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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Dokument 1.Pdf
»COME INNA MI RAMPING SHOP«. SLACKNESS UND SCHWULENHASS IN DER JAMAIKANISCHEN UND DEUTSCHEN DANCEHALL Martin Pfleiderer Der Song »Ramping Shop«1, gesungen von Vybz Kartel (Adidja Azim Palmer) und Spice (Grace Latoya Hamilton), war Ende 2008 und Anfang 2009 in Jamaika überaus erfolgreich. Vybz Kartel und Slice erhielten nicht zuletzt aufgrund des großen Erfolges des Songs bei den fünften jamaikanischen Annual Excellence in Music & Entertainment Awards (EME) Auszeichnungen als bester Deejay-Sänger und als beste Deejay-Sängerin2 des Jahres 2009 (Cooke 2009a). Die öffentliche Diskussion um die expliziten Lyrics von »Ramping Shop« führte allerdings im Februar 2009 zu einer Verschärfung der Radiozensur in Jamaika (Cooke 2010: 28) ― dazu später mehr. In der Tat sind die Lyrics von »Ramping Shop« sehr deutlich und direkt (s. nächste Seite). Geschildert werden sexuelle Vorlieben und Geschlechtsverkehr bis hin zu einer Verbalisierung der Orgasmus-Erfahrung. Zeilen wie »Well, you haffi ram it hard« (Spice), »Every nipple get a bite« (Kartel), »Kill mi wid di cocky« (Spice) und »Kill mi wid di tightness« (Kartel) weisen unmissver- ständlich darauf hin, dass es in »Ramping Shop« nicht um eine Schmuse- und Kuschel-Partie, sondern um handfesten Sex geht. Dies wird auch in der visuellen Umsetzung im Videoclip, vor allem aber auf der Konzertbühne deutlich.3 Beim Sting 2009, dem größten jamaikanischen Musikfestival in 1 »Ramping Shop« ist ein Slang-Ausdruck für den Geschlechtsverkehr bzw. für einen Ort, an dem der Geschlechtsakt vollzogen wird (vgl. Anon. A o.J.). 2 Deejays stehen in Jamaika nicht wie im HipHop an den Plattentellern ― dort stehen die jamaikanischen Selectors ―, sondern entsprechen vielmehr den Hip- Hop-MCs oder -Rappern (vgl. -
Marching Band Handbook ______Foreword
“All-American” MARCHING BAND HANDBOOK PURDUE “ALL-AMERICAN” MARCHING BAND HANDBOOK _____________________________________________________________________________________________ FOREWORD This booklet is an addendum to the “All-American” Bands and Orchestras General Information Handbook. It is not intended as a replacement for that handbook, but as an additional resource for members of the “All-American” Marching Band containing information of a nature that is applicable specifically to the marching band. It is assumed that all marching band members will have read the General Information Handbook, as it contains important information on matters such as membership and enrollment, rehearsal and performance procedures, equipment, attendance and grading, administrative organization, and awards. Specific policy matters that directly affect the membership of the marching band are discussed in the General Information Handbook, and all members will be expected to be familiar with such information. The “All-American” Marching Band Handbook includes a list of marching band fundamentals, information on reading charts, and specific discussions of special policy matters that affect only the marching band. A thorough understanding of this information along with the general information provided in the regular handbook will enable you to function as a knowledgeable, contributing member of the “All-American” Marching Band. Membership in the “All-American” Marching Band is an honor and a privilege, and makes you a member of a unique musical organization with over 130 years of service to Purdue University. Your commitment and dedication to the traditions and service of the marching band will insure the continuing role of this organization as the major force in building and maintaining a love and spirit “for the honor of old Purdue”! 1 PURDUE “ALL-AMERICAN” MARCHING BAND HANDBOOK _____________________________________________________________________________________________ TABLE OF CONTENTS SECTION TOPIC PAGE I. -
Jamaica Tourist Everything You Need to Know for the Perfect Vacation Experience
JAMAICA TOURIST WWW.JAMAICATOURIST.NET EVERYTHING YOU NEED TO KNOW FOR THE PERFECT VACATION EXPERIENCE ISSUE 14 - SPRING 2010 IN THIS ISSUE JOSS STONE SHINES AT 2010 JAMAICA JAZZ & BLUES FESTIVAL FANTASTIC GOLF EXPLORING JAMAICA THE ‘ONE LOVE’ PROJECT PALMYRA OWNERS TAKE OCCUPANCY OF LUXURY RESIDENCES CHULANI’S REMARKABLE JOURNEY TO JAMAICA HISTORIC TRAMWAYS OF KINGSTON THE GAP CAFÉ - JEWEL IN THE BLUE MOUNTAINS CUISINE FOR EVERY TASTE SHOPPING PAR EXELLENCE WHAT A GWAAN? OWN A TROPICAL HOME AT THE PALMYRA Look for the FREE GEMSTONE offer in the YOUR luxury shopping section! FREE ISSUE SEE ISLAND MAP INSIDE GROOVIN’ IN JAMAICA eople visit Jamaica for many reasons, one of which is the island’s many world-class music festivals that include Reggae Sumfest, Rebel Salute, Sting and perhaps the most popular, Jamaica Jazz & Blues Festival. From January 28 - 30, more than 20,000 Jazz and Blues aficionados flocked the lawns of the PTrelwany Multipurpose Stadium in Greenfield, for the 14th staging of the trendy event. Staged at the stadium for the first time this year, most skeptics were quickly won over by the ease of access and superior parking facilities of the venue, which comfortably hosted VIP tents, skyboxes, a craft market and a wide variety of food & beverage outlets. Combined with the world-class music line-up and masses of happy music lovers, the stadium formed a perfect venue. Visited by thousands of people at its former home Is This Love. Next, singer and songwriter Kenny ‘Babyface’ Edmonds entered the stage with a band dressed in at the iconic aqueduct of Rose Hall, the Jazz & Blues black tuxedos and paid homage to the ‘many beautiful women of Jamaica’ with classics like Every Time I Close Festival has seen outstanding performances by major My Eyes and My My My, Mama, Can We Talk For A Minute and I Wanna Rock With You Baby. -
University of Cincinnati News Record. Friday, September 29, 1967
Published Tuesdays and Fridays during the Academic Year except as scheduled. 55 Cincinnati, Ohio, Friday, September 29, 1967 No.2 The Com'pilfer -Ag'e ·•••lJlI1phreyF-eelsOptimis~; ';.l "~II~O,;'II,me.,... ' 'F".or TO 'h'' e,'·W, ·eo!\:-I_" Expressing his faith in the young people. of America and his hope for a bright future, Hubert H. Humphrey; Vice '1' President of, the United States, reminded DC students that "We -cannot rest while there is still poverty. This is not a -time for the lethargic and the 'weak.". , , . Stressing optimism .and progress, Humphrey partici- pated in a paneldiscussion at DC Armory,.Fieldhovse, Thurs- day, September 28. , The program was sponsored by the Orientation Board of the .University in 'conjunCtion with the Arts and Sciences Tribunal as part of the Orienta- ~' tion program. -Memb,ers, or the social descent Indicates that there panel included Stephan Neche- is progress. "People touched by mias, Junior in the College of a modicum of progress want more. Law; David Altman, Editor-in> Really poor people don't rebeI- Chief, of the News Record; Mar- lhe'-'rich people lead them. When sha Greer, chairman of the Inter- you start to come out of sickness group Relations Committee; Glen and despair, things happen. The Weisse1?berger, President of IFC; slums ate awake and people want ',- and WIlbur R.. Lester, Professor thi "T I - . ..•. d di h .In -tlre College of Law. was panel ings. e eVISlOn an ra 10 as moderator. brought to the poor an awareness When asked to analyze the o,f how the. -
April 18, 2019
Alexandria Times Vol. 15, No. 16 Alexandria’s only independent hometown newspaper. APRIL 18, 2019 Council Landmark approves Mall plan Del Ray advances BY CODY MELLO-KLEIN Gardens Landmark Mall, Alexan- dria’s major West End devel- Restaurant seating opment project, took a sig- procedure dominates nificant step forward, as city deliberations council approved a revised master plan for the long-ges- BY CODY MELLO-KLEIN tating site during its public hearing on Saturday. City council approved According to the Depart- a special use permit for a ment of Planning and Zoning combination of 100 indoor staff report, the new master and outdoor seats at the plan, deemed a “refinement” Del Ray Gardens restaurant of the 2009 master plan, fea- on Mount Vernon Avenue tures a transportation hub during its public hearing on to connect the Landmark PHOTO/MISSY SCHROTT Saturday. The number was Mall area with the rest of FLORA Roots & Stems owners, Mark and Amy Eggers. a compromise between the original 64-seat request and SEE LANDMARK | 13 the 155 seats the planning commission recently recom- mended. The plant people INSIDE Council members and Tall Ship community members large- U.S.S. Providence replica will ly supported the application Del Ray couple opens floral design business officially sail into Alexan- from Del Ray Gardens, but dria’s marina this summer. BY MISSY SCHROTT their questions about the Page 8 process by which seating ca- pacity is determined result- Husband-and-wife duo Mark planted the seeds for their custom Tying the Knot ed in extended deliberations. and Amy Eggers grew a small floral design business. -
The Far Side of the Sky
The Far Side of the Sky Christopher E. Brennen Pasadena, California Dankat Publishing Company Copyright c 2014 Christopher E. Brennen All rights reserved. No part of this publication may be reproduced, transmitted, transcribed, stored in a retrieval system, or translated into any language or computer language, in any form or by any means, without prior written permission from Christopher Earls Brennen. ISBN-0-9667409-1-2 Preface In this collection of stories, I have recorded some of my adventures on the mountains of the world. I make no pretense to being anything other than an average hiker for, as the first stories tell, I came to enjoy the mountains quite late in life. But, like thousands before me, I was drawn increasingly toward the wilderness, partly because of the physical challenge at a time when all I had left was a native courage (some might say foolhardiness), and partly because of a desire to find the limits of my own frailty. As these stories tell, I think I found several such limits; there are some I am proud of and some I am not. Of course, there was also the grandeur and magnificence of the mountains. There is nothing quite to compare with the feeling that envelopes you when, after toiling for many hours looking at rock and dirt a few feet away, the world suddenly opens up and one can see for hundreds of miles in all directions. If I were a religious man, I would feel spirits in the wind, the waterfalls, the trees and the rock. Many of these adventures would not have been possible without the mar- velous companionship that I enjoyed along the way. -
PDF (V.88:15, January 30, 1987)
TO" llf RI IVOLUME LXXXVIII NUMBER 15 PASADENA, CALIFORNIA FRIDAY 30 JANUARY 19871 ~ 1 ·tI' • ·.·.·.·JII ·•· ·.·.·.·rl'.· ·•• • V.· Party at Occidental by Rob Soderberry sound from 9:00PM until the The ASCIT ESC presents early morning hours. Admis a dance party tonight at Oc sion is free with your Caltech cidental College. The New ID. See the flyers around Marines perform live at campus for directions. Call Stewart-Cleland Hall on the me, Rob Soderbery, for more Occidental campus. Dance to info (x376l). Do it for their new wave underground science! 'J'.•••••••••••"' ·.·h·.·.·.· ••·•·•·•••· Housing Committee by Josh Kurutz is to make permanent procedure President Goldberger's office and should not be needed for the created a committee two weeks ago long term, it will be disbanded by that is designed to implement In June, 1987. stitute policy regarding the Glen Cass, the chairman of the > maintenance of the undergraduate Maintenance Committee and the .D Student Housing Committee can o houses. According to the presiden '0 L tial directive, this Committee on authorize spending money from the 0- Undergraduate Housing Undergraduate Housing Reserve, Fireside chat with the new President-Jeff Tekanic is the ASCIT president-elect. He welcomes all undergraduate Maintenance is to establish lasting which was established at the begin (ASCIT members or not) who wish to discuss the state of the university. A run-off for the office of ASCIT treasure procedures that deal with ning of this term. is to be held today. maintenance difficulties and to The Reserve was established to review particular disputes over out provide funds for the houses to pay house at their discretion. -
University of Cincinnati News Record. Thursday
University 'qf Cincinnati N'EWS- RECORD Vol. L111 Cincinnati, Ohio, Thursday, January 20, 1966 No. 14 ~ SC- An,n,ounl~es Stuff What Ballot' Boxes? Candid,ates .. Fior ' :V,oting',Machines 'Eli:minate ,Errors -Ciounc·il .Prexy - '~ / by Judy McCarty Upcoming Student Elections and In'Upcoming Student Body Elections the proceding campaign filled the greater part lit the agenda by Jay Wrigtlt be. the Student Umon and the for Monday evening's Student hours will be from 9 a.m. to 4 Council meeting. Election rules The Hamilton County Hoard 01 I were passed, and candidates were Elections has provided the Uni- p.m. for the convenience of the nominated for Student Bodv versity with voting machines for students. President. the upcoming student elections. The' dates of the election Candidates for Student Qody have b!eenapproved by the, President will !be Rich Davis, Jay Wright, Chairman of the Stu- ' Student Council and they are- A&S, '67; Joe di Genova, A&S, I dent Council Election Board, Man::h. 3-4; For Section 'II '67; and Jim Lied, DAA, '67. stated "although the expense '01 students in the colleges of Busi- ness Administration, Design, QU81lifi('ations for Student Body the .machines is high, the real President require a 2.3 accume, worth of the machines is in the Ar~hitecture" and Art, and En- one ye~r of service to Council, experience of. their use and the gineering; and Junior, Pre-Junior, 0;: Sen- almost foolproof accuracy they _ April 4·5:: for all students in ior standing for the coming offer." the colleges of Nursing and - / '. -
Women in Jamaican Dancehall
WOMEN IN JAMAICAN DANCEHALL: Rethinking Jamaican Dancehall through a Women-Centered Informal Economy Approach. by Leslie-Ann Fullerton A thesis submitted in conformity with the requirements for the degree of Master of Arts, Social Justice Education Department of Social Justice Education University of Toronto 2017 © Copyright by Leslie-Ann Fullerton 2017 WOMEN IN JAMAICAN DANCEHALL: Rethinking Jamaican Dancehall through a Women-Centered Informal Economy Approach Leslie-Ann Fullerton Master of Arts, Social Justice Education Department of Social Justice Education University of Toronto 2017 Abstract Some academic discussions that address women who participate in Jamaican Dancehall have taken the position that these women lack morality and agency and have internalized sexist norms (Lake 1996). This is because of the overtly sexual nature of the cultural expression. This research project aimed to expand the conversation concerning these women by investigating how female dancehall dancers, models and auxiliaries (designers, beauticians and vendors) make a living from Dancehall's informal economy. Through empirical evidence, this research will suggest that women who participate in Jamaican dancehall have subjectively and economically benefited from the informal economy that is embedded in dancehall. ii Acknowledgments This research could not have come to fruition without the help of many amazing souls. Firstly, let me acknowledge St. Catherine Cooperate Credit Union for giving me my first job as a Client Care Representative. I would also like to thank them for not renewing my contract after three years, which gave me the freedom to earn a living while doing what I loved. Freedom from working at the Credit Union gave me the opportunity to work as a dancehall model. -
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo, George & The Flames of Araby Orchestra Joy of Belly Dancing 12" 1975 Abdo, Geroge & The Flames of Araby Orchestra Art of Belly Dancing 12" 1973 Abney, Don, Jimmy Raney, Oscar Pettiford Music Minus One: A Rhythm Background Record For Any Musician Or Vocalist 12" 19NA Abrams, Muhal Richard Duet 12" 1981 Adderley, Cannonball The Cannonball Adderley Collection - Vol. 7: Cannonball in Europe 12" 1986 Somethin' Else 12" 1984 Domination 12" 1964 Cannonball Adderley Quintet In Chicago 12" 1959 African Waltz 12" 1961 Cannonball Takes Charge 12" 1959 Adderley, Cannonball Quintet Mercy, Mercy, Mercy! Live at 'The Club' 12" 19NA Ade, King Sunny Synchro System 12" 1983 Adelade Robbins Trio, Barbara Carroll Trio Lookin' for a Boy 12" 1958 Akiyosh, Toshiko-Lew Tabackin Big Band Road Time 12" 2 LPs 1976 Akiyoshi, Toshiko Lew Tabackin Big Band Tales of a Courtesan (Oirantan) 12" 1976 Albam, Manny Jazz Heritage: Jazz Greats of Our Time, Vol. 2 12" 1958 Alexander, Monty Alexander The Great 12" 1965 Facets 12" 1980 Monty Strikes Again: Monty Alexander Live In Germany 12" 1976 Duke Ellington Songbook 12" 1984 Spunky 12" 1965 Alexander, Monty & Ernest Ranglin Just Friends 12" 1981 Alexandria, Lorez The Band Swings Lorez Sings 12" 1988 Alexandria the Great 12" 1964 Lorez Sings Pres: A Tribute to Lester Young 12" 1987 For Swingers Only 12" 1963 Page 1 of 67 Title Format Released Alexandria, Lorez This Is Lorez 12" 1958 More Of The Great Lorez Alexandria 12" 1964 Allen, "Red" With Jack Teagarden And Kid Ory At Newport 12" 1982 Allen, Henry "Red" Giants Of Jazz 3 LP Box Set 1981 Ride, Red, Ride in Hi-Fi 12" 1957 Ridin' With Red 10" 1955 Allison, Mose V-8 Ford Blues 12" 1961 Back Country Suite 12" 1957 Western Man 12" 1971 Young Man Mose 12" 1958 Almeida, Laurindo with Bud Shank Brazilliance, Vol. -
Party Tunes Dj Service Artist Title 112 Dance with Me 112 It's Over Now 112 Peaches & Cream
Party Tunes Dj Service www.partytunesdjservice.com Artist Title 112 Dance With Me 112 It's Over Now 112 Peaches & Cream 112 Peaches & Cream (feat. P. Diddy) 112 U Already Know 213 Groupie Love 311 All Mixed Up 311 Amber 311 Creatures 311 It's Alright [Album Version] 311 Love Song 311 You Wouldn't Believe 702 Steelo [Album Edit] $th Ave Jones Fallin' (r)/M/A/R/R/S Pump Up the Volume (ToraDora!) Hashimoto Yukari Ame iro Rondo (ToraDora!) Hashimoto Yukari Chance Chase Classroom (ToraDora!) Hashimoto Yukari Creme Brule no Tsukurikata (ToraDora!) Hashimoto Yukari Duty of love (ToraDora!) Hashimoto Yukari Eyecatch (ToraDora!) Hashimoto Yukari Great escape (ToraDora!) Hashimoto Yukari Happy Monday (ToraDora!) Hashimoto Yukari Hey! You are lucky girl (ToraDora!) Hashimoto Yukari Kanchigai Hour (ToraDora!) Hashimoto Yukari Kaze wo Kiite (ToraDora!) Hashimoto Yukari Ki Me Ze Fi Fu (ToraDora!) Hashimoto Yukari Kitchen In The Dark (ToraDora!) Hashimoto Yukari Kotori no Etude (ToraDora!) Hashimoto Yukari Lost my pieces (ToraDora!) Hashimoto Yukari love on the balloon (ToraDora!) Hashimoto Yukari Magic of love (ToraDora!) Hashimoto Yukari Monochrome set (ToraDora!) Hashimoto Yukari Morning Glory (ToraDora!) Hashimoto Yukari Next Mission (ToraDora!) Hashimoto Yukari Onna no Ko no Kimochi (ToraDora!) Hashimoto Yukari Psychocandy (ToraDora!) Hashimoto Yukari READY STEADY GO! (ToraDora!) Hashimoto Yukari Small Heaven (ToraDora!) Hashimoto Yukari Sora iro no Houkago (ToraDora!) Hashimoto Yukari Startup (ToraDora!) Hashimoto Yukari Tears of dragon (ToraDora!) Hashimoto Yukari Tiger VS Dragon (ToraDora!) Hashimoto Yukari Todoka nai Tegami (ToraDora!) Hashimoto Yukari Yasashisa no Ashioto (ToraDora!) Hashimoto Yukari Yuugure no Yakusoku (ToraDora!) Horie Yui Vanilla Salt (TV-SIZE) (ToraDora!) Kugimiya Rie, Kitamura Eri & Horie Yui Pre-Parade (TV-SIZE) .38 Special Hold on Loosely 1 Giant Leap f.