DHM 3533: Textile Surface Design Page 1 Fall 2019
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Page | 1 Page | 2 Academic Programs Offered 1. BS Graphic Design 2. BS Textile Design 3. BS Fine Arts 4. BS Interior Design 5. MA Fine Arts 6. Diploma in Fashion Design 7. Diploma in Painting BS Graphic Design Eligibility: At least 45% marks in intermediate (FA/FSC) or equivalent, the candidate has to pass with 45% passing marks. Duration: 04 Year Program (08 Semesters) Degree Requirements: 139 Credit Hours Semester-1 Course Code Course Title Credit Hours URCE- 5101 Grammar 3(3+0) URCP- 5106 Pakistan Studies 2(2+0) GRAD-5101 Calligraphy-I 3(0+3) GRAD-5102 Basic Design-I 3(0+3) GRAD-5103 Drawing-I 3(0+3) URCI-5109 Introduction to Information & Communication 3(2+1) Technologies Semester-2 URCE- 5102 Language Comprehension & Presentation Skills 3(3+0) URCI- 5105 Islamic Studies 2(2+0) GRAD-5105 Calligraphy-II 3(0+3) GRAD-5106 Basic Design-II 3(0+3) URCM-5107 Mathematics (Geometry and Drafting) 3(3+0) GRAD-5107 Drawing-II 3(0+3) Semester-3 URCE- 5103 Academic Writing 3(3+0) GRAD-5108 History of Art 3(3+0) GRAD-5109 Drawing-III 3(0+3) GRAD-5110 Graphic Design-I 3(0+3) GRAD-5111 Photography-I 3(0+3) GRAD-5112 Communication Design 3(0+3) URCC-5110 Citizenship Education and Community Engagement 3(1+2) Semester-4 URCE- 5104 Introduction to English Literature 3(3+0) Page | 3 GRAD-5113 Fundamental of Typography 2(0+2) GRAD-5114 History of Graphic Design-I 3(3+0) GRAD-5115 Graphic Design-II 3(0+3) GRAD-5116 Photography-II 3(0+3) GRAD-5117 Techniques of Printing 2(1+1) Semester-5 GRAD-6118 History of Graphic Design-II 3(3+0) GRAD-6119 Graphic Design-III -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education
Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education 14 October 2011 On October 14, 2011, the Rice Design Alliance submitted an award submission to the American Institute of Architects for “Collaborative Achievement in Research, Dissemination, and Education.” Along with our organization’s “Biography,” a “Statement of Contributions,” and 15-pages of “Exhibits,” the RDA submission was nominated by Raymond Brochstein, FAIA with five support letters from John Kaliski, AIA, Nonya Grenader, FAIA, David Lake, FAIA, Jay Baker, FAIA, and Edward M. Baum, FAIA. Captured on the following page are a few quotes from these AIA colleagues and RDA supporters. SUBMISSION COMMITTEE Barbara Amelio, Kimberly Hickson, Lonnie Hoogeboom, Craig Minor, Suzy Minor, Danny Samuels, Carrie Glassman Shoemake STAFF Kathryn Fosdick, Raj Mankad, Katie Plocheck, Linda Sylvan “The Rice Design Alliance has been at the forefront of thinking about the future of the built environment and how cities and buildings must be sustainable. RDA has a regional reach beyond Houston, including Austin, Corpus Christi, Galveston and my town, San Antonio. RDA’s audience is not limited to design professionals. It is inclusive, open, and inviting. I have friends who are developers, lawyers, teachers, and artists who routinely attend their events because of the inspirational, informative content. RDA’s commitment to excellence and their success in expanding the audience elucidates how good design benefits all of us and the natural realm. “The Rice Design Alliance was conceived by David Crane who was Dean of the Rice University School of Architecture in 1972. -
Emilio Pucci: Revolutionizing Textile Design
Emilio Pucci: Revolutionizing Textile Design Samara Cifelli Keywords: Emilio Pucci / Diane von Furstenberg / Suki Cheema / Nieves Lavi Abstract Emilio Pucci’s influence on American fashion design is undeniable, but his contribution ranges far beyond the runway. During the 1960s and '70s, Pucci explored and pushed the boundaries of textile design through both art and science. His contributions to color chemistry, graphic design and textile engineering laid the groundwork for American designers from Diane von Furstenberg to home goods innovators like Suki Cheema and Nieves Lavi to explore and create fabrics that owe their inspiration to the Italian “Prince of Prints.” Pucci and Pattern “The body of the woman moved the dress, the dress didn’t create the body of the woman” (Taschen 22). Emilio Pucci’s innovative and bold use of patterns pushed textile design, color chemistry and pattern/textile engineering in demanding steps forward in the 1960s and 1970s. The results of Pucci overseeing every detail of production are still influential in 21st century fashion. Famous for his innovative, colorful, and complex patterns, Pucci revolutionized textile design and how it is used to enhance, emphasize, and flatter the female body. Emilio Pucci’s clothing freed women’s bodies by using fabrics much lighter than those being used at the time but he also utilized his patterns to flatter the body. “There were few gathers, tucks, or pleats to hide anything, but the patterns themselves camouflaged, and the cut was ample” (Kennedy 7). Because Pucci had such a great grasp on the engineering aspect of textile design, he was able to utilize such information as textile placement for patterning. -
Textile Design Entrepreneurship Portfolio Containing a Written Small Business Plan
Sewing Construction & Textiles III EXAM INFORMATION DESCRIPTION Exam Number This course will provide students with apparel or interior 354 design opportunities using soft goods/textiles and Items construction/production skills which will focus on entrepreneurial opportunities and careers in design fields. 37 Experiences may include pattern design, apparel design and Points construction, fitting and alteration, and interior design projects. (Students can repeat the course for credit as they 48 work towards certification.) Student leadership and Prerequisites competitive events (FCCLA) may be an integral part of the course. SEWING CONSTRUCTION AND TEXTILES I & II; OR SPORT AND OUTDOOR DESIGN I & II EXAM BLUEPRINT Recommended Course Length STANDARD PERCENTAGE OF EXAM ONE SEMESTER 1- Careers 13% National Career Cluster 2- Technology 15% 3- Fabrics 44% ARTS, A/V TECHNOLOGY & 4- Entrepreneurial Options 29% COMMUNICATIONS HUMAN SERVICES Performance Standards INCLUDED (OPTIONAL) Certificate Available YES www.youscience.com Sewing Construction & Textiles III 354.2021 STANDARD 1 Students will analyze careers and explore the design industry. Objective 1 Research employment and entrepreneurial opportunities and preparation for interior and/or fashion design careers. 1. Interior Design Careers: a. Interior designer: make interior spaces functional, safe, and beautiful by determining space requirements and selecting decorative items, such as colors, lighting, and materials. b. Developer: plan, create, and present products for a specific market using knowledge of principles and elements of design, aesthetics, and technical skills. Work closely with design and technical teams. c. Graphic Designer: create visual concepts, by hand or using computer software, to communicate ideas that inspire, inform, or captivate consumers. They develop the overall layout and production design for advertisements, brochures, magazines, and corporate reports. -
Parametric Design Thinking About Digital and Material Surface Patterns
INTERNATIONAL CONFERENCE ON ENGINEERING AND PRODUCT DESIGN EDUCATION 6 & 7 SEPTEMBER 2018, DYSON SCHOOL OF DESIGN ENGINEERING, IMPERIAL COLLEGE, LONDON, UNITED KINGDOM PARAMETRIC DESIGN THINKING ABOUT DIGITAL AND MATERIAL SURFACE PATTERNS Wenche LYCHE, Arild BERG and Kristin ANDREASSEN OsloMet – Oslo Metropolitan University ABSTRACT There is a growing need in contemporary society to understand new and emerging relationships between technology and creativity. In practice-oriented areas of education such as design, many instructors have come to understand the importance of different learning styles and how students benefit when presentation of new material is varied to reach all students. The concept of parametric design thinking enabled by advanced computational processes has recently been identified as a relevant approach to design education. The present research further explores parametric design thinking through two case studies of design workshops in an educational context and how this approach can promote diversity. The first case (Robotised Clay Workshop) documents material exploration and creative and aesthetic possibilities in digitalised clay processes. The second case (Surface Patterns in Textiles: From Tradition to Digitalisation and Back) explores digitalised processes in hybrid textile design. The two case studies contribute to the exploration of parametric design thinking as an educational approach and discuss digitalisation and the relations of body, hand and mind in terms of the Vygotskyan ‘zone of proximal development’. This content was synthesised for a workshop on surface patterns for third-year bachelor design students. The paper identifies some potentials and pitfalls of this pedagogical approach and concludes that students’ awareness of conformity and diversity in the design process can be used as a starting point to explore digital surface patterns, offering students a new way of learning about function, aesthetics and product semantics through parametric design thinking. -
Textile Design: a Suggested Program Guide
DOCUMENT RESUME CI 003 141 ED 102 409 95 Program Guide.Fashion TITLE Textile Design: A Suggested Industry Series No. 3. Fashion Inst. of Tech.,New York, N.T. INSTITUTION Education SPONS AGENCY Bureau of Adult,Vocational, and Technictl (DREW /OE), Washington,D.C. PUB DATE 73 in Fashion Industry NOTE 121p.; For other documents Series, see CB 003139-142 and CB 003 621 Printing AVAILABLE FROM Superintendent of Documents,U.S. Government Office, Washington, D.C.20402 EDRS PRICE NP -$0.76 HC-$5.70 PLUS POSTAGE Behavioral Objectives; DESCRIPTORS Adult, Vocational Education; Career Ladders; *CurriculumGuides; *Design; Design Crafts; EducationalEquipment; Employment Opportunities; InstructionalMaterials; *Job Training; Needle Trades;*Occupational Rome Economics; OccupationalInformation; Program Development; ResourceGuides; Resource Units; Secondary Education;Skill Development;*Textiles Instruction IDENTIFIERS *Fashion Industry ABSTRACT The textile designguide is the third of aseries of resource guidesencompassing the various five interrelated program guide is disensions of the fashionindustry. The job-preparatory conceived to provide youthand adults withintensive preparation for and also with careeradvancement initial entry esploysent jobs within the textile opportunities withinspecific categories of provides an overviewof the textiledesign field, industry. The guide required of workers. It occupational opportunities,and cospetencies contains outlines of areasof instruction whichinclude objectives to suggestions for learning be achieved,teaching -
Engineered Digital Textile Print Design for Customized Curves
Volume 10, Issue 3, 2018 Engineered Digital Textile Print Design for Customized Curves Kisalaya Choudhary Professor, Textile Design, National Institute of Fashion Technology, India ABSTRACT There are various instances when women feel the need to wear clothes for a slimmer appearance than their actual body shape. Looks and body appearance provide self-assurance to people, especially to those who are in a business related to physical appearances. Physical fitness and appearance have taken a parallel path in today’s world. Many designers have experimented with garments providing body shape deceiving and illusionistic effect through meticulous use of solid colors, slimming patterns, and illusion print designs. This research paper explores how smart edits in print design provide aesthetics blended with engineered slim looks, enhancing and customizing curves, per consumer preference, to create body size adjustments visually. The creative edits can be efficiently used for creating one piece/single garments customizing the curves and visual body shapes in synchronization with digital print design to enhance the body in a considerate manner. Keywords: Digital print and pattern, slimmer look, printed garments, customized curves Digital engineered printed textiles and customization opportunities Examples from optical slimming design garment (Figure 1 A, 1B and 1C) are used for Digital technology opens up a door of highlighting the body curves and creating a possibilities and opportunities for designers, slimming illusion. These garments are manufacturers, and business owners in created by effective use of dark and light various fields related to printed garments and color placements making the waist area textiles. Breaking the limitations of repeat appearance slimmer. -
Marypaul Yates
MaryPaul Yates 23 Griswold Road, PO Box 647, Monterey, MA 01245 cell: 917.453.9466 email: [email protected] website: www.yatesdesign.net twitter: @yatesdesign1 Business savvy, creative, articulate design professional with over 20 years experience providing creative direction and strategic expertise to design-focused, product-based clients. Pioneer of innovative, untapped materials; trailblazer of new product areas and initial market entries. Active educator through college teaching, mentoring, authoring CEU programs and reference volumes. Recognized for contributions to design education while consistently delivering innovative, market-driven design solutions that increase revenues and build brand value. Expertise Creative Direction, Design, Color, Product Styling and Development • Create exciting, saleable products that establish competitive advantage and cement brand identity. • Achieve fertile collaborations between production and creative counterparts in line with manufacturers’ capabilities, limitations, and goals. • Shepherd new resource partnerships and manage enduring supplier relationships, both foreign and domestic. • Organize and motivate development teams to meet project requirements and deadlines. • Establish and manage development budgets. • Accomplish timely implementations through design, development, testing, receiving, and sampling Management, Marketing, and Sales • Manage select target accounts, call on key accounts for market research, new product launches, sales team training, and private-label/custom product development. -
Wayfinding Program for the City of Naples
Request for Proposals WAYFINDING PROGRAM FOR THE CITY OF NAPLES BID Number: 15-041 BID Opening Date: May 22, 2015 COPY YOU ARE HERE Cover Key Firm Contents Letter Personnel Experience 1 2 Project Code Schedule 3 Approach4 Compliance5 Past Price Forms Performance6 7 8 YOU ARE HERE COVER LETTER The success of the plan hinges on how well the plan’s AECOM is pleased to submit strategies create ease of access and make visitors comfortable. Strategies related to wayfi nding and our qualifi cations for the interpretation provide an important unifying element that Wayfi nding Program for the educates and directs travelers. City of Naples. A critical component that makes our process successful is public outreach. AECOM team for this project is an expert at AECOM is a national leader in wayfi nding and has signifi cant public involvement, and all members of the AECOM has experience in assisting clients in creating implementable and extensive experience in working alongside community groups. creative solutions to wayfi nding problems. The AECOM AECOM fi rmly believes that public involvement and Wayfi nding Studio has designed and implemented many sign coordination with the community, property owners, and programs consistent with the FHWA/MUTCD and local DOT advocacy groups are essential to building consensus for a policies and procedures. Our team has extensive Florida DOT successful wayfi nding design that creates community project experience and we understand the specifi c ownership. We ascribe to an approach that is highly interactive requirements for fabrication and placement of roadway signs. not only among the members of the design team, but also the We are thoroughly familiar with the FDOT District 1 approval client group, area stakeholders, and citizens of the process, which will help to facilitate the completion of your community. -
Fashion and Textile Design Using Emotion and Personality
CORE Metadata, citation and similar papers at core.ac.uk Provided by ZENODO Fashion and Textile Design Using Emotion and Personality Wendy Moody, Fashion Retail and Design, Department of Textiles and Paper, UMIST – UK Peter Kinderman, Department of Clinical Psychology, University of Liverpool – UK Abstract Good design should engage personality and emotion. Using appropriate psychological approaches to the measurement of both personality and emotion offers a humanitarian approach to design. From a design perspective this project explores the preliminary development of the traditional design process or formula, using psychological methods to inform the process. ‘By describing the individual’s standing on each of the five factors [of personality], we can provide a comprehensive sketch that summarises his or her emotional, interpersonal, experimental, attitudinal, and motivational style’, (Costa & McCrae, 1985). Emotion, once experienced, will create or enhance either a positive or negative mood affect (Watson & Tellegen, 1985). Mood affect has been strongly associated with personality. If the designer is more aware of their own personality and emotional self, by fusing emotion, mood, personality and an understanding of the self-concept in the design process it could help the designer offer an alternative and informed method of tailoring a product to an individual. Drawing upon data collected from a short project carried out by Level One students in fashion and textile design, and examples of the first author’s visualization work, we explore how fashion/textile design concepts reflect personality, how they capture emotion and mood, and how this information can be used to inform the design process or even be used to develop design and retail services. -
The Design of an Augmented Typographic Experience for E-Marketing of Women Textile Fabrics
479 Shaimaa Sadek &Nashwa Nagy The Design of an Augmented Typographic Experience for E-Marketing of Women Textile Fabrics Shimaa Salah Sadek Sedek Lecturer, Department of Advertising, Faculty of Applied Arts, Benha University, Egypt, [email protected] Nashwa Moustafa Nagy Lecturer, Department of Spinning, Weaving, and Knitting, Faculty of Applied Arts, Benha University, Egypt, [email protected] Abstract: Keywords: E-Marketing has a significant effect on the marketing efficiency of products and Augmented Reality, services. The success of effective e-marketing of textile fabric is based on the Typography, E-Marketing, effectiveness of the ideal recruitment of suitable advertising function of the textile Textile Fabrics, Women product to highlight its aesthetics, features, surface effects, and varied colors. Due Fabrics, Digital to the intensified competition among different advertising agencies, it is necessary Marketing to provide marketing and advertising solutions that can confront challenges and affect users' attitudes effectively towards products and services. Therefore, in this research, we resort to using augmented reality advertisement as an e-marketing effective function for women textile fabrics. The research problem is concluded in studying the contribution of Typographic Textile Fabrics Design on users’ acquisition of marketing positive attitudes towards augmented implementation. The research objective is to prepare and use an electronic application to market textile fabrics designed by using Typography. To answer questions of the research and achieve its objectives, follow the experimental methodological Research on designing an augmented reality program to market Typographic Textile Fabrics by preparing and designing an augmented electronic application to study its impacts on the category of users attitude, which requires preparing attitude measurement that include (number of phrases to measure the attitude of this category members towards Augmented Application used for e-marketing of Textile Fabrics.