Imaginary, Emotional, and Everyday Spaces of Palestinian Childhood

Total Page:16

File Type:pdf, Size:1020Kb

Imaginary, Emotional, and Everyday Spaces of Palestinian Childhood University of Kentucky UKnowledge Theses and Dissertations--Geography Geography 2013 A CHILDREN’S GEOGRAPHY OF OCCUPATION: IMAGINARY, EMOTIONAL, AND EVERYDAY SPACES OF PALESTINIAN CHILDHOOD David J. Marshall University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Marshall, David J., "A CHILDREN’S GEOGRAPHY OF OCCUPATION: IMAGINARY, EMOTIONAL, AND EVERYDAY SPACES OF PALESTINIAN CHILDHOOD" (2013). Theses and Dissertations--Geography. 13. https://uknowledge.uky.edu/geography_etds/13 This Doctoral Dissertation is brought to you for free and open access by the Geography at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Geography by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies. I retain all other ownership rights to the copyright of my work. I also retain the right to use in future works (such as articles or books) all or part of my work. I understand that I am free to register the copyright to my work. REVIEW, APPROVAL AND ACCEPTANCE The document mentioned above has been reviewed and accepted by the student’s advisor, on behalf of the advisory committee, and by the Director of Graduate Studies (DGS), on behalf of the program; we verify that this is the final, approved version of the student’s dissertation including all changes required by the advisory committee. The undersigned agree to abide by the statements above. David J. Marshall, Student Dr. Anna Secor, Major Professor Dr. Matthew Zook, Director of Graduate Studies A CHILDREN’S GEOGRAPHY OF OCCUPATION: IMAGINARY, EMOTIONAL, AND EVERYDAY SPACES OF PALESTINIAN CHILDHOOD DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By David Jones Marshall Director: Dr. Anna Secor, Professor of Geography Lexington, Kentucky 2013 ABSTRACT OF DISSERTATION A CHILDREN’S GEOGRAPHY OF OCCUPATION: IMAGINARY, EMOTIONAL, AND EVERYDAY SPACES OF PALESTINIAN CHILDHOOD This research examines the political geographies of Palestinian children, and the ways in which their everyday spaces and practices are shaped by broader social and political processes. This research begins with an investigation into the role of the child in the moral geopolitics of humanitarianism and the Palestinian/Israeli conflict. From here, the research explores how the competing discourses of Palestinian nationalism and international humanitarianism, and the legacy of forced migration, have shaped the subjectivity of Palestinian children and the spaces of childhood in a West Bank refugee camp, from homes, to schools, streets, and youth centers. Finally, using participant observation, visual methods and guided tours, this research explores how children reshape the discursive spaces of childhood and child subjectivity through their everyday practices. KEYWORDS: Palestine, children’s geography, humanitarianism, affect, aesthetics. A CHILDREN’S GEOGRAPHY OF OCCUPATION: IMAGINARY, EMOTIONAL, AND EVERYDAY SPACES OF PALESTINIAN CHILDHOOD By David Jones Marshall Professor Anna Secor, Director of Dissertation Dr. Matthew Zook, Director of Graduate Studies For Muna and Salma ACKNOWLEDGEMENTS Thankfully, researching and writing this dissertation was not a solitary effort. I am humbled by the number of colleagues, friends, and family who contributed to this project in immeasurable ways. Given the limitations of space, memory, and written language, it is impossible to innumerate all the ways that people have helped to bring this project to fruition, or convey the full depth of my gratitude. But as this project has taught me, that shouldn’t stop me from trying. This research was made possible by the National Science Foundation - Doctoral Dissertation Research Improvement (NSF-DDRI) award for Geography and Spatial Sciences (GSS), as well as a Research Fellowship provided by the Palestinian American Research Center. Thanks also to the Department of Geography and the Graduate School at the University of Kentucky for their support of this research and writing. Finally, thanks to the American Council of Learned Societies and the Mellon Foundation for supporting this dissertation through their Dissertation Writing Fellowship. Above all, I wish to express my sincere thanks and unending gratitude to my advisor Anna Secor, the person who has ceaselessly supported this endeavor from start to finish. Anna, I could not have asked for a more perfect advisor. You have guided and inspired me, but most of all, you believed I could do this even when I didn’t, and for that I will be forever in your debt. I also wish to thank the other members of my committee who have supported this research from the beginning. Sue Roberts - thank you for the generous and enthusiastic support and insightful advice that you have offered me since I first came to Kentucky. Thanks also to i Patricia Ehrkamp who has been a wonderful friend and colleague – I’ve enjoyed our chats, seminars, and reading groups. I owe Michael Samers special thanks as well for being an early advocate and supporter of this research and for helping me draft my research questions and proposal. Likewise, thanks to Diane King for helping me draft my proposal and for being my field guide through field research. Finally, special thanks are due to Julie Peteet for going above and beyond by agreeing to serve as really external committee member – your work continues to serve as an inspiration to me. There are so many other friends and colleagues at the UK Geography Department whom I wish to thank. The department as a whole has challenged and nurtured me in ways I never imagined. Thanks to Tad Mutersbaugh for teaching me how to hone my craft. Thanks to Rich Schein for providing me with an education in geographic thought, and for being a model advisor, teacher, scholar, and guide. Thanks to Lauren Martin for her generous advice as I started this project. Thanks to Hugh Deaner and Jairus Rossi for great chats over coffee and bulgogi. Finally thanks to my dear friend and Salma’s honorary auntie, Christine Smith for putting up with my complaints and tirades, for freshly baked bread, neighborhood walks, and funny YouTube videos when I needed them, and for being a great friend, thinker, and person. In addition to all the wonderful support I have received in the US, there is also a whole list of people in Palestine to thank. First and foremost, I owe a huge debt of gratitude to the entire Project Hope family, who not only helped to facilitate this research, but inspired it. Special thanks to Hakim Sabbah for trusting and supporting me, and to AbdelKarim Zawawi for being an outstanding colleague, translator, and research assistant. Thanks also to my friends Salahuddin Assi, Mutaz Taher, Fadi Alshoubi, Mohammad Sayeh, Mohammad Bustami, Namaraq Younes, Raneh as-Saleh, and Saja Qanadilo for helping me with translation and other research activities. ii In addition, thanks to Jeremy Wildeman for being such a thoughtful and loyal friend and colleague – I owe you a lot, my friend. Thanks to Davie Davis for your mad video and photography skills, and to Josh Wolff and Joanna Cyprys of MyDigiStory for letting me tag along. Thanks to Karem Halawah, Salem Hantoli, Salem Hawash, Beesan Ramadan, and Saed Abu-Hijleh for their friendship and support. And finally, very special, heartfelt thanks to all the individuals and community organizations who participated in or otherwise helped to facilitate this research. This includes the children, youth, parents, workers and volunteers who so wonderfully and generously agreed to participate in this research anonymously. Thanks also to the following community organizations, societies and NGOs for their various forms of support and inspiration: Happy Childhood Club in Balata, the Disability Resource Center in Balata, the Jamaseen Neighborhood Association, the Women’s Society of Balata, Naher al-Oja Society, the Balata Camp Services Committee, the UNRWA Boys School and Girls School of Balata, the UNRWA northern branch office, al-Lydd Society, the Handicap Association in Askar, the Childhood Culture Center in Nablus, the Multi-Purpose Community Resource Center in the Old City of Nablus, Al-Awtar Society, The Palestinian Women’s Working Society for Development, Beit Dafy, al-Mustaqbal Society, Dar al-Fanoon, and Amideast. There are many other colleagues who helped support this work in various ways. Thanks to Scott M. Freundschuh, Program Director for Geography and Spatial Sciences at the National Science Foundation, and Penelope Mitchell, Executive Director Palestinian American Research Center for all their support and assistance. In addition, I would like to thank Lori Tyndal, Honey Elder, Cherice Phelps, and Mary Boulton for putting up with me. Thanks also to Cindy Mueller at ACLS for all her help and support. In addition, I would like to thank Sallie Marston, Michael Kennedy, Lisa Bhungalia, Karen Wells, Tracey Skelton, Kirsi Pauliina Kallio, Jouni Häkli, Cindi iii Katz, Stuart Aitkin, and Mathew Coleman for their advice in researching and writing this dissertation, and for helping me find an outlet for this research.
Recommended publications
  • Recovering the Palestinian History of Dispossession Through Graphics in Leila Abdelrazaq’S Baddawi
    MONOGRAPHIC Eikón Imago e-ISSN: 2254-8718 Recovering the Palestinian History of Dispossession through Graphics in Leila Abdelrazaq’s Baddawi Arya Priyadarshini1; Suman Sigroha2 Recibido: 15 de mayo de 2020 / Aceptado: 10 de junio de 2020 / Publicado: 3 de julio de 2020 Abstract. Documentation is a significant mechanism to prove one’s identity. Palestinians, being robbed of this privilege to document their history, have taken upon other creative means to prove their existence. Being instruments of resistance, graphics and comics have a historical prominence in the Palestinian community. Building on this rich history of resistance through art, the paper contends that the modern graphic novel is used as a tool by the author to reclaim the Palestinian identity by drawing their rootedness in the region, thus resisting their effacement from public memory. Keywords: Graphic Novel; Resistance; Trauma; Memory; Intifada; Displacement; Baddawi. [es] Recuperando la historia palestina de desposesión a través de gráficos en Baddawi de Leila Abdelrazaq Resumen. La documentación es un mecanismo significativo para probar la identidad de uno. Los palestinos, al ser despojados de este privilegio de documentar su historia, han tomado otros medios creativos para demostrar su existencia. Al ser instrumentos de resistencia, los gráficos y los cómics tienen una importancia histórica en la comunidad palestina. Sobre la base de esta rica historia de resistencia a través del arte, el artículo sostiene que la novela gráfica moderna, que es en sí misma un producto de resistencia a los cómics convencionales, es utilizada por el autor como una herramienta para recuperar la identidad palestina al extraer su arraigo en la región, resistiendo así la narrativa dominante y su borrado de la historia.
    [Show full text]
  • The Use of Cartoons in Popular Protests That Focus on Geographic, Social, Economic and Political Issues
    European Journal of Geography Volume 4, Issue 1:22-35, 2013 © Association of European Geographers THE USE OF CARTOONS IN POPULAR PROTESTS THAT FOCUS ON GEOGRAPHIC, SOCIAL, ECONOMIC AND POLITICAL ISSUES Mary TOTRY Oranim Academic College of Education, Tivon Post 36006, Israel http://friends.oranim.ac.il/, [email protected] Arnon MEDZINI Oranim Academic College of Education, Tivon Post 36006, Israel http://friends.oranim.ac.il/, [email protected] Abstract The comics and related arts (cartoons, graffiti, illustrated posters and signs) have always played an important role in shaping public protests. From the French Revolution to the recent Arab Spring revolutionary wave of demonstrations and protests, these visual means have stood out thanks to their ability to transmit their message quickly, clearly and descriptively. Often these means have enabled the masses to see their social, economic and political reality in a new and critical light. Social, economic and political cartoons are a popular tool of expression in the media. Cartoons appear every day in the newspapers, often adjacent to the editorials. In many cases cartoons are more successful in demonstrating ideas and information than are complex verbal explanations that require a significant investment of time by the writer and the reader as well. Cartoons attract attention and curiosity, can be read and understood quickly and are able to communicate subversive messages camouflaged as jokes that bring a smile to the reader's face. Cartoons become more effective and successful in countries with strict censorship and widespread illiteracy, among them many countries in the Arab world. Cartoonists are in fact journalists who respond to current events and express their opinions clearly and sometimes even scathingly and satirically.
    [Show full text]
  • Exploring Trauma Through Fantasy
    IN-BETWEEN WORLDS: EXPLORING TRAUMA THROUGH FANTASY Amber Leigh Francine Shields A Thesis Submitted for the Degree of PhD at the University of St Andrews 2018 Full metadata for this thesis is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this thesis: http://hdl.handle.net/10023/16004 This item is protected by original copyright This item is licensed under a Creative Commons Licence https://creativecommons.org/licenses/by-nc-nd/4.0/ 4 Abstract While fantasy as a genre is often dismissed as frivolous and inappropriate, it is highly relevant in representing and working through trauma. The fantasy genre presents spectators with images of the unsettled and unresolved, taking them on a journey through a world in which the familiar is rendered unfamiliar. It positions itself as an in-between, while the consequential disturbance of recognized world orders lends this genre to relating stories of trauma themselves characterized by hauntings, disputed memories, and irresolution. Through an examination of films from around the world and their depictions of individual and collective traumas through the fantastic, this thesis outlines how fantasy succeeds in representing and challenging histories of violence, silence, and irresolution. Further, it also examines how the genre itself is transformed in relating stories that are not yet resolved. While analysing the modes in which the fantasy genre mediates and intercedes trauma narratives, this research contributes to a wider recognition of an understudied and underestimated genre, as well as to discourses on how trauma is narrated and negotiated.
    [Show full text]
  • Towards a Unified Theory Analysing Workplace Ideologies: Marxism And
    Marxism and Racial Oppression: Towards a Unified Theory Charles Post (City University of New York) Half a century ago, the revival of the womens movementsecond wave feminismforced the revolutionary left and Marxist theory to revisit the Womens Question. As historical materialists in the 1960s and 1970s grappled with the relationship between capitalism, class and gender, two fundamental positions emerged. The dominant response was dual systems theory. Beginning with the historically correct observation that male domination predates the emergence of the capitalist mode of production, these theorists argued that contemporary gender oppression could only be comprehended as the result of the interaction of two separate systemsa patriarchal system of gender domination and the capitalist mode of production. The alternative approach emerged from the debates on domestic labor and the predominantly privatized character of the social reproduction of labor-power under capitalism. In 1979, Lise Vogel synthesized an alternative unitary approach that rooted gender oppression in the tensions between the increasingly socialized character of (most) commodity production and the essentially privatized character of the social reproduction of labor-power. Today, dual-systems theory has morphed into intersectionality where distinct systems of class, gender, sexuality and race interact to shape oppression, exploitation and identity. This paper attempts to begin the construction of an outline of a unified theory of race and capitalism. The paper begins by critically examining two Marxian approaches. On one side are those like Ellen Meiksins Wood who argued that capitalism is essentially color-blind and can reproduce itself without racial or gender oppression. On the other are those like David Roediger and Elizabeth Esch who argue that only an intersectional analysis can allow historical materialists to grasp the relationship of capitalism and racial oppression.
    [Show full text]
  • Reviewing Education in Palestine
    199 alestineNovember 2014 Reviewing Education in Palestine Inside the small rooms of This Week in Palestine In this issue we started to call this November issue on reviewing education a benchmark as soon as the idea hit us. It Reviewing Education is a leap in our aspirations to push the magazine’s content, look, and role in our society to a whole in Palestine new level. Palestinians have placed a lot of value and hope on this subject. Education was at one time THE 4 The Gorgeous Robe of Our King commodity to invest in for the future of Palestinian families after the loss of their houses, properties, lands, and natural habitats during 199 10 Healing from Modern Superstitions November 2014 Al-Nakba, the forced exodus. Palestine used to be a thriving place for education, which is reflected in the following pages through a new and interesting research 20 Why I Left School and Never Went alestine project conducted by Jehad Alshwaikh. Also, during the first Intifada, Palestinians Back! came up with their own flexible and practical form of education, which is the subject 28 Why Do We Pursue University of an important article we have for you by Alessandro Petti. Degrees? At present, however, education has become a topic shrouded in controversy. The 34 Rethinking Palestinian Education system has not been producing the results it promised. So we decided that it was time to take a fresh look at education in Palestine and pose a few questions. Is 40 Palestinian Cultural/Historical knowledge really the focal point of our educational system? How does Palestinian Geography education compare with educational advancements around the world? 46 Reclaiming Diversity in Education We sought out the most prolific and professional writers on education to give us Reviewing Education in Palestine their views and suggestions on how to move forward.
    [Show full text]
  • Carrying Palestine: Preserving the "Postmemory"
    CARRYING PALESTINE: PRESERVING THE "POSTMEMORY" PALESTINIAN IDENTITY AND CONSOLIDATING COLLECTIVE EXPERIENCE IN CONTEMPORARY POETIC NARRATIVES by CARLY MELISSA UEBEL A THESIS Presented to the Department of Anthropology and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts December 2014 Acknowledgements I would like to thank Professor Rana Mikati, first and foremost, for not only aiding me in the process of writing and translating, but for offering me a mentorship unparalleled to any I have received here at the University of Oregon. Professor Mikati endured me as a student of Arabic for three years before I came to her with only a very preliminary idea for this thesis, and she offered me her time and companionship unquestioningly in the months that followed as I endeavored to write the work that follows. I have had no bigger supporter in my time with the University than in Rana. I would also like to thank Professor Allan for his unwavering encouragement and instruction in exploring the Palestinian literary diwan historically and in contemporaneity. I was so very fortunate to have had a team with unmatched knowledge of and insight to my area of interest, and I am humbled by their efforts to work alongside me in this process. I would also like to thank my very closest friends, who spent countless hours by my side, ameliorating my anxiety in my most trying moments and celebrating unabashedly with me in my best. Perhaps no one saw better the challenges I incurred in the process of writing than my friends, and I feel so grateful to have had them beside me.
    [Show full text]
  • Handala (“Handala”)
    Qussiny 1 Leeanne Qussiny Professor Frouzesh Humanities Core 1CS 15 June 2018 The Immortal Refugee Child Figure 1: Handala (“Handala”) The day of the Nakba (“the catastrophe”) is the commemoration of the forced expulsion of the Palestinian people and of the loss of their homeland (Al-Jazeera). After they became refugees, many Palestinians used art to resist the Israeli settler colonization and to keep the memory of their stolen homeland close. One Palestinian refugee, Naji al-Ali, became a political cartoonist and used his drawings to resist the Israeli occupation of Palestine. When Naji al-Ali was ten years old, he and his family emigrated from Al-Shajara, his hometown, to the Ain El Helwa refugee camp in Lebanon (al-Ali). His most iconic creation was that of the little refugee child he named “Handala,” which he would publish in all his cartoons in mainstream newspapers (Sacco). As seen in Figure 1, Handala is a cartoon with spiky hair, a tattered shirt that has a patch in it, baggy pants, and no shoes. Every cartoon Naji al-Ali drew included the image of Handala watching the scene in front of him with his hands behind his back. However, Handala’s face is never revealed; Handala sees what the newspaper viewers see. Handala watches every refugee Qussiny 2 and every corrupt leader silently. There are many other recurring symbols in all of the scenes al-Ali depicts, including Fatima, Al-Zalama (the man), the overweight rich corrupt men, the key to the homeland, the flower, the United States, Israel, Christian symbols, and Muslim symbols.
    [Show full text]
  • Artists Under Occupation: Collective Memory & the Performing Arts in Palestine, 1948-2011
    Artists Under Occupation: Collective Memory & the Performing Arts in Palestine, 1948-2011 By Rozina S. Gilani Submitted to Central European University History Department In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor Nadia Al-Bagdadi Second Reader: Professor Tolga Esmer CEU eTD Collection Budapest, Hungary 2012 Copyright in the text of this thesis rests with the Author. Copies by any process, either in full CEU eTD Collection or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. i Abstract This project explores the relationship between art, politics and collective memory as represented in Palestinian performing arts. By looking at the historical trajectory of art movements in Palestine and identifying key moments of change in artistic style and trends, I hope to support the argument that Palestinian art is inherently political and holds political functions in its society. Furthermore, while I initially anticipated discovering artists reproducing motifs of resistance as found in the early works of painters as a means of participating in salvage ethnography, my findings actually show a growing enthusiasm for new works that reappropriate older narratives and breathe new life into older aesthetic representations. The thesis will also explore issues of identity and pinpoint ways in which the Palestinian diaspora are participating in art production and efforts to resist the occupation through cultural means.
    [Show full text]
  • UC Berkeley UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Fear, Fantasy, and Family: Israel's Significance to American Jews Permalink https://escholarship.org/uc/item/3s57250z Author Minkin, Sarah Anne Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Fear, Fantasy, and Family: Israel’s Significance to American Jews By Sarah Anne Minkin A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate Division of the University of California, Berkeley Dissertation committee: Professor Raka Ray, Chair Professor Barrie Thorne Professor Diane Wolf Professor Chana Kronfeld Spring 2014 Abstract Fear, Fantasy, and Family: Israel’s Significance to American Jews by Sarah Anne Minkin Doctor of Philosophy in Sociology University of California, Berkeley Professor Raka Ray, Chair This dissertation investigates the construction and maintenance of ethnic boundaries in the face of contestation over core values. The dynamics of American Jewish communal structures and American Jews’ relationships to the state of Israel offer a case study for exploring questions of boundary-maintenance, diasporic nationalism, and the social power of emotion. Specifically, this dissertation asks how, given disagreement and struggle over the ways in which Jewish Americans relate to the state of Israel, Jewish organizations strategize to develop and maintain Jewish community. It argues that dominant American Jewish organizations act like a social movement in mobilizing American Jews to identify with a particular version of the Jewish collective, which contributes to nationalist and political goals. Contestation over the state of Israel is central to the organized Jewish community’s efforts to produce and regulate Jewish identity.
    [Show full text]
  • Palästinensischen Konflikt Paula Köhler
    Israel Office Zweistaatenlösung in Gefahr? Aktuelle Entwicklungen und Szenarien im Israelisch- Palästinensischen Konflikt Paula Köhler Stand: 26.03.2019 Die berühmte israelische Cartoonfigur Srulik und die nicht minder bekannte palästinensische Figur Handala, die Arm in Arm in die Zukunft schauen, sind ein Symbol des Friedens. Was der Künstler Jonathan Kis-Lev auf der Mauer, die momentan das Westjordanland von Israel trennt, darstellt, scheint momentan nur in der Kunst möglich zu sein. Frieden zwischen Israelis und Palästinensern ist momentan leider weit entfernt, auch wenn es viele Vorschläge zur Lösung des Konflikts gibt. Der israelisch-palästinensische Konflikt weckt auch in Deutschland immer wieder politisches Interesse. Dabei ist fast jedem die Zweistaatenlösung ein geläufiger Begriff. Doch den wenigsten dürften Schlagwörter wie Einstaatenlösung, Binationaler Staat oder die Idee einer israelisch-palästinensischen Konföderation bekannt sein. Im Gegensatz zu Europa und Deutschland werden diese Ideen im israelischen Diskurs allerdings häufig verwendet und diskutiert. Diese Publikation möchte daher einem deutschen bzw. europäischen Publikum einen Einstieg in die verschiedenen Konzepte ermöglichen, um die Komplexität der momentanen Situation in Israel besser zu verstehen und die israelische Sicht auf Lösungsansätze des Konflikts kennenzulernen. Im Folgenden werden verschiedene Lösungsvorschläge für den Konflikt diskutiert, die teils kreative, teils radikale Ideen aufzeigen. Nach einer kurzen Hinführung zur Entstehung des Konflikts werden zuerst die fünf größten Problemgebiete bei der Friedensfindung vorgestellt und danach die altbekannte Zweistaatenlösung skizziert. Anschließend wird kurz auf die aktuelle politische Lage und die realen Chancen einer Verwirklichung der Zweistaatenlösung eingegangen. Daraufhin werden erst, im Vergleich zur Zweistaatenlösung, rechtere bzw. konservativere Ansätze zur Lösung des Konflikts vorgestellt und anschließend linksgerichtetere Ideen aufgezeigt.
    [Show full text]
  • Bridging the Gap Project
    Camillo Boano is an architect graduated at Polytechnic of Turin Faculty of Architecture. He obtained a diploma on Technology for Development at Water Engineer Development Centre of Loughborough - UK. He is Member of RedR (Registered Engineer for Disaster Relief). He works for various NGOs and Agencies in South America, Central America, and Balkans, and as consultant/advisor for Networks and Universities. At the moment he is a PhD Candidate at Oxford Brookes University in the department of Urban Planning and he’s Research Coordinator for The Bridging the Gap Project. Axel Rottlaender studied political sciences at the University of Cologne and graduated with a thesis about the UNTAES-Mission in Croatia. Since 2001, he has been working for the Office of Arbeiter - Samariter - Bund for South-Eastern Europe (ASB SEE) in Croatia. He was respon- sible for different positions related to the PR-activities, beneficiary identification, reconstruction projects and project development. Alberto Sánchez-Bayo is degree in Economics, with specialization on regional and urban economy, at the Universidad Autónoma de Madrid and Postgraduate in Territorial Planning by the Polytechnic of Valencia. In the middle of 80s, he works in Spanish Government - Technical Assistance Program in Central America (El Salvador, Guatemala and Uruguay). In the middle of 90’s, he returns to Spain working as development specialist within various NGOs. At the moment he is international adviser and socio-director of Co-Labora Consulting Estratégico S.L.L., a consultancy firm specialized on population movements, labour market and regional strategies. Francesca Viliani is an expert in International Cooperation. She obtained a Master in Humanitarian Affairs from the EU Universities Network NOHA.
    [Show full text]
  • PALESTINIAN CINEMA Landscape,Trauma and Memory
    PALESTINIAN CINEMA Landscape,Trauma and Memory NURITH GERTZ AND GEORGE KHLEIFI PALESTINIAN CINEMA TRADITIONS IN WORLD CINEMA General Editors Linda Badley (Middle Tennessee State University) R. Barton Palmer (Clemson University) Founding Editor Steven Jay Schneider (New York University) Titles in the series include: Traditions in World Cinema by Linda Badley, R. Barton Palmer and Steven Jay Schneider (eds) 978 0 7486 1862 0 (hardback) 978 0 7486 1863 7 (paperback) Japanese Horror Cinema by Jay McRoy (ed.) 978 0 7486 1994 8 (hardback) 978 0 7486 1995 5 (paperback) New Punk Cinema by Nicholas Rombes (ed.) 978 0 7486 2034 0 (hardback) 978 0 7486 2035 7 (paperback) African Filmmaking: North and South of the Sahara by Roy Armes 978 0 7486 2123 1 (hardback) 978 0 7486 2124 8 (paperback) Forthcoming titles include: American Commercial-Independent Cinema by Linda Badley and R. Barton Palmer 978 0 7486 2459 1 (hardback) 978 0 7486 2460 7 (paperback) The Italian Sword-and-Sandal Film by Frank Burke 978 0 7486 1983 2 (hardback) 978 0 7486 1984 9 (paperback) Czech and Slovak Cinema: Theme and Tradition by Peter Hames 978 0 7486 2081 4 (hardback) 978 0 7486 2082 1 (paperback) PALESTINIAN CINEMA Landscape, Trauma and Memory Nurith Gertz and George Khleifi EDINBURGH UNIVERSITY PRESS © Nurith Gertz and George Khleifi, 2008 This book was first published (as Landscape in Mist: Space and Memory in Palestinian Cinema) in Hebrew in 2005 by Am Oved and the Open University, Tel Aviv. Edinburgh University Press Ltd 22 George Square, Edinburgh Typeset in 10/12.5 Adobe Sabon by Servis Filmsetting Ltd, Manchester, and printed and bound in Great Britain by Antony Rowe Ltd, Chippenham, Wilts A CIP record for this book is available from the British Library ISBN 978 0 7486 3407 1 (hardback) ISBN 978 0 7486 3408 8 (paperback) The right of Nurith Gertz and George Khleifi to be identified as authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988.
    [Show full text]