And More Room at The
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Elevator Interior Design
C AMB RIDGE A select portfolio of architectural mesh projects for new or refurbished elevator cabs, lobbies and high-traffic spaces featuring Cambridge’s metal mesh. ARCHITECTURAL MESH Beautiful, light-weight and durable, architectural mesh has been prized by architects and designers since we first wove metal fabric for the elevator cabs in Mies van der Rohe’s Seagram Building in 1958. And it’s still there today. Learn more about our elite line of elegant panels in stainless steel, brass, copper and aluminum. Carnegie Hall, New York City Elegant burnished aluminum panels lift Carnegie Hall’s elevator interiors to another level. Installed by EDI/ECI in concert with Iu + Biblowicz Architects, Comcast Center, Philadelphia, PA Cambridge’s Sawgrass pattern adds When designing the a refined and resilient interior to world’s tallest green this refurbished masterpiece. building, Robert A.M. © Gbphoto27 | Dreamstime.com Stern Architects added style and sustainability with Empire State Building, Cambridge mesh. New York City Classically outfitted Beyer, Blinder & with the chic Ritz pattern, the flexible Belle Architects stainless steel fabric integrates the modernized the lobby and elevators with a smooth landmark and seamless design. skyscraper’s elevator cabs with Cambridge’s Stipple mesh. Installed by the National Elevator Cab & Door Co., the dappled brushed aluminum surface stands up to the traffic and traditions of this legendary building. Victory Plaza, Dallas, TX TFO Architecture’s YAHOO!, Sunnyvale, CA expansive mixed-use project in the center Gensler architects of downtown selected Cambridge’s incorporates one of Silk mesh to clad Cambridge’s most elevators at Yahoo’s popular rigid mesh Silicon Valley fabrics. -
Seagram Building, First Floor Interior
I.andmarks Preservation Commission october 3, 1989; Designation List 221 IP-1665 SEAGRAM BUIIDING, FIRST FLOOR INTERIOR consisting of the lobby and passenger elevator cabs and the fixtures and interior components of these spaces including but not limited to, interior piers, wall surfaces, ceiling surfaces, floor surfaces, doors, railings, elevator doors, elevator indicators, and signs; 375 Park Avenue, Manhattan. Designed by Ludwig Mies van der Rohe with Philip Johnson; Kahn & Jacobs, associate architects. Built 1956-58. Landmark Site: Borough of Manhattan Tax Map Block 1307, Lot 1. On May 17, 1988, the landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Seagram Building, first floor interior, consisting of the lobby and passenger elevator cabs and the fixtures and interior components of these spaces including but not limited to, interior piers, wall surfaces, ceiling surfaces, floor surfaces, doors, railings, elevator doors, elevator indicators, and signs; and the proposed designation of the related I.and.mark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law. Twenty witnesses, including a representative of the building's owner, spoke in favor of designation. No witnesses spoke in opposition to designation. The Commission has received many letters in favor of designation. DFSCRIPI'ION AND ANALYSIS Summary The Seagram Building, erected in 1956-58, is the only building in New York City designed by architectural master Iudwig Mies van der Rohe. Constructed on Park Avenue at a time when it was changing from an exclusive residential thoroughfare to a prestigious business address, the Seagram Building embodies the quest of a successful corporation to establish further its public image through architectural patronage. -
The Seagram Building, Designed by Mies Van Der Rohe, Continues To
The Seagram Building, designed by Mies van der Rohe, continues to receive acclaim as New York’s most prestigious office building and the finest example of modern American architecture. We are proud to own this great asset and are committed to ensuring that this Landmark building offers the utmost standards of excellence and service to all of our tenants. 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 20 21 22 23 24 25 26 27 30 31 32 33 375 Park Avenue is widely recognized as building was the first skyscraper in New one of the iconic structures of post-World York City to use floor-to-ceiling plate glass. War II International Style architecture, and is The glazing system in turn required special among the most significant works of Ludwig mechanical innovations such as a specially Mies van der Rohe and Philip Johnson, two designed peripheral air conditioning system of the most important architects of the 20th consisting of low modular units, which would century. From the time of its completion, the cool the building without obstructing views. building has been hailed as one of the most important works of American architecture. The New York Times called it “one of the most notable of Manhattan’s post-war buildings,” At the time of construction, the Seagram and said of the plaza that it had become Building set the gold standard for post- “an oasis for office workers and passersby.” war corporate architecture in America. The In addition to critical praise, the Seagram influence of the building on the course of Building and its architects received a American architecture can be seen up number of awards. -
ANTHONY JAMES / FABULISM FORT GANSEVOORT 5 Ninth Avenue, New York, NY, 10014 on View: Thursday May 18 – Saturday, July
ANTHONY JAMES / FABULISM FORT GANSEVOORT 5 Ninth Avenue, New York, NY, 10014 On View: Thursday May 18 – Saturday, July 8 Opening Reception: Thursday, May 18, 6-9pm New York – May 11, 2017: Fort Gansevoort is pleased to present Fabulism, the first New York solo project in over a decade of British-born, Los Angeles-based artist Anthony James. The exhibition will stage a selection of older works mounted in dialogue with a new body of sculpture in an effort to reflect upon the dynamics of continuity and change within the artist’s practice. The exhibition title speaks to the artist’s interest in elevating ordinary materials through experimentation and transformation. Fabulism, the literary theory of magical realism— which renders the mundane fantastical—is a preoccupation of the artist. The exhibition is curated by Lauri Firstenberg in collaboration with there-there, a new Los Angeles based production company and exhibition space. James debuts his new series of Shields, rendered in steel and bronze, which are highly worked surfaces through a laborious process of painting and additive gestures of refined and subtle metal work. James’s work operates elusively, staggering between the iconic and the arbitrary, the concrete and the alchemic, the mythical and experiential. The artist reveals, "the works evoke pictorial depictions of the cosmos, alluding to notions of mysticism, ethereality, and science fiction, all the while anchored through the use of weighty, industrial materials such as metal and neon." The objects read as relics or artifacts from some liminal moment. As such, James attempts to locate beauty in the wake of insanity. -
True to the City's Teeming Nature, a New Breed of Multi-Family High Rises
BY MEI ANNE FOO MAY 14, 2016 True to the city’s teeming nature, a new breed of multi-family high rises is fast cropping up around New York – changing the face of this famous urban jungle forever. New York will always be known as the land of many towers. From early iconic Art Deco splendours such as the Empire State Building and the Chrysler Building, to the newest symbol of resilience found in the One World Trade Center, there is no other city that can top the Big Apple’s supreme skyline. Except itself. Tall projects have been proposed and built in sizeable numbers over recent years. The unprecedented boom has been mostly marked by a rise in tall luxury residential constructions, where prior to the completion of One57 in 2014, there were less than a handful of super-tall skyscrapers in New York. Now, there are four being developed along the same street as One57 alone. Billionaire.com picks the city’s most outstanding multi-family high rises on the concrete horizon. 111 Murray Street This luxury residential tower developed by Fisher Brothers and Witkoff will soon soar some 800ft above Manhattan’s Tribeca neighborhood. Renderings of the condominium showcase a curved rectangular silhouette that looks almost round, slightly unfolding at the highest floors like a flared glass. The modern design is from Kohn Pedersen Fox. An A-team of visionaries has also been roped in for the project, including David Mann for it residence interiors; David Rockwell for amenities and public spaces and Edmund Hollander for landscape architecture. -
India, Washington, D.C
A Publication of the Embassy of India, Washington, D.C. January 1, 2011 I India RevieI w Vol. 7 Issue 1 www.indianembassy.org Members of the Makela Jewish Acapalla Group singing traditional Hanukkah songs. Members of the St. Augustine Gospel Choir singing a series of traditional Christmas hymns and contemporary gospel music. Embassy celebrates Hanukkah and X-mas n India’s economic n Exports from India n mobile phone market growth is likely to increase by 26.8 crosses 706.69 mn cross 9 pc in the percent to touch with the addition of current fiscal year, $18.9 billion in 18.98 mn subscribers says Finance Minister November 2010 in October 2010 Ambassador’s ENGAGEMENTS AmbAssAdor Addresses roundtAble on mAritime powers mbassador Meera Shankar power. It was in this overall context delivered the inaugural that the issue of maritime security address at the annual round assumed importance. It was also clear A table organized on that the issue of maritime security December 13, 2010 by the Center for could not be addressed by any one Naval Analyses, U.S.A. and the country alone. National Maritime Foundation of The Ambassador emphasized that India. This was the second such what was required was development of roundtable. an “architecture of maritime security The first roundtable was organized based on the principles of shared secu - in New Delhi earlier this year. rity and shared prosperity”. The theme of this roundtable was She said that since it was in the “Major Powers and the Indian Ocean interest of all countries to have stabil - Region (IO): Interests, Implications ity of the Sea Lanes of and Policy Responses”. -
Download Article
March 26, 2015 By Anthony Paletta Rafael Viñoly’s 432 Park Ave., one of the tallest residential towers in the world and the third-tallest building in the U.S. PHOTO: STEVE REMICH FOR THE WALL STREET JOURNAL Manhattan’s skyline is making yet another historical surge upward, though this time with a new crop of super-tall, strikingly narrow apartment buildings that in some cases seem to defy gravity. To see for yourself, walk by SHoP Architects’ 111 W. 57 St., Christian de Portzamparc ’s One57, Jean Nouvel ’s 53 W. 53rd St. or Rafael Viñoly ’s 432 Park Ave. http://www.wsj.com/articles/manhattans-stalagmite-architecture-1427330737 What’s arresting about these structures is their eccentric dimensions. SHoP’s 111 W. 57th St., for example, will boast a width-to-height ratio of 1-to-23. (A standard No. 2 pencil has about a 1-to-30 ratio, and the original World Trade Center towers were a gouty 1-to-7.) Some of these new structures, especially on the upper reaches, are only one unit per floor. It’s partly technology that explains these stalagmite structures. Architects and engineers have tailored improvements in steel and reinforced concrete that facilitate developers’ perennial search for height on an island notoriously short of real estate. What we are witnessing, says SHoP Architects founding partner Gregg Pasquarelli, is a “wonderful golden age of the tall, slender building.” These innovations mark just the latest chapter in the evolving history of the skyscraper. Over the past century, technological breakthroughs have enabled builders to steadily reduce the proportion of structural elements—mainly steel and concrete—in the area where we live, work and play, savings usually given over to glass. -
Downloading of Movies, Television Shows and Other Video Programming, Some of Which Charge a Nominal Or No Fee for Access
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2011 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Commission file number 001-32871 COMCAST CORPORATION (Exact name of registrant as specified in its charter) PENNSYLVANIA 27-0000798 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) One Comcast Center, Philadelphia, PA 19103-2838 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (215) 286-1700 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 6.625% Notes due 2056 New York Stock Exchange 7.00% Notes due 2055 New York Stock Exchange 8.375% Guaranteed Notes due 2013 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the Registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Saving Carnegie Hall: A Case Study of Historic Preservation in Postwar New York City Permalink https://escholarship.org/uc/item/3x19f20h Author Schmitz, Sandra Elizabeth Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Saving Carnegie Hall: A Case Study of Historic Preservation in Postwar New York A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Sandra Elizabeth Schmitz June 2015 Thesis Committee: Dr. Patricia Morton, Chairperson Dr. Jason Weems Dr. Catherine Gudis Copyright by Sandra Elizabeth Schmitz 2015 The Thesis of Sandra Elizabeth Schmitz is approved: Committee Chairperson University of California, Riverside Acknowledgements I would like to thank my thesis advisor, Dr. Patricia Morton, for helping me to arrive at this topic and for providing encouragement and support along the way. I’m incredibly grateful for the time she took to share her knowledgeable insight and provide thorough feedback. Committee members Dr. Jason Weems and Dr. Catherine Gudis also brought valuable depth to my project through their knowledge of American architecture, urbanism, and preservation. The department of Art History at the University of California, Riverside (UCR) made this project possible by providing me with a travel grant to conduct research in New York City. Carnegie Hall’s archivists graciously guided my research at the beginning of this project and provided more information than I could fit in this thesis. I could not have accomplished this project without the support of Stacie, Hannah, Leah, and all the friends who helped me stay grounded through the last two years of writing, editing, and talking about architecture. -
Sofeminine.Co.Uk 3 Floor, River House, 143-145 Farringdon Road
THE AUFEMININ.COM GROUP BECOMES WORLD NUMBER 1 IN ONLINE WOMEN’S PUBLISHING! In 2009, the auFeminin.com group became the world number 1 in online women’s publishing, ahead of iVillage, Condé Nast and Lagardère. Publisher Unique Visitors * Page impressions * auFeminin Group 29,606,000 398,000,000 iVillage ** 24,848,000 192,000,000 Condé Nast Digital 23,530,000 190,000,000 auFeminin.com is reaping the rewards of its dynamism and its strategy of investing in high-quality, relevant content. Available in 6 languages, the portal offers all the diversity of a general women’s magazine, with the added interactivity of a social network, especially designed for women. Anne-Laure Vincent, Managing Director of the group, explains, “auFeminin.com addresses all women through an editorial line which is in keeping with their desires, which respects their complexity and sensitivity, but never imposes diktats. Essentially, we reach out to a generation of modern, engaging women who are trying to balance all the aspects of their lives! We offer them a unique, attractive and enriching environment, as well as a place of exchange where they can fully express their identity. Today, auFeminin.com is the leading voice of women in Europe”. auFeminin.com group is now the leader of all Women’s online media groups. The auFeminin.com group comprises of women’s sites and women’s interest sites in France, UK, Germany, Italy, Spain, Belgium, Switzerland, Poland, Canada, and Vietnam. * Source: ComScore, October 2009, global figures ** All sites of "iVillage.com: The Womens Network", with the exception of BlogHer, which is not published by iVillage, and sites whose audience is not sufficient enough to appear in ComScore’s consolidated results for the month of October 2009. -
Download The
2015 Annual Report Contents 2015 ANNUAL REPORT Comments from the Chair ................................................................................................. 4 State of the Industry .......................................................................................................... 5 Marketing .......................................................................................................................... 7 2015 At-A-Glance 2015 Summary ................................................................................................................... 7 10 Memorable Moments ................................................................................................... 8 Year-over-Year Consumer Media Comparison .................................................................... 10 2015 Program Industry/Retail .................................................................................................................... 12 Nutrition Research.............................................................................................................. 16 Nutrition Outreach ............................................................................................................. 18 Consumer PR ...................................................................................................................... 20 Digital ................................................................................................................................. 22 Foodservice ....................................................................................................................... -
The Cable Network in an Era of Digital Media: Bravo and the Constraints of Consumer Citizenship
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses Fall August 2014 The Cable Network in an Era of Digital Media: Bravo and the Constraints of Consumer Citizenship Alison D. Brzenchek University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Cultural History Commons, Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, History of Science, Technology, and Medicine Commons, and the Political Economy Commons Recommended Citation Brzenchek, Alison D., "The Cable Network in an Era of Digital Media: Bravo and the Constraints of Consumer Citizenship" (2014). Doctoral Dissertations. 55. https://doi.org/10.7275/bjgn-vg94 https://scholarworks.umass.edu/dissertations_2/55 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE CABLE NETWORK IN AN ERA OF DIGITAL MEDIA: BRAVO AND THE CONSTRAINTS OF CONSUMER CITIZENSHIP A Dissertation Presented by ALISON D. BRZENCHEK Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2014 Department