains the appearance of its democratic constitution. Walker dates this to the last decade of the sixth century; given the presence of Athenian political exiles there, this may well have provided a model for the later reforms of Kleisthenes in Athens. Eretria’s major, indeed dominant, role in the events of central Greece in the last half of the sixth century, and in the events of the Ionian Revolt to 490, is clearly demonstrated, and the tyranny of Diagoras (c. 538–509), perhaps the golden age of the city, is fully examined. Full documentation of literary, epigraphic and archaeological sources (most of which have previously been inaccessible to an English-speaking audience) is provided, creating a fascinating history and a valuable resource for the Greek historian. Keith Walker is a Research Associate in the Department of Classics, History and Religion at the University of New England, Armidale, Australia. -
Notes: Definition and Explanation of Trivium and Quadrivium
DEFINITION AND EXPLANATION OF TRIVIUM AND QUADRIVIUM (From the first time I taught the course--my notes) (Communication Education, Vol. 35,#2, April, 1986, 174, Teaching Critical Thinking Skills) In the Middle Ages university courses were divided into two areas, the Arts and the Sciences. These were a system of rules for generating knowledge. The seven Liberal Arts of Languages ( or Arts) and Sciences were complements, and obviously comprised a Liberal Arts education .. TRIVIUM The Languages (ARTS), or Trivium were composed of: Grammar (Latin) Logic Rhetoric These Arts were concerned with (and were to discover) the social significance of knowledge. These Arts were relatively subjective. Completion of this study led to a bachelor's degree. QUADRIVIUM The Sciences, the Quadrivium, was composed of: Arithmetic Geometry Astronomy Music The Sciences arranged knowledge into systematic bodies of information. The Sciences were relatively objective. Completion of the Quadrivium led to a master's degree (Continued Explanation of Trivium and Quadrivium) Rhetoric, chief among the courses of the Trivium, liberated students from a single view of a problem and led them to social autonomy. The divisions of classical rhetoric provide directions forteaching critical thinking skills. Peter Ramus, 1515-1572, redefined ancient discipliines: Beginning with the trivium, with the arts of discourse, Ramus defined grammar as the art of speaking well, that is of speaking correctly; dialectic as the art of reasoning well; and rhetoric as the art of the eloquent and ornate use of language. Skills arising from Invention/inventio/heuristic were insights from researched information and discovery of arguments to support the point of view espoused. -
The Kefar Hebrew Phonics Puzzles
HEBREW PHONICS PUZZLES “A” & “E” Vowels www.thekefar.com @thekefar The Kefar bit.ly/ KefarYouTube [email protected] 24 Cards Educator’s Guide Pronunciation Chart Hebrew Phonics Puzzles © 2018 by The Kefar. All rights reserved. www.thekefar.com HEBREW PHONICS PUZZLES Educator’s Guide Thank you for using The Kefar’s Hebrew Phonics Puzzles! These are great tools for helping learners strengthen their Hebrew spelling skills and increase their vocabularies. This Educator’s Guide will explain how to read Hebrew, and how to use these phonics puzzles with your learners. Reading Hebrew Hebrew is a Semitic language with a writing system in which every symbol (letter) represents a consonant. Vowels in Hebrew are made up of dots and dashes that are added underneath, above, or to the left of Hebrew letters. These vowels, called niqqud, help Hebrew students learn how to pronounce words. As learners become more familiar with the language, and their vocabularies increase, they are able to read words without niqqud, supplying the correct vowel sounds based on their knowledge of Hebrew. There are three vowel sounds in this Hebrew Phonics Puzzles packet: ;These vowels [ ָ ַ ] make the “ah” sound, as in father This vowel [ ֶ ] makes the “eh” sound, as in bed; and .This vowel [ ֵ ] makes the “ei” sound, as in weigh To read, blend the sound of each Hebrew letter with the vowel sound (in that order). Note that Hebrew is read and written from right to left. is pronounced “seifel” - Samech + ei vowel ֵס ֶפל Example 1: The word (sei) / Fey + eh vowel (feh) / Lamed (l) is pronounced “aleh” - Ayin + ah vowel ָע ֶלה Example 2: The word (ah) / Lamed + eh vowel (leh) / Hey (h) Hebrew Phonics Puzzles ©2018 by The Kefar. -
Can the Undead Speak?: Language Death As a Matter of (Not) Knowing
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 1-12-2017 10:15 AM Can the Undead Speak?: Language Death as a Matter of (Not) Knowing Tyler Nash The University of Western Ontario Supervisor Pero, Allan The University of Western Ontario Graduate Program in Theory and Criticism A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Tyler Nash 2017 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Language Interpretation and Translation Commons Recommended Citation Nash, Tyler, "Can the Undead Speak?: Language Death as a Matter of (Not) Knowing" (2017). Electronic Thesis and Dissertation Repository. 5193. https://ir.lib.uwo.ca/etd/5193 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CAN THE UNDEAD SPEAK?: LANGUAGE DEATH AS A MATTER OF (NOT) KNOWING ABSTRACT This text studies how language death and metaphor algorithmically collude to propagate our intellectual culture. In describing how language builds upon and ultimately necessitates its own ruins to our frustration and subjugation, I define dead language in general and then, following a reading of Benjamin’s “The Task of the Translator,” explore the instance of indexical translation. Inventing the language in pain, a de-signified or designated language located between the frank and the esoteric language theories in the mediaeval of examples of Dante Alighieri and Hildegaard von Bingen, the text acquires the prime modernist example of dead language appropriation in ἀλήθεια and φύσις from the earlier fascistic works of Martin Heidegger. -
How Do Speakers of a Language with a Transparent Orthographic System
languages Article How Do Speakers of a Language with a Transparent Orthographic System Perceive the L2 Vowels of a Language with an Opaque Orthographic System? An Analysis through a Battery of Behavioral Tests Georgios P. Georgiou Department of Languages and Literature, University of Nicosia, Nicosia 2417, Cyprus; [email protected] Abstract: Background: The present study aims to investigate the effect of the first language (L1) orthography on the perception of the second language (L2) vowel contrasts and whether orthographic effects occur at the sublexical level. Methods: Fourteen adult Greek learners of English participated in two AXB discrimination tests: one auditory and one orthography test. In the auditory test, participants listened to triads of auditory stimuli that targeted specific English vowel contrasts embedded in nonsense words and were asked to decide if the middle vowel was the same as the first or the third vowel by clicking on the corresponding labels. The orthography test followed the same procedure as the auditory test, but instead, the two labels contained grapheme representations of the target vowel contrasts. Results: All but one vowel contrast could be more accurately discriminated in the auditory than in the orthography test. The use of nonsense words in the elicitation task Citation: Georgiou, Georgios P. 2021. eradicated the possibility of a lexical effect of orthography on auditory processing, leaving space for How Do Speakers of a Language with the interpretation of this effect on a sublexical basis, primarily prelexical and secondarily postlexical. a Transparent Orthographic System Conclusions: L2 auditory processing is subject to L1 orthography influence. Speakers of languages Perceive the L2 Vowels of a Language with transparent orthographies such as Greek may rely on the grapheme–phoneme correspondence to with an Opaque Orthographic System? An Analysis through a decode orthographic representations of sounds coming from languages with an opaque orthographic Battery of Behavioral Tests. -
Section 9.2, Arabic, Section 9.3, Syriac and Section 9.5, Man- Daic
The Unicode® Standard Version 12.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2019 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 12.0. Includes index. ISBN 978-1-936213-22-1 (http://www.unicode.org/versions/Unicode12.0.0/) 1. -
November/December 2004 a Publication of the New York Circle of Translators
November/December 2004 A Publication of The New York Circle of Translators Au revoir! Dear colleagues, Susanna, along with George Fletcher, also wrote a I would like to start this Beginning Translator's Survival Kit, and all pro- farewell letter by wishing each ceeds from the sales of the book go to the NYCT. In one of you a wonderful holi- March, about 35 members braved a snowstorm to day and a prosperous and enjoy Jon Ritzdorf's presentation on CAT tools and happy New Year. As we tradi- localization. In April, David Prottas shared with our Guylaine Laperrière tionally say in my native members the results of his own recent study on the 2004 NYCT President Québec, "Santé! Bonheur! life of translators. In May, Steve Kahaner, a member Prospérité!" — "Health! Happiness! Wealth!" I wish of the board of directors of The Association of all of these blessings for all of you in the coming Language Companies, presented an update on the year. creation of quality standards for the translation industry. It has been a privilege (and a challenge) to serve as president for the year. I consider myself extremely May also brought the ATA entertainment industry lucky to have met such wonderful colleagues and seminar back to New Jersey, and the NYCT organ- inspiring translators. I can’t thank the NYCT board ized the second day of the seminar. Participants had enough for working so hard all year long to offer the opportunity to learn from Ed Zad how to prepare great workshops and to bring such talented speakers a demo tape for voiceovers. -
The Impact of Orthography on the Acquisition of L2 Phonology:1
Coutsougera, The Impact of Orthography on the Acquisition of L2 Phonology:1 The impact of orthography on the acquisition of L2 phonology: inferring the wrong phonology from print Photini Coutsougera, University of Cyprus 1 The orthographic systems of English and Greek The aim of this study is to investigate how the deep orthography of English influences the acquisition of L2 English phonetics/phonology by L1 Greek learners, given that Greek has a shallow orthography. Greek and English deploy two fundamentally different orthographies. The Greek orthography, despite violating one-letter-to-one-phoneme correspondence, is shallow or transparent. This is because although the Greek orthographic system has a surplus of letters/digraphs for vowel sounds (e.g. sound /i/ is represented in six different ways in the orthography); each letter/digraph has one reading. There are very few other discrepancies between letters and sounds, which are nevertheless handled by specific, straightforward rules. As a result, there is only one possible way of reading a written form. The opposite, however, does not hold, i.e. a speaker of Greek cannot predict the spelling of a word when provided with the pronunciation. In contrast, as often cited in the literature, English has a deep or non transparent orthography since it allows for the same letter to represent more than one sound or for the same sound to be represented by more than one letter. Other discrepancies between letters and sounds - also well reported or even overstated in the literature - are of rather lesser importance (e.g. silent letters existing mainly for historical reasons etc). -
CEN WORKSHOP Agreementfinal Draft for CWA/MES:1998
CEN WORKSHOP AGREEMENTFinal draft for CWA/MES:1998 1998-11-18 English version Information technology – Multilingual European Subsets in ISO/IEC 10646-1 Technologies de l’information – Informationstechnologie – Jeux partiels européens multilingues Mehrsprachige europäische Untermengen dans l’ISO/CEI 10646-1 in ISO/IEC 10646-1 This CEN Workshop Agreement has been drafted and approved by a Workshop of representatives of interested parties, whose names and affiliations can be obtained from the CEN/ISSS Secretariat. The formal process followed by the Workshop in the development of this Workshop Agreement has been endorsed by the National Members of CEN, but neither the National Members of CEN nor the CEN Central Secretariat can be held accountable for the technical content of this CEN Workshop Agreement or for possible conflicts with standards or legislation. This CEN Workshop Agreement can in no way be held as being an official standard developed by CEN and its Members. This CEN Workshop Agreement is publicly available, as a reference document, from the CEN Members National Standard Bodies. CEN Members are the National Standards Bodies of Austria, Belgium, the Czech Republic, Denmark, Finland, France, Germany, Greece, Iceland, Ireland, Italy, Luxembourg, the Netherlands, Norway, Portugal, Spain, Sweden, Switzerland and the United Kingdom. CEN EUROPEAN COMMITTEE FOR STANDARDIZATION COMITÉ EUROPÉEN DE NORMALISATION EUROPÄISCHES KOMITEE FÜR NORMUNG Central Secretariat: rue de Stassart 36, B-1050 Brussels © CEN 1998 All rights of exploitation in any form and by any means reserved worldwide for CEN national Members Ref.No. CWA/MES:1998 E Information technology – Page 2 Multilingual European Subsets in ISO/IEC 10646-1 Final Draft for CWA/MES:1998 Contents Foreword 3 Introduction 4 1. -
The Unicode Standard, Version 6.2 Copyright © 1991–2012 Unicode, Inc
The Unicode Standard Version 6.2 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. Copyright © 1991–2012 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium ; edited by Julie D. Allen ... [et al.]. — Version 6.2. -
The Trivium in the 12Th Century
Chapter 7 The Trivium in the 12th Century Frédéric Goubier and Irène Rosier-Catach 1 Introduction In the early 12th century there was no lack of praise for the liberal arts as pathways to acquire wisdom. As we read in Thierry of Chartres’s prologue to the Heptateuchon:1 The two main instruments of philosophical work are understanding (in- tellectus) and its expression in language (interpretatio).The quadrivium illuminates comprehension, and the trivium enables the elegant, ratio- nal, and beautiful expression of comprehension. Thus it is clear that the Heptateuchon constitutes a single, unified instrument for all philosophy. Philosophy is the love of wisdom, and wisdom is the integral comprehen- sion of the truth of existing things, which no one can attain even in part unless he has loved wisdom. The division of knowledge into seven liberal arts was transmitted in the Middle Ages by the encyclopaedists of Late Antiquity: Martianus Capella (De nuptiis Philologiae et Mercurii,2 ca. 430 or ca. 470 ?), Cassiodorus (Institutiones,3 ca. 620), Isidore of Seville (Etymologiae,4 ca. 625), and then by the authors of the early Middle Ages. The designation liberales appended to artes received various justifications, as one can read in several early 12th-century witnesses: the arts are liberal because they “liberate” the students from sin, in that they prevent their minds from wandering toward perverted behaviour, noted a grammarian named Stephen, or “because they free students from secular worries,” states 1 Édouard Jeauneau, “Le Prologus in Eptatheucon de Thierry de Chartres,” Medieval Studies 16 (1954), 171–175, repr. in Id., Lectio philosophorum: Recherches sur l’École de Chartres (Amster- dam: 1973); Rita Copeland and Ineke Sluiter, Medieval Grammar and Rhetoric (Oxford: 2009).