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BBC SOUND BROADCASTING Its Engineering Development
Published by the British Broadcorrmn~Corporarion. 35 Marylebone High Sneer, London, W.1, and printed in England by Warerlow & Sons Limited, Dunsruble and London (No. 4894). BBC SOUND BROADCASTING Its Engineering Development PUBLISHED TO MARK THE 4oTH ANNIVERSARY OF THE BBC AUGUST 1962 THE BRITISH BROADCASTING CORPORATION SOUND RECORDING The Introduction of Magnetic Tape Recordiq Mobile Recording Eqcupment Fine-groove Discs Recording Statistics Reclaiming Used Magnetic Tape LOCAL BROADCASTING. STEREOPHONIC BROADCASTING EXTERNAL BROADCASTING TRANSMITTING STATIONS Early Experimental Transmissions The BBC Empire Service Aerial Development Expansion of the Daventry Station New Transmitters War-time Expansion World-wide Audiences The Need for External Broadcasting after the War Shortage of Short-wave Channels Post-war Aerial Improvements The Development of Short-wave Relay Stations Jamming Wavelmrh Plans and Frwencv Allocations ~ediumrwaveRelav ~tatik- Improvements in ~;ansmittingEquipment Propagation Conditions PROGRAMME AND STUDIO DEVELOPMENTS Pre-war Development War-time Expansion Programme Distribution Post-war Concentration Bush House Sw'tching and Control Room C0ntimn.t~Working Bush House Studios Recording and Reproducing Facilities Stag Economy Sound Transcription Service THE MONITORING SERVICE INTERNATIONAL CO-OPERATION CO-OPERATION IN THE BRITISH COMMONWEALTH ENGINEERING RECRUITMENT AND TRAINING ELECTRICAL INTERFERENCE WAVEBANDS AND FREQUENCIES FOR SOUND BROADCASTING MAPS TRANSMITTING STATIONS AND STUDIOS: STATISTICS VHF SOUND RELAY STATIONS TRANSMITTING STATIONS : LISTS IMPORTANT DATES BBC ENGINEERING DIVISION MONOGRAPHS inside back cover THE BEGINNING OF BROADCASTING IN THE UNITED KINGDOM (UP TO 1939) Although nightly experimental transmissions from Chelmsford were carried out by W. T. Ditcham, of Marconi's Wireless Telegraph Company, as early as 1919, perhaps 15 June 1920 may be looked upon as the real beginning of British broadcasting. -
Managing the BBC's Estate
Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 BRITISH BROADCASTING CORPORATION Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 Presented to Parliament by the Secretary of State for Culture, Media & Sport by Command of Her Majesty January 2015 © BBC 2015 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money study: Managing the BBC’s estate This year the Executive has developed a BBC Trust response new strategy which has been reviewed by As governing body of the BBC, the Trust is the Trust. In the short term, the Executive responsible for ensuring that the licence fee is focused on delivering the disposal of is spent efficiently and effectively. One of the Media Village in west London and associated ways we do this is by receiving and acting staff moves including plans to relocate staff upon value for money reports from the NAO. to surplus space in Birmingham, Salford, This report, which has focused on the BBC’s Bristol and Caversham. This disposal will management of its estate, has found that the reduce vacant space to just 2.6 per cent and BBC has made good progress in rationalising significantly reduce costs. -
Beyond Boundaries II
Beyond Boundaries II Beyond Boundaries II Pakistan - Afghanistan Track 1.5 and II cc Connecting People Building Peace Promoting Cooperation 1 Beyond Boundaries II Beyond Boundaries II Pakistan – Afghanistan Track 1.5 and II Connecting People Building Peace Promoting Cooperation 2 Beyond Boundaries II Beyond Boundaries II ©Center for Research and Security Studies 2018 All rights reserved This publication can be ordered from CRSS Islamabad office. All CRSS publications are also available free of cost for digital download from the CRSS website. 14-M, Ali Plaza, 2nd Floor, F-8 Markaz, Islamabad, Pakistan. Tel: +92-51-8314801-03 Fax: +92-51-8314804 www.crss.pk 3 Beyond Boundaries II TABLE OF CONTENTS 1. ACRONYMS ..................................................................................................... 5 2. EXECUTIVE SUMMARY .................................................................................... 9 3. CONTEXTUALIZING BEYOND BOUNDARIES................................................... 11 4. FIRST MEETING OF THE PAKISTAN AFGHANISTAN JOINT COMMITTEE ........ 56 5. SECOND MEETING OF PAKISTAN AFGHANISTAN JOINT COMMITTEE .......... 72 6. THIRD MEETING OF PAKISTAN AFGHANISTAN JOINT COMMITTEE .............. 95 7. FOURTH MEETING OF PAKISTAN AFGHANISTAN JOINT COMMITTEE ........ 126 8. FIFTH MEETING OF PAKISTAN AFGHANISTAN JOINT COMMITTEE ON BUSINESS/TRADE ........................................................................................ 149 9. SIXTH MEETING OF PAKISTAN AFGHANISTAN JOINT COMMITTEE ............ 170 10. UNIVERSITY -
Jude Akuwudike
www.hamiltonhodell.co.uk Jude Akuwudike Talent Representation Telephone Madeleine Dewhirst & Sian Smyth +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Television Title Role Director Production Company Delroy Grant (The Night MANHUNT Marc Evans ITV Studios Stalker) PLEBS Agrippa Sam Leifer Rise Films/ITV2 MOVING ON Dr Bello Jodhi May LA Productions/BBC THE FORGIVING EARTH Dr Busasa Hugo Blick BBC/Netflix CAROL AND VINNIE Ernie Dan Zeff BBC IN THE LONG RUN Uncle Akie Declan Lowney Sky KIRI Reverend Lipede Euros Lyn Hulu/Channel 4 THE A WORD Vincent Sue Tully Fifty Fathoms/BBC DEATH IN PARADISE Series 6 Tony Simon Delaney Red Planet/BBC CHEWING GUM Series 2 Alex Simon Neal Retort/E4 FRIDAY NIGHT DINNER Series 4 Custody Sergeant Martin Dennis Channel 4 FORTITUDE Series 2 & 3 Doctor Adebimpe Hettie Macdonald Tiger Aspect/Sky Atlantic LUCKY MAN Doctor Marghai Brian Kelly Carnival Films/Sky 1 UNDERCOVER Al James Hawes BBC CUCUMBER Ralph Alice Troughton Channel 4 LAW & ORDER: UK Marcus Wright Andy Goddard Kudos Productions HOLBY CITY Marvin Stewart Fraser Macdonald BBC Between Us (pty) Ltd/Precious THE NO.1 LADIES DETECTIVE AGENCY Oswald Ranta Charles Sturridge Films MOSES JONES Matthias Michael Offer BBC SILENT WITNESS Series 11 Willi Brendan Maher BBC BAD GIRLS Series 7 Leroy Julian Holmes Shed Productions for ITV THE LAST DETECTIVE Series 3 Lemford Bradshaw David Tucker Granada HOLBY CITY Derek Fletcher BBC ULTIMATE FORCE Series 2 Mr Salmon ITV SILENT WITNESS: RUNNING ON -
Layout 1 (Page 8)
April 27 2004 Ariel International he walls of my small office in a Colombo suburb are present BBC World’s flagship adorned with my press cuttings. One writer says I ought weekly cinema programme Talking T to be forcibly married off to Osama Bin Laden, another I Movies. Each week we report on that I should be the BBC’s first suicide bomber. I have been called the very latest Hollywood films – and increas- a Tamil Tiger, but the Tigers are against me too. (That’s me with ingly on global cinema. We’re an extremely the Tigers, Left) Some of the extreme attacks on my reporting are lean operation and the only full time members demented, but I know people sometimes check up on me at home on the team are myself and our and that my telephone is tapped. I have just covered my second producer/reporter Laura Metzger. election here in four years, for various tv, radio and online outlets. I joined the BBC in 1976 as a news trainee, Predictably, my reporting attracted more column inches. later working as a producer on the Today programme, on Breakfast News, Apart from my assistant Dushi Kangasabapathipillai and the the now defunct Late Show and Correspondent as well as the BBC’s main Sinhalese stringer Elmo Fernando, I have worked pretty much on cinema programmes on BBC One. I’ve reported on frothy events like the my own as correspondent in the Sri Lankan capital since I moved Oscars and examined such things as the insidious publicity machine that here in 2000 from Malaysia. -
BBC Full Financial Statements 2013/14 01 Review of the Managing Director, BBC Finance & Operations
BBC Full Financial St atement s 2013/14 BBC Full Financial St atement s 2013/14 Presented to Parliament by the Secretary of State for Culture, Media and Sport by command of Her Majesty July 2014 The BBC’s Annual Report and Accounts 2013/14, giving narrative context to the numbers contained in this document, were also laid before Parliament on 21 July 2014 and are available online at bbc.co.uk/annualreport © BBC Copyright 2014 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Photographs are used ©BBC or used under the terms of the PACT agreement except where otherwise identified. Permission from copyright holders must be sought before any photographs are reproduced. You can download this publication from bbc.co.uk/fullfinancialstatements Designed by Fishburn™ thisisfishburn.com Prepared pursuant to the BBC Royal Charter 2006 (Art.45) Contents 02 Review of the Managing Director BBC Finance & Operations 04 Financial overview 13 Looking forward 14 Statement of Executive Board responsibilities 15 Independent Auditor’s report 19 Group financial statements and notes 88 Glossary BBC Full Financial Statements 2013/14 01 Review of the Managing Director, BBC Finance & Operations ‘‘This year we have built on Delivering efficiencies whilst prioritising our most valued output our impressive track record The BBC has just completed its fourth year with the colour of delivering efficiencies whilst licence fee at £145.50 and is in the middle of delivering a major efficiency project, Delivering Quality First (DQF), which is on maintaining the production of track to deliver an annual total of £700million in annual recurrent outstanding programmes and savings. -
Brave New World Service a Unique Opportunity for the Bbc to Bring the World to the UK
BRAVE NEW WORLD SERVIce A UNIQUE OPPORTUNITY FOR THE BBC TO BRING THE WORLD TO THE UK JOHN MCCaRTHY WITH CHARLOTTE JENNER CONTENTS Introduction 2 Value 4 Integration: A Brave New World Service? 8 Conclusion 16 Recommendations 16 INTERVIEWEES Steven Barnett, Professor of Communications, Ishbel Matheson, Director of Media, Save the Children and University of Westminster former East Africa Correspondent, BBC World Service John Baron MP, Member of Foreign Affairs Select Committee Rod McKenzie, Editor, BBC Radio 1 Newsbeat and Charlie Beckett, Director, POLIS BBC 1Xtra News Tom Burke, Director of Global Youth Work, Y Care International Richard Ottaway MP, Chair, Foreign Affairs Select Committee Alistair Burnett, Editor, BBC World Tonight Rita Payne, Chair, Commonwealth Journalists Mary Dejevsky, Columnist and leader writer, The Independent Association and former Asia Editor, BBC World and former newsroom subeditor, BBC World Service Marcia Poole, Director of Communications, International Jim Egan, Head of Strategy and Distribution, BBC Global News Labour Organisation (ILO) and former Head of the Phil Harding, Journalist and media consultant and former World Service training department Director of English Networks and News, BBC World Service Stewart Purvis, Professor of Journalism and former Lindsey Hilsum, International Editor, Channel 4 News Chief Executive, ITN Isabel Hilton, Editor of China Dialogue, journalist and broadcaster Tony Quinn, Head of Planning, JWT Mary Hockaday, Head of BBC Newsroom Nick Roseveare, Chief Executive, BOND Peter -
Sunday Times Magazine 11.11.2012 the Sunday Times Magazine 11.11.2012 17 VIVA FOREVER!
VIVA FOREVER! WESTSPICE UP YOUR LIFE END Brainchild of the Mamma Mia! producer Judy Craymer and written by Jennifer Saunders, the Spice Girls musical Viva Forever! launches next month. Giles Hattersley goes backstage to discover if it’s what the band want, what they really really want VIVA FOREVER! n a rehearsal room in south London, two me just before the film of Mamma Mia! came young actors are working on a scene with out [in 2008]. I sent Simon an email, saying WHERE ARE THEY NOW? all the earnest dedication required of I had to concentrate on the movie. Obviously, Baby, 36 Emma Bunton had a Ibsen. This is not Ibsen, however. At the you don’t write letters like that to Simon,” she successful solo career before back of the room, massive signs are laughs, “because I didn’t hear from him again. moving into radio presenting propped against the wall, spelling out the But I did hear from Geri in 2009. She wrote a (she has a show on Heart). immortal girl-band mantra: “Who do you sweet email, so I met her and Emma [Bunton].” She’s also been a recurring character on think you are?” It’s an existential puzzler In fact, the girls had wanted to do a musical Absolutely Fabulous and has two sons Ithat performers are encouraged to struggle for years. “It was an idea that was talked about with Jade Jones of the boyband Damage with as they wrestle with other deep emotional all the time,” says Halliwell, but Craymer fare, such as, “I’ll tell you what I want, what I hadn’t been looking to do another jukebox Ginger, 40 After quitting the Y really, really want.” Today, the show’s two leads musical (a term she hates). -
BBC TV\S Panorama, Conflict Coverage and the Μwestminster
%%&79¶VPanorama, conflict coverage and WKHµ:HVWPLQVWHU FRQVHQVXV¶ David McQueen This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. %%&79¶VPanorama, conflict coverage and the µ:HVWPLQVWHUFRQVHQVXV¶ David Adrian McQueen A thesis in partial fulfilment of the requirements of Bournemouth University for the degree of Doctor of Philosophy August 2010 µLet nation speak peace unto nation¶ RIILFLDO%%&PRWWRXQWLO) µQuaecunque¶>:KDWVRHYHU@(official BBC motto from 1934) 2 Abstract %%&79¶VPanoramaFRQIOLFWFRYHUDJHDQGWKHµ:HVWPLQVWHUFRQVHQVXV¶ David Adrian McQueen 7KH%%&¶VµIODJVKLS¶FXUUHQWDIIDLUVVHULHVPanorama, occupies a central place in %ULWDLQ¶VWHOHYLVLRQKLVWRU\DQG\HWVXUSULVLQJO\LWLVUHODWLYHO\QHJOHFWHGLQDFDGHPLF studies of the medium. Much that has been written focuses on Panorama¶VFRYHUDJHRI armed conflicts (notably Suez, Northern Ireland and the Falklands) and deals, primarily, with programmes which met with Government disapproval and censure. However, little has been written on Panorama¶VOHVVFRQWURYHUVLDOPRUHURXWLQHZDUUeporting, or on WKHSURJUDPPH¶VPRUHUHFHQWKLVWRU\LWVHYROYLQJMRXUQDOLVWLFSUDFWLFHVDQGSODFHZLWKLQ the current affairs form. This thesis explores these areas and examines the framing of war narratives within Panorama¶VFRYHUDJHRIWKH*XOIFRQIOLFWV of 1991 and 2003. One accusation in studies looking beyond Panorama¶VPRUHFRQWHQWLRXVHSLVRGHVLVWKDW -
Jihadism in Africa Local Causes, Regional Expansion, International Alliances
SWP Research Paper Stiftung Wissenschaft und Politik German Institute for International and Security Affairs Guido Steinberg and Annette Weber (Eds.) Jihadism in Africa Local Causes, Regional Expansion, International Alliances RP 5 June 2015 Berlin All rights reserved. © Stiftung Wissenschaft und Politik, 2015 SWP Research Papers are peer reviewed by senior researchers and the execu- tive board of the Institute. They express exclusively the personal views of the authors. SWP Stiftung Wissenschaft und Politik German Institute for International and Security Affairs Ludwigkirchplatz 34 10719 Berlin Germany Phone +49 30 880 07-0 Fax +49 30 880 07-100 www.swp-berlin.org [email protected] ISSN 1863-1053 Translation by Meredith Dale (Updated English version of SWP-Studie 7/2015) Table of Contents 5 Problems and Recommendations 7 Jihadism in Africa: An Introduction Guido Steinberg and Annette Weber 13 Al-Shabaab: Youth without God Annette Weber 31 Libya: A Jihadist Growth Market Wolfram Lacher 51 Going “Glocal”: Jihadism in Algeria and Tunisia Isabelle Werenfels 69 Spreading Local Roots: AQIM and Its Offshoots in the Sahara Wolfram Lacher and Guido Steinberg 85 Boko Haram: Threat to Nigeria and Its Northern Neighbours Moritz Hütte, Guido Steinberg and Annette Weber 99 Conclusions and Recommendations Guido Steinberg and Annette Weber 103 Appendix 103 Abbreviations 104 The Authors Problems and Recommendations Jihadism in Africa: Local Causes, Regional Expansion, International Alliances The transnational terrorism of the twenty-first century feeds on local and regional conflicts, without which most terrorist groups would never have appeared in the first place. That is the case in Afghanistan and Pakistan, Syria and Iraq, as well as in North and West Africa and the Horn of Africa. -
Telecommunications Provider Locator
Telecommunications Provider Locator Industry Analysis & Technology Division Wireline Competition Bureau February 2003 This report is available for reference in the FCC’s Information Center at 445 12th Street, S.W., Courtyard Level. Copies may be purchased by calling Qualex International, Portals II, 445 12th Street SW, Room CY- B402, Washington, D.C. 20554, telephone 202-863-2893, facsimile 202-863-2898, or via e-mail [email protected]. This report can be downloaded and interactively searched on the FCC-State Link Internet site at www.fcc.gov/wcb/iatd/locator.html. Telecommunications Provider Locator This report lists the contact information and the types of services sold by 5,364 telecommunications providers. The last report was released November 27, 2001.1 All information in this report is drawn from providers’ April 1, 2002, filing of the Telecommunications Reporting Worksheet (FCC Form 499-A).2 This report can be used by customers to identify and locate telecommunications providers, by telecommunications providers to identify and locate others in the industry, and by equipment vendors to identify potential customers. Virtually all providers of telecommunications must file FCC Form 499-A each year.3 These forms are not filed with the FCC but rather with the Universal Service Administrative Company (USAC), which serves as the data collection agent. Information from filings received after November 22, 2002, and from filings that were incomplete has been excluded from the tables. Although many telecommunications providers offer an extensive menu of services, each filer is asked on Line 105 of FCC Form 499-A to select the single category that best describes its telecommunications business. -
Jamie Angus Director, BBC World Service Group Media Masters – June 4, 2020 Listen to the Podcast Online, Visit
Jamie Angus Director, BBC World Service Group Media Masters – June 4, 2020 Listen to the podcast online, visit www.mediamasters.fm Welcome to Media Masters, a series of one-to-one interviews with people at the top of the media game. Today I'm joined down the line by Jamie Angus, Director of the BBC World Service Group. Jamie joined the BBC in 1999 and served as Acting Editor of Newsnight then Editor of The World at One and The World This Weekend, as well as heading the team behind daily news programs at the World Service. He went on to edit Radio 4's Today program during that period it achieved it's peak audience of more than 7 million listeners. And until recently he was Deputy Director of the World Service Group and Editorial Director for BBC Global News. In 2018, he was promoted to Director of the World Service, where he has oversights of the BBC World Service, BBC World News and bbc.com, as well as BBC Monitoring. Jamie, thank you for joining me. Thanks for having me. I'm getting a huge imposter syndrome listening to that biography. It's just a meteoric rise through the BBC ranks. Well, thank you. That's very kind of. I mean, I feel like a BBC lifer and nowadays I think we're supposed to feel that, all media careers in multiple different organizations and going out across a large number of areas. But I'm afraid I do feel like a BBC lifer now because I found huge amounts of really fascinating and interesting things to do in one organization and I feel very lucky in that.