Publications on Paper and Paper Research by the Staff of The
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Graphic Arts: Book Three
DOCUMENT RESUME. ED 219 652 CE 033 509 AUTHOR Farajollahi, Karim; And Others 'TITLEN, Graphic Arts: Book Three. The Press and Related Processes. INSTITUTION Mid-America Vocational Cureiculum Consortium, Stillwater Okla. 4 PUB DATE 82 NOTE 294p.; _For related documents see CE 033 507-508. AVAILABLE FROMMid-America Vocational Curriculum Consortium, 1515 West Sixth Avenue, Stillwater, OK 74074. EpRS PRICE MF01 Plus Postage. PC Not Available from EDRS. IIESCRIPTORS Competency Based Education; Criterion Referenced Tests; *Equipment Maintenance; *Graphic Arts; Instructional Materials; Learningittivities; laper (Material); Postsecondary Education; *Printing;* *Production Techniques; *Reprography; Supplies; *Technical Education IDENTIFIERS *Printing Presses ABSTRACT The third of a three-iolume set of instructional materials for a graphic arts course, this manual consists of nine instructional units dealing with presses and related erocesselA Covered in the unitS are basic press fundamentals, offset presir 'syitems, offset press operating procedures, offset inks and dampening chemistry, preventive Maintenance and trouble shooting, 'other printing processes,.cost awareness, binding and finishing, and calculating paper cutting. Each unit contains some or all of the following: performanCe objecti4es, suggested activities for.teachers, information sheetS, assignment sheets, job sheets; visual aids, tests, and test,answers. Instructional materials in thepublication are written in terms of student performanceusing measurable objectives. (MN) *********i')i************************************************************ -
Technical Handbook Carbonless Papers
www.mitsubishi-paper.com HiTec Paper. Technical Handbook Carbonless Papers Technical Handbook A technical handbook for the printing and processing of Giroform, the carbonless paper from Mitsubishi HiTec Paper Europe GmbH. Published by: Mitsubishi HiTec Paper Europe GmbH Niedernholz 23 33699 Bielefeld | Germany All rights are reserved. This also includes partial extraction, reproduction by photographic means and use of the translations made. Retail Price: EUR 15.00 4 | Technical Handbook Foreword This technical handbook for Giroform is intended to Many of the explanations, recommendations and give help and information to forms manufacturers, our limitations are not only applicable to Giroform, but distributors and to forms users. also to carbonless papers of a similar technical con struction. In addition to explanations of the construction, proper ties and processing of Giroform, we have therefore also Should you require any further information please dealt with questions of forms usage. contact us – our distributors and technical advisers will always be pleased to help. We have endeavoured to compile a detailed product handbook, with which most questions concerning the The information given in the handbook is based on our use and application of Giroform can be answered. many years of experience. It does not, however, relieve | 5 the forms manufacturer or user of his duty of ordinary therefore, reserve the right to modify the product. We care and control. will, however, endeavour to inform our customers as soon as possible of any changes likely to affect the Because the processing and use of Giroform takes pla use of our product. ce beyond our control, no possible product guarantee claims can be derived from the contents of this hand book. -
Specifications Guide ES9466 MFP/ES9476
MULTIFUNCTIONAL DIGITAL COLOR SYSTEMS Specifications Guide ES9466 MFP/ES9476 MFP ©2016 Oki Data Corporation All rights reserved Under the copyright laws, this manual cannot be reproduced in any form without prior written permission of Oki Data. Preface Thank you for purchasing OKI Multifunctional Digital Systems or Multifunctional Digital Color Systems. This manual describes about the specifications of this equipment and the information of the options. Read this manual before using this equipment. Some models provide the scanning/printing function as an option. How to read this manual Symbols in this manual In this manual, some important items are described with the symbols shown below. Be sure to read these items before using this equipment. Indicates a potentially hazardous situation which, if not avoided, could result in death, serious injury, or serious damage, or fire in the equipment or surrounding assets. Indicates a potentially hazardous situation which, if not avoided, may result in minor or moderate injury, partial damage to the equipment or surrounding assets, or loss of data. Indicates information to which you should pay attention when operating the equipment. Describes handy information that is useful to know when operating the equipment. Pages describing items related to what you are currently doing. See these pages as required. Description of original/paper direction Paper or originals of A4, B5 or LT size can be placed either in a portrait direction or in a landscape direction. In this manual, “-R” is added to this paper size when this size of paper or original is placed in a landscape direction. e.g.) A4 size original on the original glass Placed in a portrait direction: A4 Placed in a landscape direction: A4-R Paper or originals of A3, B4, LD or LG can only be placed in a landscape direction, therefore “-R” is not added to these sizes. -
Final Paper Products Recovered Materials Advisory Notice Response to Public Comments
FINAL PAPER PRODUCTS RECOVERED MATERIALS ADVISORY NOTICE Response to Public Comments Office of Solid Waste U.S. Environmental Protection Agency April 1996 CONTENTS I. Introduction . 1 A. The Draft Paper Products Recovered Materials Advisory Notice . 1 B. Overview of the RCRA Requirements . 1 C. Overview of the Executive Order Provisions for Paper . 3 II. Applicability . 5 A. Background. 5 B. Comments and Agency Response. 5 III. EPA's Objectives . 7 A. Background. 7 B. Comments and Agency Response. 7 IV. EPA's Approach to Recommendations. 11 A. Background . 11 B. Comments and Agency Response . 11 V. EPA's Methodology . 14 A. Background . 14 B. Comments and Agency Response . 14 VI. Recommendations for Printing and Writing Papers. 15 A. Background . 15 B. Comments and Agency Response . 19 VII. Recommendations for Newsprint . 27 A. Background . 27 B. Comments and Agency Response . 27 VIII. Recommendations for Tissue Products. 31 A. Background . 31 B. Comments and Agency Response . 32 IX. Recommendations for Paperboard and Packaging Products . 36 A. Background . 36 B. Comments and Agency Response . 38 X. Recommendations for Miscellaneous Paper Products. 45 A. Background . 45 B. Comments and Agency Response . 45 XI. Recommendations for Measurement. 46 A. Background . 46 B. Comments and Agency Response . 46 XII. Recommendations for Specifications. 48 A. Background . 48 B. Comments and Agency Response . 48 XIII. Recommendations for Recyclability. 49 A. Background . 49 B. Comments and Agency Response . 49 XIV. Definitions . 51 A. Background . 51 B. Comments and Agency Response . 51 XV. Certification and Verification . 54 A. Background . 55 B. Comments and Agency Response . 55 XVI. Sawdust as Recovered Fiber. -
A Quest for the Golden Fleece
A Quest for the Golden Fleece Donald Farnsworth Copyright © 2017 Donald Farnsworth, all rights reserved. Any person is hereby authorized to view, copy, print and distribute this document for informational and non-commercial purposes only. Any copy of this document or portion thereof must include this copyright notice. Note that any product or technology described in the document may be the subject of other intellectual property rights reserved by Don- ald Farnsworth and Magnolia Editions or other entities. 2 A Quest for the Golden Fleece Rarely have I encountered an entangled mat of cellulose fibers I didn’t appreciate in one way or another. Whether textured or smooth, pre- cious or disposable, these hardy amalgams of hydrogen-bonded fibers have changed the world many times over. For centuries, human history has been both literally written on the surface of paper and embedded deep within its structure. In folded and bound form, mats of cellulose fibers ushered in the Enlightenment; by enabling multiple iterations and revisions of an idea to span generations, they have facilitated the design of airships and skyscrapers, or the blueprints and calculations that made possible the first human footsteps on the moon. Generally speaking, we continue to recognize paper by a few basic characteristics: it is most often thin, portable, flexible, and readily ac- cepting of ink or inscription. There is, however, a particular sheet that is superlatively impressive, exhibiting an unintentional and unpreten- tious type of beauty. At first glance and in direct light, it may trick you into thinking it is merely ordinary paper; when backlit, the care- ful viewer may detect subtle hints of its historical pedigree via telltale watermarks or chain and laid lines. -
Leafing Through History
Leafing Through History Leafing Through History Several divisions of the Missouri Botanical Garden shared their expertise and collections for this exhibition: the William L. Brown Center, the Herbarium, the EarthWays Center, Horticulture and the William T. Kemper Center for Home Gardening, Education and Tower Grove House, and the Peter H. Raven Library. Grateful thanks to Nancy and Kenneth Kranzberg for their support of the exhibition and this publication. Special acknowledgments to lenders and collaborators James Lucas, Michael Powell, Megan Singleton, Mimi Phelan of Midland Paper, Packaging + Supplies, Dr. Shirley Graham, Greg Johnson of Johnson Paper, and the Campbell House Museum for their contributions to the exhibition. Many thanks to the artists who have shared their work with the exhibition. Especial thanks to Virginia Harold for the photography and Studiopowell for the design of this publication. This publication was printed by Advertisers Printing, one of only 50 U.S. printing companies to have earned SGP (Sustainability Green Partner) Certification, the industry standard for sustainability performance. Copyright © 2019 Missouri Botanical Garden 2 James Lucas Michael Powell Megan Singleton with Beth Johnson Shuki Kato Robert Lang Cekouat Léon Catherine Liu Isabella Myers Shoko Nakamura Nguyen Quyet Tien Jon Tucker Rob Snyder Curated by Nezka Pfeifer Museum Curator Stephen and Peter Sachs Museum Missouri Botanical Garden Inside Cover: Acapulco Gold rolling papers Hemp paper 1972 Collection of the William L. Brown Center [WLBC00199] Previous Page: Bactrian Camel James Lucas 2017 Courtesy of the artist Evans Gallery Installation view 4 Plants comprise 90% of what we use or make on a daily basis, and yet, we overlook them or take them for granted regularly. -
Making Paper from Trees
Making Paper from Trees Forest Service U.S. Department of Agriculture FS-2 MAKING PAPER FROM TREES Paper has been a key factor in the progress of civilization, especially during the past 100 years. Paper is indispensable in our daily life for many purposes. It conveys a fantastic variety and volume of messages and information of all kinds via its use in printing and writing-personal and business letters, newspapers, pamphlets, posters, magazines, mail order catalogs, telephone directories, comic books, school books, novels, etc. It is difficult to imagine the modern world without paper. Paper is used to wrap packages. It is also used to make containers for shipping goods ranging from food and drugs to clothing and machinery. We use it as wrappers or containers for milk, ice cream, bread, butter, meat, fruits, cereals, vegetables, potato chips, and candy; to carry our food and department store purchases home in; for paper towels, cellophane, paper handkerchiefs and sanitary tissues; for our notebooks, coloring books, blotting paper, memo pads, holiday greeting and other “special occasion’’ cards, playing cards, library index cards; for the toy hats, crepe paper decorations, paper napkins, paper cups, plates, spoons, and forks for our parties. Paper is used in building our homes and schools-in the form of roofing paper, and as paperboard- heavy, compressed product made from wood pulp-which is used for walls and partitions, and in such products as furniture. Paper is also used in linerboard, “cardboard,” and similar containers. Wood pulp is the principal fibrous raw material from which paper is made, and over half of the wood cut in this country winds up in some form of paper products. -
The Method of Making Models from Sheets of Blotting Paper
THE METHOD OF MAKING MODELS FROM SI-IEETS OF BLOTTING PAPER. BY SUSANNA PHELPS GAGE. Ithaca, New York. The Born Method of reconstructing models from wax plates is in use in all the larger laboratories of Anatomy and Embryology. Various modifications of that method have been introduced, notably at Johns IIopkins University. For smaller laboratories and isolated investigators the wax plates are difficult to prepare or to obtain already made. More- over, in the larger laboratories ihe preparation of the plates is a much dreaded piece of drudgery to be done in the basement. The apparatus is cumbersome and if at all accurate, expensive. Like any other ap- paratus it requires some skill to use it with success. Any one who has either cast or rolled wax plates will not need a statement of the inconveniences. In 1905, it occurred to me that sheets of blotting paper might serve instead of wax plates. A small model was at once made which showed its feasibility. Models made of this material were demonstrated at thc Association of American Anatomists in December, 1905, ( Amer. Jour. Anat. V., 1905-06, p. XXIII) and the method was further demonstrated at the International Zoological Congress held in Boston, August, 1907'. It has also been used successfully in the embryologic and anatomic laboratories of Cornell University and the University of West Virginia. Blotting paper models were demonstrated by Dr. J. H. Hathaway and by Dr. J. B. Johnston at the Association of American Anatomists held in New York, 1906 (Proc. Assoc. Amer. Anatomists, Anat. Record, April 1, 1907,). -
Government Paper Specification Standards
Government March 2011 No. 12 Government March 2011 No. 12 Printed on recycled paper For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512-1800; DC area (202) 512-1800 F1ax: (202) 512-2104 Mail: Stop IDCC, Washington, DC 20402-000 ISBN 978-0-16-088382-8 U.S. GOVERNMENT PRINTING OFFICE WILLIAM J. BOARMAN Keeping America Informed I www.gpo.gov Public Printer of the United States March 16, 2011 The Honorable Joseph R. Biden The President of the Senate The Honorable John A. Boehner The Speaker of the House of Representatives Sirs: I have the honor to transmit herewith the Annual Report of the U.S. Government Printing Office (GPO) for the fiscal year ending September 30, 2010. The report contains the results of an audit of GPO’s financial statements conducted by an independent accounting firm. Respectfully submitted, WILLIAM J. BOARMAN Public Printer 732 North Capitol Street, NW, Washington, DC 20401-0001 I [email protected] TABLE OF CONTENTS Advisory Council on Paper Specifications ………………………………………… v Introduction …………………………………………………………………………. vii Recycled Fiber Content and Permanent Paper Standards ………...……….…………. ix Part 1. Specifications ………………...……………………………………………... 1 Runnability Requirements for Paper Used in a Federal Printing Plant ………………. 3 Printing Papers ………………………………………………………………………. 5 JCP A10: Newsprint JCP A25: Heat-Set Web Offset Machine-Finish Book JCP A50: Machine-Finish Book End JCP A55: Heat-Set Web Offset Book JCP A60: Offset Book JCP A61: No. 1 Offset -
Conservation of Coated and Specialty Papers
RELACT HISTORY, TECHNOLOGY, AND TREATMENT OF SPECIALTY PAPERS FOUND IN ARCHIVES, LIBRARIES AND MUSEUMS: TRACING AND PIGMENT-COATED PAPERS By Dianne van der Reyden (Revised from the following publications: Pigment-coated papers I & II: history and technology / van der Reyden, Dianne; Mosier, Erika; Baker, Mary , In: Triennial meeting (10th), Washington, DC, 22-27 August 1993: preprints / Paris: ICOM , 1993, and Effects of aging and solvent treatments on some properties of contemporary tracing papers / van der Reyden, Dianne; Hofmann, Christa; Baker, Mary, In: Journal of the American Institute for Conservation, 1993) ABSTRACT Museums, libraries, and archives contain large collections of pigment-coated and tracing papers. These papers are produced by specially formulated compositions and manufacturing procedures that make them particularly vulnerable to damage as well as reactive to solvents used in conservation treatments. In order to evaluate the effects of solvents on such papers, several research projects were designed to consider the variables of paper composition, properties, and aging, as well as type of solvent and technique of solvent application. This paper summarizes findings for materials characterization, degradative effects of aging, and some effects of solvents used for stain reduction, and humidification and flattening, of pigment-coated and modern tracing papers. Pigment-coated papers have been used, virtually since the beginning of papermaking history, for their special properties of gloss and brightness. These properties, however, may render coated papers more susceptible to certain types of damage (surface marring, embedded grime, and stains) and more reactive to certain conservation treatments. Several research projects have been undertaken to characterize paper coating compositions (by SEM/EDS and FTIR) and appearance properties (by SEM imaging of surface structure and quantitative measurements of color and gloss) in order to evaluate changes that might occur following application of solvents used in conservation treatments. -
Pastel Framing Tips Here Are Some Tips on Framing Pastels That Will Help You Frame Your Pastel Paintings Properly and Easily
tips & ideas Pastel Framing Tips Here are some tips on framing pastels that will help you frame your pastel paintings properly and easily. by Greg Fremstad Backing Backing Backing Backing Framing with mats or Pastel Pastel Pastel without (matless) Pastel Let’s Start with with the Second Mat Second Mat Second Mat Second Mat matted version first. Front Mat Front Mat Front Mat Front Mat Mats provide airspace Foam Board Foam Board between the glass and Glass Lifter Lifter the face of the art. They Glass Glass promote air circulation Glass that prevents mold growth and moisture that buckles the art. Mats with a standard bevel as shown in the cross sections in Fig 1 Fig 2 Fig 3 Fig 4 Figure 1 creates problems. Standard Bevel Standard Bevel Reverse Bevel Reverse Bevel Pastel dust that falls off Double Mat Double Mat Double Mat Double Mat the painting settles on With Lifter With Lifter the bevel of the mat(s). You can lessen this situation by lifting the mat(s) up off the painting by inserting strips of mat board or foam board behind the mats to make a generous space for the dust to fall into. Make sure the lifters go all the way to the outside edge of the mats to support the backing. (See Figure 2) The dust will settle on the mat bevels and every time the frame is jostled the dust will filter down between the mat and the glass. Another good remedy uses “reverse bevel” mat(s) as shown in Figures 3 and 4. -
Recycling Potential of Textile Solid Waste
Waste Management and the Environment IX 125 RECYCLING POTENTIAL OF TEXTILE SOLID WASTE MOHAMMAD FAHIM HASAN, NOWRIN MOW, MOHAMMAD RAKIBUL ALAM, SARDAR MOHAMMAD ABIR HASAN & ROWSHAN MAMTAZ Bangladesh University of Engineering and Technology (BUET), Bangladesh ABSTRACT With increasing production of textile products, textile industries (TIs) are generating a considerable amount of liquid and solid wastes which bring in many adverse impacts on the environment such as landfill occupation, contamination of air, soil, surface water, and groundwater. In Bangladesh, while prioritizing the disposal and management of textile liquid wastes, the necessity of management of textile solid wastes (TSWs) are often neglected. TSW is generated in a considerable amount but no proper management or disposal system is followed by the industries. An attempt has been made in this study to find a sustainable disposal option for TSW. The experiments were conducted throughout 2016. This research is concerned with a particular type of solid waste, very dusty in composition, generated from slitting, brushing and sueding machine in the dyeing unit of the composite TI. Using this particular type of TSW, papermaking was attempted following manual procedures. TSW at ten different ratios were added to scrap abandoned paper mixture (paper : waste = 1 : 0.25, 1 : 0.5, 1 : 0.75, 1 : 1, 1 : 1.5, 1 : 2, 1 : 2.25, 1 : 2.5, 1 : 2.75, 1 : 3, etc.) to produce papers. A pulp consistency test and different tests on produced paper e.g. basis weight, bulk, and density, book bulk, thickness, hygroexpansivity, formation, moisture, and finish were conducted according to Technical Association of the Pulp and Paper Industry (TAPPI) methods and ISO standards were followed to determine the quality of pulp and type of papers.