1.1 Biblical Wisdom
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Lesser Feasts and Fasts 2018
Lesser Feasts and Fasts 2018 Conforming to General Convention 2018 1 Preface Christians have since ancient times honored men and women whose lives represent heroic commitment to Christ and who have borne witness to their faith even at the cost of their lives. Such witnesses, by the grace of God, live in every age. The criteria used in the selection of those to be commemorated in the Episcopal Church are set out below and represent a growing consensus among provinces of the Anglican Communion also engaged in enriching their calendars. What we celebrate in the lives of the saints is the presence of Christ expressing itself in and through particular lives lived in the midst of specific historical circumstances. In the saints we are not dealing primarily with absolutes of perfection but human lives, in all their diversity, open to the motions of the Holy Spirit. Many a holy life, when carefully examined, will reveal flaws or the bias of a particular moment in history or ecclesial perspective. It should encourage us to realize that the saints, like us, are first and foremost redeemed sinners in whom the risen Christ’s words to St. Paul come to fulfillment, “My grace is sufficient for you, for my power is made perfect in weakness.” The “lesser feasts” provide opportunities for optional observance. They are not intended to replace the fundamental celebration of Sunday and major Holy Days. As the Standing Liturgical Commission and the General Convention add or delete names from the calendar, successive editions of this volume will be published, each edition bearing in the title the date of the General Convention to which it is a response. -
Widsith Beowulf. Beowulf Beowulf
CHAPTER 1 OLD ENGLISH LITERATURE The Old English language or Anglo-Saxon is the earliest form of English. The period is a long one and it is generally considered that Old English was spoken from about A.D. 600 to about 1100. Many of the poems of the period are pagan, in particular Widsith and Beowulf. The greatest English poem, Beowulf is the first English epic. The author of Beowulf is anonymous. It is a story of a brave young man Beowulf in 3182 lines. In this epic poem, Beowulf sails to Denmark with a band of warriors to save the King of Denmark, Hrothgar. Beowulf saves Danish King Hrothgar from a terrible monster called Grendel. The mother of Grendel who sought vengeance for the death of her son was also killed by Beowulf. Beowulf was rewarded and became King. After a prosperous reign of some forty years, Beowulf slays a dragon but in the fight he himself receives a mortal wound and dies. The poem concludes with the funeral ceremonies in honour of the dead hero. Though the poem Beowulf is little interesting to contemporary readers, it is a very important poem in the Old English period because it gives an interesting picture of the life and practices of old days. The difficulty encountered in reading Old English Literature lies in the fact that the language is very different from that of today. There was no rhyme in Old English poems. Instead they used alliteration. Besides Beowulf, there are many other Old English poems. Widsith, Genesis A, Genesis B, Exodus, The Wanderer, The Seafarer, Wife’s Lament, Husband’s Message, Christ and Satan, Daniel, Andreas, Guthlac, The Dream of the Rood, The Battle of Maldon etc. -
Wisdom Literature
Wisdom Literature What is Wisdom Literature? “Wisdom literature” is the generic label for the books of Proverbs, Ecclesiastes (=Qoheleth) and Job in the Hebrew Bible. Two other major wisdom books, the Book of Ben Sira (=Ecclesiasticus) and the Wisdom of Solomon, are found in the Apocrypha, but are accepted as canonical in the Catholic tradition. Some psalms (e.g. 1, 19, 119) are regarded as “wisdom psalms” by analogy with the main wisdom books, and other similar writings are found in the Dead Sea Scrolls. The label derives simply from the fact that “wisdom” and “folly” are discussed frequently in these books. The designation is an old one, going back at least to St. Augustine. Wisdom is instructional literature, in which direct address is the norm. It may consist of single sentences, proverbial or hortatory, strung together, or of longer poems and discourses, some of which tend toward the philosophical. From early times, wisdom was associated with King Solomon. According to 1 Kings 4:29-34, God gave Solomon very great wisdom, discernment, and breadth of understanding as vast as the sand on the sea-shore, so that Solomon’s wisdom surpassed the wisdom of all the people of the east, and all the wisdom of Egypt . .He composed three thousand proverbs, and his songs numbered a thousand and five. He would speak of trees, from the cedar that is in the Lebanon to the hyssop that grows in the wall; he would speak of trees, from the cedar that is in the Lebanon to the hyssop that grows in the wall; he would speak of animals, and birds, and reptiles, and fish. -
*P Ocket Sizes May Vary. W E Recommend Using Really, Really Big Ones
*Pocket sizes may vary. We recommend using really, really big ones. Table of Contents Welcome to Dragon*Con! .............................................3 Live Performances—Concourse (CONC) .................38 Film Festival Schedule ...............................................56 Vital Information .........................................................4 Online Gaming (MMO) .........................................91 Walk of Fame ...........................................................58 Important Notes ....................................................4 Paranormal Track (PN) .........................................92 Dealers Tables ..........................................................60 Courtesy Buses .....................................................4 Podcasting (POD) ................................................93 Exhibitors Booths ......................................................62 MARTA Schedule ..................................................5 Puppetry (PT) <NEW> .......................................94 Comics Artists Alley ...................................................64 Hours of Operation ................................................5 Reading Sessions (READ) .....................................96 Art Show: Participating Artists ....................................66 Special Events ......................................................6 Robert Jordan’s Wheel of Time (RJWOT) ................96 Hyatt Atlanta Fan Tracks Information and Room Locations ...................6 Robotics and Maker Track -
Third Person : Authoring and Exploring Vast Narratives / Edited by Pat Harrigan and Noah Wardrip-Fruin
ThirdPerson Authoring and Exploring Vast Narratives edited by Pat Harrigan and Noah Wardrip-Fruin The MIT Press Cambridge, Massachusetts London, England 8 2009 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. For information about special quantity discounts, please email [email protected]. This book was set in Adobe Chapparal and ITC Officina on 3B2 by Asco Typesetters, Hong Kong. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Third person : authoring and exploring vast narratives / edited by Pat Harrigan and Noah Wardrip-Fruin. p. cm. Includes bibliographical references and index. ISBN 978-0-262-23263-0 (hardcover : alk. paper) 1. Electronic games. 2. Mass media. 3. Popular culture. 4. Fiction. I. Harrigan, Pat. II. Wardrip-Fruin, Noah. GV1469.15.T48 2009 794.8—dc22 2008029409 10987654321 Index American Letters Trilogy, The (Grossman), 193, 198 Index Andersen, Hans Christian, 362 Anderson, Kevin J., 27 A Anderson, Poul, 31 Abbey, Lynn, 31 Andrae, Thomas, 309 Abell, A. S., 53 Andrews, Sara, 400–402 Absent epic, 334–336 Andriola, Alfred, 270 Abu Ghraib, 345, 352 Andru, Ross, 276 Accursed Civil War, This (Hull), 364 Angelides, Peter, 33 Ace, 21, 33 Angel (TV show), 4–5, 314 Aces Abroad (Mila´n), 32 Animals, The (Grossman), 205 Action Comics, 279 Aparo, Jim, 279 Adams, Douglas, 21–22 Aperture, 140–141 Adams, Neal, 281 Appeal, 135–136 Advanced Squad Leader (game), 362, 365–367 Appendixes (Grossman), 204–205 Afghanistan, 345 Apple II, 377 AFK Pl@yers, 422 Appolinaire, Guillaume, 217 African Americans Aquaman, 306 Black Lightning and, 275–284 Arachne, 385, 396 Black Power and, 283 Archival production, 419–421 Justice League of America and, 277 Aristotle, 399 Mr. -
Redeeming Beowulf and Byrhtnoth
Redeeming Beowulf: The Heroic Idiom as Marker of Quality in Old English Poetry Abstract: Although it has been fashionable lately to read Old English poetry as being critical of the values of heroic culture, the heroic idiom is the main, and perhaps the only, marker of quality in Old English poetry. Considering in turn the ‘sacred heroic’ in Genesis A and Andreas, the ‘mock heroic’ in Judith and Riddle 51, and the fiercely debated status of Byrhtnoth and Beowulf in The Battle of Maldon and Beowulf, this discussion suggests that modern scholarship has confused the measure with the measured. Although an uncritical heroic idiom may not be to modern critical tastes, it is suggested here that the variety of ways in which the heroic idiom is used to evaluate and mark value demonstrates the flexibility and depth of insight achieved by Old English poets through their apparently limited subject matter. A hero can only be defined by a narrative in which he or she meets or exceeds measures set by society—in which he or she demonstrates his or her quality. In that sense, all heroic narratives are narratives about quality. In Old English poetry, the heroic idiom stands as the marker of quality for a wide range of things: people, artefacts, actions, and events that are good, respected, desirable, and valued are marked by being presented with the characteristic language and ethic of an idealised, archaic warrior-culture.1 This is not, of course, a new point; it is traditional in Old English scholarship to associate quality with the elite, military world of generous war-lords, loyal thegns, gorgeous equipment, great acts of courage, and 1 The characteristic subject matter and style of Old English poetry is referred to in varying ways by critics. -
University of California, Los Angeles Invisible Labor In
UNIVERSITY OF CALIFORNIA, LOS ANGELES INVISIBLE LABOR IN THE MEDIEVAL WORLD A THESIS SUBMITTED TO THE DEPARTMENT OF ENGLISH IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS BY ANGIE RODRGUEZ ADVISOR: MATTHEW FISHER LOS ANGELES, CA MARCH 11, 2020 ABSTRACT INVISIBLE LABOR IN THE MEDIEVAL WORLD BY ANGIE RODRIGUEZ This thesis explores invisible labor, which is a conteMporary term, as written in Old English literature. This thesis contends that invisible labor refers to labor that is ignored, underpaid, oftentiMes spans across social hierarchies and is socially constructed. The first part of this thesis goes into the conteMporary understanding of invisible labor, how this understanding leads to recognition of invisible labor in Old English literature and shows that this labor is not gender specific. The second part of this thesis goes into peace-weaving as invisible labor, which had been culturally considered women’s work and economically devalued, as depicted by the actions of Wealhtheow when she serves mead and speaks up for her sons in Beowulf and heroic actions of killing Holofernes by Judith in Judith. The third part of this thesis explores peaceMaker as invisible labor, as depicted by Wiglaf serving “water” in Beowulf, Widsith taking Ealhhild to her new king in Widsith, Constantine taking advice from the Angel as depicted in Cynewulf’s Elene, the soldiers standing by King Athelstan and defeating the Scots in “The Battle of Brunburgh,” and the men being faithful to AEthelred against the Vikings in “The Battle of Maldon.” In analyzing invisible labor as depicted in Old English literature, what may be viewed in conteMporary terms as “ordinary” work of service that is easily disMissed and unrecognized, will bring insight into how invisible labor was seen in Old English literature. -
The Low Countries. Jaargang 11
The Low Countries. Jaargang 11 bron The Low Countries. Jaargang 11. Stichting Ons Erfdeel, Rekkem 2003 Zie voor verantwoording: http://www.dbnl.org/tekst/_low001200301_01/colofon.php © 2011 dbnl i.s.m. 10 Always the Same H2O Queen Wilhelmina of the Netherlands hovers above the water, with a little help from her subjects, during the floods in Gelderland, 1926. Photo courtesy of Spaarnestad Fotoarchief. Luigem (West Flanders), 28 September 1918. Photo by Antony / © SOFAM Belgium 2003. The Low Countries. Jaargang 11 11 Foreword ριστον μν δωρ - Water is best. (Pindar) Water. There's too much of it, or too little. It's too salty, or too sweet. It wells up from the ground, carves itself a way through the land, and then it's called a river or a stream. It descends from the heavens in a variety of forms - as dew or hail, to mention just the extremes. And then, of course, there is the all-encompassing water which we call the sea, and which reminds us of the beginning of all things. The English once labelled the Netherlands across the North Sea ‘this indigested vomit of the sea’. But the Dutch went to work on that vomit, systematically and stubbornly: ‘... their tireless hands manufactured this land, / drained it and trained it and planed it and planned’ (James Brockway). As God's subcontractors they gradually became experts in living apart together. Look carefully at the first photo. The water has struck again. We're talking 1926. Gelderland. The small, stocky woman visiting the stricken province is Queen Wilhelmina. Without turning a hair she allows herself to be carried over the waters. -
Growing the Tree: Early Christian Mysticism, Angelomorphic Identity, and The
ABSTRACT (Re)growing the Tree: Early Christian Mysticism, Angelomorphic Identity, and the Shepherd of Hermas By Franklin Trammell This study analyzes the Shepherd of Hermas with a focus on those elements within the text that relate to the transformation of the righteous into the androgynous embodied divine glory. In so doing, Hermas is placed within the larger context of early Jewish and Christian mysticism and its specific traditions are traced back to the Jerusalem tradition evinced in the sayings source Q. Hermas is therefore shown to preserve a very old form of Christianity and an early form of Christian mysticism. It is argued that since Hermas’ revelatory visions of the Angel of the Lord and the divine House represent the object into which his community is being transformed, already in the present, and he provides a democratized praxis which facilitates their transformation and angelomorphic identity, he is operating within the realm of early Christian mysticism. Hermas’ implicit identification of the Ecclesia with Wisdom, along with his imaging of the righteous in terms of a vine and a Tree who are in exile and whose task it is to grow the Tree, is shown to have its earlier precedent in the Q source wherein Jesus and his followers take on an angelomorphic identity with the female Wisdom of the Temple and facilitate her restoration. Hermas’ tradition of the glory as a union of the Son of God and Wisdom is also shown to have its most direct contact with the Q source, in which Wisdom and the Son are understood to be eschatologically united in the transformation of the people of God. -
Neverwint-Alt-Journal
TABLE OF CONTENTS NEVEKWINTEK AND NEARBY REGIONS NEVERWINTER AND NEARBY REGIONS ...... ............................. .......... ........................ I NEVERWINTBR Neverwinter that the Five Captains of Luskan (reputed to be pirates) have called "The City of Skilled Hands," dispatched the monsters besieging them Neverwinter (pop. 17,000) is the largest to weaken Neverwinter's defenses and town on the rugged coast north of pave the way for its eventual conquest. ~:;n:::::::::::::::::::::::H Waterdeep. As the headquarters for all Luskan (UCity of Sails") .. ............ ............................. ...... ............................... 3 Luskan Outpost ..................................... ..................................................... 4 adventurers in the area, it is your base of With all these rivalries surrounding Neverwinter Woods .......... ....... ... ................................................................. 4 operations in the game. Neverwinter, the climate is one of approaching war. Lord Nasher, its leader, Known for its skilled craftsmen and is a retired adventurer who has devoted ~~~!:r::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::! beautiful indoor gardens, Neverwinter his life to making this beautiful area a The Gallant Prince .. .................................................................................... 5 derives its name from the Neverwinter peaceful place to work and live. His The Lost Hills ......................... ................................................................... -
Sosyal Bilimler Enstitüsü Dergisi………………………………………
CBÜ SOSYAL BİLİMLER DERGİSİ Cilt:13, Sayı:3, Eylül 2015 Geliş Tarihi: 11.06.2015 Doi Number: 10.18026/cbusos.32235 Kabul Tarihi: 25.06.2015 RECONSTRUCTING THE HERO: REPRESENTATION OF LOYALTY IN LATE ANGLO-SAXON LITERATURE Şafak NEDİCEYUVA1 ABSTRACT Danish attacks on the British Isles in the 9th century had considerable political consequences for the seven Anglo-Saxon kingdoms reigning independently at the time. ‘The Great Heathen Army’, as the Anglo-Saxon called it, began a series of invasions in Britain and their advance was unstoppable until all Anglo-Saxon kingdoms but Wessex were conquered. Emerging as the rulers of only surviving Anglo-Saxon kingdom, Alfred and the subsequent monarchs of Wessex began a slow process of unifying the subjugated Anglo-Saxons under their banner and they desired to be acknowledged as the kings of England, rather than Wessex. By adapting traditional heroic values to contemporary political needs, literary works of this period similarly attempt to channel former tribal loyalties towards the monarch and propagandize absolute devotion to the survival and construction of ‘England’. This article discusses the ideological role literature played in late Anglo-Saxon era during the formation of England. Keywords: Anglo-Saxon, Viking, hero, heroic code, military organization. KAHRAMANIN YENİDEN KURGULANIŞI: GEÇ DÖNEM ANGLOSAKSON EDEBİYATI’NDA SADAKATİN TEMSİLİ ÖZ Dokuzuncu yüzyılda Britanya Adaları’na yapılan Viking saldırıları burada hüküm süren yedi bağımsız Anglosakson krallığı için önemli siyasi sonuçlar doğurmuştur. Anglosaksonların ‘Büyük Dinsiz Ordu’ adını verdikleri ordu Britanya’yı istila etmeye başlamış ve Wessex Krallığı dışında tüm diğer krallıklar yıkılana kadar durdurulamamıştır. Alfred ve ondan sonra tahta çıkan Wessex kralları ayakta kalan tek Anglosakson krallığının hükümdarları olarak Viking buyruğu altındaki Anglosaksonları kendi bayrakları altında bir araya getirmeyi ve Wessex değil İngiltere krallığı olarak tanınmayı arzulamışlardır. -
Abstract Old English Elegies: Language and Genre
ABSTRACT OLD ENGLISH ELEGIES: LANGUAGE AND GENRE Stephanie Opfer, PhD Department of English Northern Illinois University, 2017 Dr. Susan E. Deskis, Director The Old English elegies include a group of poems found in the Exeter Book manuscript that have traditionally been treated as a single genre due to their general sense of lament – The Wanderer, The Seafarer, The Riming Poem, Deor, Wulf and Eadwacer, The Wife’s Lament, Resignation, Riddle 60, The Husband’s Message, and The Ruin. In this study, I conduct a linguistic stylistic analysis of all ten poems using systemic functional linguistics (SFL) and a variety of computational and linguistic tools: Lexomics, Voyant, and Microsoft Excel. My results focus on three characteristics of the poetry: (1) the similarity of the linguistic style within the poems, measured by Lexomics; (2) an oscillation between first- and third-person clausal Themes, measured using SFL analysis; and (3) themes in the lexical categorization, measured through detailed lexical analysis. In the end, my methodology creates a new and more nuanced definition of the elegy: a relatively short reflective or dramatic poem, similar in style and content to other elegiac poems, that alternates between first- and third-person perspectives and includes (1) themes of exile; (2) imagery of water or the sea, the earth, and/or the weather; and (3) words expressing both joy and sorrow. Ultimately, I argue for a recategorization of only five poems as “Old English elegies”: The Wanderer, The Seafarer, Wulf and Eadwacer, The Wife’s Lament, and The Riming Poem. NORTHERN ILLINOIS UNIVERSITY DE KALB, ILLINOIS MAY 2017 OLD ENGLISH ELEGIES: LANGUAGE AND GENRE BY STEPHANIE OPFER ©2017 Stephanie Opfer A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH Doctoral Director: Dr.