The Journal of the Georgia Philological Association

Total Page:16

File Type:pdf, Size:1020Kb

The Journal of the Georgia Philological Association J our nal of the Georg ia Philolo g ical Association The Journal of the Georgia philology noun phi·lol·o·gy | \ f-lä-l-j also f- \ Philological Association Definition of philology 1: the study of literature and of disciplines relevant to literature or to language as used in literature 2a: LINGUISTICS Volume 8 especially : historical and comparative linguistics b: the study of human speech especially as the vehicle of literature and as a field of study that sheds light on cultural history (Merriam-Webster Dictionary) ISBN 978-1-79470-793-1 90000 V ol. 9 781794 707931 8 Journal of the Georgia Philological Association Vol. 8 (2018-19) GPA logo © Georgia Philological Association Original design by Stephen Carey The Journal of the Georgia Philological Association is published annually and contains selected expanded essays from proceedings from its annual conference held in the Spring as well as blind submissions. GPA membership is a prerequisite for final publication of all articles. To submit to the JGPA, email manuscripts, double- spaced and in MLA format as an attachment to: Farrah Senn, Editor-in-Chief Journal of the Georgia Philological Association [email protected] Complete submission instructions and more information can be found on the GPA web page at http://www.ega.edu/gpa. All views or conclusions are those of the authors of the articles and not necessarily those of the editorial staff or the Georgia Philological Association. Annual Memberships Faculty, Full and Part-time $25 Students Graduate $20 Undergraduate $15 Independent Scholars and Retired Faculty $20 Subscription Rates (order forms available on the website): Print Electronic Institutions and Libraries $60 $60 Individuals Members $20 Included in membership Non-members $30 $30 This journal is a member of the CELJ, the Council of Editors of Learned Journals. It is indexed in the MLA International Bibliography and EBSCOhost Research Databases. ii Journal of the Georgia Philological Association Editorial Staff: Editor-in-Chief Farrah R. Senn, Assistant Professor of English Andrew College [email protected] Co-Editor Dave Buehrer, Professor of English (retired) Valdosta State University [email protected] Founding Editor 2005-2009 Thom Brucie, Professor of English (Brewton-Parker College) South Georgia State College Editorial Board: Thom Brucie, Professor of English South Georgia State University Valerie Czerny, Associate Professor of English East Georgia State College Lorraine Dubuisson, Associate Professor of English Middle Georgia State University Marcus Johnson, Assistant Professor of Education Abraham Baldwin Agricultural College Laura Hanna, Graduate Assistant Valdosta State University Published by the Georgia Philological Association 2019 Copyright © 2019 by the Georgia Philological Association All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review or scholarly journal. First Printing: 2006 ISBN 978-1-79470-793-1 Georgia Philological Association http://www.ega.edu/gpa Table of Contents Foreword ................................................................................................vii Introduction...........................................................................................10 Beowulf and the Idealization of the Comitatus ..........................12 Anca Garcia University of South Florida Harmonious Relationships in For Whom the Bell Tolls: A Pagan Spiritual Approach .................................................................35 Lay Sion Ng Osaka University Table, Bottle, and Bed: The Insatiable Southern Appetite of Tennessee Williams ............................................................................51 Vicki Collins University of South Carolina Aiken The Medieval Beginnings of Science Fiction...............................68 Kathleen Burt, PhD Middle Georgia State University “Lusty as Nature”: Whitman’s Environmental Eroticism........89 Matthew Wynn Sivils Iowa State University Encounters with Suffering and the Almighty: Theodicy and Rhetoric in the Poetry of Rosalía de Castro and Emily Dickinson .............................................................................................103 Mark DeStephano, PhD Saint Peter's University The Naturalness and Arbitrariness of Rustic Language: Reconsidering Wordsworth’s Preface to Lyrical Ballads.....131 Sunghyun Jang Korea University A Pilgrim’s Progress for the Digital, Post-Human(ist) Age?: Neo-Realism and Allegorical Representation in Russell Banks’s Lost Memory of Skin ..........................................................153 Dave Buehrer Valdosta State University The Representation of Women and the Concept of “Womanish” Behavior in Henry IV, Part I..................................179 Joshua Temples Andrew College v Slaying Monstrosity: The Undermining of the Heroic Ideal and the Monstrous in the Beowulf Legend ...............................192 Eric Sterling Auburn University, Montgomery At “the Edge of the Void”: An Existential Reading of Mixedblood Identity in Momaday’s House Made of Dawn and The Ancient Child................................................................................215 Jason Huddleston, PhD Emmanuel College vi Foreword From the GPA President… I am honored to once again be serving as president of the Georgia Philological Association (GPA) for the 2018-2019 academic year and to be writing the forward to the latest edition of our peer- reviewed journal. That my colleagues chose to elect me to this office for an unprecedented third term is deeply humbling and a challenge to me as president to reflect on the ways in which the GPA is serving its membership and the academy at large. That desire to understand the role of the GPA in both the regional and national academic communities inspires me to refer back to the framework created by our founding members. According to the 2006 Constitution of the GPA: “The Georgia Philological Association exists for the purposes of exploring and exchanging ideas within the field of philological studies,” and “membership shall be open to students, teachers, scholars, and creative artists in the field of philological studies.” These mandates in the founding documents of the GPA define us as an organization devoted to high-quality scholarship within a broad category of interests; they also establish our commitment to creating opportunities for social and professional networking as well as opportunities to mentor the next generation of scholars. What sets the GPA apart from many other academic organizations in the humanities (outside of the affordability and accessibility of our conference for Georgia teachers and scholars) are the rigorous, blind peer review all submissions to our journal undergo and our willingness to showcase the voices of burgeoning scholars. Many of our long-time members use the GPA as an avenue for teaching their undergraduate and graduate students about the conventions of scholarship: How do I write an abstract? A conference paper? How do I correspond with a conference organizer or the editor of a journal? How do I present my ideas successfully to a body of my academic peers? How do I revise a conference paper for publication? How do I submit that revised piece for publication, and how do I handle the gamut of responses I might receive from an editorial board regarding my work? These are questions that many graduate students don’t begin to address until they are entering the job market, and many undergraduate students don’t address them at all in the course of their undergraduate studies. The GPA is relatively unique in that it accepts conference presentation and article submissions from the entire spectrum of the academy—from those students who are just beginning their scholarly journeys to seasoned, full professors at prestigious institutions. Although I think the benefits to emerging scholars of this aspect of our organizational mission are very evident, I also think the positive effects on those of us whose positions in the academy are firmly established cannot be ignored. Students bring fresh perspectives to texts with long histories in the canon; they don’t know how these texts are “supposed” to be read, and so can offer novel ways of interpreting them. Students also clamor for the scholarly treatment of more recently published and more diverse texts, leading to the expansion of the canon. Perhaps more importantly, when we teach students how to navigate the academy, we come to understand more fully the professional and theoretical foundations of our own scholarly work. I am proud that the GPA includes students in our definition of scholar and look forward to more contributions from undergraduate and graduate students to the conference and journal. The thirteenth annual conference of the GPA was held on May 18, 2018, at the Conference Center on the Macon campus of Middle Georgia State University. At this meeting, we awarded Sara Selby a lifetime membership in the GPA for her role in founding the organization and her continued support of GPA’s scholarly enterprise. We also awarded the Vicki Hill Memorial Graduate Recognition Award to Daniel Pendleton for his paper “Objectification and the Cost of Being Exotic in Aphra Behn’s ‘Oroonoko.’” Presentations covered a wide range of topics, including race, pedagogy, class, gender, and setting; they investigated a variety of genres, including poetry and prose, and
Recommended publications
  • The Films of Raoul Walsh, Part 1
    Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema ....................
    [Show full text]
  • The First Critical Assessments of a Streetcar Named Desire: the Streetcar Tryouts and the Reviewers
    FALL 1991 45 The First Critical Assessments of A Streetcar Named Desire: The Streetcar Tryouts and the Reviewers Philip C. Kolin The first review of A Streetcar Named Desire in a New York City paper was not of the Broadway premiere of Williams's play on December 3, 1947, but of the world premiere in New Haven on October 30, 1947. Writing in Variety for November 5, 1947, Bone found Streetcar "a mixture of seduction, sordid revelations and incidental perversion which will be revolting to certain playgoers but devoured with avidity by others. Latter category will predomin­ ate." Continuing his predictions, he asserted that Streetcar was "important theatre" and that it would be one "trolley that should ring up plenty of fares on Broadway" ("Plays Out of Town"). Like Bone, almost everyone else interested in the history of Streetcar has looked forward to the play's reception on Broadway. Yet one of the most important chapters in Streetcar's stage history has been neglected, that is, the play's tryouts before that momentous Broadway debut. Oddly enough, bibliographies of Williams fail to include many of the Streetcar tryout reviews and surveys of the critical reception of the play commence with the pronouncements found in the New York Theatre Critics' Reviews for the week of December 3, 1947. Such neglect is unfortunate. Streetcar was performed more than a full month and in three different cities before it ever arrived on Broadway. Not only was the play new, so was its producer. Making her debut as a producer with Streetcar, Irene Selznick was one of the powerhouses behind the play.
    [Show full text]
  • Customer Order Form
    #396 | SEP21 PREVIEWS world.com Name: ORDERS DUE SEP 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM Sep21 Cover ROF and COF.indd 1 8/5/2021 10:52:51 AM GTM_Previews_ROF.indd 1 8/5/2021 8:54:18 AM PREMIER COMICS NEWBURN #1 IMAGE COMICS 34 A THING CALLED TRUTH #1 IMAGE COMICS 38 JOY OPERATIONS #1 DARK HORSE COMICS 84 HELLBOY: THE BONES OF GIANTS #1 DARK HORSE COMICS 86 SONIC THE HEDGEHOG: IMPOSTER SYNDROME #1 IDW PUBLISHING 114 SHEENA, QUEEN OF THE JUNGLE #1 DYNAMITE ENTERTAINMENT 132 POWER RANGERS UNIVERSE #1 BOOM! STUDIOS 184 HULK #1 MARVEL COMICS MP-4 Sep21 Gem Page ROF COF.indd 1 8/5/2021 10:52:11 AM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Guillem March’s Laura #1 l ABLAZE The Heathens #1 l AFTERSHOCK COMICS Fathom: The Core #1 l ASPEN COMICS Watch Dogs: Legion #1 l BEHEMOTH ENTERTAINMENT 1 Tuki Volume 1 GN l CARTOON BOOKS Mutiny Magazine #1 l FAIRSQUARE COMICS Lure HC l FANTAGRAPHICS BOOKS 1 The Overstreet Guide to Lost Universes SC/HC l GEMSTONE PUBLISHING Carbon & Silicon l MAGNETIC PRESS Petrograd TP l ONI PRESS Dreadnoughts: Breaking Ground TP l REBELLION / 2000AD Doctor Who: Empire of the Wolf #1 l TITAN COMICS Blade Runner 2029 #9 l TITAN COMICS The Man Who Shot Chris Kyle: An American Legend HC l TITAN COMICS Star Trek Explorer Magazine #1 l TITAN COMICS John Severin: Two-Fisted Comic Book Artist HC l TWOMORROWS PUBLISHING The Harbinger #2 l VALIANT ENTERTAINMENT Lunar Room #1 l VAULT COMICS MANGA 2 My Hero Academia: Ultra Analysis Character Guide SC l VIZ MEDIA Aidalro Illustrations: Toilet-Bound Hanako Kun Ark Book SC l YEN PRESS Rent-A-(Really Shy!)-Girlfriend Volume 1 GN l KODANSHA COMICS Lupin III (Lupin The 3rd): Greatest Heists--The Classic Manga Collection HC l SEVEN SEAS ENTERTAINMENT APPAREL 2 Halloween: “Can’t Kill the Boogeyman” T-Shirt l HORROR Trese Vol.
    [Show full text]
  • BRIEF CHRONICLE Artistic Director the Official Newsmagazine of Writers’ Theatre Kathryn M
    ISSUE twEnty-nInE MAY 2010 1 A STREETCAR NAMED DESIRE: On Stage Table of ConTenTs Dear Friends .................................................................................................... 3 “DroppeD overboarD… on Stage: A Streetcar Named Desire ...................................................................... 5 The Man. The Play. The Legend. ........................................................ 6 Director's Sidebar .................................................................................... 10 into an ocean Acting Cromer ............................................................................................. 12 Setting the Scene ..................................................................................... 13 Why Here? Why Now? ............................................................................ 14 Announcing the 2010/11 Season ................................................. 16 baCksTage: as blue as Event Wrap Up – Behind-the-Scenes Brunch ........................... 20 Event Wrap Up – Literary Luncheon ............................................ 22 Sponsor Salute ........................................................................................... 24 Tales of a True Fourth Grade Nothing .......................................... 26 Performance Calendar .......................................................................... 29 my first lover’s eyes!” - blanChe, A Streetcar named desire 2 A STREETCAR NAMED DESIRE: On Stage A STREETCAR NAMED DESIRE: On Stage 1 Michael halberstam tHe
    [Show full text]
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
    [Show full text]
  • The Relevance of Tennessee Williams for the 21St- Century Actress
    Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2009 Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the American Film Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Bealer, Marcie Danae, "Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress" (2009). Honors Theses. 24. https://scholarlycommons.obu.edu/honors_theses/24 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Honors Thesis Ouachita Baptist University Spring 2009 Bealer 2 Finding a place to begin, discussing the role Tennessee Williams has played in the American Theatre is a daunting task. As a playwright Williams has "sustained dramatic power," which allow him to continue to be a large part of American Theatre, from small theatre groups to actor's workshops across the country. Williams holds a central location in the history of American Theatre (Roudane 1). Williams's impact is evidenced in that "there is no actress on earth who will not testify that Williams created the best women characters in the modem theatre" (Benedict, par 1). According to Gore Vidal, "it is widely believed that since Tennessee Williams liked to have sex with men (true), he hated women (untrue); as a result his women characters are thought to be malicious creatures, designed to subvert and destroy godly straightness" (Benedict, par.
    [Show full text]
  • 1.1 Biblical Wisdom
    JOB, ECCLESIASTES, AND THE MECHANICS OF WISDOM IN OLD ENGLISH POETRY by KARL ARTHUR ERIK PERSSON B. A., Hon., The University of Regina, 2005 M. A., The University of Regina, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) February 2014 © Karl Arthur Erik Persson, 2014 Abstract This dissertation raises and answers, as far as possible within its scope, the following question: “What does Old English wisdom literature have to do with Biblical wisdom literature?” Critics have analyzed Old English wisdom with regard to a variety of analogous wisdom cultures; Carolyne Larrington (A Store of Common Sense) studies Old Norse analogues, Susan Deskis (Beowulf and the Medieval Proverb Tradition) situates Beowulf’s wisdom in relation to broader medieval proverb culture, and Charles Dunn and Morton Bloomfield (The Role of the Poet in Early Societies) situate Old English wisdom amidst a variety of international wisdom writings. But though Biblical wisdom was demonstrably available to Anglo-Saxon readers, and though critics generally assume certain parallels between Old English and Biblical wisdom, none has undertaken a detailed study of these parallels or their role as a precondition for the development of the Old English wisdom tradition. Limiting itself to the discussion of two Biblical wisdom texts, Job and Ecclesiastes, this dissertation undertakes the beginnings of such a study, orienting interpretation of these books via contemporaneous reception by figures such as Gregory the Great (Moralia in Job, Werferth’s Old English translation of the Dialogues), Jerome (Commentarius in Ecclesiasten), Ælfric (“Dominica I in Mense Septembri Quando Legitur Job”), and Alcuin (Commentarius Super Ecclesiasten).
    [Show full text]
  • *P Ocket Sizes May Vary. W E Recommend Using Really, Really Big Ones
    *Pocket sizes may vary. We recommend using really, really big ones. Table of Contents Welcome to Dragon*Con! .............................................3 Live Performances—Concourse (CONC) .................38 Film Festival Schedule ...............................................56 Vital Information .........................................................4 Online Gaming (MMO) .........................................91 Walk of Fame ...........................................................58 Important Notes ....................................................4 Paranormal Track (PN) .........................................92 Dealers Tables ..........................................................60 Courtesy Buses .....................................................4 Podcasting (POD) ................................................93 Exhibitors Booths ......................................................62 MARTA Schedule ..................................................5 Puppetry (PT) <NEW> .......................................94 Comics Artists Alley ...................................................64 Hours of Operation ................................................5 Reading Sessions (READ) .....................................96 Art Show: Participating Artists ....................................66 Special Events ......................................................6 Robert Jordan’s Wheel of Time (RJWOT) ................96 Hyatt Atlanta Fan Tracks Information and Room Locations ...................6 Robotics and Maker Track
    [Show full text]
  • Producing Tennessee Williams' a Streetcar Named Desire, a Process
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE SCHOOL OF THEATRE PRODUCING TENNESSEE WILLIAMS’ A STREETCAR NAMED DESIRE, A PROCESS FOR DIRECTING A PLAY WITH NO REFUND THEATRE J. SAMUEL HORVATH Spring, 2010 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Finance with honors in Theatre Reviewed and approved* by the following: Matthew Toronto Assistant Professor of Theatre Thesis Supervisor Annette McGregor Professor of Theatre Honors Adviser * Signatures are on file in the Schreyer Honors College. ABSTRACT This document chronicles the No Refund Theatre production of Tennessee Williams’ A Streetcar Named Desire. A non-profit, student organization, No Refund Theatre produces a show nearly every weekend of the academic year. Streetcar was performed February 25th, 26th, and 27th, 2010 and met with positive feedback. This thesis is both a study of Streetcar as a play, and a guide for directing a play with No Refund. It is divided into three sections. First, there is an analysis Tennessee Williams’ play, including a performance history, textual analysis, and character analyses. Second, there is a detailed description of the process by which I created the show. And finally, the appendices include documentation and notes from all stages of the production, and are essentially my directorial promptbook for Streetcar. Most importantly, embedded in this document is a video recording of our production of Streetcar, divided into three “acts.” I hope that this document will serve as a road-map for
    [Show full text]
  • BAM Presents the Sydney Theatre Company Production of Tennessee Williams’ a Streetcar Named Desire, Nov 27–Dec 20
    BAM presents the Sydney Theatre Company production of Tennessee Williams’ A Streetcar Named Desire, Nov 27–Dec 20 Production marks U.S. directorial debut of Liv Ullmann and features Cate Blanchett as Blanche DuBois, Joel Edgerton as Stanley, and Robin McLeavey as Stella The Wall Street Journal is the Presenting Sponsor of A Streetcar Named Desire A Streetcar Named Desire By Tennessee Williams Sydney Theatre Company Directed by Liv Ullmann Set design by Ralph Myers Costume design by Tess Schofield Lighting design by Nick Schlieper Sound design by Paul Charlier BAM Harvey Theater (651 Fulton St) Nov 27 and 28, Dec 1*, 2, 3**, 4, 5, 8–12, 15–19 at 7:30pm Nov 28, Dec 2, 5, 9, 12, 16, and 19 at 2pm Nov 29, Dec 6, 13, and 20 at 3pm Tickets: $30, 65, 95 (Tues–Thurs); $40, 80, 120 (Fri–Sun) 718.636.4100 or BAM.org *press opening **A Streetcar Named Desire: Belle Rêve Gala (performance begins at 8pm) Artist Talk with Liv Ullmann: Between Screen and Stage Moderated by Phillip Lopate, writer and professor at Columbia University. Dec 7 at 7pm BAM Harvey Theater Tickets: $15 ($7.50 for Friends of BAM) Artist Talk with cast members Moderated by Lynn Hirschberg, The New York Times Magazine editor-at-large Dec 8, post-show (free for same-day ticket holders) Brooklyn, N.Y./Oct 23, 2009—In a special winter presentation, Sydney Theatre Company returns to BAM with Tennessee Williams’ A Streetcar Named Desire, directed by renowned actor/director/writer Liv Ullmann and featuring Academy Award-winning actress/Sydney Theatre Company Co-Artistic Director Cate Blanchett as Blanche DuBois, Joel Edgerton at Stanley Kowalski, Robin McLeavey as Stella Kowalski, and Tim Richards as Mitch.
    [Show full text]
  • AUDITIONS: Thursday, Jan
    The at er Auditi ons Open Call for A Streetcar Named Desire By Tennessee Williams Directed by Margaret Knapp Blanche DuBois is an unmarried former schoolteacher and fading Southern belle. She arrives in the French Quarter of New Orleans to stay with her pregnant sister Stella and husband Stanley. Blanche is disdainful of the couple’s cramped quarters, though it is quickly revealed that Belle Reve, the palatial DuBois family home, has been lost and Blanche has nowhere else to go. Blanche’s genteel sensibility and judgmental nature brings out the worst in the hot-tempered, working class Stanley. Blanche, ever hopeful, sparks a romance with Stanley’s friend Mitch, until Stanley goes digging through her seamy past to destroy her hopes of a fresh start. When Stella goes into labor and leaves for the hospital, Stanley and Blanche are left alone in the apartment, and things come to a violent head. This Pulitzer Prize winning play had a long and successful run on Broadway and was made into a film starring Vivien Leigh (Blanche) and Marlon Brando (Stanley). A tragic and effective drama, it ranks as one of the greatest in American theater. ROLES: Seeking actors of all ages and ethnicities. People of color strongly encouraged to audition. AUDITIONS: Thursday, Jan. 24 6 - 9 p.m. Room A167, Skokie Campus, 7701 N. Lincoln Ave. No appointment necessary. Please be prepared to read from the script. CALLBACKS: Friday, Jan. 25, 6:30 - 9 p.m. Room A167, Skokie Campus, 7701 N. Lincoln Ave. The Skokie campus is accessible through the CTA yellow line.
    [Show full text]
  • Third Person : Authoring and Exploring Vast Narratives / Edited by Pat Harrigan and Noah Wardrip-Fruin
    ThirdPerson Authoring and Exploring Vast Narratives edited by Pat Harrigan and Noah Wardrip-Fruin The MIT Press Cambridge, Massachusetts London, England 8 2009 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. For information about special quantity discounts, please email [email protected]. This book was set in Adobe Chapparal and ITC Officina on 3B2 by Asco Typesetters, Hong Kong. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Third person : authoring and exploring vast narratives / edited by Pat Harrigan and Noah Wardrip-Fruin. p. cm. Includes bibliographical references and index. ISBN 978-0-262-23263-0 (hardcover : alk. paper) 1. Electronic games. 2. Mass media. 3. Popular culture. 4. Fiction. I. Harrigan, Pat. II. Wardrip-Fruin, Noah. GV1469.15.T48 2009 794.8—dc22 2008029409 10987654321 Index American Letters Trilogy, The (Grossman), 193, 198 Index Andersen, Hans Christian, 362 Anderson, Kevin J., 27 A Anderson, Poul, 31 Abbey, Lynn, 31 Andrae, Thomas, 309 Abell, A. S., 53 Andrews, Sara, 400–402 Absent epic, 334–336 Andriola, Alfred, 270 Abu Ghraib, 345, 352 Andru, Ross, 276 Accursed Civil War, This (Hull), 364 Angelides, Peter, 33 Ace, 21, 33 Angel (TV show), 4–5, 314 Aces Abroad (Mila´n), 32 Animals, The (Grossman), 205 Action Comics, 279 Aparo, Jim, 279 Adams, Douglas, 21–22 Aperture, 140–141 Adams, Neal, 281 Appeal, 135–136 Advanced Squad Leader (game), 362, 365–367 Appendixes (Grossman), 204–205 Afghanistan, 345 Apple II, 377 AFK Pl@yers, 422 Appolinaire, Guillaume, 217 African Americans Aquaman, 306 Black Lightning and, 275–284 Arachne, 385, 396 Black Power and, 283 Archival production, 419–421 Justice League of America and, 277 Aristotle, 399 Mr.
    [Show full text]