Reggae Stage Names
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FHISO CFPS 21: Proposal for Handling Personal Names
CFPS 21 (Call for Papers Submission number 21) Proposal for Handling Personal Names Submitted by: Proctor, Tony Type: Technical proposal Created: 2013-03-19 Last updated: 2013-04-20 URL: Most recent version: http://fhiso.org/files/cfp/cfps21.pdf This version: http://fhiso.org/files/cfp/cfps21_v1-1.pdf Description: Proposal for Handling Personal Names Keywords: Personal-names, Culture-neutral Family History Information Standards Organisation, Inc. http://fhiso.org/ Contents 1. Abstract ........................................................................................................................................... 3 2. Proposal ........................................................................................................................................... 3 2.1 Name Structure ......................................................................................................................... 3 2.2 Time Dependency ..................................................................................................................... 3 2.3 Name Types .............................................................................................................................. 4 2.4 Name Matching ........................................................................................................................ 4 2.5 Sorting and Collation ................................................................................................................ 4 3. Not Covered or Not Required ....................................................................................................... -
Review - DVD - Shaggy ~ Live at Chiemsee Reggae Summer 1998
Review - DVD - Shaggy ~ Live At Chiemsee Reggae Summer 1998 http://www.reggae-vibes.com/rev_dvd/shaggylive.htm Title Live At Chiemsee Reggae Summer 1998 Artist Shaggy Date December 29 - 2008 Label Charly Films/MVD Visual Format DVD - Region Free Languages English Subtitles None Length 200 minutes (approx.) Producer/Director Jean Luc Young Shaggy's family moved to the United States from Jamaica and they settled in the neighborhood of Flatbush, Brooklyn, located in New York City. Shaggy moved to Valley Stream, New York, and made one of his own recording studios in the town. In 1988, he joined the United States Marine Corps as a Field Artillery Cannon Crewman with 5th Battalion, 10th Marines. While enlisted in the Marines he served during Operation Desert Storm during the Gulf War. It was during this time that Shaggy perfected his signature singing voice, breaking the constant monotony of running and marching cadences with his flair for inflection. It is also where he got the inspiration for his song "Boombastic." In the early 1990’s Shaggy entered the scene with his deep throaty remix of the Jamaican traditional "Oh Carolina", the first major Reggae record to come out of the dancehall underground. The same year, Shaggy appeared on Kenny Dope's hip hop album "The Unreleased Project". He worked together with producers such as Sting Intl., Don One (who cut his first track), Lloyd 'Spiderman' Campbell and Robert Livingston. Soon after, the steady dub rhythm of the platinum selling "Boombastic" solidified Shaggy as a dancehall hit-maker winning the 1996 Grammy Award for Best Reggae Album. -
Media and Advertising Information Why Advertise on Bigup Radio? Ranked in the Top 50,000 of All Sites According to Amazon’S Alexa Service
Media and Advertising Information Why Advertise on BigUp Radio? Ranked in the top 50,000 of all sites according to Amazon’s Alexa service Audience 16-34 year-old trend-setters and early adopters of new products. Our visitors purchase an average of $40–$50 each time they buy music on bigupradio.com and more than 30% of those consumers are repeat customers. Typical Traffic More than 1,000,000 unique page views per month Audience & Traffic 1.5 million tune-ins to the BigUp Radio stations Site Quick Facts Over 75,000 pod-cast downloads each month of BigUp Radio shows Our Stations Exclusive DJ Shows A Strong Image in the Industry Our Media Player BigUp Radio is in touch with the biggest artists on the scene as well as the Advertising Opportunities hottest upcoming new artists. Our A/R Dept listens to every CD that comes in selecting the very best tracks for airplay on our 7 stations. Among artists that Supporting Artists’ Rights have been on BigUp Radio for interviews and special guest appearances are: Rate Card Beenie Man Tanya Stephens Anthony B Contact Information: Lil Jon I Wayne TOK Kyle Russell Buju Banton Gyptian Luciano (617) 771.5119 Bushman Collie Buddz Tami Chynn [email protected] Cutty Ranks Mr. Vegas Delly Ranx Damian Marley Kevin Lyttle Gentleman Richie Spice Yami Bolo Sasha Da’Ville Twinkle Brothers Matisyahu Ziggi Freddie McGregor Jr. Reid Worldwide Reggae Music Available to anyone with an Internet connection. 7 Reggae Internet Radio Stations Dancehall, Roots, Dub, Ska, Lovers Rock, Soca and Reggaeton. -
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afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders. -
A RADAR for Information Reconciliation in Question Answering Systems Over Linked Data 1
Undefined 1 (2009) 1–5 1 IOS Press A RADAR for Information Reconciliation in Question Answering Systems over Linked Data 1 Editor(s): Name Surname, University, Country Solicited review(s): Name Surname, University, Country Open review(s): Name Surname, University, Country a, b c Elena Cabrio ⇤, Serena Villata and Alessio Palmero Aprosio a University of Nice Sophia Antipolis, 2000 Route des Lucioles BP93 06902, Sophia Antipolis - France E-mail: [email protected] b CNRS - I3S laboratory, 2000 Route des Lucioles BP93 06902, Sophia Antipolis - France E-mail: [email protected] c Fondazione Bruno Kessler, Via Sommarive, 18, 38123 Povo (TN) - Italy E-mail: [email protected] Abstract. In the latest years, more and more structured data is published on the Web and the need to support typical Web users to access this body of information has become of crucial importance. Question Answering systems over Linked Data try to address this need by allowing users to query Linked Data using natural language. These systems may query at the same time different heterogenous interlinked datasets, that may provide different results for the same query. The obtained results can be related by a wide range of heterogenous relations, e.g., one can be the specification of the other, an acronym of the other, etc. In other cases, such results can contain an inconsistent set of information about the same topic. A well known example of such heterogenous interlinked datasets are language-specific DBpedia chapters, where the same information may be reported in different languages. Given the growing importance of multilingualism in the Semantic Web community, and in Question Answering over Linked Data in particular, we choose to apply information reconciliation to this scenario. -
Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism. -
Dokument 1.Pdf
»COME INNA MI RAMPING SHOP«. SLACKNESS UND SCHWULENHASS IN DER JAMAIKANISCHEN UND DEUTSCHEN DANCEHALL Martin Pfleiderer Der Song »Ramping Shop«1, gesungen von Vybz Kartel (Adidja Azim Palmer) und Spice (Grace Latoya Hamilton), war Ende 2008 und Anfang 2009 in Jamaika überaus erfolgreich. Vybz Kartel und Slice erhielten nicht zuletzt aufgrund des großen Erfolges des Songs bei den fünften jamaikanischen Annual Excellence in Music & Entertainment Awards (EME) Auszeichnungen als bester Deejay-Sänger und als beste Deejay-Sängerin2 des Jahres 2009 (Cooke 2009a). Die öffentliche Diskussion um die expliziten Lyrics von »Ramping Shop« führte allerdings im Februar 2009 zu einer Verschärfung der Radiozensur in Jamaika (Cooke 2010: 28) ― dazu später mehr. In der Tat sind die Lyrics von »Ramping Shop« sehr deutlich und direkt (s. nächste Seite). Geschildert werden sexuelle Vorlieben und Geschlechtsverkehr bis hin zu einer Verbalisierung der Orgasmus-Erfahrung. Zeilen wie »Well, you haffi ram it hard« (Spice), »Every nipple get a bite« (Kartel), »Kill mi wid di cocky« (Spice) und »Kill mi wid di tightness« (Kartel) weisen unmissver- ständlich darauf hin, dass es in »Ramping Shop« nicht um eine Schmuse- und Kuschel-Partie, sondern um handfesten Sex geht. Dies wird auch in der visuellen Umsetzung im Videoclip, vor allem aber auf der Konzertbühne deutlich.3 Beim Sting 2009, dem größten jamaikanischen Musikfestival in 1 »Ramping Shop« ist ein Slang-Ausdruck für den Geschlechtsverkehr bzw. für einen Ort, an dem der Geschlechtsakt vollzogen wird (vgl. Anon. A o.J.). 2 Deejays stehen in Jamaika nicht wie im HipHop an den Plattentellern ― dort stehen die jamaikanischen Selectors ―, sondern entsprechen vielmehr den Hip- Hop-MCs oder -Rappern (vgl. -
Dancehall Dossier.Cdr
DANCEHALL DOSSIER STOP M URDER MUSIC DANCEHALL DOSSIER Beenie Man Beenie Man - Han Up Deh Hang chi chi gal wid a long piece of rope Hang lesbians with a long piece of rope Beenie Man Damn I'm dreaming of a new Jamaica, come to execute all the gays I'm dreaming of a new Jamaica, come to execute all the gays Beenie Man Beenie Man - Batty Man Fi Dead Real Name: Anthony M Davis (aka ‘Weh U No Fi Do’) Date of Birth: 22 August 1973 (Queers Must Be killed) All batty man fi dead! Jamaican dancehall-reggae star Beenie All faggots must be killed! Man has personally denied he had ever From you fuck batty den a coppa and lead apologised for his “kill gays” music and, to If you fuck arse, then you get copper and lead [bullets] prove it, performed songs inciting the murder of lesbian and gay people. Nuh man nuh fi have a another man in a him bed. No man must have another man in his bed In two separate articles, The Jamaica Observer newspaper revealed Beenie Man's disavowal of his apology at the Red Beenie Man - Roll Deep Stripe Summer Sizzle concert at James Roll deep motherfucka, kill pussy-sucker Bond Beach, Jamaica, on Sunday 22 August 2004. Roll deep motherfucker, kill pussy-sucker Pussy-sucker:a lesbian, or anyone who performs cunnilingus. “Beenie Man, who was celebrating his Tek a Bazooka and kill batty-fucker birthday, took time to point out that he did not apologise for his gay-bashing lyrics, Take a bazooka and kill bum-fuckers [gay men] and went on to perform some of his anti- gay tunes before delving into his popular hits,” wrote the Jamaica Observer QUICK FACTS “He delivered an explosive set during which he performed some of the singles that have drawn the ire of the international Virgin Records issued an apology on behalf Beenie Man but within gay community,” said the Observer. -
Les Paul the Search for the New Sound Biography Written By
Les Paul The Search for the New Sound Biography written by: Becky Marburger Educational Producer Wisconsin Media Lab Glossary abolish (v): . to end or do away with aspiring (adj): . hoping for or working toward a goal Great Depression (n): . a time period from 1929 through the 1930s when it was hard for people around the world to fi nd a job or Table of Contents earn money harmonica (n): . a musical instrument; sound is made when the player inhales or exhales Introduction . 2 into it, vibrating the reeds inside Early Life . 3 immigrant (n): . a person who comes to live in a new country and stays there Instruments and Experiments . 4 legacy (n): . anything handed down from the past to future generations Hitting the Road . .6 multitrack recorder (n): . a machine that enables a musician Growing Career . 8 to record different single tracks and Conclusion . 10 combine them into one recording player piano (n): . a self-playing piano that makes music Glossary . 12 by reading the holes punched in a spinning paper roll rhubarb (n): . a plant with a thick pink or red stem and large green leaves separate (v): . to stop being a couple or husband and wife stage name (n): . a name performers use that is not their legal name 12 Introduction Les Paul’s mother often told him, “It’s your life. It’s up to you.” She wanted her son to go for his dreams. Les was a musician and an inventor. He dreamed of creating a new sound. Musicians today still use Les’s inventions and music. -
Youth Encouraged to Work Hard for Success IT Doesn’T Matter Where You Come From, Confidence Ceremony Held by the Conference Scheduled for Trinidad and Pandemic”
Established October 1895 Spencer breaks silence on resignation PAGE 3 Friday July 10, 2020 $2 VAT Inclusive ‘REMAINMINISTER of Home Affairs, VIGILANT’ Edmund Hinkson, has urged Barbadians to be vigilant as the peak of the hurricane season has yet to arrive. Speaking to the media recently at a press briefing regarding the new traffic lights at the Westmoreland junction, Minister Hinkson also used the time to encourage Barbadians to be prepared for the hurricane season. “The reality is that we are very far from the height of the season and that Barbadians and residents must remain vigilant as to what can happen and nothing beats preparation,” stated Hinkson. The minister highlighted that for the first time, Barbados would be preparing for the season in the midst of a global pandemic. He explained that the current administration, through the National Advisory Committee, has been making preparations for the hurricane season and the committee has met five times over the last six weeks. “We would have met with social welfare, whose responsibility it is to ensure that people are protected socially, the most vulnerable. We have been involved with the Ministry of Agriculture to ensure that there will be food supplies to each area of Barbados in the event that any district in Barbados is cut off and that there would be sufficient food channelled to that area,” explained the minister. Hinkson also mentioned meetings with the Housing Ministry where stronger arrangements were made for the supply of building material, if there is a need for swift repairs for the houses of any residents impacted. -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Jamaica Tourist Everything You Need to Know for the Perfect Vacation Experience
JAMAICA TOURIST WWW.JAMAICATOURIST.NET EVERYTHING YOU NEED TO KNOW FOR THE PERFECT VACATION EXPERIENCE ISSUE 14 - SPRING 2010 IN THIS ISSUE JOSS STONE SHINES AT 2010 JAMAICA JAZZ & BLUES FESTIVAL FANTASTIC GOLF EXPLORING JAMAICA THE ‘ONE LOVE’ PROJECT PALMYRA OWNERS TAKE OCCUPANCY OF LUXURY RESIDENCES CHULANI’S REMARKABLE JOURNEY TO JAMAICA HISTORIC TRAMWAYS OF KINGSTON THE GAP CAFÉ - JEWEL IN THE BLUE MOUNTAINS CUISINE FOR EVERY TASTE SHOPPING PAR EXELLENCE WHAT A GWAAN? OWN A TROPICAL HOME AT THE PALMYRA Look for the FREE GEMSTONE offer in the YOUR luxury shopping section! FREE ISSUE SEE ISLAND MAP INSIDE GROOVIN’ IN JAMAICA eople visit Jamaica for many reasons, one of which is the island’s many world-class music festivals that include Reggae Sumfest, Rebel Salute, Sting and perhaps the most popular, Jamaica Jazz & Blues Festival. From January 28 - 30, more than 20,000 Jazz and Blues aficionados flocked the lawns of the PTrelwany Multipurpose Stadium in Greenfield, for the 14th staging of the trendy event. Staged at the stadium for the first time this year, most skeptics were quickly won over by the ease of access and superior parking facilities of the venue, which comfortably hosted VIP tents, skyboxes, a craft market and a wide variety of food & beverage outlets. Combined with the world-class music line-up and masses of happy music lovers, the stadium formed a perfect venue. Visited by thousands of people at its former home Is This Love. Next, singer and songwriter Kenny ‘Babyface’ Edmonds entered the stage with a band dressed in at the iconic aqueduct of Rose Hall, the Jazz & Blues black tuxedos and paid homage to the ‘many beautiful women of Jamaica’ with classics like Every Time I Close Festival has seen outstanding performances by major My Eyes and My My My, Mama, Can We Talk For A Minute and I Wanna Rock With You Baby.