Seagram Building, First Floor Interior
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Elevator Interior Design
C AMB RIDGE A select portfolio of architectural mesh projects for new or refurbished elevator cabs, lobbies and high-traffic spaces featuring Cambridge’s metal mesh. ARCHITECTURAL MESH Beautiful, light-weight and durable, architectural mesh has been prized by architects and designers since we first wove metal fabric for the elevator cabs in Mies van der Rohe’s Seagram Building in 1958. And it’s still there today. Learn more about our elite line of elegant panels in stainless steel, brass, copper and aluminum. Carnegie Hall, New York City Elegant burnished aluminum panels lift Carnegie Hall’s elevator interiors to another level. Installed by EDI/ECI in concert with Iu + Biblowicz Architects, Comcast Center, Philadelphia, PA Cambridge’s Sawgrass pattern adds When designing the a refined and resilient interior to world’s tallest green this refurbished masterpiece. building, Robert A.M. © Gbphoto27 | Dreamstime.com Stern Architects added style and sustainability with Empire State Building, Cambridge mesh. New York City Classically outfitted Beyer, Blinder & with the chic Ritz pattern, the flexible Belle Architects stainless steel fabric integrates the modernized the lobby and elevators with a smooth landmark and seamless design. skyscraper’s elevator cabs with Cambridge’s Stipple mesh. Installed by the National Elevator Cab & Door Co., the dappled brushed aluminum surface stands up to the traffic and traditions of this legendary building. Victory Plaza, Dallas, TX TFO Architecture’s YAHOO!, Sunnyvale, CA expansive mixed-use project in the center Gensler architects of downtown selected Cambridge’s incorporates one of Silk mesh to clad Cambridge’s most elevators at Yahoo’s popular rigid mesh Silicon Valley fabrics. -
Return of Private Foundation
OMB No 1545.0052 Form 990 P F Return of Private Foundation or Section 4947(a)(1) Nonexempt Charitable Trust Treated as a Private Foundation 2007 Department of the Treasury Note : The foundation may be able to use a copy of this return to satisfy state Internal Revenue Service For calendar year 2007, or tax year be ginnin g , 2007 , and endin g I G Check all that apply Initial return Final return Amended return Address change Name change Name of foundation A Employer identification number Use the IRS label THE MANN FOUNDATION INC 32-0149835 Otherwise , Number and street (or P 0 box number if mail is not delivered to street address) Room/suite B Telephone number (see the instructions) print or type 1385 BROADWAY 1 1102 (212) 840-6266 See Specific City or town State ZIP code C If exemption application is pending, check here Instructions. ► NEW YORK NY 1 0 0 1 8 D 1 Foreign organizations , check here ► H Check type of organization Section 501 (c)(3exempt private foundation 2 Foreign organizations meeting the 85% test, check q here and attach computation Section 4947(a ) (1) nonexem p t charitable trust Other taxable p rivate foundation ► foundation status was terminated Accrual E If private ► Fair market value of all assets at end of year J Accounting method Cash X under section 507(b)(1 XA), check here (from Part ll, column (c), line 16) Other (s pecify) _ _ _ _ _ _ _ _ _ _ _ _ F If the foundation is in a 60-month termination (d) on cash basis) under section 507(b)(1)(B), check here ► $ -2,064. -
Landmarks Preservation Commission August 6, 2013, Designation List 466 LP-2537 HOLLAND PLAZA BUILDING (Now ONE HUDSON SQUARE), 7
Landmarks Preservation Commission August 6, 2013, Designation List 466 LP-2537 HOLLAND PLAZA BUILDING (now ONE HUDSON SQUARE), 75 Varick Street (aka 73- 93 Varick Street, 73-99 Watts Street, and 431-475 Canal Street), Manhattan Built 1930; architect, Ely Jacques Kahn Borough of Manhattan Tax Map Block 226, Lot 1 On June 11, 2013 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Holland Plaza Building (now One Hudson Square) and the proposed designation of the related Landmark Site (Item No. 3). The hearing had been duly advertised in accordance with the provisions of law. There were two speakers in favor of designation including the owner and a representative of the Historic District Council. Summary The Holland Plaza Building is a large, modern-classical style manufacturing structure, constructed on an irregularly-shaped lot facing the entrance to the Holland Tunnel in 1929-30. The building location was chosen to take advantage of the new transportation hub then developing at the entrance to the newly-constructed tunnel linking New York and New Jersey. One of the most significant buildings by celebrated architect Ely Jacques Kahn, the Holland Plaza displays a modern, functional architectural vocabulary influenced by the contemporary expressionist brick buildings of Germany and Holland. Kahn popularized this style in his numerous remarkable, commercial buildings built throughout New York City. Positioned on a prominent site, the Holland Plaza Building displays a dramatic style that emphasizes the structural grid without applied ornament. Its strong vertical piers are balanced by horizontal, textured spandrels and their meeting point is emphasized by projecting corner blocks and a layered plaque, creating a dynamic surface tension that is quite unusual in this district of utilitarian warehouse structures. -
Bauhaus 1 Bauhaus
Bauhaus 1 Bauhaus Staatliches Bauhaus, commonly known simply as Bauhaus, was a school in Germany that combined crafts and the fine arts, and was famous for the approach to design that it publicized and taught. It operated from 1919 to 1933. At that time the German term Bauhaus, literally "house of construction" stood for "School of Building". The Bauhaus school was founded by Walter Gropius in Weimar. In spite of its name, and the fact that its founder was an architect, the Bauhaus did not have an architecture department during the first years of its existence. Nonetheless it was founded with the idea of creating a The Bauhaus Dessau 'total' work of art in which all arts, including architecture would eventually be brought together. The Bauhaus style became one of the most influential currents in Modernist architecture and modern design.[1] The Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. The school existed in three German cities (Weimar from 1919 to 1925, Dessau from 1925 to 1932 and Berlin from 1932 to 1933), under three different architect-directors: Walter Gropius from 1919 to 1928, 1921/2, Walter Gropius's Expressionist Hannes Meyer from 1928 to 1930 and Ludwig Mies van der Rohe Monument to the March Dead from 1930 until 1933, when the school was closed by its own leadership under pressure from the Nazi regime. The changes of venue and leadership resulted in a constant shifting of focus, technique, instructors, and politics. For instance: the pottery shop was discontinued when the school moved from Weimar to Dessau, even though it had been an important revenue source; when Mies van der Rohe took over the school in 1930, he transformed it into a private school, and would not allow any supporters of Hannes Meyer to attend it. -
The Seagram Building, Designed by Mies Van Der Rohe, Continues To
The Seagram Building, designed by Mies van der Rohe, continues to receive acclaim as New York’s most prestigious office building and the finest example of modern American architecture. We are proud to own this great asset and are committed to ensuring that this Landmark building offers the utmost standards of excellence and service to all of our tenants. 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 20 21 22 23 24 25 26 27 30 31 32 33 375 Park Avenue is widely recognized as building was the first skyscraper in New one of the iconic structures of post-World York City to use floor-to-ceiling plate glass. War II International Style architecture, and is The glazing system in turn required special among the most significant works of Ludwig mechanical innovations such as a specially Mies van der Rohe and Philip Johnson, two designed peripheral air conditioning system of the most important architects of the 20th consisting of low modular units, which would century. From the time of its completion, the cool the building without obstructing views. building has been hailed as one of the most important works of American architecture. The New York Times called it “one of the most notable of Manhattan’s post-war buildings,” At the time of construction, the Seagram and said of the plaza that it had become Building set the gold standard for post- “an oasis for office workers and passersby.” war corporate architecture in America. The In addition to critical praise, the Seagram influence of the building on the course of Building and its architects received a American architecture can be seen up number of awards. -
EU Prize for Contemporary Architecture / Mies Van Der Rohe Award: a Tribute to Bauhaus
AT A GLANCE EU Prize for Contemporary Architecture / Mies van der Rohe Award: A tribute to Bauhaus The EU Prize for Contemporary Architecture (also known as the EU Mies Award) was launched in recognition of the importance and quality of European architecture. Named after German architect Ludwig Mies van der Rohe, a figure emblematic of the Bauhaus movement, it aims to promote functionality, simplicity, sustainability and social vision in urban construction. Background Mies van der Rohe was the last director of the Bauhaus school. The official lifespan of the Bauhaus movement in Germany was only fourteen years. It was founded in 1919 as an educational project devoted to all art forms. By 1933, when the Nazi authorities closed the school, it had changed location and director three times. Artists who left continued the work begun in Germany wherever they settled. Recognition by Unesco The Bauhaus movement has influenced architecture all over the world. Unesco has recognised the value of its ideas of sober design, functionalism and social reform as embodied in the original buildings, putting some of the movement's achievements on the World Heritage List. The original buildings located in Weimar (the Former Art School, the Applied Art School and the Haus Am Horn) and Dessau (the Bauhaus Building and the group of seven Masters' Houses) have featured on the list since 1996. Other buildings were added in 2017. The list also comprises the White City of Tel-Aviv. German-Jewish architects fleeing Nazism designed many of its buildings, applying the principles of modernist urban design initiated by Bauhaus. -
Architectural Photography, the Farnsworth House, and the Opaque Discourse of Transparency SARAH M
VOLUME 26 · 2015 JOURNAL OF THE SOUTHEAST CHAPTER OF THE SOCIETY OF ARCHITECTURAL HISTORIANS Volume 26 · 2015 1 Editors’ Note Articles 6 Madness and Method in the Junkerhaus: The Creation and Reception of a Singular Residence in Modern Germany MIKESCH MUECKE AND NATHANIEL ROBERT WALKER 22 Curtained Walls: Architectural Photography, the Farnsworth House, and the Opaque Discourse of Transparency SARAH M. DRELLER 40 The “Monster Problem”: Texas Architects Try to Keep it Cool Before Air Conditioning BETSY FREDERICK-ROTHWELL 54 Electrifying Entertainment: Social and Urban Modernization through Electricity in Savannah, Georgia JESSICA ARCHER Book Reviews 66 Cathleen Cummings, Decoding a Hindu Temple: Royalty and Religion in the Iconographic Program of the Virupaksha Temple, Pattadakal REVIEWED BY DAVID EFURD 68 Reiko Hillyer, Designing Dixie: Tourism, Memory, and Urban Space in the New South REVIEWED BY BARRY L. STIEFEL 70 Luis E, Carranza and Fernando L. Lara, Modern Architecture in Latin America: Art, Technology, and Utopia REVIEWED BY RAFAEL LONGORIA Field Notes 72 Preserving and Researching Modern Architecture Outside of the Canon: A View from the Field LYDIA MATTICE BRANDT 76 About SESAH ABSTRACTS Sarah M. Dreller Curtained Walls: Architectural Photography, the Farnsworth House, and the Opaque Discourse of Transparency Abstract This paper studies the creation, circulation, and reception of two groups of photographs of Ludwig Mies van der Rohe’s iconic Farnsworth House, both taken by Hedrich Blessing. The first set, produced for a 1951 Architectural Forum magazine cover story, features curtains carefully arranged according to the architect’s preferences; the Museum of Modern Art commis- sioned the second set in 1985 for a major Mies retrospective exhibition specifically because the show’s influential curator, Arthur Drexler, believed the curtains obscured Mies’ so-called “glass box” design. -
Leseprobe 9783791384900.Pdf
NYC Walks — Guide to New Architecture JOHN HILL PHOTOGRAPHY BY PAVEL BENDOV Prestel Munich — London — New York BRONX 7 Columbia University and Barnard College 6 Columbus Circle QUEENS to Lincoln Center 5 57th Street, 10 River to River East River MANHATTAN by Ferry 3 High Line and Its Environs 4 Bowery Changing 2 West Side Living 8 Brooklyn 9 1 Bridge Park Car-free G Train Tour Lower Manhattan of Brooklyn BROOKLYN Contents 16 Introduction 21 1. Car-free Lower Manhattan 49 2. West Side Living 69 3. High Line and Its Environs 91 4. Bowery Changing 109 5. 57th Street, River to River QUEENS 125 6. Columbus Circle to Lincoln Center 143 7. Columbia University and Barnard College 161 8. Brooklyn Bridge Park 177 9. G Train Tour of Brooklyn 195 10. East River by Ferry 211 20 More Places to See 217 Acknowledgments BROOKLYN 2 West Side Living 2.75 MILES / 4.4 KM This tour starts at the southwest corner of Leonard and Church Streets in Tribeca and ends in the West Village overlooking a remnant of the elevated railway that was transformed into the High Line. Early last century, industrial piers stretched up the Hudson River from the Battery to the Upper West Side. Most respectable New Yorkers shied away from the working waterfront and therefore lived toward the middle of the island. But in today’s postindustrial Manhattan, the West Side is a highly desirable—and expensive— place, home to residential developments catering to the well-to-do who want to live close to the waterfront and its now recreational piers. -
May 5, 2016 Game-Changing Real Estate Puts Rapaport in The
May 5, 2016 http://rew-online.com/2016/05/05/game-changing-real-estate-puts-rapaport-in-the-winners-circle/ Game-changing real estate puts Rapaport in the winners circle BY DAN ORLANDO Laura Rapaport, senior vice president at L&L Holding Company, will be taking part in the Real Estate Weekly Women’s Forum next week. Once in pursuit of a career in medicine, Rapaport’s path to her current role was not devoid of twists and turns. “When I was 18, I took an unpaid internship with Earle Altman at Helmsley Spear. After doing what seemed like two weeks of work in just one morning, I was told that if I got my license and closed a deal, they would pay me,” Rapaport recalled. “I got my license and managed to nail a lease on a small property in Queens. That’s when I got the real estate bug.” A University of Pennsylvania graduate, Rapaport said that entering the competitive field was made easier because of the excellent mentorships she has been the beneficiary of. At the forum, she hopes that she’ll be able to positively influence other young real estate professionals, male and female, in a similar manner. “I have been fortunate to work with and learn from some of the industry greats. First there was Earle, and then my mentor Tara Stacom. Each taught me and showed me how exciting and dynamic the real estate industry was and have helped to cultivate my knowledge and experience going forward.” While her past has certainly molded her, Rapaport’s current role has allowed her to truly blossom. -
Federal Railroad Administration Record of Decision for the East Side Access Project
Federal Railroad Administration Record of Decision For the East Side Access Project September 2012 SUMMARY OF DECISION This is a Record of Decision (ROD) of the Federal Railroad Administration (FRA), an operating administration of the U.S. Department of Transportation, regarding the East Side Access (ESA) Project. FRA has prepared this ROD in accordance with the National Environmental Policy Act (NEPA), the Council on Environmental Quality’s (CEQ) regulations implementing NEPA, and FRA’s Procedures for Considering Environmental Impacts. The Metropolitan Transportation Authority (MTA) filed an application with the FRA for a loan to finance eligible elements of the ESA Project through the Railroad Rehabilitation and Improvement Financing (RRIF) Program. The ESA Project is the MTA’s largest system expansion in over 100 years. The ESA Project will expand the Long Island Rail Road (LIRR) services by connecting Queens and Long Island with East Midtown Manhattan. With direct LIRR service to Midtown East, the LIRR will further increase its market share of commuters by saving up to 40 minutes per day in subway/bus/sidewalk travel time for commuters who work on Manhattan’s East Side. The ESA Project was previously considered in an environmental impact statement (EIS) prepared by the Federal Transit Administration (FTA) in May 2001 and subsequent FTA reevaluations and an environmental assessment of changes in the ESA Project. Construction of the ESA Project has been ongoing since 2001. FRA has reviewed the environmental impacts for the ESA Project identified in the FTA March 2001 Final EIS, subsequent FTA Reevaluations, and the 2006 Supplemental EA/FONSI (collectively, the “2001 EIS”) for the ESA Project and adopted it pursuant to CEQ regulations (40 CFR 1506.3). -
From: J.P. Morgan Chase & Co. (As "Issuer") 383 Madison Avenue New York, New York 10179 United States of America T
From: J.P. Morgan Chase & Co. (as "Issuer") 383 Madison Avenue New York, New York 10179 United States of America To: The Holders of Securities Copy: The Bank of New York Mellon (as "Principal Programme Agent") One Canada Square London E14 5AL United Kingdom The Bank of New York Mellon S.A./N.V., Luxembourg Branch (as "Paying Agent", "Transfer Agent" and "Registrar") Vertigo Building - Polaris 2-4 rue Eugène Ruppert L-2453 Luxembourg 23 June 2020 JPMorgan Chase & Co. EUR 100,000,000 30-Year Fixed Rate Notes (with Coupon Step-Up), due July 2044 (Restructured) (previously known as " EUR 100,000,000 30-Year Range Accrual Notes linked to the EUR/USD FX Rate, due July 2044") (the "Securities" or the "Notes") (Series: 2014-5634; ISIN: XS1061529779) Structured Products Programme for the issuance of Notes, Warrants and Certificates AMENDMENT NOTICE We refer to the Securities Note in respect of the Securities dated 23 November 2017 (the "Securities Note"). Any term used in this notice but not defined shall have the meaning as defined or specified in the Securities Note. Since the issuance of the Securities, it has been determined that the terms and conditions of the Securities as set forth in the Pricing Supplement in respect of the Securities dated 3 July 2014 shall be amended. We, with the consent of the sole Holder of 100 per cent. of the outstanding Securities, have made certain amendments as further described in the Letter to the Holders of the Securities dated 16 June 2020 (the "Amendments") to the terms and conditions of the Securities by way of the Amended and Restated Pricing Supplement dated 23 June 2020. -
Annual Report 2018
ANNUAL REPORT 2018 44415 AR2018__draft_color_rev.indd 1 4/30/19 5:27 PM Contents From the President 2 Speaking Out for Preservation 3 Providing Technical Expertise 8 Preserving Sacred Sites 14 Funding Historic Properties 20 Honoring Excellence 23 Celebrating Living Landmarks 25 Tours and Other Events 29 Our Supporters 31 Financial Statements 37 Board of Directors, Advisory Council, and Staff 38 Our Mission The New York Landmarks Conservancy is dedicated to preserving, revitalizing, and reusing New York’s architecturally significant buildings. Through pragmatic leadership, financial and technical assistance, advocacy, and public education, the Conservancy ensures that New York’s historically and culturally significant buildings, streetscapes, and neighborhoods continue to contribute to New York’s economy, tourism, and quality of life. On the Cover Lucy G. Moses Preservation Award winner - 462 Broadway, Manhattan - Owner Meringoff Properties has returned a French Renaissance-style building to its original glory in the SoHo-Cast Iron Historic District. Platt Byard Dovell White Architects oversaw the restoration. Photo by Francis Dzikowski. 1 44415 AR2018__draft_color_rev.indd 2 4/30/19 5:27 PM From the President Dear Friend of the Conservancy: We celebrated our 45th anniversary in 2018. It’s an in-between number so we weren’t going to go all out with celebrations. Then we realized that there was no guarantee 45 years ago that we’d still be here—let alone have developed our range of programs and skills. So we decided that a little horn tooting was in order. Our founders had a vision: an organization that would focus on preservation and have technical skills that could actually help people fix their buildings.